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Mirror Mirror String Quartet
Dedicated to Hu Bo -
-
2018/19 Duration: 20’ Peter Kramer
PROGRAM NOTE Mirror Mirror was written during the Summer and Fall of 2018 and was edited during the Spring of 2019, this piece is dedicated to the memory of novelist/director Hu Bo (20 July 1988 – 12 October 2017). Movements:
1. Kyrie (I, II) — Der Doppelgänger I 2. Indigo Blue (Ikonen) 3. Interlude — Epithet 4. Der Doppelgänger II — Kyrie (III)
O, spindle, give up your secret! I cry to you in many cringing hours That circle the fruit of living time… … I turn him over. To face it. The cathedral In his sea-black eyes. The face Not mine—but one I will wear … And these tend inward to me, and I tend outward to them, And such as it is to be of these more or less I am… Fragments from: Christine Lavant, Hidden spindle in the moon (trans. David Chorlton); Ocean Vuong, Telemachus; Walt Whitman, Song of Myself
NOTE TO PERFORMERS This score consists of five contrasting and somewhat ambient movements. There is a considerable amount of interpretive freedom in this score, therefore the performers are encouraged to navigate their own way through these movements quite freely (see notes before each movement). Generally, the surface layer of most of these movements is diatonic and somewhat consonant, there are additionally several layers of articulation, dynamic swells and bowing effects that are overlaid over these simple diatonic gestures in order to problematize the surface layer. The performers should make extra effort to blur and muddy this diatonic layer by exaggerated the other layers mentioned above (think of this as a relationship between consonance and dissonance). Pitch and noise play equal roles in this piece and both should constantly be at odds with one another creating a sense of struggle, tension and occasional moments of reconciliation between these two extremes.
°
¢
Mov. 1 Kyrie I [ 55-89" ]Bow freely, slow-bow, so slowly that the sustaining sound should studder and shake slightly, roughly follow the [bracketed material] to create this effect, the studdering should be non-synchronous, song-like, with most deeply felt expression...
Copyright © 2018
Mirror MirrorIn memory of Hu Bo
Peter Kramer (2018/19)
Vln. 1
Vln. 2
Vla.
Vc.
&√
(m.s.p.) molto flau.
( ppp )
>(pochiss. accent!)
[ . .. . . . .. . . . . .. . . .. . . . . . . . ]
...always continuous w/ slight interruptions... ( < > )
(tutti)
sf
(very short pause)
...dead stop!
,
&√
(m.s.p.) molto flau.
( ppp )
>
[ . . . . .. . . . . . .. . . .. . . . . . .. . . . .. . ]
(pochiss. accent!) ...always continuous w/ slight interruptions... ( < > )
(tutti)
sf
(very short pause)
...dead stop!
,
B√
(m.s.p.) molto flau.
( ppp )
>
[ . . . . . . . . . . ... . . . . . . . . .. . . ]
(pochiss. accent!) ...always continuous w/ slight interruptions... ( < > )
(tutti)
sf
(very short pause)
...dead stop!
,
?√
(m.s.p.) molto flau.
( ppp )
>
[ . ... . . . . .. . . .. . . . . . ... . .. . ]
(pochiss. accent!) ...always continuous w/ slight interruptions... ( < > )
(tutti)sf
(very short pause)
...dead stop!
,
œœ
œœ
œœ
œœ
°
¢
( ritornello q=80_85 sempre )Like an echo, a whisper, smoke trails... the quarter note pulse should be executed rather freely, the performers can ever so slightly phase in and out of time with one another throughout this section.
2
Vln. 1
Vln. 2
Vla.
Vc.
44
44
44
44
&v
like blowing out a candle...
pizz.
sffz sub.
arco (s.t.) c.l.t. + bow
/≥≤0
pppmolto legato no (de)cresc... (pochiss.)
(IV)
>o (III) (IV)
( ppp )
swelling...
( < > ) ( < > ) ( < > )
5
&/≥≤0(s.t.) c.l.t. + bow
like blowing out a candle...
pppmolto legato no (de)cresc...
( ppp )
(IV) (III)
swelling...
( < > ) ( < > ) ( < > )
BIIIIIIV
(poco)
vlike blowing out a candle...
pizz. arco (s.t.) c.l.t. + bow
ppp
3
gliss.
IIIII
mf
> : ; ( ppp ) ( < > )
IIIII
swelling... ( ppp )
pizz.
> &/≥≤0arco (s.t.) c.l.t. + bow
molto legato
? ....
like blowing out a candle...
(s.t.) c.l.t. + bow
fp
>(ricochet)
: ; pp perdendosi...
∑
mf : ; ...echo
(poco)µ> >
(pochiss. accent)
mp ...dark
(gliss.)˜>
Ÿ~~~~ ....
fp
> : ;
œœœœbj
‰ œ# œ œ œ œ# œn œæææœ ™ œ œ# œ ‰ œœ œœ œœ# œœb œœ œœn
Œ ~# ~ ~# ~ ~ ~ æææ~# ~ ~ ~ œ# œ~ œœ œœ œœ
‰ œœœj
œœœj œœ œœ ™™™™ ≈ Œ ‰ œœ
œj œœ# Ó œœœbj ‰ ~ ~# ~ ~
œ ˙ ™ œ œ# œ œ œ œ# œ ≈ Ó Œ œ œ# œ Œœ# œ
2
°
¢
6
Vln. 1
Vln. 2
Vla.
Vc.
&( ppp )
...morendo...
(III)
...echo
(short)≈(IV)
>,
attacca Kyrie II
&( < > )
(III) (IV)
mf
> : ;∑≈ attacca Kyrie II
&( ppp ) no (de)cresc...
∑≈ attacca Kyrie II
?(poco)
(IV)
>(III)
pp perdendosi...
∑≈ attacca Kyrie II
œœ ‰ Œ œ œ œ œ# œ œ
œœ œ# œ ™™ ~œ ≈
~ ~# ~ Œ
œ ˙ ™ ~œ
3
°
¢
Kyrie II ( part 1 q=80_85 )The quarter note pulse should be executed rather freely, the performers can ever so slightly phase in and out of time with one another throughout this movement, however stepwise material within parenthesis should adhere to a regular pulse and act as a sort of scafolding for the material around it, pay close attention to bow positions from measure to measure, like a medieval clocktower, quasi-mechanical but not always precise.
°
¢
™™
™™
™™
™™
Vln. 1
Vln. 2
Vla.
Vc.
44
44
44
44
&(s.t.) w/ pressure, grainy...
p-
perdendosi...
(s.p.) molto flau.
pp
(IV)
no (de)cresc...
o(
( pp )
(III)
( pp ) : ;)
& ∑ (
(s.p.) molto flau.
(IV)
pp
o
: ; ppp : ;)
(ord.) c.l.t. + bow
ff
subito! sonorous, not harsh...: ; receding...
arco norm. (s.p.) molto flau.
( pp )
(ord.) c.l.t. + bow
ff
surging forward...
: ;
Bpochiss.
mute the open strings with the l.h. "white-noise"
(s.p.) molto flau.
p
> : ;subito! sonorous, not harsh...
(ord.) c.l.t. + bow
ff : ; receding...
&
arco norm. (s.p.) molto flau.
pp
B(ord.) c.l.t. + bow
ffreceding...
: ;( &
arco norm. (s.p.) molto flau.
pp
? ∑v
(s.p.) molto flau.
fp
martelé
: ;( &
pp : ;pochiss.
> ) ?(ord.) c.l.t. + bow
subito! sonorous, not harsh...
ff : ; receding...
v
arco norm. (s.p.) molto flau.
mfmolto vib!
¯¯ &/≥≤0
ppmolto legato
˙ ™ Œ œ ~# ~ ~ œ ™™ ≈ œ œ# œ œ ™™ ≈ Œ
œ œ# œ œ# ˙ ™™ Œ ~ ~# ˙
Œ )) ™™ Œ ˙ ™™ Œ œ# œ œ ˙ œ œ#
œ Ó œ# œ œ ˙˙ œ Œ œ œ
4
°
¢
5
Vln. 1
Vln. 2
Vla.
Vc.
& v(cut off!)
(ord.) c.l.t. + bow
sffz … ( ff ) : ;,
arco norm. (s.p.) molto flau.
(IV)
pp
-
mute the open strings with the l.h. "white-noise"
(molto)
: ; …(( pp )
pochiss.: ;> )
( pp )
&…
(cut off!)molto!
arco norm. (s.p.) molto flau.
mute the open strings with the l.h. "white-noise"
p
> : ;
,
pp(pochiss.)
…: ; ( < > )
-sf
vmartelé
fp : ;(
pp
&: ;
pochiss.> ) Bvfp
(poco): ; … (cut off!)
&
pp ( pp ): ;
(III)
- (poco>
: ;)
& (, (I)o
: ;), (II)
pp
-subito!
?
mute the open strings with the l.h. "white-noise" and swipe with the l.h. in the given direction
(molto!)
>
: ; … (cut off!)
&
pp : ;
œœœj
‰ ˙ œ )) Œ œ œ œ œ œ# Ó™ ~
Œ æææ)) ™™ ~ ~# œ ™™ ≈ Ó œœ Œ œ# Ó œn
œ œ œ Œ œ# Ó™ œ œ# ™™ ≈ æææœ œ œ œ œ
œ œ# œ œ œ œ# œ œ 66ûû Ó™ ~ ~# ~ ™™ ≈
5
°
¢
9
Vln. 1
Vln. 2
Vla.
Vc.
&( pp )
(IV)
-
(poco)
: ; …(poco)
mute the open strings with the l.h. "white-noise" and swipe with the l.h. in the given direction
> : ; ( pp )
,(ord.) c.l.t. + bow
ff : ;
&(poco)>
: ;...perdendosi...
)( pp ) : ; v
mp
martelé
dark...: ;
&
(slight intonation change to the given quarter-tone and quickly back to norm.)
B(ord.) c.l.t. + bow
ff
µ% _
: ;& v
arco norm. (s.p.) molto flau.
martelé
fp : ;(
( pp ) : ; ...cresc poco a poco...
&
(slight intonation change to the given quarter-tone and quickly back to norm.)
?(ord.) c.l.t. + bow
ff
B% _
: ; pp
(III)
arco norm. (s.p.) molto flau.
(pochiss.)
let ring...
: ;&
( pp )
,?
(ord.) c.l.t. + bow
ff
surging forward...
: ; …&
arco norm. (s.p.) molto flau.
(II)>
: ; pp
œ œ# œ œ Œ œ# Ó 66ùù Ó ~ ~ ~# ˙
œ œ œ œ# œ œ œ œ Œ œ# œ ™™ ≈ œœ Ó™
Œ ˙ Œ œ Œ œ œ œ œ œ œ# œ œ œ œ
Œ ˙˙ ™™ ~œ Œ ~ ~ ~ ˙
˙ Œ Œ ~œ œ œ
6
°
¢
13
Vln. 1
Vln. 2
Vla.
Vc.
&(poco)
arco norm. (s.p.) molto flau.
> (: ; ...decresc poco a poco...
)(II)
martelé
fp
o
: ;,
pp
-sub.
(ord.) c.l.t. + bow
ff : ;
&(III)
pp
-o(ord.) c.l.t. + bow
ff : ; …
arco norm. (s.p.) molto flau.
martelé
sffz
molto vib!
^ ¯¯: ; pp mp
^
dark...
…
(ord.) c.l.t. + bow
ff : ;
arco norm. (s.p.) molto flau.
pp
&pochiss. subito...
dolce
>)
pp
Bv
(ord.) c.l.t. + bow
sffz ( ff ) : ;,&
arco norm. (s.p.) molto flau.
pp(pochiss.): ;
B
…
(ord.) c.l.t. + bow
ff : ;,&
&perdendosi...
pp
-(molto!): ; …
?(ord.) c.l.t. + bow
ff : ;( &
,
pp
arco norm. (s.p.) molto flau.
: ;
œ œ œ œ œ œ# œ œ œ œ œ Œ œœ# ˙
œ ˙ Œ œœ œ# œ œ ~œ Ó™ ˙ œ œ
œ ™™ ≈ ~ ~ œœœ ˙ ™™ ~ ~# ~ ~ ~ ™™ ≈ ˙
œ œ# œ Œ œ ™™ ≈ Ó ˙˙
œ œ œ œ œ œ#
7
°
¢
17
Vln. 1
Vln. 2
Vla.
Vc.
&
arco norm. (s.p.) molto flau.
pp
((molto!)>
: ;
(pochiss.)
(III)>
...decreasc. poco a poco...
(IV)>
...disappearing
&(ord.) c.l.t. + bow
ff sffz
^
: ;
arco norm. (s.p.) molto flau.
(III)omartelé
fp
^5 : ; ( < > )
-sf
(ord.) c.l.t. + bow
ff : ;,
( pp )
arco norm. (s.p.) molto flau.
( pp )
(IV)
(pochiss.)
: ; …
&
arco norm. (s.p.) molto flau.
dark...
mp
^ martelé
: ; ( pp )
-( pp ) perdendosi... p
(poco)
^
: ; …(
( pp )
3
&...cresc. poco a poco...
(pochiss.)> )pp
-
sub.
martelé
fp
^3 molto espress...: ; ( pp )
(ord.) c.l.t. + bow
?,
ff : ;
arco norm. (s.p.) molto flau.
( pp )
&
~ ~# ~ Œ œ œ œ œ ~œ œ œ# œ œ ~œ œ œœ
œœœœœ Œ œ ≈ œn Ó æææœ ˙ œ œ Œ ~# ~ ™™ ≈
œ Ó œ œ œ# œ Œ ~ ~# ™™ ≈ Œ ŒœJ Ó œ
œ œ œ œ œ ™™ ≈ Ó ‰ œ Ó™ œ ˙˙ œ
8
°
¢
21
Vln. 1
Vln. 2
Vla.
Vc.
&ppp
)pp perdendosi...
(IV)
dolciss...
o-
( pp )
,(ord.) c.l.t. + bow
sffz
^
ff : ;,
&(IV)
(molto!)
...let ring: ;
(ord.) c.l.t. + bow
ff : ; sffz …
^arco norm. (s.p.) molto flau.
( < > )
-sf
(pochiss.)
: ; … ( pp )
- ((poco)>
&: ; ...cresc. poco a poco...
, (sul II) (poco)>)
( < > )
-sf
B(ord.) c.l.t. + bow
surging forward...
ff : ;&
&( pp ) perdendosi...
vmp
dark...: ; ( pp )
(overpressure)Ö
fp
^ norm.
...softly
> (pochiss.)
: ; ( pp )
œŒ ~ ~ ~ ~# ~ Œ œ ™™ ≈ ~ ~ ~ œœœ ˙
~bœ
Œ ˙œœœJ
‰ Œ Œ œ Ó œ œ Œ œ# œ œ
œ œ œ œ œ œ œ# œ œ œ œ œ Œ æææœ# ˙
œ œ# ™™ ≈ Œ œ~bb ™™™™ ≈ Ó œ œ# Œœ~n œ#
Œ œ œ
9
°
¢
25 ü
†
™™
™™
™™
™™
Vln. 1
Vln. 2
Vla.
Vc.
&
arco norm. (s.p.) molto flau.
fp
^martelé
pp
-: ;
1.
∑ ∑...strictly in time...
2.
(( pp )
arco norm. (s.p.) molto flau.
: ;
&: ; ( pp )
) ∑...strictly in time... ( pp )
- )
(pochiss...)
: ; …
&( pp )
arco norm. (s.p.) molto flau.
perdendosi...
∑ ∑...strictly in time...
vmf
(molto!): ; … ( pp )
& ?,(ord.) c.l.t. + bow
ff : ; receding...
,∑ ∑
...strictly in time...
&
arco norm. (s.p.) molto flau.
œÓ æææœ Œ œ œ œ
œ œ œ œ œ# ™™ ≈ Ó œ# Œ œœ ™™™™ ≈
Œ ~# ~ ™™ ≈ œ~## ™™™™ ≈ Œ ~
œ ˙˙ ™™ œ œ# Ó
10
°
¢
29
Vln. 1
Vln. 2
Vla.
Vc.
&...disappearing... ppp
) ∑
(poco vib.)
fp
^martelé
: ;∑
& ∑
(senza vib.)^
fp
martelé
: ;∑ ∑
&disappearing...
-senza vib...
: ;∑ ∑
&mp
^dark...: ; pp
(I)o
(pochiss...)
…: ;∑ ∑
mf
^
perdendosi...
œ œ œŒ
œÓ™
œ#Ó™
~n ~# Œ œ ˙˙ ™™ Œ
~œ Œ œ ™™ ≈ ~œ ™™™™ ≈ Ó
11
°
¢
33
( part 2 same tempo )
Vln. 1
Vln. 2
Vla.
Vc.
& ∑,(ord.) c.l.t. + bow
ff : ;(
(poco)
arco norm. (s.p.) molto flau.
>
& ∑ ∑vmp
martelé
dark...: ;
(III)
pp
-o(ord.) c.l.t. + bow
ff : ; …
& ∑ ∑ (pp ...cresc poco a poco...
), martelé
fp
^
: ; pp
,B
&(pochiss.)>5 : ;
∑3 : ;
, (II)
mp
o>
pp perdendosi...
Ó™ œ œ œ# ˙ œ œ œ œ
œœ Ó™ œ ˙ Œ
œ œ œ œ ~œ Œ œ œ
≈ ~œbb Ó™ ‰ ~œBB œ ~n ~ ~n ~# ~ ™™ ≈
12
°
¢
37
Vln. 1
Vln. 2
Vla.
Vc.
&v
(ord.) c.l.t. + bow
sffz : ;,
...decresc poco a poco...
arco norm. (s.p.) molto flau.
ppp
)(II)
martelé
fp
o
: ;,
pp
-sub.
(ord.) c.l.t. + bow
ff : ;
arco norm. (s.p.) molto flau.
pp perdendosi...
&
arco norm. (s.p.) molto flau.
(molto!)
: ;…
pp
,martelé(IV)
fp
^
: ;>
3 dolce: ; pp
-
martelé
fp
^ (ord.) c.l.t. + bow
sffz
^
: ;5 3
Bv
(ord.) c.l.t. + bow
sffz ( ff ) : ;,&
arco norm. (s.p.) molto flau.
pp(pochiss.): ; … ( pp )
- : ; dark...
mp
^ martelé
: ; ( pp )
-
&pp
-(molto!): ; …
Övfp
^
: ;(
arco norm. (s.p.) molto flau.
pp : ; ...cresc. poco a poco...
(pochiss.)> )
œœœœ œ# œ œ œ œ œ Œ œ
œ# ˙ ~ ~# ~ ™™ ≈
≈ ~œbb ™™ Œ ~ ~n œ~ ™™ ≈ Ó ‰ ~œb Ó æææœ Œ ~œ#n J Œ œœœ Œ
œœœ ˙ ™™ œ œ# œ œ œ ™™ ≈ œœ Œ œ Ó œ
œ ™™ ≈ Ó ~œ
Œ œ œ œ œ œ œ# œ œ œ œ
13
°
¢
41
Vln. 1
Vln. 2
Vla.
Vc.
&
martelé
fp
^
5(: ; ...decreasc. poco a poco...
)martelé
mf
^3 : ;
(pp
)
(molto!)…: ; pp
3
&
arco norm. (s.p.) molto flau.
martelé
fp
^5
( pp )
-(poco)
3 : ; … ( pp )
-fp
^
: ;(ord.) c.l.t. + bow
ff : ;
&(pochiss.): ; … ( pp ) perdendosi...
(poco)>
: ;(
( pp ) : ;3
&(pochiss.)->
: ;
martelé
fp
^3 molto espress...: ; ( pp )
?,(ord.) c.l.t. + bow
ff
arco norm. (s.p.) molto flau.
: ;&
( pp ) perdendosi...
≈œ
œ œ œ œ œ œ# œ ‰~œ Œ œ œœ Œ
~œBbBb J Œ œ œn
≈ œn Ó œ Œ ‰ æææ~œBB Œ œn œ œ# œn Œœ
Œ ˙
œ œ# œ ™™ ≈ ~ ~# Ó ŒœbJ Ó œ œ œ œ œ
œ ™™ ≈ Ó ‰ œ Ó™ œ ˙˙ ~ ~ ~# ™™ ≈ Œ
14
°
¢
45
Vln. 1
Vln. 2
Vla.
Vc.
&perdendosi...
(I)
(poco)
o
...let ring: ; ( pp )
(III) poco
(pochiss.)
>
: ; …
(ord.) c.l.t. + bow
ff : ;,arco norm. (s.p.) molto flau.
fp
^martelé
: ; pp
-: ;
&(pochiss.)
arco norm. (s.p.) molto flau.
>
: ; ( pp )
-
martelé
sffz
^
: ;(
( pp )
(pochiss.)>
: ;)
(molto!)
: ;…
(( pp )
3 5
&...cresc. poco a poco...
, (sul II) (poco)>)
( pp )
- B(ord.) c.l.t. + bow
ff : ;&
… ( pp )
arco norm. (s.p.) molto flau.
perdendosi...
& vmp
dark...: ;
Ö
fp
^ gliss.
: ; ( pp )
(pochiss.)
o
: ; dolciss...
>(pochiss.)
: ; ( pp )
?,(ord.) c.l.t. + bow
ff : ;,&
œ œ# œ ™™ ≈œ
Œ œœ Œ~œ Œ ˙
œ ™™≈ Œ œ
œ~
Œ æææ~œJ Ó œ Œ~œ Œ œ œ œ# œ œ ≈
~œ ™™Œ œ œ
œ œ œ# œ œ œ œ œ Œ æææœ# ˙ Œ ~# ~ ™™ ≈
œ~bb ™™™™ ≈ Œœ~n
~ ~# œn Œœ#
Œ œ œ œ ˙˙ ™™
15
°
¢
49
Vln. 1
Vln. 2
Vla.
Vc.
&dolce...
poco
…>(
( pp ) : ; ...disappearing... ppp
)
(pochiss.)
3 : ; …
(poco vib.)
fp
^martelé
: ;5
&perdendosi...
- )
(pochiss...)
-: ; …
molto!>3 : ;
(senza vib.)^
fp
martelé
: ;
poco
mf
>
: ;33
& vmf
(molto!): ; … ( pp ) disappearing...
- : ;∑
&arco norm. (s.p.) molto flau.
disappearing... fp
^
: ; pp
(I)o-
(pochiss...)
…: ;∑ ∑
≈~œ## ™™
Œ œn œ œ œ œnŒ ‰ ~œb Ó™
œnÓ™
œ# ™™ ≈ œœ Œ ‰ ~œ Ó™œ#
Ó™ Œ æææ~œ#J æææ~œ# ‰ Ó
œ~## ™™™™ ≈ Œ ~ ~n ~# Œ æææœ œœ ™™™™ ≈ Ó
œ œ# ™™ ≈ Œ ~œ Œ æææœ ™™ ≈
16
°
¢
53 °
¢
™™
™™
™™
™™
ü
†
™™
™™
™™
™™
( ritornello q=80_85 )
Vln. 1
Vln. 2
Vla.
Vc.
&poco>
: ;∑
[5x total]
pochiss...
...like something hanging...
>
: ; v
pizz.
sffz sub.
arco (s.t.) c.l.t. + bow
/≥≤0
pppmolto legato
3 3
& ∑ ∑[5x total]
∑/≥≤0(s.t.) c.l.t. + bow
pppmolto legato
& ∑ ∑[5x total]
∑ B
IIIIIIV
(poco)
v
pizz. arco (s.t.) c.l.t. + bow
ppp
3
gliss.
&fp
^
: ;∑
...like something hanging...
[5x total]
mf
>: ;
? ....(s.t.) c.l.t. + bow
fp
>(ricochet)
: ; pp perdendosi...
Œ ~œJ Ó™ Œ ~œbJ Ó™ œœœœnbj
‰ œ# œ œn
Π~# ~ ~#
‰ œœœj
œœœj œœ
~œ Ó™ œ~ Ó™ œ ˙ ™
17
°
¢
57
Vln. 1
Vln. 2
Vla.
Vc.
&no (de)cresc... (pochiss.)
(IV)
>o (III) (IV)
( ppp ) ( < > ) ( < > ) ( < > ) ( ppp )
5
&no (de)cresc... ( ppp )
(IV) (III)
( < > ) ( < > ) ( < > ) ( < > )
(III) (IV)
mf
> : ;
Bmf
> : ; ( ppp ) ( < > ) ( ppp )
pizz.
> &/≥≤0arco (s.t.) c.l.t. + bow
molto legato( ppp ) no (de)cresc...
? ∑
mf : ; ...echo
(poco)µ> >
(pochiss. accent)
mp ...dark
(gliss.)˜>
Ÿ~~~~ ....
fp
>: ; (poco)
(IV)
>(III)
pp perdendosi...
œ œ# œn œæææœ ™ œ œ# œ ‰ œœ œœ œœ# œœb œœ œœn œœ ‰ Œ œ œ
~ ~ ~ æææ~# ~ ~ ~ œ# œ~ œœ œœ œœ œœ œ# œ ™™ ~œ ≈
œœ ™™™™ ≈ Œ ‰ œœœj œœ# Ó œœœb
j ‰ ~ ~# ~ ~ ~ ~# ~ Œ
œ œ# œ œ œ œ# œ ≈ Ó Œ œ œ# œ Œœ# œ œ ˙ ™ ~
œ
18
°
¢
61
Vln. 1
Vln. 2
Vla.
Vc.
&...morendo...
(III)
(medium)
...echo
U(IV)
>,
short pause, attacca Der Doppelgänger I...
& ∑U short pause, attacca Der Doppelgänger I...
& ∑U short pause, attacca Der Doppelgänger I...
? ∑U short pause, attacca Der Doppelgänger I...
draft 08/09/18Manzanita, OR
score 10/24/18 "full moon"NYC
œ œ# œ œ
19
°
¢
°
¢
Der Doppelgänger I ( q=50_55 )dashed slurs indicate sustained dyads, bow freely sempre, circular bowing between m.s.t. and ord.
Vln. 1
Vln. 2
2
Vln. 1
Vln. 2
&
(m.s.t.) (ord.) fluatando (slowly...)
ppp
>
-
í ™™ ( ppp )
(accents always a little louder than the given dymanic)
hushed... see repetition indications for dynamics below vln. 2
5
>5
/≥≤0 /≥≤05 5 5
&
(m.s.t.) (ord.) fluatando (slowly...)
ppp
-
í ™™1.2.3.
( ppp )
mfppppp
slightly more present... (smaller circles, nearer to the tip of the bow but rotating faster...)not too loud, decresc poco a poco to...
viol-like... (slow circles encompassing around 1/3 of bow)
hushed... (accents always a little louder than the given dymanic)
>
ppp ...by the end of the repetition (alternating between small and slightly larger circles... ending very small...)
>
/≥≤05 5 5 5
&always calm and hushed, as if whispering to one another...
>
/≥≤0
>5 5 5
&always calm and hushed, as if whispering to one another...
>
/≥≤0 /≥≤05 5
œœb œœnn ™™ œœn œœrœœn œœ
rœœb œœ œœn
rœœ œœ œœ œœn ™™ œœ œœ œœ œœ
œœ œœ œœ œœb œœ œœn ™™ œœ œœn œœ œœ œœn œœb ™™ œœ œœ œœnn ™™ œœ œœ
œœ œœ ™™ œœnb œœn œœ œœ œœ œœ œœ ™™ œœ œœ œœb ™™ œœnn œœ œœ
œœ œœ œœn œœnb œœ ™™ œœn œœ œœ œœ œœ œœ ™™ œœ œœ œœ
20
°
¢
3
Vln. 1
Vln. 2
Vla.
Vc.
&the repetitions should be almost imperceptible...
> î™™
, ....(ord.) c.l.t. + bow
pp
>subito! pochiss. accent sempre
(ricochet)
...strictly in time...
....
>
55 5
&the repetitions should be almost imperceptible...
>5
> î™™ : ;
, ....(ord.) c.l.t. + bow
pp
>subito! pochiss. accent sempre
...strictly in time...
(ricochet)5 5 55
B TACET
[55-89"]√(m.s.p.) molto flau.
( ppp )
>(pochiss. accent!)
[ . . . . . . . . . . ... . . ]
...always continuous w/ slight interruptions...
? TACET
[55-89"]√(m.s.p.) molto flau.
( ppp )
>(pochiss. accent!)
[ . ... . . . . .. . . .. . ]
...always continuous w/ slight interruptions...
œœ œœ œœnb ™™ œœn œœ œœ œœ œœ œœ# Œ Œœœ#n
Œœœ# ™™j ‰ Œ
œœrœœb œœ œœ
rœœ œœnn
rœœ œœ ™™ œœb œœ œœn Œ Œ Œ ‰™ œœ# j Œ
œœ
œœ
21
°
¢
4
Vln. 1
Vln. 2
Vla.
Vc.
&...strictly in time...
(long)√ TACET arco norm. (m.s.p.) molto flau.
( < > )
(tutti)
sf
>
[ . . . . . ]
( ppp ) ...dead stop!
5
&...strictly in time...
....
>5
perdendosi...
(long)√ TACET arco norm (m.s.p.) molto flau.
( < > )
(tutti)
sf
>
[ . ... . . . ]
( ppp ) ...dead stop!
B( ppp )
[ . . . . . . . . . . ... . . . . . . . . .. . . ]
...sustaining... ( < > )
(tutti)
sf ...dead stop!
?
( ppp )
[ . ... . . . . .. . . .. . . . . . ... . .. . ]
...sustaining... ( < > )
(tutti)
sf ...dead stop!
draft 09/15/18score 10/25/18NYC
Œ Œ Œ œb rœ Œ œœ
Œ Œ œœ# ≈ Œ œœn œœn
œœ
œœ
22
°
¢
Mov. 2 Indigo Blue ( Ikonen ) [ 3-5' ]Bow on the bridge with some pitch sounding from the strings, there should also be a "white-noise" toneless sound coming from the bow against the bridge, senza vibrato sempre, the first, tenth and final chords are attacked together, otherwise change dyads freely staying together somewhat but phasing in/out of time with one another, aside from the first chord all accented dyads should by attacked asynchronously, let the harmonies blend together freely creating a continuously resonanting sound, like a halo surrounding the ensemble, the sf swells should be brief and immediately fall back to ppp... always a short pause (breath mark) when switching notes/dyads, caesuras never too long, breath marks and caesuras should create small holes/pauses within the larger continuous texture.
Vln. 1
Vln. 2
Vla.
Vc.
& ( ) ( )
/≥≤0sempre...
ppp
>(pochiss. accent sempre) very slowly and methodically...
( ),
>
(m.s.p.) sub.
(long)
( ppp )
√>
(on bridge, as before)
>
fl
&/≥≤0
ppp
sempre...
>(pochiss. accent sempre) very slowly and methodically...
(short)≈ ( ),
>
(medium)U
> >
(m.s.p.) sub.
(long)
( ppp )
√>
( < > )
(soli)
(on bridge, as before)
sf
>( ppp )
B/≥≤0
ppp
sempre...
>(pochiss. accent sempre) very slowly and methodically...
( ), (short)≈>
(medium)
U> > >
(m.s.p.) sub.
(long)
( ppp )
√>
(on bridge, as before)
( < > )
fl
(soli)
sf
>
? ( )
(short)
/≥≤0≈
sempre...
ppp
>(pochiss. accent sempre) very slowly and methodically...
( ), (III)
>
(medium)U> >
(IV)o>
(II)
> >
(m.s.p.) sub.
(long)
( ppp )
√>
fl (on bridge, as before)
> >
∑ Œ œ œ œ œ œœ œ œ
œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ
œ œœ œœ œ œ œ œœ œœ œœ œœ œ œ
Œ œ œ œœ œœ œ œ œ œœ œœ œœbb œb
23
°
¢
2
Vln. 1
Vln. 2
Vla.
Vc.
&/≥≤0
( < > )(soli)
sf
>( ppp ) the harmnonic motion begins to move more quickly...
≈
...like a distant organ...
fl>
&/≥≤0
( ppp ) the harmnonic motion begins to move more quickly...
fl>
≈
...like a distant organ...
> > >
B/≥≤0
( ppp )
>the harmnonic motion begins to move more quickly...
> > > > >≈
...like a distant organ...
> > >fl>
? /≥≤0
( ppp )
>( < > )
(soli)
sf
>( ppp )
IIIII
>the harmnonic motion begins to move more quickly...
(IV)
>(III)
> >≈
...like a distant organ...
> >(III)
>fl>
œ# œ œ œ œ œ œ œ œ œ œ œ
œœ œœ œœ œœ œœ œ# œ œ# œ œn œœ œœ
œ œœ œœ œ œ œ# œ œ œ œ œ œ
œn œœ œœn œœ œb œn œ œn œ œ œ œ
24
°
¢
3
Vln. 1
Vln. 2
Vla.
Vc.
&
( ppp )
> >≈
...from this point forward slightly more continuous...
>U (IV)
>(III)
>,
subito!
(ord.) c.l.t. + bow
sffz …
^( )
&
( ppp )
fl (IV)
>≈
...from this point forward slightly more continuous...
(III)
>
U(IV)
> > >
B( ppp )
> >≈
...from this point forward slightly more continuous...
> >U
>
?
( ppp )
(II)
> >(III)>o
>
≈(IV)
...from this point forward slightly more continuous...
o>
> U>
oIIIIV
>o>
œ œ œ œ œ œœ# œœ œœ œ œ# œœj
‰ Œ
œœ œœ œ œ œ œ œ œ# œ œœ## œœ œœn
œ œ œœ œœ œ œ œ œœ œœ œœ œœ œœ
œ œ œ œœ œ œœœ
œœœ œ œœ œœ
25
°
¢
4
Vln. 1
Vln. 2
Vla.
Vc.
&( )
ppp
(on bridge, as before)
>...resolving to...
>
(m.s.p.) sub.
[ . . . . . . . . .. . . . . . ]
( ppp )
√>
( < > )sf ( < > )sf ...dead stop!
&>
...resolving to...
>
(m.s.p.) sub.
[ . ... . . . . .. . .. ... . . . . ]
( ppp )
√>
( < > )sf ( < > )sf ...dead stop!
B > > >...resolving to...
>
(m.s.p.) sub.
[ . . . . . . . . .. ]
( ppp )
√>
( < > )sf … sub dead stop!
?> >
(IV)o>
(II)
...resolving to...
> >
(m.s.p.) sub.
[ . ... . . . . .. . .. . ]
( ppp )
√>
( < > )sf … sub dead stop!
draft 09/23/18score 10/26/18NYC
Ó œ œ œ œ œœ œœ
œœ œœ œœ œœ œœ œœ œœ œœ
œ œ œ œœ œœ œœ œœ
œœ œœ œ œ œ œœ œœ
26
°
¢
°
¢
™™
™™
™™
™™
Mov. 3 Interlude ( q=55_60 ) ( subito a little faster! )
ü
†
™™
™™
™™
™™
°
¢
™™
™™
™™
™™
Vln. 1
Vln. 2
Vla.
Vc.
24
24
24
24
&
[5x total]c.l.t. + boword. (con sord)sul IV
pp freddo...
pochiss.
3
: ;,
( pp ) sub. : ;,
( pp )
(III)
[3x total]
arco (norm) s.p. subito!
( pp ) molto espress.distant...
>3 5 3
&
[5x total]c.l.t. + boword. (con sord.)
freddo...pp
5
: ;
,
sub.
( pp )
3
poco
,
: ; ( pp )
first time only [3x total]IVIII
freddo...mf sub.
arco (norm)m.s.p. subito!
( )
(poco)
IIIIV
( mf )>
5 3 3 5 5
5
&
m.s.p. (con sord.)
[5x total]
IIIII
mf freddo...
( )
(poco)
IIIII
( mf )
( )
>
III
( )>5
( )
IIIIII
>B
[3x total]arco (norm) s.p. subito!
( pp ) molto espress.distant...
>35
5
5
&
[5x total]c.l.t. + boword. (con sord.)
pp freddo... ...pochiss. cresc... ( pp )
3
sub.poco: ; …
arco (norm) s.p. subito!
?
[3x total]
( pp ) molto espress.distant...
>3
œ œ œB œn j æææœ œ œ œµ æææœj œ œ œ œ ™ œ œ œj
≈ œ œ œB ™ œ æææœj æææœ œ œ œ ™ œ œj œµ æææœ œ ™ œµ ˙˙ Œ ˙˙œœr
˙˙ Œ ˙˙œœr
‰™˙˙ œœ
r ≈Œ˙˙ œœœ
r œ ™ œ œb œb j œ œ
˙ œ œj œ ˙ œJ œ œ œ Œ œ ˙
27
°
¢
7
( tempo 1 )
ü
†
™™
™™
™™
™™
Vln. 1
Vln. 2
Vla.
Vc.
&( pp ) ...poco cresc...
>...poco decresc...
>3
1. as written2. (short, tutti)3. as written≈
pochiss...
( )>5
c.l.t. + bow ord.sul IV
pp freddo...
pochiss.
3
: ;,3 5
&( )
IIIII
( )>5
( )
IIIVIII
>…
∑suddenly off!
∑
c.l.t + boword.
freddo...
pp
5
: ;
,
sub.
( pp )5
5 3 3
B( pp ) ...poco cresc...
>...poco decresc...
> &IIIII
m.s.p.
mf freddo...
( )
IIIII
( mf )>
55
?( pp ) ...poco cresc...
>
...poco decresc...
> >3
,
: ;&
c.l.t. + boword.
pp freddo... ...pochiss. cresc... ( pp )
3
sub.5 3
5
œ œ œ œb œ œ ™ œ œj œ œ œ œr œœ œ œ œB œn j æææœ
‰™˙˙ œœ
r ≈Œ˙˙ œœœ
r ≈ œ œ œB ™ œ æææœj æææœ œ œ
œ œ ™ œ œ œ œ œb œ œ ˙˙ Œ ˙˙œœr
˙ œ œ ™ œ œ œj œ œJ œb œ ™ œ ˙ œ œj œ
28
°
¢
13
Vln. 1
Vln. 2
Vla.
Vc.
&( pp ) sub. : ;
,
( pp )pochiss.
3
: ;,
( pp ) sub.
U
: ;3 3
&3
poco
,
: ; ( pp )
5,
sub.
( pp ): ;3
molto!: ; …5 U5 5 5 3 3 5
&( )
III
( )>5
( )
IIIIII
>…
∑suddenly off!
∑ ∑[5x total]
B
í ™™
c.l.t.m.s.t. (freely...)
: ; î™™5
&pochiss.: ; …
∑ ∑ ∑ ∑U3
œ œ œµ æææœj œ œ œ œB œn j æææœ œ œ œµ æææœj Œ
œ ™ œ œj œµ æææœ œ ™ œµ ≈ œn œ œB ™ œ æææœj æææœ œ œ œ ™ œ œj œµ æææœj ‰™ Œ
‰™˙˙ œœ
r ≈Œ˙˙ œœœ
r Œœ œ
œ œ œ œ œ œ
˙ œJ œ œ œ
29
°
¢
°
¢
™™
™™
™™
™™
Epithet ( same tempo )senza vib. sempre, marcato and detached, c.l.t. with no bow, concentrate on both pitch and the noise of the bow on the strings
19 ü
†
™™
™™
™™
™™
Vln. 1
Vln. 2
Vla.
Vc.
68
68
68
68
&
( q = q. )c.l.t. (no bow)ord. molto flau.
fp ! marcato sempredetached!
^ IIo III
1.
IV
2.
...strictly in time...
^short pause...
&
( q = q. )
v
c.l.t. (no bow)ord. molto flau.
fp ! marcato sempredetached!
III
Io
...strictly in time...
^IV
: ;short pause...
B( q = q. )
c.l.t. (no bow)ord. molto flau.
marcato sempredetached!
fp !
^ III
v...strictly in time...
short pause...
?( q = q. )
∑v
c.l.t. (no bow)ord. molto flau.
fp ! marcato sempredetached!
&I ?
IIo
...strictly in time...
^short pause...
draft 08/30/18score 10/27/18NYC
œœj ‰ œœj œœn JœJ œœbJ œœn
j ‰ ‰ œœbb J ‰ œJ œ~J œœb j ‰ ‰œœnJ ‰ œ
~nJ‰
œJ Œ ™ œœj ‰
œœJ ‰ œJ ‰
‰ œb j œœj ‰ œ#J œj œj œœj ‰ œbJ œœn#
j ‰ œ# j ‰ œb j Œ œœnnj ‰
œJ ‰ œœbb JœœnJ ‰ ‰ ~œbb J ‰ ~b ™
œ ™
Œ ™ œœj Œ ‰ œœjœj Œ œJ ‰ œJ ‰ œj
œœJ ‰ ‰ œœbb J ‰ œJ ‰ œJ ‰ œ~bb j ‰ Œ ™
‰ œj œj Œ ™ Œ œj œœj ‰ œbJ Œ œ~J ‰ œJ œJ Œ œj œj œœ
j ‰
30
°
¢
°
¢
Mov. 4 Der Doppelgänger II ( q=50_55 )dashed slurs indicate sustained dyads, bow freely sempre, circular bowing between m.s.t. and ord.
Vln. 1
Vln. 2
2
Vln. 1
Vln. 2
&
(m.s.t.) (ord.) fluatando (slowly...)
senza sord.
ppp
>
-
í ™™ ( ppp )
(accents always a little louder than the given dymanic)
hushed... see repetition indications for dynamics below vln. 2
5
>5
/≥≤0 /≥≤05 5 5
&
(m.s.t.) (ord.) fluatando (slowly...
senza sord.
ppp
-
í ™™1.2.3.
( ppp )
mfppppp
slightly more present... (smaller circles, nearer to the tip of the bow but rotating faster...)not too loud, decresc poco a poco to...
viol-like... (slow circles encompassing around 1/3 of bow)
hushed... (accents always a little louder than the given dymanic)
>
ppp ...by the end of the repetition (alternating between small and slightly larger circles... ending very small...)
>
/≥≤05 5 5 5
&always calm and hushed, as if whispering to one another...
>
/≥≤0
>5 5 5
&always calm and hushed, as if whispering to one another...
>
/≥≤0 /≥≤05 5
œœb œœnn ™™ œœ œœrœœ œœ
rœœb œœ œœn
rœœ œœ œœ œœn ™™ œœ œœ œœ œœ
œœn œœn œœn œœb œœ œœn ™™ œœ œœn œœ œœ œœn œœb ™™ œœ œœ œœnn ™™ œœ œœ
œœ œœ ™™ œœnb œœn œœ œœ œœ œœ œœ ™™ œœ œœ œœb ™™ œœnn œœ œœ
œœ œœ œœn œœnb œœ ™™ œœn œœ œœ œœ œœ œœ ™™ œœ œœ œœ
31
°
¢
3
Vln. 1
Vln. 2
Vla.
Vc.
&the repetitions should be almost imperceptible...
> î™™
, ....(ord.) c.l.t. + bow
pp
>subito! pochiss. accent sempre
(ricochet)
...strictly in time...
....
>
55 5
&the repetitions should be almost imperceptible...
>5
î™™ : ;
, ....(ord.) c.l.t. + bow
pp
>subito! pochiss. accent sempre
...strictly in time...
(ricochet)5 5 55
B TACET senza sord. (m.s.p.) molto flau.
[55-89"]√
( ppp )
>(pochiss. accent!)
[ . . . . . . . . . . ... . . ]
...always continuous w/ slight interruptions...
? TACET senza sord. (m.s.p.) molto flau.
[55-89"]√
( ppp )
>(pochiss. accent!)
[ . ... . . . . .. . . .. . ]
...always continuous w/ slight interruptions...
œœ œœ œœnb ™™ œœn œœ œœ œœ œœ œœ# Œ Œœœ#n
Œœœ# ™™j ‰ Œ
œœrœœb œœ œœ
rœœ œœnn
rœœ œœ ™™ œœb œœ œœn Œ Œ Œ ‰™ œœ# j Œ
œœ
œœ
32
°
¢
4
Vln. 1
Vln. 2
Vla.
Vc.
&...strictly in time...
(long)√ TACET arco norm (m.s.p.) molto flau.
( < > )
(tutti)
sf
>
[ . . . . . ]
( ppp ) ...dead stop!
5
&...strictly in time...
....
>5
perdendosi...
(long)√ TACET arco norm (m.s.p.) molto flau.
( < > )
(tutti)
sf
>
[ . ... . . . ]
( ppp ) ...dead stop!
B( ppp )
[ . . . . . . . . . . ... . . . . . . . . .. . . ]
...sustaining... ( < > )
(tutti)
sf ...dead stop!
?
( ppp )
[ . ... . . . . .. . . .. . . . . . ... . .. . ]
...sustaining... ( < > )
(tutti)
sf ...dead stop!
Œ Œ Œ œb r œ Œ œœ
Œ Œ œœ# ≈ Œ œœn œœn
œœ
œœ
33
°
¢
5
Kryie III ( tempo Kyrie II )
°
¢
™™
™™
™™
™™
Vln. 1
Vln. 2
Vla.
Vc.
14
14
14
14
44
44
44
44
&
arco norm. (s.p.) molto flau.
pp
,(ord.) c.l.t. + bow
ff : ;(
(poco)
arco norm. (s.p.) molto flau.
>v
(ord.) c.l.t. + bow
sffz : ;,
arco norm. (s.p.) molto flau.
...decresc poco a poco... pppdolciss...
)
&vmp
martelé
dark...: ;
(III)
pp
-o(ord.) c.l.t. + bow
ff : ; …(molto!)
arco norm. (s.p.) molto flau.
: ;…
pp
,martelé(IV)
fp
^
: ;5
Bpp ...cresc poco a poco...
,)
martelé
fp
^
: ; pp
,B
vsffz
(ord.) c.l.t. + bow
( ff )
B% _: ;
,&
arco norm. (s.p.) molto flau.
pp
? &3 : ;
,(II)
mp
o>
pp perdendosi... pp
-(molto!): ; …
gliss.
(poco)
: ;
Ö
fp
^
: ;(
arco norm. (s.p.) molto flau.
pp
œ œ œ# ˙ œ œ œ œ œœœœ œ# œ œ œ œ œœœ Œ
Œ œœ Ó™ œ ˙ Œ ≈ ~œbb ™™ Œ ~ ~n œ~ ™™ ≈ Ó
Œ œ œ œ œ ~œ Œ œ œœœœ ˙ ™™ œ œ# œ ~œ œ
Œ ‰ ~œBB œ ~n ~ ~n ~# ~ ™™ ≈ œ ™™ ≈ Œ ~œ ~œ
Œ œ œ
34
°
¢
10
Vln. 1
Vln. 2
Vla.
Vc.
&
martelé(II)
fp
o
: ;,
pp
-sub.
(ord.) c.l.t. + bow
ff
µ% _: ;
arco norm. (s.p.) molto flau.
pp perdendosi...
martelé
fp
…
(^
: ; ...decreasc. poco a poco...
)5
&>
3dolce: ; pp : ;
-
martelé
fp
^ (ord.) c.l.t. + bow
sffz
^
: ;
arco norm. (s.p.) molto flau.
fp
^5
martelé
( < > )
-sf
(poco)
3: ; … ( pp )
5
3
&(pochiss.): ; … ( pp )
5
: ; dark...
mp
^ martelé
: ; ( < > )
-sf
(pochiss.): ; … ( pp ) perdendosi...
&: ; ...cresc. poco a poco...
(pochiss.)> )(pochiss.)->
: ;
martelé
fp
^3 molto espress...: ;
œœ# ˙ ~ ~# ~ ™™ ≈ ≈
œ ™œ œ œ œ œ œ# œ
‰ ~œb Œ Œ æææœ œ ™ Œ ~œ#n J Œ œœœ Œ ≈ œn Ó œ Œ ‰ æææ~œBB Œ œn
œ ™™ ≈ ≈ ææ朜 Œ œ Ó œ œ œ# œ ™™ ≈ ~ ~# Ó
œ œ œ œ# œ œ œ œ œ ™™ ≈Ó ‰ œ Ó™
35
°
¢
ü
†
™™
™™
™™
™™
14 °
¢
™™
™™
™™
™™
Vln. 1
Vln. 2
Vla.
Vc.
&martelé
mf
^3 : ;
(pp
)
(molto!)…: ; pp perdendosi...
[3x total]
(I)
(poco)
o
...let ring: ; ( pp )
3
& -fp
^
: ;(ord.) c.l.t. + bow
ff : ;
arco norm. (s.p.) molto flau.
(pochiss.)>
: ; ( pp )
-
[3x total]
sffz
^martelé
: ;(( pp )
3
&(poco)>
: ;(
( pp ) : ; ...cresc. poco a poco...
, (sul II) [3x total] (poco)>)
3
&( pp )
?,(ord.) c.l.t. + bow
ff
arco norm. (s.p.) molto flau.
: ;&
( pp ) perdendosi...
vmp
dark...: ;
Ö
fp
^ gliss.
: ; ( pp )
[3x total]
(pochiss.)
o
: ;
‰~œ Œ œ œœ Œ
~œBbBb J Œ œ œn œ œ# œ ™™ ~œ ≈œ
Œ œœ ~œ Œ
œ œ# œn Œœ
Œ ˙ Œ~œJ Ó œ ~
œ Œ~œ Œ œ
ŒœbJ Ó œ œ œ œ œ œ œ œ# œ œ œ œ œ
œ ˙˙ ~ ~ ~# ™™ ≈ Œ œ~bb ™™™™ ≈ Œ
œ~n~ ~# œn Œ
36
°
¢
18 ü
†
™™
™™
™™
™™
°
¢
™™
™™
™™
™™
ü
†
™™
™™
™™
™™
Vln. 1
Vln. 2
Vla.
Vc.
&poco
(pochiss.)
>
: ; …
(ord.) c.l.t. + bow
ff : ;,arco norm. (s.p.) molto flau.
fp
^martelé
: ; pp
-: ;
[5x total]
poco
dolce...
…>(
( pp ) : ; ...disappearing... ppp
)5
&(pochiss.)>
: ;)
(molto!)
5: ; …
(( pp )
[5x total]
perdendosi...
- )
(pochiss...)
-: ;…
molto!>3 : ;
&( pp )
- B
(ord.) c.l.t. + bow
ff
B% _
: ; …
&
( pp )
arco norm. (s.p.) molto flau.
perdendosi...
v
[5x total]
mf
(molto!): ; … ( pp ) disappearing...
-
&
(pochiss.)
dolciss...
>
: ; ( pp )
?,(ord.) c.l.t. + bow
ff
µ% _
: ;,&
arco norm. (s.p.) molto flau.
[5x total]
disappearing... fp
^
: ; pp
(I)o-
(pochiss...)
: ; …
~œ Œ ˙œ ™™
≈ Œ œ ≈~œ## ™™
Œ œn œ œ œ œnŒ
œ œ# œ œ ≈~œ
Œ œ œ œ# ™™ ≈ œœ ~œ Œ ‰ ~œ Ó™
Œ æææœ# ˙ Œ ~# ~ ™™ ≈ œ~## ™™™™ ≈ Œ ~ ~n ~# Œ æææœ
œ#Œ œ œ œ ˙
˙ ™™ œ œ# ™™ ~œ## ≈ Œ ~œ Œ æææœ ™™ ≈
37
°
¢
22
Vln. 1
Vln. 2
Vla.
Vc.
&
(pochiss.)
3 : ; …
(poco vib.)
fp
^martelé
: ;
poco>
: ;∑
3
&^
fp
(senza vib.)martelé
: ;
poco
mf
>
: ;3
∑ ∑3
&
c.l.t.m.s.t. (freely...)
B
: ; ...like an echo...
...freely, out of time...
...perdendosi...
...
& ∑ ∑ ∑ ∑
‰ æææ~œb Ó™œn
Ó™ Œ ~œJ Ó™
œ#Ó™ Œ æææ~œ#J æææ~œ# ‰ Ó
Ó™œ œ
œ œ œ œ œ œ
38
°
¢
°
¢
™™
™™
™™
™™
ü
†
™™
™™
™™
™™
26
( ritornello )
Vln. 1
Vln. 2
Vla.
Vc.
&
[2x total]
pochiss...
...like something hanging...
>
: ; v
pizz.
sffz sub.
arco (s.t.) c.l.t. + bow
/≥≤0
pppmolto legato
no (de)cresc... (pochiss.)
(IV)
>o (III) (IV)
( ppp )
3
5
&[2x total]
∑/≥≤0(s.t.) c.l.t. + bow
pppmolto legato
no (de)cresc... ( ppp )
(IV)
B[2x total]
∑IIIIIIV
(poco)
v
pizz. arco (s.t.) c.l.t. + bow
ppp
3
gliss.
mf
> : ; ( ppp ) ( < > ) ( ppp )
pizz.
> &
&
...like something hanging...
[2x total]
mf
>: ;
? ....(s.t.) c.l.t. + bow
fp
> : ; pp perdendosi... : ; mf : ; ...echo
(poco)µ> >
...in rilievo...
: ; ( sf ! )
Œ æææ~œbJ Ó™ œœœœnbj‰ œ# œ œn œ œ# œn œ
æææœ ™ œ œ# œ ‰ œœ
Œ ~# ~ ~# ~ ~ ~ æææ~# ~ ~ ~ œ#
‰ œœœjœœœj œœ œœ ™™™™ ≈ Œ ‰ œœ
œj œœ# Ó œœœbj ‰
œ~ Ó™ œ ˙ ™ Ó™ ≈ œ œ œ# œ œ# œ œ œ œ# œ ≈ œ œ œ œ œ œ œ œ
39
°
¢
30
Vln. 1
Vln. 2
Vla.
Vc.
&( < > ) ( < > ) ( < > ) ( ppp )
...morendo...
(III)
...echo
(long)√(IV)
> long pause...
&(III)
( < > ) ( < > ) ( < > ) ( < > )
(III) (IV)
mf
> : ;∑√ long pause...
&/≥≤0arco (s.t.) c.l.t. + bow
molto legato( ppp ) no (de)cresc...
∑√ long pause...
?
(pochiss. accent)
: ; mp ...dark
(gliss.)˜>
Ÿ~~~~ ....
fp
>: ; (poco)
(IV)
>(III)
pp perdendosi...
no fermata
(s.t.) c.l.t. + bow
-: ;long pause...
draft 08/09/18Manzanita, OR
score 10/24/18 "full moon"NYC
edited 03/30/19NYC
œœ œœ# œœb œœ œœn œœ ‰ Œ œ œ œ œ# œ œ
œ~ œœ œœ œœ œœ œ# œ ™™ ~œ ≈
~ ~# ~ ~ ~ ~# ~ Œ
œ# œ œ ≈ œ œ# œ Œœ# œ œ ˙ ™ ~
œÓ™ œ
œ
40
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