Diagrams

diagrams

TIME, MOTION, ACTION

IMMATERIAL

QUANTITATIVE INFORMATION

LOGICAL TRANSFORMATION OF

DRAWING CONVENTIONS

DRAWING HYBRIDS

NARRATIVES

COMPARISON

SUBJECTIVITY OF ANALYSIS

SUBJECTIVITY OF USE

EXTREME NEUTRALITY

ATTITUDE

SYSTEMS AND LAYERS

ORGANIZATIONAL DIAGRAMMING

TIME, MOTION, ACTION

-Etienne Jules Marey

-Louis Kahn: Traffic Study Project, Philadelphia Pennsylvania 1951

-ACTAR table study for housing project

-MOMA museum display study – source not available

-Edward Tuft: Automaton Chess Player 1834 drawings – David Brewstershown here: new version of 1821 drawings by Willis Robert.

IMMATERIAL

-Friedrich St. FlorianNew York Birdcage: Imaginary Architecture Project

-airplane holding pattern diagram – taken from Stan Allen book

-Frank Lloyd Wright

QUANTITATIVE INFORMATION-Napoleon's March Napoleon’s march to Moscow, Charles Minard

-Edward Tufte: E.J. Marey: La Methode Graphique. Graphical train schedule for Paris to Lyon – 1880s.

LOGICAL TRANSFORMATION OF DRAWING CONVENTIONS

-Rem Koolhaas Bibliotech Nationale

-Buckminster Fuller Dymaxion Map

DRAWING HYBRIDS-Bernard Tschumi Manhattan Transcripts 1976-1981:

-James Corner and Alex MacLeanTaking Measures Across the American Landscape Land

-Diller + Scofidio Slow House

COMPARISON

-Swatch photo finish “The cameras used in track and field are the most sensitive. The extremely fast cameras, which take 1,000 images per second, shoot only the first 8 millimeters of the finish line. As the runners cross, the cameras capture their bodies in a series of thousands of minuscule bits, first photographing the tip of the toe, then the finger, then the tip of the nose, with resolution so fine it can pick up the hair on runners' bodies.

All those thousands of pictures are then electronically pieced together to reproduce a photo finish. That's why the runners' bodies look distorted in official finish line recordings -- because the picture is not an actual picture but a visual re-creation of matter crossing a point in time. “

SUBJECTIVITY OF ANALYSIS-Vito Acconci

SUBJECTIVITY OF USE

-Venturi, Scott Brown Las Vegas Strip Venturi Scott Brown Izenour; Map of the Strip in Las Vegas Containing all the Signs Visible from the Street 1972;

-Bruno Munari: Search for comfot in an uncomfortable armchair, 1950, from Fantasia.

EXTREME NEUTRALITY-Atelier Bowow: “Made In Tokyo”

-Caldwell Alfred Farmhouse Detail 1970.

-Paul Rudolph, Finney Guest House Project, Siesta Key Florida 1947

ATTITUDE

-Archigram

-Wes Jones

-Atelier van LieshoutAVL-Ville, Rotterdam, the Netherlands 2001

SYSTEMS AND LAYERS-Laura Kurgan: analysis of the ICTY

ORGANIZATION -Stan Allen: Points + Lines

- Janette Kim, 2005 do not distribute