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Selected works from my major in architecture and work experience. Feel free to leave any comments, thank you.
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2012-2015I. GUNASEKARA
BACHELOR OF ENVIRONMENTSBACHELOR OF ENVIRONMENTS(MAJOR IN ARCHITECTURE)(MAJOR IN ARCHITECTURE)
DESIGNPORTFOLIOPORTFOLIO
design portfolio Ishani Gunasekara (2015)
ISHANIGUNASEKARA
PORTFOLIODESCRIPTION
PERSONALSTATEMENT C
UR
RIC
ULU
MV
ITA
E
This portfolio demonstrates my learning experience and passion for architecture and the design of spaces. It showcases selected works from the Bachelor of Environments course at the University of Melbourne as well as work experience conducted in Sri Lanka.
Projects of various scales and design briefs have been included and are expressed through drawings, models, images and digital representations. I am dedicated to taking a researched and optimistic approach to design and enjoy attempting and investigating unconventional design solutions and processes.
The way people inhabit and alter the world around us has always intrigued me, therefore a lot of my inspiration is drawn from the way we use space. I am also inspired by the architecture of nature and desire to place innovation at the forefront of my designs. I am motivated to positively impact our built environment through conscious and sustainable design and to make a signifi cant contribution to the practice of architecture.
page 2 of 19
My love for design developed through a passion for art from a young age. I have always been intrigued by the way people inhabit and change their environment and desire to be a part of this complex process. Having recently graduated with a major in architecture, I am currently completing a master in urban design. With experience in an architectural practice, I hope to enhance my skills in the fi eld of architecture and gain a broad and practical understanding of the process of architecture.
I fi rst encountered the creative atmosphere of an architectural practice at ‘David Edelman Architects’, where I undertook year 10 work expeirnece (2008). After graduating from a Bachelor of Environments, I was keen to experience architecture in a real world application and took up a six month internship in Sri Lanka. It was an amazing cross-cultural experience which allowed me to explore my heritage and the impact of Sri Lankan culture on architectural design. I worked with a team of designers at a distinguished architectural practice (MICD Associates) and was able to engage in various stages of the architectural process including documentaionon, interior design and digital modelling.
While undertaking the master of urban design, I hope to continue being involved and up to date with the fi eld of architecture and am determined to pursue a career which incorporates both fi elds.
e-mail:ishani214@yahoo.com
phone:0411 871 095
- Producing and amending drawings- Choosing and documen ng fi nishes, furniture and fi ngs- Digital modelling for presenta ons- Working individually with clients
- Interior design of a cafe (design exercise)- Filing and prin ng
Mar 2011 -Jun 2014
Jul 2015 -present
2005 - 2010
Aug 2014 -Feb 2015
Feb 2014 - Aug 2014
Dec 2008(1 week)
Nov 2009 -Aug 2014
• Architecture Internship - MICD Associates (Sri Lanka) Architecture and Interior Design
• Design So ware Profi ciency
• Languages
• Ar s c
• Quick to learn and implement computer programs• Analy cal thinking
• Philosophy - studied a university breath track (6 subjects)
• Resourceful
• Music (played drums and piano) - High school band leader
• Imagina ve
• Documentaries• Visual art and sculpture
• Architecture and spa al design
• Travelling and exploring new places
• Hands-on skills
- AutoCAD- AutoCAD Architecture- Rhino 3D- Grasshopper Plug-in- Sketchup
- Lumion Render- Maxwell Render- Revit
- Photoshop- Illustrator- InDesign
- English - fl uent- Sinhalese - na ve- Indonesian - (VCE subject)
Sketching, pain ng (water colour, oils, acrylic), pastel
- Technical Drawing- Sketching- Model making
• Bachelor of Environments - University of Melbourne Major in Architecture
• Master of Urban Design - University of Melbourne Currently enrolled
• VCE year 12 - Sacred Heart Girls’ College, Oakleigh ATAR score of 94.9
• Art Gallery Volunteer - Highway Art Gallery Front of house
• Hospitality - KFC, Oakleigh Team member
• Architecture Work Experience - David Edelman Architects Year 10 work experience
educa on
experience
design skills
other skills
interestscontact
design portfolio Ishani Gunasekara (2015)
CONTENTS
page 3 of 19
Mystery Theatre(Large scale project)
A multi-purpose theatre buildingPage 4
Page 8 Page 12 Page 14 Page 16Page 18
(Medium scale project)Designed using digital modelling
program: Rhino and prametric applications
(Small scale project) Design of a boathouse along Yarra
River, inspired by the style of Tadao Ando
ARCHITECTURE DESIGN STUDIOS LANDSCAPE AND URBAN DESIGN STUDIOS PROFESSIONAL
(Large scale project)Redisigning of the Union Lawn
Precinct at the Universtity of Melbourne
(Large scale project)Retrofi tting public land to a
neighbourhood region locatied along Darebin Creek.
(various)Selected works from architectural
work experience in Sri Lanka
Gateway Installation Boathouse Precinct Design Park Renewal Work Experience
design portfolio Ishani Gunasekara (2015)
ARCHITECTUREDESIGN STUDIO 4 - SPARKS (2014)Individual Project
The Conan Doyle Mystery Theatre is a multi-purpose Theatre complex set in the heart of Melbourne’s CBD. It seeks to engage a variety of users and provide different levels of interaction for theatre patrons and other visitors. The building is to primarily showcase murder mystery plays and is therefore inspired by the genre and in particular famous series ‘Sherlock Holmes’ by Sir Arthur Conan Doyle. The building is intended to be an enigmatic and memorable space, creating subliminal connections to the haphazard roof structure of Federation Square as a landmark in Melbourne City. It seeks to leave a lasting impression through its sculpted facade, which faces Southern Cross Station.
The design brief requires a 500 seat proscenium theatre (William Desmond Theatre), a 250 seat cinema / lecture theatre (Harry Plimmer Cinema) and a Black Box Studio (Cuyler Hastings Studio) with necessary backstage rooms. The ground level consists of the main restaurant and bar while the theatre workshop is located in the basement. The upper level hosts a function hall with serving spaces, a board room and a private bar which diversifi es the use of the building.
CONAN DOYLEMYSTERY THEATRE
Maxwell render of sketch-up model Maxwell render of sketch-up model Lumion render of sketch-up modelWilliam Desmond Theatre (500 seats)
Perspective from Southern Cross Station steps
Public Restaurant - view from the barRestaurant entrance - view from Bourke Street
page 4 of 19
design portfolio Ishani Gunasekara (2015)
General form derived from sketch models
A fi nal iteration around which the basic form of
the building is designed.
The option to cluster and stack the building
elements resulted in more complex form and
interesting spaces.
An initial concept to strip away layers of a generic
rectangular form until only the necessary elements of
the building remained
The design evolved from the placement of the theatres as its core purpose. The public and spill spaces are positioned around the three theatres based on needs for access and function. The interior structure is simple and readable, inspired Frank Ghery’s approach to desgn from the‘inside-out’. The skin or façade of is design withthe itention to make an impression on viewer and create a sense of enigma and is informed by Federation Square as a Melbourne icon. The overall design seeks to conceptualise the contrast between the dramatic and analytic notions of crime fi ction.
DESIGNDEVELOPMENT DIAGRAM
SKETCH DIAGRAMS - FORM DEVELOPMENT
DESIGN CONCEPT
DESIGN DEVELOPMENT
Cluster Form development
Strip away Balance and composition
Basic form of the plan is based on the site
Sketches developing ground plan based on site 3D visualisation of ground plan extruded
Forms were subtracted to create
entrances and open spaces
Shape was extruded to 3-dimensioanlly
visualise the placement of theatres
Facade was digitally sculpted and
tessellated to create the undulating skin
The theatres blocks were positioned, allowing for
a revision of spaces and cantilevering
SITESITE
page 5 of 19
design portfolio Ishani Gunasekara (2015)
Semi-convered deck, extension of bar below
The digital facade was exploded and fl attened in Rhino 3D and templates were created to construct the physical model
Access from interior to balcony area above
Views over busy CBD area
Private / function bar
Public bar
Bar stairs
1
1
1
3
3
5
55
4
4
4
4
4
2
2
2
Theatre Spaces
Foyer / spill areas
Public restaurant and bar
Theatre backstage / service
Management offi ces / private function areas
Accessible by general public
Accessible by staff or guests
1
32
45
3D VIEW OF PUBLIC AND PRIVATE SPACESSPATIAL FUNCTIONS
NORTH ELEVATION
Entrances
Observation / viewing zones
500 seat theatre
250 seat Cinema
250 seat Black Box theatre
Restaurant Entrance
Cantelevers over walkway below, to intrigue passers-by
With open area for outdoor seating
Black Box
As a Melbouren landmark, it hails the entrance into the city centre form Flinders Street Station. The theatre is designed to have a simlar impacts on Southern Cross as an interstate train station. The glass and metal facade of the theatre design creates a subtle link to the haphazard glass cover and outer structure of Fed Square.
Precident:Federation Square, Melbourne
FACADE DEVELOPMENT
page 6 of 19
design portfolio Ishani Gunasekara (2015)
HARRY PLIMMER CINEMA / LECTURE HALL
WILLIAM DESMOND THEATRE
BACKSTAGE
BAND ROOM THEATRE WORKSHOP SPACE
BACKSTAGEFOR
BLACK BOX STUDIO
FUNCTION HALL
THEATRE STAFFOFFICES
THEATRE MANAGEMENTOFFICES
KITCHEN / SERVICEAREA FOR HALL
STAFFTOILETS
STAFFTOILETS
STAFFTOILETS
STAFFTOILETS
STAFFTOILETS
THEATRE - MAIN FOYER
RESTAURANT
RESTAURANT /PERFORMANCE AREA
RESTAURANTENTRANCE
CINEMA -MAIN FOYER CINEMA -
LOWER LVL ACCESS
BIO-BOXCINEMA / BLACK BOX STUDIO -MAIN FOYER
PRIVATE BAR FUNCTION HALL - MAIN FOYER
OUTDOOR BARAREA
Ground Floor Plan
Third Floor Plan
First Floor Plan
Fourth Floor Plan
Section A-A
Section B-B
Basement Plan
Second Floor Plan
PLAN AND SECTION KEY 1. Band room 2. Carpentry workshop 3. Technician’s offi ce 4. Entrance foyer 5. Restaurant 6. Bar 7. Outdoor dining / bistro 8. Cafe 9. Restaurant extension / performance space10. Kitchen11. Kitchen storage12. Ticket counter and building reception13. Bottom tier theatre entrance14. Stage15. Rehearsal room16. Changing rooms17. Loading bay18. Industrial elevator19. Theatre main foyer20. Control Room21. Theatre main entrance22. Outdoor bar23. Box offi ce24. Theatre staff areas25. Cinema main foyer26. Ticket counter27. Cinema entrance28. Building management offi ces29. Cinema and Black Box foyer30. Black Box31. Theatre storage32. Cinema access33. Projection room34. Function hall foyer35. Function hall lobby36. Function Hall37. Function bar38. Lobby39. Boardroom40. Kitchen / serving space
30
39
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363537
38 40
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149
10 11
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3233 14
CUYLER HASTINGS STUDIO
FUNCTION HALL
HARRY PLIMMER CINEMA
THEATRE MANAGEMENT
STORAGE
CONTROLROOM
WILLIAM DESMOND THATRE
ACCE
ESS
CORR
IDO
RS
27
37
33
25
22
6
29
30
20
31
24
36 36 40
23
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16
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2120
9
5
19
14
14
1 2 B
1F
GF
2F
3F
4F
B
B
AA
page 7 of 19
21
25
14
design portfolio Ishani Gunasekara (2015)
WYNDHAM CITYGATEWAY INSTALLATIONARCHITECTURE DESIGN STUDIO 3 - AIR (2013)
The installation on the PrincesFreeway will be an intriguing project to commuters travelling to and from the Wyndham City District. In response to the council proposal, the installation create a signifi cant impact on the viewer, establishing a memorable and identifi able landmark. As a viable project for Wyndham City Council to pursue, the installation is projected to be commissioned by the service station on the site and is subtly used to advertise as well as express the situation on the fast-growing city.
Through the integration of digital modelling and fabrication techniques and experimentation in material prototypes, the elusive form generates interest and conversation beyond the physical experience of the design and contributes to the broader architectural discourse by utilising modern form-fi nding techniques.
A tensile structure with a minimal and relaxed surface as the design basis was suitable for the form fi nding process, driven by parametrically designed digital techniques.
Group ProjectPartner: Sheng Ying AngI was involved in design development and material testing; supported presentation, playing a greater role in digital modelling.
Inspiration from ‘Minimal Complexity Prototype’by Vlad Tenu Aluminium can prototype model Developing tessellated surface
Areal View of design at the site
PRINCESS FREEWAY
CALTEXSERVICESTATION
PRINCESS FREEWAY
page 8 of 19
design portfolio Ishani Gunasekara (2015)
Shrinkwrap petrol station
forms to create a base mesh
Create openings in the
mesh
‘Weld’ into a single brep, to be
used in the physics
simulation tool(Kangaroo)
‘Inflate’using digital
physics simulation
Explode faces and extract top
and bottom surfaces, to
create the top and underside of
the canopy
Extract top face to make the
top face of the petrol station
canopy
Tessellate by adding a
pyramid form to each face
Add control points to control
the hight of these pyramids
Tessellate each surface
using the Weaverbird tool
Add pyramid-shaped tessellation using
the Weaverbird tool
Turn each face into a smaller
mesh face and triangulate
Extract bottom faces to create underside
of the canopy
In the Rhino platform
In the Rhino platform Weaverbird,
Stellate tool
Kangaroo, Mesh to
Springs tool
DIGITAL MODELLING DEFINITION DIAGRAM TECHNIQUEPROTOTYPES
RECYCLABLE MATERIALS
FORM-FINDING PROCESS
DIGITAL FORM-FINDING
Several prototype models were created based of selected
iterations of the digital modeling process. Using the card cutter
and laser cutter, connection and assembly techniques
were tested using plastic sheet material.
Infl ated chip bags (image 1), aluminium sheets cut by the
CNC router (image 2) and aluminium cans (image 3) were
used to experiment with form and connectivity.
Using Rhino 3D as thebasic modelling program, the design was be developed through the algorithmic modelling plugin: Grasshopper and inc orporate the physics simulation componentKangaroo to derive form, while the Weaverbird plug-in was used to enhance tessellation techniques.
Petrol station form to be shrink-wrapped
Openings create anchor points for physics simulation Infl ation Extract desired surface Image 1 - Chip Bags
Image 2 - Aluminium sheet
gImImImImmmmmImmmmmmagagagagagagagagagagagagaagagagageeeeeeeeeeeee 3333 33333333333 33 33 -- uunununnnununndededededdededeeeersrsrsrssrsrsr ididididdddidddidididdididdde e e e ee ee eeeee ofofofofffofofofoffofofofofffffffff aaaaaaaaalululululuulululullulll mimimimimimimmimimiiiiimiiiiimiminnininnnininiiniiniininnininnnnniiumuumumumumumumumummumumummumumumumumumumumuuummmummm ccccccccccccanananananannnnnnnnnnnnn
1
2 3
4
5 7
6
pp1 2 3 4
5 6 7Triangulate Modify 3D tessellation added
page 9 of 19
design portfolio Ishani Gunasekara (2015)
3D TESSELLATED ROOF STRUCTURAL METAL FRAME EXOSKELETON SUPPORT BRANCHES
PLAN VIEW
ELEVATION VIEW
To achieve structural rigidity while maintaining the elaborate form, the design was split into three main tectonic components.
The ends of the installation and the central point connects the service station canopies together
Vehicles will move throughand under the structure,allowing them to experience the interior space and see the underside of the drink can structure.
page 10 of 19
design portfolio Ishani Gunasekara (2015)
Render of design on site Aluminium can prototype with rivets Detailed model with silver boardThe design will seemingly wrap around the service station canopy and reach down to the ground at the canpy ends.This would be an intriguing attraction along the freeway and provide a unique spatial experience in an unlikely space.
The construction of the proposal using aluminium cans was further experimented with using various forms of connection.The templates were derived from unrolled digital models in Rhino and their sizes were based around the size of a fl attened drink can.
The detailed model was constructed using the same template as the aluminium sheet prototype and shows the close-up effect of the studded surfaces at a 1:5 scale. The welded aluminium frame would determine the plane of each studded pyramid, controlling the overall form of the structure.
Site Model, SE Eleva onpage 11 of 19
design portfolio Ishani Gunasekara (2015)
ARCHITECTUREDESIGN STUDIO 2 - WATER(2012)Individual Project
STUDLEY PARKBOATHOUSE
Based on Tadao Ando’s idea of a ‘threshold space’, the boathouse is designed to be a transitional zone between contrasting environments on either side of the site. On one end, a wide main road runs along the higher area of the Kew landscape while the other side of the site declines into the picturesque Yarra River.Using a similar design approach to Ando, the building remains cohesive to its environment and celebrates its surroundings by transitioning users into the site and stirring a sense of anticipation and drama through spatial design techniques.
North Elevation (View from Yarra)
Restarurant and Balcony perspective
East Elevation (Entrance and cafe)
Sketch diagram
page 12 of 19
design portfolio Ishani Gunasekara (2015)
UPPER FLOOR PLAN
LOWER FLOOR PLAN
SubtractionRectangle from two 3x3
grids
Repetition Scale Rotation IntersectionRffrf o
SITE PLAN
Entrance Perspective
Control of light Circulation
SECTION A-A
Light
Dark
Used spaces
Connecting spaces / movement
PLAN AND SECTION KEY
EntranceReception
ElevatorRestaurant
Balcony areaKitchen
Outdoor diningCafe
StairsOpen space / outoor cafe
Boat StorageKiosk / boat hire
ToiletsOffi ce
1.2.3.4.5.6.7.8.9.10.11.12.13.14.
1
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1413
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page 13 of 19
design portfolio Ishani Gunasekara (2015)
UNIVERSITY OF MELBOURNEUNION LAWN PRECINCTLANDSCAPE ARCHITECTURE DESIGN STUDIO 3(2013)
The design seeks to transform the site, creating a diverse range of landscape forms which are usable throughout the year.A juxtaposition between the concepts of ‘excavation’ and ‘mound’ have been used to implement a multi-layered design.
The mound is a landscape form that rep-resents ‘protest’ of the land, in elevating above the relatively fl at formation of the rest of the site.It is approachable and egalitarian in al-lowing access from most of its boundary.
The excavates areas are designed as semi-private zones, to accommodate needs for lunchtime seating and also provides open spaces for community ac-tivities within the university and through the Carlton area. Part of the excavated areas are shelter by cantilevering parts of the mound.
Individual Project
+0m+0m+0m+0.5m+0 5m+0 5m
+1m+1m+1m+1m+1m+1m
+1.5m+1.5m+1.5m
2m+2m2m
+2m+2m+2m
+2mmm +2m++
+1.5+1.5m+1.5m
-1.5mm
-1m
-1m
-1.5m
+0.5m
Original ground level
Original ground level
Original ground level
Original ground level
+1m+1m+1m+0.5m+0.5m+0.5m
RAYMOND PRIESTLEY
UNION HOUSEUNION HOUSE
BALDWIN SPENCER
ARCHITECTU
ECAFECAFEEx
ROADMASSON
TIN ALLEY
Excavated publicspace
Excavated EEE edeublpupupp icpuppppuaceacpapaspsps apapsps ac
Paved Forcourt
Paved Forcourt
Paved terrace
everd balcony, ded catildExtendd eeg nettionewith vee n
|Extended decking area
DU
NIO
N O
RAD REDMOND BARR
+0m+0mmmm+0m+0m+0m
Section
Site Plan
Section of landscape facing Union House
‘Univer-city’ redesigning the Union Lawn Precinct
page 14 of 19
design portfolio Ishani Gunasekara (2015)
Users can treat each space as a semi-private area, while being able to observe and connect with their surroundings.The contrasting topography of the mound and excavation creates a sense of intrigue and provides spaces that can be explored and personalised
Mound and Excavation (lines of vision)
Mound
Existingplane
Excavation
Section of landscape facing Raymond Priestley Building
Steep Slope
TransitionZones
Used spaces
Public resting areas
1m below original ground levelSloping green vegetable patch
Semi public areas
Private areas
1.5m below original ground level
Bike /occasional vehical path
Relatively fl at
Public resting areas
Semi Public areas
Private areas
Medium Slope
page 15 of 19
design portfolio Ishani Gunasekara (2015)
DAREBIN CREEKPARK RENEWALECOLOGY OFURBAN LANDSCAPES (2014)
Individual Project
Located along the bank of Darebin Creek, the projects was to develop a plan to retrofi t public land within the defi ned region with different measures to improve the biodiversity habitat values and ecosystem services/processes of the area.The site has potential to improve the quality of space in the neighbourhood and ensure a more sustainable future for the local ecosystem and biota that rely on it.The water drainage system seeks to improved the environments by implementing ‘Water Sensitive Urban Design’ principles to the drainage system, and improving the amount and types of local vegetation of the open space and residential area, generating a more sustainable and healthy ecosystem.
Region to retrofi t public land
Map outlining recreational and conservational additions to the open space.
DAREBIN CREEK
MAI
N R
OAD
12
11
6
543
7
1213
109 8
8
Key
1. Green Boulevard
2. Underwater rainwater transfer from pipes to fi ltration pond
3. Surface runoff directed to treatment pond
4. Stormwater Treatment Pond
5. Creek diversion to pond, and diversion of treated water back to creek
6. Native grass and wetland area
7. New cycling track
8. New walking track
9. Picnic/ recreation area
10. Children playground
11. Pedestrian/ bicycle bridge
12. Stone wall barriers and Stony knoll area
13. Enhanced River Red-gum forest
page 16 of 19
design portfolio Ishani Gunasekara (2015)
Submereged drainage
Native Grass and sand - biofiltration system
Redued walkay size - minimal impervious surfaces
Stormwater from roofs directed to drainage system
The bio-filtration patches provide an opportunity for plants such as the Matted Flax Lily and Glaucous Flax Lily which were native to the area, but removed to continue in its natural setting once again. It particular nutrient absorption qualities, which will enable them to filter stormwater more effectively than others.
By installing a low stone fence (like historical remnants in the area) between the road and Red-gum area, a clear boundary can be established around the conservation area. This will also deter people from continually entering the area. The rock fence can also serve as habitat from ground-lying fauna such as lizards.
The vegetation surrounding the basin will act as a secondary buffer zone, providing habitat as well as filtering runoff, making the environment more habitable for water-reliant species such as the Growling Grass From (a species of national conservation significance found in the area).
Submerged DrainageNative grass and sand
bio-filtration system
Canopy-level green belt
Reduced walkway size, minimise impervious surfaces
Stormwater from roof directed to drainage system
Site analysis
Section of Green Boulevard along streets
page 17 of 19
Visualsation of Park Renewal
design portfolio Ishani Gunasekara (2015)
Using Google Sketch-up and Lumion Render, the images for the ‘Jetwing Sea Hotel’ restaurant and bar areas were produced.
An existing plan and photographs of the restaurant was used to build the digital model and showcase the interior design to the client.
Lumion Render was used to generate high quality images and add lighting the model.
The hotel is an architectural icon in Sri Lanka. Its unique interior is characterised by a unique ramp which runs through the building, connecting its spaces.
After visiting the site, I was required to model the ramp and create a digital view of an interior design idea to clad the ramp with timber.
The model was built in sketch-up and derived from a plan, rough section drawings and images of the site.
The timber planks were to be of uneven shape and size, so I was able to use Rhino and Grasshopper to quickly generate the cladding.
WORK EXPERIENCE, SRI LANKASELECTED WORKSARCHITECTURE AND INTERIOR DESIGN INTERNSHIP (AUG 2014 - FEB 2015)ATS Consultants (MICD Associates), worked with a team of designers (www.micda.com)
Jetwing-Sea HotelInterior renova on(MICD Associates)
Tangalle Bay HotelInterior Reova on(MICD Associates)
page 18 of 19
Perspective of bar / lounge
Perspective of restaurant Original plan of bridge
Model of bridge and hotel structure
Modelled design proposal (uneven timber cladding)Perspective of dining terrace
design portfolio Ishani Gunasekara (2015)
The design was of a heritage building being developed into a boutique hotel.
With existing plans, I created sections and elevations and worked with the interior design team to choose fi nishes for the new sections of the building.
I was excited when asked to produce some preliminary ideas for the construction of beach cabanas at a small property.
Based on the knowledge I had gained through my work experience, I produced several options which are currently being considered by the client.
Access to upper levels(through spiral staricase)
Access to lower levels
Bou que Hotel(MICD Asociates)
Beachside Cabanas(Personal Project)
Access to upper levels(through spiral staricase)
Access to lower levelss
page 19 of 19
Elevation showing existing building and extension Site plan showing four cabanas
Section Elevations
Selected fi nishes Plan of ground level room
design portfolio Ishani Gunasekara (2015)
Thank you for viewing my portfolio,
e-mail:ishani214@yahoo.com
phone:0411 871 095
contact
IshaniGunasekara
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