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Hector Berlioz Benvenuto Cellini (BA 5441-90) I Cléopâtre (BA 5787-90) I Les nuits d’été op. 7, High Voice (BA 5784-90) I Les nuits d’été op. 7, Medium Voice (BA 5786-90) I Les Troyens (BA 5442-90) I Songs for High Voice and Piano, Vol. 1 (BA 5984) I Songs for High Voice and Piano, Vol. 2 (BA 5985)
Les nuits d’été op. 7, Medium VoiceBA 5786-90
• Reliable musical text based on a thorough examination of all available sources
• Piano reductions by experienced conductors and répétiteurs• Singable German or English libretto translations for
performance and as an aid for comprehension• Solo voice editions include the songs’ texts separately printed
with English and, in the case of the Berlioz songs, also German translations
• Comprehensive foreword penned by a respected musicologist on the work’s genesis, the reception history and, in the case of operas, plot of the work
• Appendices offering alternative versions• Well-presented layout satisfying the highest aesthetic
demands in terms of spacing and transparency• High-quality paper, print and binding
Why buy BÄRENREITER URTEXT?
French Opera and Song Your next performance is worth it.
Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG I Heinrich-Schütz-Allee 35-37 I 34131 Kassel www.baerenreiter.com I info@baerenreiter.com I Printed in Germany
Errors excepted; delivery terms subject to change without noticeCover Photo: Anicio Zorzi: © RibaltaLuce Studio I 1/1706/10 I SPA 90
Bärenreiter UrtextPlease visit us on
facebook.com/Baerenreiter twitter.com/BarenreiterUK youtube.com/BaerenreiterVerlag
You will fi nd all of our editions on our website: www.baerenreiter.com
Your next performance is worth it.
facebook.com/Baerenreiter twitter.com/BarenreiterUK youtube.com/BaerenreiterVerlag
SOLO VOICEOPERA · LIEDOpera Vocal Scores & Solo Voice Editions
A SelectionThe opera Faust was instrumental in establishing Charles Gounod’s reputation as a world famous composer. The Bärenreiter vocal score of this masterwork includes numerous well-known numbers such as Marguerite’s Air des bijoux and Chanson du roi de Thulé, Méphistophélès’ Ronde du veau d’or and Faust’s Cavatina Salut ! demeure chaste et pure.
Charles Gounod
Faust BA 8713-90 (in preparation)
The French opera and song repertoire of the 19th century forms an important part of the Bärenreiter catalog. Numerous works have already been published in new scholarly-critical editions, many based on our series L’Opéra français. Bärenreiter’s catalog of French opera and song is continuously being expanded.
FRENCH OPERA
Georges Bizet, Carmen (AE 129-90) IEmmanuel Chabrier, L’Étoile (BA 8708-90) IChristoph Willibald Gluck, Alceste, Paris Version 1776 (BA 5848-90) IChristoph Willibald Gluck, Orphée et Euridice, Paris Version 1774 (BA 2282-90) IFromental Halévy, La Juive (AE 340-90) IJules Massenet, Werther,in preparation (BA 8706-90) IJacques Offenbach, The Tales of Hoffmann (AE 333-02/03) IJacques Offenbach, La Belle Hélène(AE 511-90) I Camille Saint-Saëns, Samson et Dalila, in preparation (BA 8710-90) I a.o.
French Operaand Song
Bärenreiter Opera KaleidoscopeBA 8828
Opera in all its VarietyBeethoven, Fidelio (BA 9011-90) I Dvorák, Rusalka (BA 9510-90) I Janácek, Osud (BA 9562-90) I Monteverdi, L’Orfeo (BA 8793-90) I Rossini, The Barber of Seville (BA 10506-92) I Schubert, Fierabras (BA 5557-90) I Schubert, Rosamunde, Fürstin von Cypern(BA 5570-90) I Smetana, The Bartered Bride (BA 9534-90)
This inexpensive anthology spans the gamut from the early Baroque to the Romantic era and includes well-known and much loved opera arias from the masterworks of the repertoire, such as Handel’s famous Ombra mai fu and Mozart’s Ach ich fühl’s, es ist verschwunden!.An appetizer for Bärenreiter’s high- quality Urtext opera vocal scores!
ˇ
BV_5947_2017_Flyer Solo Voice-RZ.indd 5-1 29.06.17 10:52
Wolfgang Amadeus Mozart
Arias, Duets, Trios and Ensemble Movements from Handel’s Operas
Handel’s operas are not historic monuments but alive and thriving. For more than 35 years the composer dedicated himself to the genre and many of his stage works have found their way into the repertoire and are performed today.
Alcina HWV 34 (BA 4061-90) I Almira, Königin von Kastilien HWV 1 (BA 4050-90) I Ariodante HWV 33 (BA 4079- 90) I Arminio HWV 36 (BA 4100-90) I Giulio Cesare in EgittoHWV 17 (BA 4078-90) I Orlando HWV 31 (BA 4087-90) I Ottone HWV 15 (BA 4077-90) I Rinaldo (1711) HWV 7a (BA 4033-90) I Rodelinda, Regina de’ Longobardi HWV 19 (BA 4064-90) ISerse HWV 40 (BA 4076-90) I Tamerlano HWV 18 (BA 4052-90) I a.o.
Bärenreiter vocal scores of Mozart’s operas are the preferred editions by singers today.
Così fan tutte K. 588 (BA 4606-90) I Don Giovanni K. 527 (BA 4550-90) I Idomeneo K. 366 (BA 4562-90) I La clemenza di Tito K. 621 (BA 4554-90) I The Abduction from the Seraglio K. 384 (BA 4591-90) I The Magic Flute K. 620 (BA 4553-90) I The Marriage of Figaro K. 492 (BA 4565-90) I a.o.
Dichterliebe op. 48 (BA 7851) I Frauenliebe und Leben op. 42 (BA 7854) I Liederkreis von H. Heine op. 24 (BA 7852) I Liederkreis von Joseph Freiherrn von Eichendorff op. 39 (BA 7853)
• Edited by Hansjörg Ewert• All songs in their original keys• Bilingual Foreword (Ger/Eng) and
Critical Commentary (Ger)• The song texts are also printed separately
and include English translations taken from Richard Stokes’ publication The Book of Lieder
There is hardly another genre so closely connected with the musical Romantic as the accompanied solo song. Franz Schubert’s Lieder form the centre of Bärenreiter’s solo voice catalog.Vocal Scores of
Handel OperasVocal Scores of Mozart Operas
Lieder by Robert Schumann
Complete Songs Ed. E. A. BallinHigh Voice BA 5330Medium Voice BA 5328
Frauenliebe und Leben BA 7854
Mozart Lieder
Franz Schubert and Robert Schumann
For transpositions see:www.baerenreiter.com/en/focus/franz-schubert/schubert-lieder/
HWV 178, 181, 185, 186, 190, 197Ed. K. Musketa BA 10257
By means of their high degree of consistency and maturity, Handel’s chamber duets constitute a highlight of this genre. They are musically demanding and structured contrapuntally: the earlier works are stricter, more scholarly and more elaborate in terms of counterpoint but masterly in their craftsmanship. The later ones are composed somewhat freer, but more compact.
These vocal scores of Mozart’s concert and insert arias are based on the New Mozart Edition. An accompanying booklet gives detailed explanations on the execution of appoggiaturas and other performance practice phenomena relevant to each aria. In addition, there are suggestions for the performance of cadenzas and lead-ins as well as for the ornamentation of dal segno passages, which are often found in the early Mozart arias.
• Underlaid text presented in the original language only• All aria texts translated into German and English and printed separately• Idiomatic piano reduction to the individual arias• Clear and legible layout of the musical text• Additional notes and suggestions on performance practice
in the accompanying booklet• Performance material available on hire to each aria
Soprano BA 9182
Agrippina HWV 6BA 4092-90
Franz Schubert’s Complete LiederBärenreiter’s performing Urtext editions of Schubert’s Lieder are based on the New Schubert Edition and once completed will offer the composer’s Lied œuvre in 13 volumes, each for high, medium, and low voice. The close collaboration between the renowned Schubert scholar Walther Dürr and equally renowned singer Christoph Prégardien ensures a happy union between musicology and performance; a sound musical text of the highest musicological standard meets practical demands with regard to the transpositions for the three vocal registers.
• Newly engraved with a spacious appearance, format 23cm x 30cm• Ideal page turns• Alternative versions are reproduced in an appendix• An Introduction by Walther Dürr focuses on peculiarities in the genesis
and performance history of each Lied and provides solid information on performance practice
• The order is according to the New Schubert Edition: fi rst by opus number, then in chronological order
• Each volume is published in all three vocal registers• Key relations within the song cycles are maintained in all transpositions• All song texts are also separately printed with an English translation
by Richard Wigmore
Lieder, Volume 1 BA 9101
franz-schubert/schubert-lieder/
George Frideric Handel
• Urtext edition based on the Halle Handel Edition
• Clear, idiomatic realization of the continuo part
• Includes a separate continuo part without realization
Chamber Duets for Soprano, Altoand Basso continuo
Female Roles for High Voice (BA 4295) I Male Roles for High Voice (BA 4296) I Mezzo-Soprano and Contralto (BA 10253) I Tenor (BA 10254) I Bass (BA 10255) I Duets, Trios and Ensemble Movements (BA 4297)
Mozart Concert Ariasfor High Soprano (BA 9181) I for Soprano (BA 9182) I for Low Sopranoand Contralto (BA 9183) I for Tenor (BA 9184) I for Bass (BA 9185)
Compilation by Thomas SeedorfNotes and suggestions on performance practice by Thomas Seedorf and Uwe KrempPiano reduction by Christian Beyer
BV_5947_2017_Flyer Solo Voice-RZ.indd 2-4 29.06.17 10:52
Wolfgang Amadeus Mozart
Arias, Duets, Trios and Ensemble Movements from Handel’s Operas
Handel’s operas are not historic monuments but alive and thriving. For more than 35 years the composer dedicated himself to the genre and many of his stage works have found their way into the repertoire and are performed today.
Alcina HWV 34 (BA 4061-90) I Almira, Königin von Kastilien HWV 1 (BA 4050-90) I Ariodante HWV 33 (BA 4079- 90) I Arminio HWV 36 (BA 4100-90) I Giulio Cesare in EgittoHWV 17 (BA 4078-90) I Orlando HWV 31 (BA 4087-90) I Ottone HWV 15 (BA 4077-90) I Rinaldo (1711) HWV 7a (BA 4033-90) I Rodelinda, Regina de’ Longobardi HWV 19 (BA 4064-90) ISerse HWV 40 (BA 4076-90) I Tamerlano HWV 18 (BA 4052-90) I a.o.
Bärenreiter vocal scores of Mozart’s operas are the preferred editions by singers today.
Così fan tutte K. 588 (BA 4606-90) I Don Giovanni K. 527 (BA 4550-90) I Idomeneo K. 366 (BA 4562-90) I La clemenza di Tito K. 621 (BA 4554-90) I The Abduction from the Seraglio K. 384 (BA 4591-90) I The Magic Flute K. 620 (BA 4553-90) I The Marriage of Figaro K. 492 (BA 4565-90) I a.o.
Dichterliebe op. 48 (BA 7851) I Frauenliebe und Leben op. 42 (BA 7854) I Liederkreis von H. Heine op. 24 (BA 7852) I Liederkreis von Joseph Freiherrn von Eichendorff op. 39 (BA 7853)
• Edited by Hansjörg Ewert• All songs in their original keys• Bilingual Foreword (Ger/Eng) and
Critical Commentary (Ger)• The song texts are also printed separately
and include English translations taken from Richard Stokes’ publication The Book of Lieder
There is hardly another genre so closely connected with the musical Romantic as the accompanied solo song. Franz Schubert’s Lieder form the centre of Bärenreiter’s solo voice catalog.Vocal Scores of
Handel OperasVocal Scores of Mozart Operas
Lieder by Robert Schumann
Complete Songs Ed. E. A. BallinHigh Voice BA 5330Medium Voice BA 5328
Frauenliebe und Leben BA 7854
Mozart Lieder
Franz Schubert and Robert Schumann
For transpositions see:www.baerenreiter.com/en/focus/franz-schubert/schubert-lieder/
HWV 178, 181, 185, 186, 190, 197Ed. K. Musketa BA 10257
By means of their high degree of consistency and maturity, Handel’s chamber duets constitute a highlight of this genre. They are musically demanding and structured contrapuntally: the earlier works are stricter, more scholarly and more elaborate in terms of counterpoint but masterly in their craftsmanship. The later ones are composed somewhat freer, but more compact.
These vocal scores of Mozart’s concert and insert arias are based on the New Mozart Edition. An accompanying booklet gives detailed explanations on the execution of appoggiaturas and other performance practice phenomena relevant to each aria. In addition, there are suggestions for the performance of cadenzas and lead-ins as well as for the ornamentation of dal segno passages, which are often found in the early Mozart arias.
• Underlaid text presented in the original language only• All aria texts translated into German and English and printed separately• Idiomatic piano reduction to the individual arias• Clear and legible layout of the musical text• Additional notes and suggestions on performance practice
in the accompanying booklet• Performance material available on hire to each aria
Soprano BA 9182
Agrippina HWV 6BA 4092-90
Franz Schubert’s Complete LiederBärenreiter’s performing Urtext editions of Schubert’s Lieder are based on the New Schubert Edition and once completed will offer the composer’s Lied œuvre in 13 volumes, each for high, medium, and low voice. The close collaboration between the renowned Schubert scholar Walther Dürr and equally renowned singer Christoph Prégardien ensures a happy union between musicology and performance; a sound musical text of the highest musicological standard meets practical demands with regard to the transpositions for the three vocal registers.
• Newly engraved with a spacious appearance, format 23cm x 30cm• Ideal page turns• Alternative versions are reproduced in an appendix• An Introduction by Walther Dürr focuses on peculiarities in the genesis
and performance history of each Lied and provides solid information on performance practice
• The order is according to the New Schubert Edition: fi rst by opus number, then in chronological order
• Each volume is published in all three vocal registers• Key relations within the song cycles are maintained in all transpositions• All song texts are also separately printed with an English translation
by Richard Wigmore
Lieder, Volume 1 BA 9101
franz-schubert/schubert-lieder/
George Frideric Handel
• Urtext edition based on the Halle Handel Edition
• Clear, idiomatic realization of the continuo part
• Includes a separate continuo part without realization
Chamber Duets for Soprano, Altoand Basso continuo
Female Roles for High Voice (BA 4295) I Male Roles for High Voice (BA 4296) I Mezzo-Soprano and Contralto (BA 10253) I Tenor (BA 10254) I Bass (BA 10255) I Duets, Trios and Ensemble Movements (BA 4297)
Mozart Concert Ariasfor High Soprano (BA 9181) I for Soprano (BA 9182) I for Low Sopranoand Contralto (BA 9183) I for Tenor (BA 9184) I for Bass (BA 9185)
Compilation by Thomas SeedorfNotes and suggestions on performance practice by Thomas Seedorf and Uwe KrempPiano reduction by Christian Beyer
BV_5947_2017_Flyer Solo Voice-RZ.indd 2-4 29.06.17 10:52
Wolfgang Amadeus Mozart
Arias, Duets, Trios and Ensemble Movements from Handel’s Operas
Handel’s operas are not historic monuments but alive and thriving. For more than 35 years the composer dedicated himself to the genre and many of his stage works have found their way into the repertoire and are performed today.
Alcina HWV 34 (BA 4061-90) I Almira, Königin von Kastilien HWV 1 (BA 4050-90) I Ariodante HWV 33 (BA 4079- 90) I Arminio HWV 36 (BA 4100-90) I Giulio Cesare in EgittoHWV 17 (BA 4078-90) I Orlando HWV 31 (BA 4087-90) I Ottone HWV 15 (BA 4077-90) I Rinaldo (1711) HWV 7a (BA 4033-90) I Rodelinda, Regina de’ Longobardi HWV 19 (BA 4064-90) ISerse HWV 40 (BA 4076-90) I Tamerlano HWV 18 (BA 4052-90) I a.o.
Bärenreiter vocal scores of Mozart’s operas are the preferred editions by singers today.
Così fan tutte K. 588 (BA 4606-90) I Don Giovanni K. 527 (BA 4550-90) I Idomeneo K. 366 (BA 4562-90) I La clemenza di Tito K. 621 (BA 4554-90) I The Abduction from the Seraglio K. 384 (BA 4591-90) I The Magic Flute K. 620 (BA 4553-90) I The Marriage of Figaro K. 492 (BA 4565-90) I a.o.
Dichterliebe op. 48 (BA 7851) I Frauenliebe und Leben op. 42 (BA 7854) I Liederkreis von H. Heine op. 24 (BA 7852) I Liederkreis von Joseph Freiherrn von Eichendorff op. 39 (BA 7853)
• Edited by Hansjörg Ewert• All songs in their original keys• Bilingual Foreword (Ger/Eng) and
Critical Commentary (Ger)• The song texts are also printed separately
and include English translations taken from Richard Stokes’ publication The Book of Lieder
There is hardly another genre so closely connected with the musical Romantic as the accompanied solo song. Franz Schubert’s Lieder form the centre of Bärenreiter’s solo voice catalog.Vocal Scores of
Handel OperasVocal Scores of Mozart Operas
Lieder by Robert Schumann
Complete Songs Ed. E. A. BallinHigh Voice BA 5330Medium Voice BA 5328
Frauenliebe und Leben BA 7854
Mozart Lieder
Franz Schubert and Robert Schumann
For transpositions see:www.baerenreiter.com/en/focus/franz-schubert/schubert-lieder/
HWV 178, 181, 185, 186, 190, 197Ed. K. Musketa BA 10257
By means of their high degree of consistency and maturity, Handel’s chamber duets constitute a highlight of this genre. They are musically demanding and structured contrapuntally: the earlier works are stricter, more scholarly and more elaborate in terms of counterpoint but masterly in their craftsmanship. The later ones are composed somewhat freer, but more compact.
These vocal scores of Mozart’s concert and insert arias are based on the New Mozart Edition. An accompanying booklet gives detailed explanations on the execution of appoggiaturas and other performance practice phenomena relevant to each aria. In addition, there are suggestions for the performance of cadenzas and lead-ins as well as for the ornamentation of dal segno passages, which are often found in the early Mozart arias.
• Underlaid text presented in the original language only• All aria texts translated into German and English and printed separately• Idiomatic piano reduction to the individual arias• Clear and legible layout of the musical text• Additional notes and suggestions on performance practice
in the accompanying booklet• Performance material available on hire to each aria
Soprano BA 9182
Agrippina HWV 6BA 4092-90
Franz Schubert’s Complete LiederBärenreiter’s performing Urtext editions of Schubert’s Lieder are based on the New Schubert Edition and once completed will offer the composer’s Lied œuvre in 13 volumes, each for high, medium, and low voice. The close collaboration between the renowned Schubert scholar Walther Dürr and equally renowned singer Christoph Prégardien ensures a happy union between musicology and performance; a sound musical text of the highest musicological standard meets practical demands with regard to the transpositions for the three vocal registers.
• Newly engraved with a spacious appearance, format 23cm x 30cm• Ideal page turns• Alternative versions are reproduced in an appendix• An Introduction by Walther Dürr focuses on peculiarities in the genesis
and performance history of each Lied and provides solid information on performance practice
• The order is according to the New Schubert Edition: fi rst by opus number, then in chronological order
• Each volume is published in all three vocal registers• Key relations within the song cycles are maintained in all transpositions• All song texts are also separately printed with an English translation
by Richard Wigmore
Lieder, Volume 1 BA 9101
franz-schubert/schubert-lieder/
George Frideric Handel
• Urtext edition based on the Halle Handel Edition
• Clear, idiomatic realization of the continuo part
• Includes a separate continuo part without realization
Chamber Duets for Soprano, Altoand Basso continuo
Female Roles for High Voice (BA 4295) I Male Roles for High Voice (BA 4296) I Mezzo-Soprano and Contralto (BA 10253) I Tenor (BA 10254) I Bass (BA 10255) I Duets, Trios and Ensemble Movements (BA 4297)
Mozart Concert Ariasfor High Soprano (BA 9181) I for Soprano (BA 9182) I for Low Sopranoand Contralto (BA 9183) I for Tenor (BA 9184) I for Bass (BA 9185)
Compilation by Thomas SeedorfNotes and suggestions on performance practice by Thomas Seedorf and Uwe KrempPiano reduction by Christian Beyer
BV_5947_2017_Flyer Solo Voice-RZ.indd 2-4 29.06.17 10:52
Hector Berlioz Benvenuto Cellini (BA 5441-90) I Cléopâtre (BA 5787-90) I Les nuits d’été op. 7, High Voice (BA 5784-90) I Les nuits d’été op. 7, Medium Voice (BA 5786-90) I Les Troyens (BA 5442-90) I Songs for High Voice and Piano, Vol. 1 (BA 5984) I Songs for High Voice and Piano, Vol. 2 (BA 5985)
Les nuits d’été op. 7, Medium VoiceBA 5786-90
• Reliable musical text based on a thorough examination of all available sources
• Piano reductions by experienced conductors and répétiteurs• Singable German or English libretto translations for
performance and as an aid for comprehension• Solo voice editions include the songs’ texts separately printed
with English and, in the case of the Berlioz songs, also German translations
• Comprehensive foreword penned by a respected musicologist on the work’s genesis, the reception history and, in the case of operas, plot of the work
• Appendices offering alternative versions• Well-presented layout satisfying the highest aesthetic
demands in terms of spacing and transparency• High-quality paper, print and binding
Why buy BÄRENREITER URTEXT?
French Opera and Song Your next performance is worth it.
Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG I Heinrich-Schütz-Allee 35-37 I 34131 Kassel www.baerenreiter.com I info@baerenreiter.com I Printed in Germany
Errors excepted; delivery terms subject to change without noticeCover Photo: Anicio Zorzi: © RibaltaLuce Studio I 1/1706/10 I SPA 90
Bärenreiter UrtextPlease visit us on
facebook.com/Baerenreiter twitter.com/BarenreiterUK youtube.com/BaerenreiterVerlag
You will fi nd all of our editions on our website: www.baerenreiter.com
Your next performance is worth it.
facebook.com/Baerenreiter twitter.com/BarenreiterUK youtube.com/BaerenreiterVerlag
SOLO VOICEOPERA · LIEDOpera Vocal Scores & Solo Voice Editions
A SelectionThe opera Faust was instrumental in establishing Charles Gounod’s reputation as a world famous composer. The Bärenreiter vocal score of this masterwork includes numerous well-known numbers such as Marguerite’s Air des bijoux and Chanson du roi de Thulé, Méphistophélès’ Ronde du veau d’or and Faust’s Cavatina Salut ! demeure chaste et pure.
Charles Gounod
Faust BA 8713-90 (in preparation)
The French opera and song repertoire of the 19th century forms an important part of the Bärenreiter catalog. Numerous works have already been published in new scholarly-critical editions, many based on our series L’Opéra français. Bärenreiter’s catalog of French opera and song is continuously being expanded.
FRENCH OPERA
Georges Bizet, Carmen (AE 129-90) IEmmanuel Chabrier, L’Étoile (BA 8708-90) IChristoph Willibald Gluck, Alceste, Paris Version 1776 (BA 5848-90) IChristoph Willibald Gluck, Orphée et Euridice, Paris Version 1774 (BA 2282-90) IFromental Halévy, La Juive (AE 340-90) IJules Massenet, Werther,in preparation (BA 8706-90) IJacques Offenbach, The Tales of Hoffmann (AE 333-02/03) IJacques Offenbach, La Belle Hélène(AE 511-90) I Camille Saint-Saëns, Samson et Dalila, in preparation (BA 8710-90) I a.o.
French Operaand Song
Bärenreiter Opera KaleidoscopeBA 8828
Opera in all its VarietyBeethoven, Fidelio (BA 9011-90) I Dvorák, Rusalka (BA 9510-90) I Janácek, Osud (BA 9562-90) I Monteverdi, L’Orfeo (BA 8793-90) I Rossini, The Barber of Seville (BA 10506-92) I Schubert, Fierabras (BA 5557-90) I Schubert, Rosamunde, Fürstin von Cypern(BA 5570-90) I Smetana, The Bartered Bride (BA 9534-90)
This inexpensive anthology spans the gamut from the early Baroque to the Romantic era and includes well-known and much loved opera arias from the masterworks of the repertoire, such as Handel’s famous Ombra mai fu and Mozart’s Ach ich fühl’s, es ist verschwunden!.An appetizer for Bärenreiter’s high- quality Urtext opera vocal scores!
ˇ
BV_5947_2017_Flyer Solo Voice-RZ.indd 5-1 29.06.17 10:52
Hector Berlioz Benvenuto Cellini (BA 5441-90) I Cléopâtre (BA 5787-90) I Les nuits d’été op. 7, High Voice (BA 5784-90) I Les nuits d’été op. 7, Medium Voice (BA 5786-90) I Les Troyens (BA 5442-90) I Songs for High Voice and Piano, Vol. 1 (BA 5984) I Songs for High Voice and Piano, Vol. 2 (BA 5985)
Les nuits d’été op. 7, Medium VoiceBA 5786-90
• Reliable musical text based on a thorough examination of all available sources
• Piano reductions by experienced conductors and répétiteurs• Singable German or English libretto translations for
performance and as an aid for comprehension• Solo voice editions include the songs’ texts separately printed
with English and, in the case of the Berlioz songs, also German translations
• Comprehensive foreword penned by a respected musicologist on the work’s genesis, the reception history and, in the case of operas, plot of the work
• Appendices offering alternative versions• Well-presented layout satisfying the highest aesthetic
demands in terms of spacing and transparency• High-quality paper, print and binding
Why buy BÄRENREITER URTEXT?
French Opera and Song Your next performance is worth it.
Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG I Heinrich-Schütz-Allee 35-37 I 34131 Kassel www.baerenreiter.com I info@baerenreiter.com I Printed in Germany
Errors excepted; delivery terms subject to change without noticeCover Photo: Anicio Zorzi: © RibaltaLuce Studio I 1/1706/10 I SPA 90
Bärenreiter UrtextPlease visit us on
facebook.com/Baerenreiter twitter.com/BarenreiterUK youtube.com/BaerenreiterVerlag
You will fi nd all of our editions on our website: www.baerenreiter.com
Your next performance is worth it.
facebook.com/Baerenreiter twitter.com/BarenreiterUK youtube.com/BaerenreiterVerlag
SOLO VOICEOPERA · LIEDOpera Vocal Scores & Solo Voice Editions
A SelectionThe opera Faust was instrumental in establishing Charles Gounod’s reputation as a world famous composer. The Bärenreiter vocal score of this masterwork includes numerous well-known numbers such as Marguerite’s Air des bijoux and Chanson du roi de Thulé, Méphistophélès’ Ronde du veau d’or and Faust’s Cavatina Salut ! demeure chaste et pure.
Charles Gounod
Faust BA 8713-90 (in preparation)
The French opera and song repertoire of the 19th century forms an important part of the Bärenreiter catalog. Numerous works have already been published in new scholarly-critical editions, many based on our series L’Opéra français. Bärenreiter’s catalog of French opera and song is continuously being expanded.
FRENCH OPERA
Georges Bizet, Carmen (AE 129-90) IEmmanuel Chabrier, L’Étoile (BA 8708-90) IChristoph Willibald Gluck, Alceste, Paris Version 1776 (BA 5848-90) IChristoph Willibald Gluck, Orphée et Euridice, Paris Version 1774 (BA 2282-90) IFromental Halévy, La Juive (AE 340-90) IJules Massenet, Werther,in preparation (BA 8706-90) IJacques Offenbach, The Tales of Hoffmann (AE 333-02/03) IJacques Offenbach, La Belle Hélène(AE 511-90) I Camille Saint-Saëns, Samson et Dalila, in preparation (BA 8710-90) I a.o.
French Operaand Song
Bärenreiter Opera KaleidoscopeBA 8828
Opera in all its VarietyBeethoven, Fidelio (BA 9011-90) I Dvorák, Rusalka (BA 9510-90) I Janácek, Osud (BA 9562-90) I Monteverdi, L’Orfeo (BA 8793-90) I Rossini, The Barber of Seville (BA 10506-92) I Schubert, Fierabras (BA 5557-90) I Schubert, Rosamunde, Fürstin von Cypern(BA 5570-90) I Smetana, The Bartered Bride (BA 9534-90)
This inexpensive anthology spans the gamut from the early Baroque to the Romantic era and includes well-known and much loved opera arias from the masterworks of the repertoire, such as Handel’s famous Ombra mai fu and Mozart’s Ach ich fühl’s, es ist verschwunden!.An appetizer for Bärenreiter’s high- quality Urtext opera vocal scores!
ˇ
BV_5947_2017_Flyer Solo Voice-RZ.indd 5-1 29.06.17 10:52
Hector Berlioz Benvenuto Cellini (BA 5441-90) I Cléopâtre (BA 5787-90) I Les nuits d’été op. 7, High Voice (BA 5784-90) I Les nuits d’été op. 7, Medium Voice (BA 5786-90) I Les Troyens (BA 5442-90) I Songs for High Voice and Piano, Vol. 1 (BA 5984) I Songs for High Voice and Piano, Vol. 2 (BA 5985)
Les nuits d’été op. 7, Medium VoiceBA 5786-90
• Reliable musical text based on a thorough examination of all available sources
• Piano reductions by experienced conductors and répétiteurs• Singable German or English libretto translations for
performance and as an aid for comprehension• Solo voice editions include the songs’ texts separately printed
with English and, in the case of the Berlioz songs, also German translations
• Comprehensive foreword penned by a respected musicologist on the work’s genesis, the reception history and, in the case of operas, plot of the work
• Appendices offering alternative versions• Well-presented layout satisfying the highest aesthetic
demands in terms of spacing and transparency• High-quality paper, print and binding
Why buy BÄRENREITER URTEXT?
French Opera and Song Your next performance is worth it.
Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG I Heinrich-Schütz-Allee 35-37 I 34131 Kassel www.baerenreiter.com I info@baerenreiter.com I Printed in Germany
Errors excepted; delivery terms subject to change without noticeCover Photo: Anicio Zorzi: © RibaltaLuce Studio I 1/1706/10 I SPA 90
Bärenreiter UrtextPlease visit us on
facebook.com/Baerenreiter twitter.com/BarenreiterUK youtube.com/BaerenreiterVerlag
You will fi nd all of our editions on our website: www.baerenreiter.com
Your next performance is worth it.
facebook.com/Baerenreiter twitter.com/BarenreiterUK youtube.com/BaerenreiterVerlag
SOLO VOICEOPERA · LIEDOpera Vocal Scores & Solo Voice Editions
A SelectionThe opera Faust was instrumental in establishing Charles Gounod’s reputation as a world famous composer. The Bärenreiter vocal score of this masterwork includes numerous well-known numbers such as Marguerite’s Air des bijoux and Chanson du roi de Thulé, Méphistophélès’ Ronde du veau d’or and Faust’s Cavatina Salut ! demeure chaste et pure.
Charles Gounod
Faust BA 8713-90 (in preparation)
The French opera and song repertoire of the 19th century forms an important part of the Bärenreiter catalog. Numerous works have already been published in new scholarly-critical editions, many based on our series L’Opéra français. Bärenreiter’s catalog of French opera and song is continuously being expanded.
FRENCH OPERA
Georges Bizet, Carmen (AE 129-90) IEmmanuel Chabrier, L’Étoile (BA 8708-90) IChristoph Willibald Gluck, Alceste, Paris Version 1776 (BA 5848-90) IChristoph Willibald Gluck, Orphée et Euridice, Paris Version 1774 (BA 2282-90) IFromental Halévy, La Juive (AE 340-90) IJules Massenet, Werther,in preparation (BA 8706-90) IJacques Offenbach, The Tales of Hoffmann (AE 333-02/03) IJacques Offenbach, La Belle Hélène(AE 511-90) I Camille Saint-Saëns, Samson et Dalila, in preparation (BA 8710-90) I a.o.
French Operaand Song
Bärenreiter Opera KaleidoscopeBA 8828
Opera in all its VarietyBeethoven, Fidelio (BA 9011-90) I Dvorák, Rusalka (BA 9510-90) I Janácek, Osud (BA 9562-90) I Monteverdi, L’Orfeo (BA 8793-90) I Rossini, The Barber of Seville (BA 10506-92) I Schubert, Fierabras (BA 5557-90) I Schubert, Rosamunde, Fürstin von Cypern(BA 5570-90) I Smetana, The Bartered Bride (BA 9534-90)
This inexpensive anthology spans the gamut from the early Baroque to the Romantic era and includes well-known and much loved opera arias from the masterworks of the repertoire, such as Handel’s famous Ombra mai fu and Mozart’s Ach ich fühl’s, es ist verschwunden!.An appetizer for Bärenreiter’s high- quality Urtext opera vocal scores!
ˇ
BV_5947_2017_Flyer Solo Voice-RZ.indd 5-1 29.06.17 10:52
Hector Berlioz Benvenuto Cellini (BA 5441-90) I Cléopâtre (BA 5787-90) I Les nuits d’été op. 7, High Voice (BA 5784-90) I Les nuits d’été op. 7, Medium Voice (BA 5786-90) I Les Troyens (BA 5442-90) I Songs for High Voice and Piano, Vol. 1 (BA 5984) I Songs for High Voice and Piano, Vol. 2 (BA 5985)
Les nuits d’été op. 7, Medium VoiceBA 5786-90
• Reliable musical text based on a thorough examination of all available sources
• Piano reductions by experienced conductors and répétiteurs• Singable German or English libretto translations for
performance and as an aid for comprehension• Solo voice editions include the songs’ texts separately printed
with English and, in the case of the Berlioz songs, also German translations
• Comprehensive foreword penned by a respected musicologist on the work’s genesis, the reception history and, in the case of operas, plot of the work
• Appendices offering alternative versions• Well-presented layout satisfying the highest aesthetic
demands in terms of spacing and transparency• High-quality paper, print and binding
Why buy BÄRENREITER URTEXT?
French Opera and Song Your next performance is worth it.
Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG I Heinrich-Schütz-Allee 35-37 I 34131 Kassel www.baerenreiter.com I info@baerenreiter.com I Printed in Germany
Errors excepted; delivery terms subject to change without noticeCover Photo: Anicio Zorzi: © RibaltaLuce Studio I 1/1706/10 I SPA 90
Bärenreiter UrtextPlease visit us on
facebook.com/Baerenreiter twitter.com/BarenreiterUK youtube.com/BaerenreiterVerlag
You will fi nd all of our editions on our website: www.baerenreiter.com
Your next performance is worth it.
facebook.com/Baerenreiter twitter.com/BarenreiterUK youtube.com/BaerenreiterVerlag
SOLO VOICEOPERA · LIEDOpera Vocal Scores & Solo Voice Editions
A SelectionThe opera Faust was instrumental in establishing Charles Gounod’s reputation as a world famous composer. The Bärenreiter vocal score of this masterwork includes numerous well-known numbers such as Marguerite’s Air des bijoux and Chanson du roi de Thulé, Méphistophélès’ Ronde du veau d’or and Faust’s Cavatina Salut ! demeure chaste et pure.
Charles Gounod
Faust BA 8713-90 (in preparation)
The French opera and song repertoire of the 19th century forms an important part of the Bärenreiter catalog. Numerous works have already been published in new scholarly-critical editions, many based on our series L’Opéra français. Bärenreiter’s catalog of French opera and song is continuously being expanded.
FRENCH OPERA
Georges Bizet, Carmen (AE 129-90) IEmmanuel Chabrier, L’Étoile (BA 8708-90) IChristoph Willibald Gluck, Alceste, Paris Version 1776 (BA 5848-90) IChristoph Willibald Gluck, Orphée et Euridice, Paris Version 1774 (BA 2282-90) IFromental Halévy, La Juive (AE 340-90) IJules Massenet, Werther,in preparation (BA 8706-90) IJacques Offenbach, The Tales of Hoffmann (AE 333-02/03) IJacques Offenbach, La Belle Hélène(AE 511-90) I Camille Saint-Saëns, Samson et Dalila, in preparation (BA 8710-90) I a.o.
French Operaand Song
Bärenreiter Opera KaleidoscopeBA 8828
Opera in all its VarietyBeethoven, Fidelio (BA 9011-90) I Dvorák, Rusalka (BA 9510-90) I Janácek, Osud (BA 9562-90) I Monteverdi, L’Orfeo (BA 8793-90) I Rossini, The Barber of Seville (BA 10506-92) I Schubert, Fierabras (BA 5557-90) I Schubert, Rosamunde, Fürstin von Cypern(BA 5570-90) I Smetana, The Bartered Bride (BA 9534-90)
This inexpensive anthology spans the gamut from the early Baroque to the Romantic era and includes well-known and much loved opera arias from the masterworks of the repertoire, such as Handel’s famous Ombra mai fu and Mozart’s Ach ich fühl’s, es ist verschwunden!.An appetizer for Bärenreiter’s high- quality Urtext opera vocal scores!
ˇ
BV_5947_2017_Flyer Solo Voice-RZ.indd 5-1 29.06.17 10:52
Cover Photo: Anicio Zorzi Giustiniani: © RibaltaLuce Studio I 1/1706/10 I SPA 90
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