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TO GO SOLAR OR NOT TO GO, THAT IS THE QUESTION…
I get asked about solar panels a lot with regards to resale value. Solar energy certainly has its environmental benefits that are hugely impactful and my position has always been in support of sustaining and preserving our earth. That said, solar panel leases tend to hinder and complicate a real estate sale due to the terms and conditions, and lender requirements. Unless these panels are bought outright, it will sometimes turn people away from a purchase. Sometimes homeowners don’t like the way they look, aren’t interested in dealing with the material once the lease is paid off, or don’t want to be burdened by an additional lease payment.
In my opinion, these leases really didn’t make much financial sense up until recently as the costs were often on par with the cost of your actual energy bill.
KEN-TAL NEWSA Positive Community Newspaper Created by Locals, for Locals, Supporting Local Businesses
www.MidCityNewspaperGroup.com Vol.1 No. 10 - April 2016
Megan’sMessage
Megan Beauvais, Realtor®
CalBRE #01426805Ascent Real Estate
MEET YOUR NEIGHBOROn top of that you have roof preparations, potential maintenance issues and the long terms of the leases. From a buyer perspective, the fact that buyers are required to be pre-approved to assume said lease as well as incorporate the lease into their debt to income ratio (as compared to regular utility bills which are not considered with DTI calculations) just complicates the loan approval process.
Currently, I am finally seeing a change in the way the solar panels are sold today that is starting to make better sense. While I am not sure we are actually at a place where these panel sales actually enhance the value of a home, progress is progress. Some contractors are approved for the HERO program (Home Energy Renovation Opportunity), where the cost for the lease is incorporated into your tax bill as an assessment. While this is a great solution for homeowners who plan to remain in their homes for the duration of the lease/assessment payoff, this assessment is recorded against your tax bill and most lenders won’t lend on a property with this additional tax. You are thereby required to pay it in full prior to funding a loan as there is too much risk involved of non-payment for the lender.
There is a new program which I just learned of from a client that is offering a low fixed energy rate for a 20-year term and no additional cost to the homeowner, with zero down and actually a cost benefit. That said, the future buyer of your home will still be faced with the approval process for taking over the lease payments. The best advice I can give you is to recognize the environmental benefits of generating your own power, but do not count on solar panels to enhance the value of your home when you go to sell it…yet. If you have any comments, call me I would love to discuss it with you!
Meet Your Neighbors, Bella and Stan Hollingsworth. Talmadge residents Bella & Stan Hollingworth have lived in the Mid-City area for 30 years. The
Hollingsworths moved to the area as newlyweds, the first year after they married. Before settling in Talmadge, they lived in Solana Beach. Bella was originally born in Portugal (Madeira) and emigrated to the United States when she was 4. Her family settled in Boston, MA where she grew up and attended art school. Bella got her first job in Connecticut teaching art and eventually made her way out to California. She has been in San Diego specifically for the past 40 years. Stan Hollingsworth is originally from Salt Lake City, Utah. After graduating from the University of Utah with a bachelor’s degree in Science, he joined the Peace Corps and had the opportunity to see the world. After travelling to parts of Africa and Somalia he returned to the is teaching career teaching Math for the San Diego
City Schools. As fate would have it, this is where he met his love, Bella. While working for San Diego City Schools, Bella was a district counselor that mostly worked at John Adams Elementary and Stan taught junior high school at Kroc Middle School.
Stan Hollingsworth had lived in Talmadge before meeting Bella and always had a fondness for the area. After their engagement, Stan told Bella that he really loved this neighborhood and he wanted to introduce her to the area. She immediately fell in love. Their search for the perfect house took them six months and in time they found their current home. When asked what they love most about Talmadge, Bella says she loves the “neighborliness - everyone is open and friendly” and they “love the feeling of being part of a close community” where everyone is “proud of the neighborhood.” She says Talmadge is a place with no “…exclusiveness, but rather an inclusiveness. People go out of their way to be neighborly especially retired people like us, everyone is so outgoing and friendly.”
If you weren’t already aware, Bella is an amazing artist. She paints commissioned art work that includes homes and pets and has painted dozens of homes in Kensington and Talmadge. She participates in art shows throughout San Diego and has painted several homes for me personally, and was a featured artist at the Art Around Adams event last year. A portrait painted by Bella of your home or beloved pet makes a great gift to yourself or a loved one and she will even frame it for you! According to Bella, it’s a great way to meet new people and what a great way to get to know them.
Stan enjoys playing the piano and belongs to a piano group in Balboa Park where they play for one another. You can often walk by their house on any given day and hear the piano melodies pouring through the windows. It is really quite lovely. The Hollingsworths enjoy studying languages (Bella French and Stan Spanish) and in addition to music and art Stan writes short stories (fiction) and Bela writes poetry. They both love the same things…art, music, literature meeting new people and of course, their shared love of Talmadge. Lastly, they say that the spirit of the community is second to none and they haven’t encountered anything like it anywhere else they have lived. In fact, several new neighbors have mentioned it to Bella…that is the spirit of Talmadge. The next time you see the Hollingsworths out on their daily morning walk of the neighborhood…be sure to introduce yourself and say Hi! For more information about commissioning a portrait, contact Bella Hollingsworth at (619)229-0650.
Everyone is conscientious about keeping up their property. The spirit of community is second to none - haven’t found this anywhere else she lived. New neighbors even mention this to her…that is the spirit of Talmadge.
2| APRIL 2016 | MID CITY NEWSPAPER GROUP
MOVIES MID CITY NEWSPAPER GROUP | APRIL 2016 | 3
Hello everyone! I hope you have been watching my films. Here are my picks for April.
A LITTLE CHAOS - Kate Winslet, Alan Rickman and Mathias Schoenaerts - Kate stars asa strong willed and talented landscape designer. She is asked to design the main garden atthe new palace of Versailles in the court of King Louis the 14th played by Alan Rickman.Alan Rickman is not with us any longer, so you might like to see one of his last movies. It isvery entertaining.
IRRATIONAL MAN - Jamie Blackley Joaquin Phoenix star in this WOW of a movie. I'mwatching the movie and Guy calls, so I stop it and tell him what I am watching and how dullit is. Then I continue the rest of the movie and that Woody Allen is a genius. Don't missthis one. I could not believe how the story took a turn and made it so good to watch.
BBC VEXED - Two bickering cops make one great team. Lucy Punch and Toby Stephensstar in this very entertaining comedy police story. I like this series a lot.
BROOKLYN - Saoirse Ronan, Domh Nall and Julie Walters - A true love story. Ellis Lacey,a young Irish immigrant, comes to Brooklyn in 1950. This is about homesickness, romanceand going back home and being pulled in two different directions. A feel good movie.
TRIAGE - Dr. James Orbinski's Humanitarian Dilemma - Talk about hardship. This is areal story of hardship in the worst way. He went and just gave and gave. Sometimes wehave to watch a film like this to make us realize how very sad things are for so many people.A very hard documentary to watch.
MARIE ANTOINETTE - by David Grubin. Relive the great revolution that shaped ourmodern world. Her journey in the palaces of the Austro-Hungarian empire to the finalhours in a French prison cell. This is history of the French Revolution so well told.
See you next month or maybe at Ken video! Winnie
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MUSIC4| APRIL 2016 | MID CITY NEWSPAPER GROUP
MUSIC HOPPIN’Adams Avenue Unplugged is like a 2-mile-
long walkabout, but with music as the princi-pal commodity.
The annual music fest takes place this yearon the weekend of April 30 and May 1 alonga two-mile stretch of Adams Avenue, fromUniversity Heights on the west through Nor-mal Heights and into parts of Kensington tothe east.
There will be 150 live musical performances.Unlike many other festivals, where performersplay on outside stages, these performers willdo their musical numbers inside restaurants,bars, coffee houses and galleries.
“Being able to pair the Avenue’s unique din-ing and drinking establishments, each withtheir own special ambiances and selections,with free musical performances, makes AdamsAvenue the place to be on the last weekend ofApril,” says the sponsoring Adams AvenueBusiness Association on its website. “TheAABA hopes to treat musical aficionados andfoodies to the rich neighborhood culture.”
Performances will be held from noon to 10p.m. on Saturday, April 30, and noon to 7 p.m.on Sunday, May 1. The business associationsays some artists will be playing multiple sets,allowing attendees more opportunity to seeand hear their favorite performers.
Here’s biographical information on someof the performers, courtesy of the AdamsAvenue Business Association:
Sam Outlaw“The music I play, I call ‘SoCal country,’”
says Outlaw. “It’s country music but with aSouthern California spirit to it. What is itabout Southern California that gives it thatspirit, I don’t exactly know. But there’s an ideathat I like that says — every song, even happysongs, are written from a place of sadness. Ifthere’s a special sadness to Southern Californiait’s that there’s an abiding shadow of loss ofwhat used to be. But then, like with any place,you have a resilient optimism as well.”
Augie MeyersAugie Meyers’ style and his Vox Continental
has become one of music’s most distinctivekeyboard sounds around. Augie can be heardwith the Sir Douglas Quintet, Texas Tornados,Meyers’ solo efforts as well as on landmarkalbums by Bob Dylan (”Time Out of Mind”
and “Love and Theft”) and John Hammond(“Wicked Grin”). Echoes of the Meyers’ styleand sound can be heard in the music of theDoors, the Kinks, the Animals as well as theBeatles, just to name a few.
Rolling out of San Antonio, Texas in theearly ’60s, the Sir Douglas Quintet, a musicalpartnership formed with Doug Sahm, broughtsuch hit tunes as “Mendocino” and “She’sAbout a Mover.” Fusing Tex-Mex, Conjuntoand soulful rock along with the power of Mey-ers’ distinctive Vox organ, is an impact stillbeing felt in rock ‘n’ roll today.
There will be a cover charge at the Kens-ington Club for Augie Meyers’ performance
The Cactus Blossoms“When my brother (Page Burkum) and I
started making music as The Cactus Blossoms,there wasn’t a big plan,” says Jack Torrey. “Wecut our teeth performing some well knownand obscure country songs that were popularor unpopular pre-1960, partly out of curiosityand deep appreciation, but mostly because itwas fun. Early on we were given a residencyat the Turf Club in St. Paul, Minn. We got aband together and it became our weekly prac-tice-in-public where we would pull out everysong we could think of, no matter how wellwe knew it. It was our first chance to play allnight and do whatever we wanted. Over thecourse of our year and a half at the Turf Clubour repertoire had snowballed into an amal-gam of original songs and a bunch of gutwrenching, tongue-in-cheek heartbreakers,that were 30 years older than us. Not everyonecould tell what was new and what was old,and it didn’t really matter. People just seemedto enjoy it. That’s when the wheel got goingand gave the illusion of spinning backwards.We weren’t born in the wrong era. We just gotinto some music from a different era andfound a way to make it our own.”
Allison Lonsdale“I am a singer-songwriter guitarist,” says
Lonsdale. “I’ve been doing this since I was 12,and doing it competently since I was 16. I per-formed with San Diego Celtic folk band TheWild Oats (not to be confused with the WildOats band from the UK) during the 1990s andstarted performing solo in 1999. I play myoriginal songs about sex, science and God, full
of metaphors from math, physics, biology, thesupernatural, comic books, Tibetan Bud-dhism, and role-playing games, at coffeehousesand science fiction conventions.”
Birdy and the Bow TieBirdy and the Bow Tie are inspired by early
20th century music, particularly vintage jazzfrom the 1920s through the 1940s. The duo’sappealing sound is a mix of Alison Marae’scontralto vocals and cheery ukulele with WilForbis’ tasty lead guitar and jazzy scat. Throwninto live shows are dreamy harmonies, softshoe percussion and scat solos. The duo playsvintage acoustic jazz, swing, blues and origi-nals inspired by generations past.
The duo hosts community ukulele eventsand workshops, where people gather to strumand sing along to different ukulele songbooksthat they’ve arranged. They also teachukulele, guitar, voice and piano out of theirhome studio in San Diego.
Britt Doehring“My name is Brittney Marie Doehring but
most just call me Britt. I am 23 years old. I’mcaught in between wanting time to slow downand being excited to enter into a new phaseof my life. My life… blessed is the most appro-priate adjective I can think of to describe it.Whenever I couldn’t fall asleep when I wasyounger, my mom always used to tell me totry to count my blessings. Of course, I couldnever possibly do that which always ended upputting me right to sleep. Safe to say, mymom’s a smart woman. Music is where myheart’s been all my life and I doubt that any-thing will ever change that. My parents havehome videos of me at around age three singingmy little heart out to “Rudolph the Red NosedReindeer” and “Can You Feel The LoveTonight.”.I’ve been singing ever since I canremember. I learned to play the guitar when Iwas fourteen. It started as a jealousy thingwhen my mom got a guitar for her birthday. Iended up stealing it and haven’t been able toput it down since. . . I love to perform for peo-ple. It’s my absolute favorite feeling in thewhole world to bring a smile to a face that wasonce frowning or bring a tear to someone’seye.”
Adams Avenue Unplugged puts music on your plate
Fanny of Fanny and the Atta Boys
Enter the Blue Sky
Juju Satori
Nathan and Jessie
Robin Henkel
Christie Huff
Sara Petite Band
Alan Land (Photo: Dennis Anderson)
ALSO PERFORMING
BUSINESS MID CITY NEWSPAPER GROUP | APRIL 2016 | 5
Survey Shows Small Banks Providing Better Rates
You might think economies of scale and ongo-ing federal subsidies to the megabanks wouldmean they’d price services lower than commu-nity banks. Yet MoneyRate.com’s latest semi-annual survey found small banks (holding $5billion or less in deposits) were far more likelyto offer totally free personal checking accountsthan big banks (more than $10 billion indeposits).
Thirty-one percent of small banks surveyedprovide this benefit, compared to 17.5 percentof big banks. Mid-sized banks ($5 – $10 billion)fell in-between at 28 percent.
And among banks charging monthly checkingfees, small and medium-sized banks charged farless — $11.50 compared to $15.15 at big banks.Ten banks and thrifts in each of 25 large U.S.metropolitan markets were included in the sur-vey, conducted during July-August of 2015.
Using your bank card at a non-network ATMalways comes with a fee these days, but the chargeagain varies with bank size. The big banks capturenearly 6 percent more in ATM fees than smallbanks from non-customers, and they chargeaccount holders using out-of-network ATMsabout 17 percent more for the service.
Mid-sized banks again fell between. You mayfind community banks offer unexpected valuein this realm, too. Needham Bank (MA), one ofjust two we contacted for this story, not onlyoffers free checking with no minimum balance,but also automatically reimburses customers forATM fees charged by other banks! Vice President
Eric Morse notes this is possible only becauseNeedham is a mutual bank whose shareholdersalso are customers.
Despite the largest banks controlling moreassets than ever before, the value and servicesmaller banks provide may be starting to pay off.According to Accenture Plc, community bankssaw a 5-percent increase in account holders aged18 to 34, while credit unions gained 3 percent.At the same time, large national and regionalbanking chains lost 16 percent of their millen-nial-age clients.
“Customers appreciate the personal attentionthey find at community banks, even if youngercustomers choose to do most day-to-day trans-actions online,” said one bank president. “Thepersonal attention can’t be replaced.”
Of course, there are many other reasons toseek out community financial institutions ratherthan a megabank. You’ll likely receive more per-sonal service, enable more loans to help localentrepreneurs and keep decision-making powerrooted in your community.
Bob Marino of BankLocal, an online tool thatmeasures the local economic impact of U.S.banks, noted, “our data demonstrate that smallerbanks and credit unions lend substantially moreto small businesses. And when you bank locally,a much larger portion of your deposit is rein-vested back into your community.”
Jeff Milchen is co-director of the American Inde-pendent Business Alliance.
They’re also gaining young customersBY JEFF MILCHEN
Celebrate Independent BookstoresWhen one thinks about
what drives the economy of San Diego County,the highly visible contributions of defense, biotech,medical, communications technology and tourismquickly come to mind. Small business is often over-looked, possibly because the products and servicesprovided by these entrepreneurs are such an inte-gral element in the fabric of the region.
Starting and operating a small business carriesthe same risks, rewards, challenges and dynamicsas major corporations or industries, but withoutthe benefit of the size, scale, and resources enjoyedby the big players. That’s why SCORE was estab-lished here 50 years ago.
SCORE is a national nonprofit volunteer orga-nization with a clear mission: Use the hands-onbusiness experience of our members to help smallbusiness owners succeed. SCORE is a resourcepartner of the Small Business Administration with320 chapters and 11,000 volunteers across thecountry. The national organization started in 1964.
What does SCORE’s mission look like in prac-tical term in San Diego?
Let’s imagine that you are thinking about startingan apparel business or are looking for advice onhow to market to premium customers. Would itbe valuable for you to get advice from someonewho was one of the original six employees ofTommy Bahama?
Interested in doing business with the govern-ment? One of our mentors sits on the board ofthe major supplier council and can guide youthrough DUNS numbers, NAICS, CCR, ORCA,and the other acronyms used in that world to devel-op plans and make contacts.
Are you more comfortable discussing your busi-ness needs in Spanish, or want advice from some-one who has experience in Mexico? SCORE hasbilingual mentors who have operated businesseson both sides of the border.
Financial questions? Applying for a SBA loan?How about meeting with a former Big Eightaccounting firm partner, or an officer of a bankthat served the needs of small businesses every day?
That’s a snapshot of who SCORE is in San DiegoCounty—90 volunteers, a mix of women and men,
current and retired business owners and corporateexecutives, and a selection of ages spanning sixdecades. Collectively, the members have workedin virtually every industry and can share experiencein all business functions.
SCORE volunteers are busy. During 2015SCORE San Diego worked with 9,091 in mentor-ing sessions and workshops, and played a role instarting 751 new businesses and creating 1,044 jobs,according to research conducted for the SCOREFoundation by Pricewaterhouse Coopers.
Counseling is free, confidential, and customizedto the needs of the client.
“Having SCORE as an on-call resource has beenincredibly important as my business successfullyevolved over several years from an idea, throughprototypes and manufacturing to active sales,” saysYana Mohanty, founder of Geometiles, an inno-vative tool for math education. “I use SCORE men-tors for reality checks and regular advice and spe-cialized topics including manufacturing, finance,packaging, and sales and marketing. They are con-sistently accessible and helpful.”
SCORE also presents workshops on about 40topics, ranging from exploring the basic question“Do you really want to start a business?” to topicsincluding how to write a business plan, tax con-siderations for small businesses, intellectual prop-erty, and tools like QuickBooks. There are fiveworkshops on different aspects of the wild worldof e-commerce and social media.
SCORE San Diego is celebrating its 50th anniver-sary by telling the success stories of its clients whohave contributed so much to San Diego County’svibrant small business community and the region’seconomy. If you can benefit from SCORE’s uniqueand valuable approach to business success, or thinkSCORE would be a great volunteer opportunity,please visit www.sandiego.score.org or call us at(619) 557-7272.
Sally Broff is president of SCORE San Diego. Shehas 35 years of experience in the electronics industry.This opinion piece originally appeared in Times ofSan Diego.
How SCORE Helps San Diego’s Small Businesses Succeed
April 30, 2016 marks celebrations of independent bookstores in both theU.S. (Independent Bookstore Day) and Canada (Authors for Indies).
BY SALLY BROFF
6| APRIL 2016 | MID CITY NEWSPAPER GROUP
Automotive Museum Opens ‘British Invasion’ Auto Exhibit
The San Diego Automotive Muse-um in Balboa Park has opened its newexhibit -- The British Invasion.
The exhibit, which runs until May31, highlights British automotivemanufacturing since the 1930s. Theexhibit is enhanced with the culturalimpact the British have also had onour fashion, music, and literature (theBeatles, Harry Potter, Twiggy, Down-ton Abbey, and such.)
Featured in the exhibit: a 1933Austin Seven, 1937 MG VA Tourer,1939 Lagonda V12, 1948 Bentley(prototype), 1950 Jaguar Mark VSaloon, 1951 Jowett Jupiter, 1953Jaguar XK 120, 1955 Triumph TR2,1958 Austin A35, 1967 Austin MiniCooper S, 1967 Austin London CabFX4, 1967 Rolls Royce Phantom V,
1969 Jaguar E Type OTS, 1970 Mor-gan 4/4 1600, 1971 Jenson Intercep-tor, 1972 TVR Vixen, and a 2005Aston Martin.
The London taxi was owned anddriven by Frank Sinatra. The RollsRoyce Phantom was used by QueenElizabeth, Princess Grace of Monaco,and several American astronauts.
The museum’s annual fundraiseris centered on this exhibit. That eventwill be Saturday, March 12, from 6to 9 p.m. Call (619) 398-0301 forinformation or tickets.
Regular hours are 10 a.m. to 5p.m. Admission prices are: $9.00 foradults, $6 for seniors (65 and over),$5 students with ID, $4 children ages
6 –15. Children under the age of6 are admitted free of charge.
PHOTOS BY PAUL BRANDES
Natural History Museum Chooses Smithsonian Veteran as New CEO
The San Diego Natural HistoryMuseum has selected a 30-year vet-eran of the Smithsonian Institutionand a native Californian to becomeits new president and CEO.
Judith Gradwohl, the MacMillanasssociate director for educationand public engagement at theNational Museum of AmericanHistory — the Smithsonian’s thirdlargest museum — will assume thejob on July 1, the start of the muse-um’s fiscal year.
Gradwohl will replace Michael“Mick” Hager, who will retire June30 after 25 years at the helm of themuseum.
“TheNAT is a gem -- it hassuperb staff and collections and isthe best possible visitor center forthe natural world in San DiegoCounty and Baja,” said Gradwohl.“This role is a perfect fit, as it bringstogether my work in field biology,environmental conservation, digitaloutreach, education, and museum
management at the Smithsonian.”Gradwohl has held various lead-
ership positions within the Smith-sonian Institution. In 1985, shestarted at the National Zoo focus-ing on animal behavioral research,education, and exhibits, and thenwent on to establish the Smithso-nian’s Office of EnvironmentalAwareness where she curated largetraveling exhibitions and raisedmajor funding toward operationsand projects.
Gradwohl developed the Smith-sonian’s first exhibition website,after which she joined the NationalMuseum of American History, theSmithsonian’s third largest muse-um. There, she supervised thedevelopment of the museum’s webpresence and, in 2004, became partof the senior leadership team,assuming her most recent role.
Alan Land (Photo: Dennis Anderson) Alan Land (Photo: Dennis Anderson)
Alan Land (Photo: Dennis Anderson) Alan Land (Photo: Dennis Anderson)
Judy Gradwohl will assume the post ofpresident and CEO of the San DiegoNatural History Museum on July 1.
MID CITY NEWSPAPER GROUP | APRIL 2016 | 7
MUSIC8| APRIL 2016 | MID CITY NEWSPAPER GROUP
San Diego has many wonderful musiciansliving in its midst, but few have had the impacton our local community as saxophonist JoeMarillo, who passed away on March 26 at age83. He had been battling cancer.
Marillo, who lived in Normal Heights, wasfar more than a musician; he was a catalyst, apromoter, bringing together musicians andmusic fans and in the process helping to createthis city’s jazz scene. He was also a belovedteacher and mentor to hundreds of local musi-cians. It’s safe to say his legacy will live on inhis recordings and filmed appearances but evenmore so in his students playing.
Marillo moved to San Diego from his nativeNew York in 1974, complete with an alreadyimpressive resume. Although known today forhis love of jazz, early on Marillo played R&B,first in the Buffalo area with his own band, andthen beginning in 1955 with Jimmy Cavallo &The Houserockers. It would be Marillo’s firsttaste of national fame as he and his band caughtthe initial wave of rock ’n’ roll and performedfor legendary DJ Alan Freed, appearing in his1956 movie, “Rock, Rock, Rock!” and scoringa recording contract with Coral Records — thesame label as Buddy Holly — in the process.
It didn’t take long after his arrival in SanDiego for Marillo to become an integral partof the music community, booking national tal-ent at the Catamaran and bringing jazz tovenues such as La Jolla’s Elario’s and Chuck’sSteakhouse, helping establish music as a drawlocally. He also released several albums on hisown and with pianist Mike Wofford, as well asguesting with numerous locals, including play-ing on several abums by guitarist Buddy Blue,who even recorded a track, “The Joe MarilloStory,” on his 1999 album, “Dipsomania.”
“I met Joe two years ago,” said Joe Flammini,owner of famed coffeehouse Java Joe’s, whereMarillo held a residency. “He walked into JavaJoe’s one day and said, ‘I want to play here.’ I
agreed without even knowing who he was. Hehad that vibe.” He played a weekly afternoongig. “I don’t remember which day it was,because he showed up five times a week topractice,” Flammini with a smile. “So every daywas a gig for Joe. What did I enjoy about hismusic? It was his enjoyment when he nailed asong. Which he would often do.”
Marillo was also a mainstay at local jazzvenue Dizzy’s. “Joe loved everything about jazz,
the history, the process, the practice and thepresentation,” said owner Chuck Perrin. “It’shard not to like someone as passionate aboutthe music as he was.”
“I got a chance to record Joe Marillo forBuddy Blue’s album, Dipsomania,” said pro-ducer Sven Erik Seaholm. “Buddy had gottenquite inspired by the idea that Joe was an amaz-ing jazz musician whose genius had somehownot been given its due. So Buddy wrote a whole
spoken word piece that pretty much hit thebullet points on Joe’s resume, including hisappearance in the Alan Freed film and histenure in Buddy’s own band some years later.”Blue called up Marillo and very respectfullyasked if he would play his saxophone behindhis words on the recording. “Not only was Joetotally on board with the concept, but his replywas so cool that Buddy added it into the pieceword for word and had Joe speak it on therecording,” Seaholm recalled.
Violinist Jamie Shadowlight worked withMarillo in various projects for many years. “Iloved his tone,” she said. “Strong and breathyand very much like Stan Getz. I most admiredthe fact that he was a totally unique humanbeing, in every way. He was Joe Marillo andthere is only one Joe Marillo, He lived outsideof the system. He was a challenge and pleasureto work with, a lot of laughs, a lot of personalityand a lot of helping others get their start. Hewas a true character. I met so many musiciansthrough playing with Joe, most notably, MikanZlatkovich and Gilbert Castellanos. Joe wasalways giving people a chance to play.”
“He was history on the hoof,” noted RebeccaZearing, owner of Rebecca’s Coffeehouse,where Marillo was a regular. “He spoke of StanKenton and Miles Davis as friends. He was likeJack Webb on the old ‘Dragnet’ TV show. Nobull, just fact. He was a treat for me to talk toand if it was about music and history he waseasy. I always loved him the most when heplayed his saxophone. It was rich, and theinstrument looked heavy as heck,” she said.“When he played sax, he let go and went some-where else, maybe to his younger days?”
Editor’s Note: This story originally appeared insdnews.com, San Diego Community NewspaperGroup. Reprinted with permission.
Local Musicians Mourn Loss of Jazz Legend Joe Marillo BY BART MENDOZA
Joe Marillo performing at the 2003 San Diego Music Awards.
Joe Marillo1932-2016
MID CITY NEWSPAPER GROUP | APRIL 2016 | 9
By Bart Mendoza
April 24Celebrate David Bowie’s Music with Holy HolyThe music world is still in mourning over the recent passing oficonic musician David Bowie, so the appearance of tribute group,Holy Holy, at the Music Box on April 24, offers a wonderful oppor-tunity for fans to get together and celebrate his life and music. Butthis is no mere gathering of players. A true all-star band, on handwill be Woody Woodmansey, original drummer for Bowie’s famedbacking band, The Spiders from Mars, as well as famed bassist/pro-ducer,Tony Visconti, frontman Glenn Gregory, best known for hiswork with synthpop combo, Heaven 17, and Terry Edwards, who isa founding member of the UK group, the Higsons. Holy Holy, playsa changing set list that includes hits, but also deep catalog cuts, mak-ing this show a Bowie fanatics dream come true. musicboxsd.com
May 2Solid Blend of Punk, Glam Stomp and Powerpop HooksBritish rock trio The Subways returns to San Diego for a show atthe Casbah on May 2. Touring behind their new, self-titled album,the key to the band’s sound is down to their manic energy andthe vocal interplay between guitarist Billy Lunn and bassist Char-lotte Cooper resulting in a solid blend of punk, glam stomp andpowerpop hooks. The Subways rock hard enough to have beenasked to open for AC/DC, but still pack enough hooks into theirsongs, such as “Good Times,” to appeal to crossover pop listeners.www.casbahmusic.com
April 23Shadowlight: Accompanist of ChoiceThere’s prolific and then there is violinist Jamie Shadowlight, whoappears at Java Joe’s On April 23. The sheer number of artists she hasperformed with is staggering. Gifted at everything from classical tohard rock, in addition to her own groups, Shadowlight has been theaccompanist of choice for dozens of performers ranging from jazzheroes Joe Marillo and Gilbert Castellanos to country combo, ThePalominos and rocker Joey Harris. A beloved lynchpin of the localmusic community, this intimate performance at Java Joe’s will confirmthat Shadowlight is truly one of San Diego’s musical treasures.www.javajoessd.com
April 28Warm Vocals and Cryin’-in-Your-Beer WeepersSan Francisco Indie Pop/Americana duo Sugar Ponies performs atLestat’s on April 28. Touring behind their second album, “Its A Sign,”the pair’s music is built around the warm vocals of Suzanne Kramer,with a broad palette of influences, including a pop edge that matchesrock elements to country flourishes, infusing songs such as “Happy IsFor Humans,” with melody to spare. Particularly striking is theirsparse, crying-in-your-beer weeper, “Give A Girl A Break,” but any-where you drop the needle on the Sugar Ponies latest will bring up awinner. www.lestatscoffeehouse.com
April 28’60s Rock with a Touch of Punk EnergyRock ‘n’ roll fans will want to check out Gone Baby Gone, appearingat Bar Pink on April 28 on a bill with Bad Kids and Big Bloom. Theevent celebrates the release of their latest album, “Love Stories,” butit’s live where the band excels, turning in their own cool garage rock-ers such as “Miss Bossy” alongside occasional covers by the likes ofThe Animals or Johnny Kidd & The Pirates. Led by Dynamic front-woman Dizzy Collins, the group is perfect for anyone who likestheir ’60s-influenced rock infused with a touch of punk energy.www.barpink.com
May 17Chance to See and Hear Modern English Tunes LiveAlthough relegated to one-hit-wonder status, ’80s new wavefavorites Modern English, who appear at the Hideout on May 17were in truth more of an album band, their dense, guitar-led indierock sound leading them through four now classic albums in theirinitial run. Testimony to the power of a great song, their signaturetune, “I Melt With You,” actually never charted higher then No. 76in the U.S., but the ensuing years have seen it become a standard,covered by bands worldwide and heard on soundtracks galore.Only drummer Richard Brown is missing from the original lineup,which continues to release new music so longtime fans will bethrilled for a chance to see and hear Modern English’s classic tuneslive. www.thehideoutsd.wordpress.com
Jamie Shadowlight
Spiders from Mars
Gone Baby Gone
Sugarponies
Modern English
Subways
Cremation services and death ratesare both experiencing large spikes.Baby Boomers are going to be thenext generation to pass and what willtheir survivors do with the ashes?
Fewer than 30 percent plan forafter-life care and less than that everplan for the final disposition of thecremation remains. One in six homeshas cremation remains that are instorage with no final disposition.Someone inherited a relatives urn orbox of ashes and they sit in storage oron the mantle forever. At what pointdo these ashes reach a final restingplace that meets the needs of the fam-ilies and gives them closure at a timeof mourning? While cremation is onthe increase; so is the awareness of theimpact we have on our environment.
Industry trends tell us that familiesare steering away from traditionalburial and funerals, mostly due tocost. Another significant factor is thatmost folks are informed and want toleave this world a better place. Familieswant to have something that is specialand fits the expectations of a mean-ingful and ecologically sound memo-rial.
In most situations, families mustmake a choice of what is best for theirloved one in a very short period oftime and during a time of grieving.
There is one company that hasfound a way to make the decisionmaker in the family a complete herowith the rest of the family and lovedones. Living Reef Memorial manu-factures artificial reefs from those cre-mation remains. They market theirartificial marine habitats as a greenalternative to traditional burials. Bydoing so, they are able to fund a veryimportant coastal habitat restorationproject. Any proceeds left over afterexpenses goes to save endangered seaturtles and they have been doing thissince 2002.
The reefs are made using brokensea shells, sand, cremains, and a littlebit of concrete to construct. The com-pany has obtained permits to deployup to 100,000 of these artificial reefsoff the Los Coronado Islands whichlie in Mexican waters just off the coastand visible from San Diego. Withinjust a short time after installation ontothe sea floor, the reefs absolutelybloom with an abundance of life. Thisproduct is not only green but, it iscompletely permanent and there is noeconomic motivation to remove, van-dalize, or otherwise disturb them.
The cremation remains are moldedinto an object that resembles habitatof specific endangered species. Aftercuring for 30 days they are taken on awind-powered boat and deployed byscuba divers to the ocean floor. Thereef is immediately inhabited by smallfish and other marine life and withina week, kelp and other marine plantlife take hold. In a very short periodof time it blooms with abundantmarine life.
In a video on youtube and the com-pany’s website you can watch adeployment of one of these reefs andyou will notice that there is lots ofactivity going on around it. A sealplayfully does acrobatics while thedivers deploy the reef. Native fish peerinto the camera and eye the new habi-tat while large schools of fish swimby. Grandpa is not going to be lonely!He has given back to the earth andthe sea at the base of the food chainand will be surrounded by all themarine life that the reef now sup-ports.
Profits from Living Reef Memorialsgo to The Coastal Preservation Pro-ject and fund their Sea Turtle Rescue.So far they have saved over 40,000endangered sea turtles.
For more information visitwww.livingreefmemorial.com or call(800) 569-7333
10| APRIL 2016 | MID CITY NEWSPAPER GROUP
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Living Reef Memorial The green alternative to traditional burials
MID CITY NEWSPAPER GROUP | APRIL 2016 | 11
12| APRIL 2016 | MID CITY NEWSPAPER GROUP
MID CITY NEWSPAPER GROUP | APRIL 2016 | 13
14| APRIL 2016 | MID CITY NEWSPAPER GROUP
ART MID CITY NEWSPAPER GROUP | APRIL 2016 | 15
San Diego artist and printmaker Julianne B.Ricksecker will be featured artist at the LadybugArt Center in Kensington in April.
The exibit — “7 Printmakers” — will runthrough April 30.
Ricksecker will show works celebrating thelandscape of California, with new work focus-ing on our local Torrey Pines State Park. “Muchof my work over the years has been inspiredby trips I have taken, and I have sadly neglectedsome of the gems right here in San Diego,” shesays.
Ricksecker works in a variety of media toexpress her vision of the serenity of naturalspaces. Her creative process involves experi-encing a place through hiking, making sketchesand taking photographs. Then she returns tothe studio to create work from these studiesand her memories.
Some pieces are worked in direct methods,such as watercolor or pastel, but her originalprints are created first on plates, which are thenthe inked by hand, and the ink is transferredto paper on an etching press.
Etching requires manipulating the surfaceof a metal plate with acid to create a repeatableimage that can be printed (by hand by theartist) multiple times. An etching may takeweeks to develop before the plate is ready foredition printing. Once the plate work is com-
plete, Ricksecker wipes the plate in several col-ors, in a process called “à la poupée.” All of thecolor is applied to the plate before it goesthrough the press. Then the plate must be com-pletely cleaned before the color can be appliedfor the next print.
Monotypes, however, are one-of-a-kindprints, created rapidly with ink or oil or water-color paint on a blank surface and then trans-ferred to paper while the paint is still wet. Rick-secker began to explore the possibilities ofmonotype using a blank plexiglass plate andtraditional oil paint. She found the transparentcolors she desired to achieve used too muchoil and thinner to be viable for printing onpaper. About this time, oil paint appeared inart stores in a water-soluble formula. The print-ing paper is normally damp when passingthrough etching press, so water-soluble oilsseemed like a perfect solution for monotype.
With a little experimentation, Rickseckerfound this new paint to be a very satisfyingand versatile medium for her landscape work.It can be thinned with water for very trans-parent washes. This seemed ideally matched
to her fascination with imagery of water andwaterfalls.
There are many ways that artists approachmonotype printmaking, sometimes called“painterly printmaking.” Ricksecker’s approachis to use a full palette to develop a realisticimage. Through the use of additive mediums,she can emphasize the brush stroke or mini-mize it to create soft passages of color or palewashes. She uses rollers to apply a solid fieldof color, or rubber tipped sticks or very finebrushes to remove color. She presses tissues,paper towels or bits of lace into the paint toremove color in a textured pattern. The colormay be printed all at once, or in several glazes.
Born and raised in Pittsburgh, Pa., Rickseck-er has lived in Albuquerque, N.M., Newport,RI., Rouen, France and Yokosuka, Japan beforesettling in San Diego. She studied at the Uni-versity of Pittsburgh, Universite de Rouen, theUniversity of New Mexico, and the San DiegoAcademy of Fine Arts.
Ricksecker has exhibited in more than 200exhibitions from the local to the international.She has won numerous awards for her etchings,pastels and watercolors, including 2nd place atthe 8th Biennial International Miniature PrintExhibition at the Center for ContemporaryPrintmaking in Norwalk Conn., and 3rd placein the Western Regional Printmaking Exhibi-tion at Tarbox Gallery in San Diego.
She is a member of the San Diego Museumof Art Artists Guild, the Pastel Society of SanDiego, Allied Artists Association of San Diego,ADOGI, Oceanside Museum of Art ArtistsAlliance, and the Del Mar Art Center.
Other ArtistsOther participating artists in the 7 Print-
makers are Raymond Brownfield, JacquelineDotson, Robert Fritsch, Kathleen McCord,Sfona Pelah and Angelika Villagrana. The artwill be available for sale.
The 7 Printmakers started exhibiting togeth-er in early 1990 to educate the public on thevariety of printmaking techniques and thevalue and importance of original works of artsprinted on paper. The group shows etchings,woodcuts, linoleum cuts, lithographs, colla-graphs, and monotypes — all hand-pulled bythe artists.
An Artists’ Reception for the 7 Printmakerswill be held Saturday, April 9 from 11 a.m. to3 p.m., where the public will have the rareopportunity to meet this group of artists andspeak to them about their art. The printmak-ing exhibit will hang in the Ladybug Art gallery4685 Biona Drive in Kensington, directly offAdams Avenue.
Ricksecker will also offer a series of six classesin exclusive monoprint printmaking at theLadybug Art Center Wednesday evenings, April13 through May 18. This is an opportunity tolearn an art form that is seldom taught intoday’s fast-paced world, and, from a masterin the craft.
Ladybug Art Center features the originalwork of local artist, offering classes in manymediums for beginning artists. Private instruc-tion and Group Study is also available.
The center is free and open to the public 11a.m.to 4 p.m. Tuesday through Saturday. Foradditional information, call (619) 563-0082.
Ladybug Art Center hosts ‘7 Printmakers’Julianne Ricksecker is featured artist in the month-long exhibit
Featured artist Julianne Ricksecker.
Trolley Tour of Historic KensingtonTravel back in time through the neighborhoods of Kensington aboard an old-fashionedtrolley on May 7. Tours start at 12:45 p.m., 1:45 p.m., 2:45 p.m. and 3:45 p.m. Refresh-ments will be served after the tour. Tickets are $25 and must be purchased inadvance at the Kensington Community Church office (4773 Marlborough Drive. (619-284-1129) or at Ken Video (619-269-6998). Hop on and learn some fun and fascinatingfacts about this historic neighborhood.
Torrey Pines Afternoon by Julianne Ricksecker. Agave at Sunset by Julianne Ricksecker. Lonely Woman by Angelika Villagrana.
BY SUSAN MAE HULL
16| APRIL 2016 | MID CITY NEWSPAPER GROUP
MID CITY NEWSPAPER GROUP | APRIL 2016 | 17
Electriquettes Coming to Balboa ParkA small fleet of the Electri-
quettes is coming to BalboaPark in the spring.
The dapper gentleman inthe photo is riding an Electri-quette, a replica of thesame motorized wicker cartswidely used during San Diego’s1915 Panama-California Expo-sition. The fleet of electric cartswas supposed to be introducedto the park for the 2015 BalboaPark centennial celebration,but it, and many other ideasand proposals, fell throughwhen the big civic party infa-mously imploded.
“The city did take a while to
get the agreement going,” saidKim Keeline, who’s doing themarketing for the Electri-quettes. “But we’re thrilledthat we’re able to get them tothe park now.”
Keeline said the carts, thebrainchild of San Diego devel-oper Sandy Shapery, will beavailable for the public to rentout possibly as soon as March.She said folks will only beallowed to cruise up and downEl Prado pedestrian walkwayand on the sidewalks in frontof the Botanical Building. Fornow, a ride on one of the cartswill cost you $10 for 15 min-
utes or $25 for an hour.Part of the delayed roll-out
of the carts was because thecity had to put out a publicrequest for proposals for “bat-tery-powered wicker cart con-cessions.” It released the requestlast March and — big sur-prise — Shapery was the onlyone to respond.
Keeline said the carts,designed by architect and his-torian David Marshall to behistorically accurate, were quitepopular during the Panama-California Exposition.
“So, we hope they’ll be aspopular today,” she said.
18| APRIL 2016 | MID CITY NEWSPAPER GROUP
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EDUCATION MID CITY NEWSPAPER GROUP | APRIL 2016 | 19
Helen Griffith had little interest in a career ineducation when she came to the UC San Diegocampus as a transfer student. There was no way,she said, she would work around the clock likeher mother did as a teacher and principal.
But one thing stuck: a passion for reading and,hand-in-hand, libraries. She grew up loving theiconic Geisel library at UC San Diego.
Even as an adult, there is something about thelearning possibilities offered by a library thatexcite Griffith. Today, the 1981 Department ofCommunication graduate is the founding andcurrent executive director of e3 Civic High School— located, ironically, in the unique and beautifulSan Diego Central Library Downtown.
Also the founding principal of Millennial TechMiddle School, Griffith reflected on how shemade it to where she is now, balanced on a foun-dation she built at UC San Diego: “The experi-ence that I had as an undergraduate student gaveme the strongest base, especially in communica-tion, to go anywhere. It also provided me with astrong, strong base that I was able to later go tograduate school and be successful.”
Innovation at its CoreIn 2015, the charter high school Griffith directs
was named to the first “Most Innovative K-12Schools in America” list by Noodle, a website thatprovides educational resources to families. Noo-dle examined 140,000 schools to come up withits list, honoring those with “visionary method-ologies” who challenge “well-established notions”of education, the site says.
“Innovation means doing whatever’s necessaryto meet the end result and not being tied to theold way of doing business, but also being free toincorporate the old way if it meets the goal,” Grif-fith said. “Innovation to me really is thinkingabout, by any means necessary, achieving thegoals for the students.”
The school was recognized, in part, because itis located within the Downtown library. It sitson the sixth and seventh floors, with a separate,private entrance, and Griffith calls the library theschool’s “chief partner.” Not only does the locationgive these students fingertip access to a world-class system, but it also serves as a partner forcutting-edge technology initiatives: for example,students are helping to test an augmented realityprogram, for example, as well as training andworking in computer program internships.
What’s more, Griffith and the e3 Civic Highfaculty are teaching these kids to change theworld.
“Within everything that we do, we try to weavein an element of civic engagement, giving backand leadership,” Griffith said, who was named
one of San Diego’s 50 people to watch in 2013by San Diego Magazine. Among her other honorsare the 2010 – 2011 Educator of the Year awardfrom the California League of Middle Schoolsand the 2007 Outstanding African-AmericanEducator of the Year from Pi Delta Kappa.
“In our project-based learning, there’s alwaysan element of giving back,” Griffith said. “There’sthis relevance — this authenticity — that we liketo build in. It’s not a college requirement for ser-vice; it’s a way of life.”
Representing STEAMWith a goal of providing an education alter-
native for the downtown San Diego core, e3 CivicHigh School enrolls students primarily fromunderserved and underrepresented communities.Almost 90 percent of the students are of colorand 77 percent are below the poverty level, Grif-fith said. With a curriculum focus on science,technology, engineering, arts and mathematics— STEAM, not just STEM— the school hasgrand plans.
“We want to create the next generation ofunderrepresented students and female studentsin the STEAM professions,” she said matter-of-
factly.It’s not just talk. Griffith can discuss any num-
ber of ways they are innovating the way thesestudents interact with the arts and sciences. Theyhave a robotics program, a Central Library-focused partnership in computer programming,a mentoring program with engineers in the com-munity and a multiple-year project with the UCSan Diego School of Medicine.
UC San Diego medical school students DeniseYu and Jeremy Egnatios initially developed andhelped secure the partnership with Griffith threeyears ago. The pair worked closely with Griffithand her students, ultimately providing a “HealthyLifestyles, Healthy Living” curriculum to imple-ment. Based on the success with Yu and Egnatios,the relationship was then incorporated into theSchool of Medicine’s clinical foundations course.
One of the concepts for the course itself is forthe School of Medicine Academic Communitiesto engage with outside, non-UC San Diego com-munities to look at social determinants of health,environmental and occupational health, culturalhumility, and disparities. In this instance, groupsof medical students engage with several highschools in the region to perform a community
assessment.“We were attracted to the school because it was
a bit different from other high schools,” Yu said.The medical students also recognized that Griffithwas a strong advocate for her students Now afourth-year medical student having completedthe clinical foundations course, Yu returns to e3on her own time to tutor students in math. Shesaid she hopes to work with underserved popu-lations in the future, including at-risk youth.
“The administration wants to ensure that these[high school] students have the tools to succeedafter graduation, and this includes planning, lead-ership and critical problem solving skills,” Yu said.“Above all else, they support each and every indi-vidual student in achieving their dreams.”
Finding PassionGriffith has the option to take the community
assessment findings and apply them directly toher school, similar to what she did with the cur-riculum from the first interaction with Yu andEgnatios that addressed nutrition and health, bul-lying, gender inequality and the communicationthat divides teens, among others. The high schoolstudents participated in a School of Medicine-led “Doc for a Day” program, and even came tocampus for a behind-the-scenes look at theschool. Griffith said she hopes to have an e3 CivicHigh graduate as a UC San Diego med studentone day.
“Our vision is really to put [students] in theirplace of passion. Not everybody’s going to be ateacher, or an executive director, or a principal,or an author, but if that’s what gives you pleasureand drive and passion, then you need to be there,”Griffith said. “We need to create the fertile groundby which they can grow and thrive.”
So far, the results have been phenomenal, shesaid. Now in their third year, the first graduatingclass will get their high school diplomas this year:more than 70 students who took a gigantic leapof faith in 10th grade to come to a charter schoolwith no history. Griffith said that at the time, sheand the team were “selling a promise” to the chil-dren and their families.
When that first group of students arrived ate3 they were, for the most part, doing poorly intheir classes, with some outright failing. But Grif-fith said her school provided a place for studentslooking for a second, or better, chance.
“To see how they are thriving, speaking, per-forming, communicating, creating and owningtheir selves,” she said of those original students.“They are taking ownership for their future.”
From UC San Diego News Center — Photosby Erika Johnson/University Communications)
Changing the FutureHelen Griffith leads the ‘most innovative’ high school in San Diego’s Central Library
BY ANTHONY KING
The e3 classrooms promote discussion. This room shows small-group tables, while others can bearranged in more traditional classroom style.
Elizabeth Norby, left, shows Helen Griffith artwork Norby created to represent an element on the periodictable.
Dr. Helen Griffith, UC San Diego Department ofCommunication alumna 1981, now heads e3Civic High School.
Students Monica Randolph, left, and Tracy Raystudy in the high school’s common area, called‘the park.’
e3 Civic High School is located in the Downtown San Dieo Central Library, helping to earn it a ‘MostInnovative School’ honor.
20| APRIL 2016 | MID CITY NEWSPAPER GROUP
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For 50 years andthree generations,
the Stehly family has farmed with hard workand love. For the past 15 years, their passionfor growing organic food is seen in the smilesand faces of brothers Jerome and Noel Stehly.
Recently I met with Jerome Stehly, to talkabout the history and the goals of the familyfarm in Valley Center. He invited me to joinhim in the restaurant section of their beautifulnew grocery store on Adams Avenue in Kens-ington.
The corner building which houses theStehly Farms Market, is newly built and hasnever before been occupied . . . rather like ablank canvas upon which the artist can paintand create.
The “artists” in this case are Jerome andNoel. The specific tone of paint for the ceiling,different shade for the walls, the type of light-ing, the construction of shelving and aisleunits, are all family designed and built. AsJerome says, “farmers today have to know howto do everything!” The result is a store with awarm, friendly ambiance, much like shops Ihave seen in Paris. The artistic way the veg-etables and fruit are stacked on the shelves ,
the beautifully prepared food to take out oreat on the premises, visually draws the cus-tomer in . . . like a beautiful painting.
I asked him what his favorite part of theentire store was: “The kitchen,” he laughed. “Itaste everything first! Food is a fun thing toplay with . . . it can be beautiful and it appealsto four senses. I love to cook!” He did admit,however, that he cooks very little now, becausehis wife rules the kitchen at home.
Stehly’s other market at 1231 Morena Blvd,San Diego, has the same excellent organic pro-duce and products, but you have visit Kens-ington to enjoy their restaurant.
Since graduating from culinary school,Stehly’s Executive Chef, Craig Madden, hasworked at four restaurants in Kensington andas a sous chef at a fine dining restaurant inRancho Bernardo. This is where Jerome dis-covered him, and brought him back to Kens-ington, much to everyone’s delight. “We havea ‘from scratch’ kitchen, everything is preparedby hand,” Craig informed me, and also addedthat the food selections are his personal cre-ations.
Chef Madden is planning to have demon-strations and cooking classes. The first demon-
stration will be with their family-made MeyerLemon Preserves and a class for picklingcucumbers at home. More recipes? Ask thechef. He will be delighted to talk with you.
Inside Stehly Farm’s organic, gourmet mar-ket, you will find not only fresh foods but alsoaisles of canned, boxed, frozen, and packageditems. They have everything and anything thatyou could want, from specialty chocolate barsto bulk seeds and grains, from pasta andcheeses to beverages and breads. It is all here.
Stehly Farms has been very planet consciousfor some time, not only on the farm but alsoenergy efficient in the store. I asked Jeromeabout the changes in the history of StehlyFarms.
“Originally we were egg farmers, but 30years ago we got out of the chicken businessand 15 years ago we became organic; cleanproducts — no nitrates, no preservatives andhormone free meats. We also diversified ourproducts on the farm to need less water. Wateris our biggest problem.”
Whatever products Stehly Farms doesn’tgrow, such as apples, they buy from other localfarms who farm as organically and efficientlyas they do.
I wondered how they were able to keep theirprices down, and Jerome told me that theyonly buy at good deals, passing it on to theconsumer, so that their products are betterpriced than many other organic stores.
Jerome enjoys meeting his customers, sonext time you come in, say hello.
Parking on Adams Avenue can be a chal-lenge, but I am happy to say that there is plen-ty of parking in back of the market.
Stehly Farms Market 4142 Adams Ave. No. 101. (619) 280-7400
NOTE: There are three very special events
held each year at the Stehly Farm in ValleyCenter. Strawberry Picking in March, Black-berry Picking in June, and Pumpkin PatchDay in October.
Each event is family friendly with a play-ground, petting corral, tractor driven tours ofthe farm, and good food.
If your school or organization wants yourown special event at the Stehly Farm, pleaseemail: Jenn@stehlyfarmsorganics.com.
Farm to Table – Local Organic Farm Fresh Produce
Everything in the market was family designed.
BY HEATHER R. FRIEDMAN
Bulk Foods Section
Executive Chef Craig Madden Fresh Organic ProduceEntrees, Sandwiches, Salads
Fresh Organic Produce Brothers Jerome, left, and Noel Stehly.
22| APRIL 2016 | MID CITY NEWSPAPER GROUP
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