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cirlce of 5ths
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INTERVALS, CHORDS, AND EAR TRAINING. 13
The tonic of the scale that has one sharp is G, a perfect fifth
higher than C. The tonic of the scale that has two sharps is d,
a perfect fifth higher than G. The tonic of the scale that has
three sharps is a, a perfect fifth higher than d. The tonic of
the scale that has four sharps is e, a perfect fifth higher than
a, etc. (See Example 11.)
Seven
One Two Three Four Five Six Sharps-
sharp. sharps. sharps. sharps. sharps. snarps.
Ln- 1 l L 3 | l l a"? l n
11. 3" (L l a l 1 i I; l " l H
| L a. l L I 5. 1 l l | |
_ b
.6-
O:I G:I D:I A..'I E:I B:I FfizI Gflfl
In the writing of sev_en other scales, flats are required. Play
the scale beginning on f._ The fourth tone is produced by playing
the black key between a and b. This tone is a half step lower
than b, therefore lib, and is written thus E It must not
be written , though the tone would be the same, for the third
note from f, 5, must not be repeated.
- A Good. A Bad.
5. a v |
12. Efifi sigfl
The tonics of the scales with flats are to be found down-
wards from (:2, a perfect fifth apart. _
The tonic of the scale that has one flat is f, a perfect fifth lower
than The topic of the scale that has two flats is bl), a perfect
fifth lower than f. The tonic of the scale that has three flats is
5b, a perfect fifth lower than bl), etc. (See Example 13.)
One Two Three Four Five Six Seven
.9- flat. flats. flats. flats. flats. flats. flats.
A _ a _ b?
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