CHART 1 - Weebly...CHART 4 Dotted Half Notes i Ask your teacher what the letter 'C in measure...

CHART 1.5 Quarter Notes and Rests

? Ask your teacher where all the time signatures went!

% r f f f

r f r r 1̂ r r r

10 11 12

# • [»

/ i 14 15 16

22 23 24

25 26 27 28

29 30 31 32

i r \t i ~m 0 \ \ \ \\ \ T \

EXTRA PRACTICE 1 Lots of Rests

I I I \l f m m

I I i -0 m- I r I 0

10

I I i ^ ^

11 12

^ 3

i 14

• 0 0-

15 16

i i i I \l i i

17 18 19 20

1 22 23 24

25 26

I r I

27 28

0 0 i I I I W

29 30

0 0 0

31 32

CHART 2 Quarter and Half Notes with Rests

CHART 2.5 More Quarter and Half Notes with Rests

25 26 27 28

CHARTS Quarter, Half, and Whole Notes

CHART 3.5 Quarter, Half, and Whole Notes with Rests

CHART 4 Dotted Half Notes i Ask your teacher what

the letter 'C in measure one meansl

* A dot adds 1/2 the value of the note it is dotting. *

CHART 4.5 More Dotted Half Notes

CHARTS Time Signatures

CHART 5.5 More Time Signatures

29 30 31 32

CHART 6 Eighth Notes

i|< r̂ r r r 'cjcjLrcj'r r r r ' [ J L / C J L T ^

I u u l i I u u i i I u u i i I u u i l

^^I'f U ' l ' f 'f U T r 'r L i r r 'r L / r r "

^ ' l i I u I' If f u f If f u r Ir r u r I'

^ 4 r r r u 'r r i' u 'r r r u 'r r r

^ Q l ' u ii u r u - i f u r u ' r u r L T I

^ ^ L / r [J*r ^LTr [ j f i r r r r r r i r r r

CHART 6.5 Eighth, Quarter, Half, and Whole Notes with Rests

• 0 0 0 —0- 0 0 - © -

o 0-

10 11 12

g 0 0 0 j : 0 Sh 0 0

13 14 15 16

• 0 - 0 0 0 0 O

17 18 19 20

21 22 23 24

i f I i \^ i -

25

• 0

26 27 28

29

4 30 31

• T T T T T Ir \ r tf

32

CHART? Eighth Notes and Eighth Rests

CHART 7.5 Eighth Notes and Rests with Time Change

RHYTHM SET 1 Complex Rhythms with Eighth Notes and Rests

1

^ 0 0 Id

4

0 0

tJ P ̂ ^ ^

7

^ P ^ P ' ' - ^ - p - ^

8

# *-

10

7 7 7 *F

11

•> V •<

12

fe 7 7 7

13

l 7 7 7 7 n 7 r ) ^

14

fe 7 ^ 7 7 7 7 7

15

16

j[ 7 7 7 7 7 p 7 ^

CHARTS Ties

CHART 9 Dotted Quarter Notes

! Remember what a dot does to a note.

CHART 9.5 Dotted Quarter Notes

33 34 35 36

RHYTHM SET 2 Eighth, Quarter, and Dotted Quarter Rhythms

f 1

r cj^P 15-4 r 28

8 ^ p V p p p |j 20-('^) v; p ^ V 32 4 ^ p ^ V p

9 4 ^ = f ^ - p - ^ ^ ^ 2 1 - | t - p = ^ p ^ a 3 3 ^ P P T p 22

fe

1 2 ^ ^ ^ ^ ^ ^ 24^1' , ; p 7 36 (|) Si p V p

CHART 10 Syncopation

CHART 10.5 Mixed Syncopation

^ | p r p r P r p r r If P r P ir r

1 77 12

• P If P 7-̂ 75 7(i

p p" r r 7S 19 20

r c j p r p 22 25 24

|g |g

2J 2d 27 2S

P r r r p If ^ r ^ ^ ^ ^ V\' 50 57 52

r p r p i p r 33 34 35

^ p ^ ̂ ^ ^ \' If r p P' 36

CHART 10.75 Syncopation with Rests

I^LTf p r p i r c / M p i p r p r c / i M p P

4 P r p r Ip M r r If p M ir r ̂ 70 77 72

75

m 14 15 16

f' f ft

77 7S 79 20

27 22 25 2^

4 r p ' ^ T n / ' r C J r r ' p r r r p ^ c j ^ f ^ ^ 25 26 27

| p ^ r r p lr p r i p ^ ^ 2S

2P

fe

50 57 52

r p ip r r 55 5-̂

I T P T P Ip P P r 55 55

(g p IF—y

RHYTHM SET 3 Ties, Syncopation, and Dotted Quarter Rhythms

'ff 4 u U 1 = ^

f \ "4- m m a m M V

.^4

^ p 1 p 0 m i

^ g ^ . . . . ^

/T -4 « • •

I* 0

1 3 ^

15 fe

1 6 ^

1 9 7 ^

20 4 ^

2 i 4 ^ ^CJ '

2 2 ^ ^ 2E - ^

23

24

28

29

30

31

-A

3 2 ^

33

34:

3C

p

i

P P p p ^

^^^+P p- T ^ 36 4 g p ^

CHART 11 Sixteenth Notes

wm [ J U T luairut itsmn

wm

mm

mwmwmwmm JEM E E I E ^ ^ E E E E mwmw mmm-m

mm

WW\ CB—E-EIEi:» j# Z E Z E ':m=mi

CHART 11.5 Mixed Sixteentlis

uir fcgfcjir r r cffl̂ |̂ ^

m 10 11 12

WWW.

13 14 15 16

:WW WW

17 18 19 20

^WWW p ft f f f f ' f f ±

i 22 23 24

2J 2tf 27 28

(2: 4̂ 2P 50 31 32

p ^ p p r c ^ T P ip^ ppp pip

55 55 56

P

CHART 12 Sixteenth Rhythms 1

WM I f f IL;CJ JEM f p p

i^LSLSSLSS^ \U W=WWW=WW4 0 00

i f LS!LJ ZWW mwi

(* (g p—p~ p P I* I* P—F"

0 0 0 w=w:

CHART 12.5 Sixteenth Rhythms 2

I ^ !ir [CT L; I L ; [IT L; I err c; CJ [CT I [CT

j ' T [crc/r i [^[ jr jjfif [crcjicrrrrrr 1

# # zm m m m m m

Chart 12.75 Mixed Sixteenth Rhythms

1 1

5

= = + ^

k ~ ^ - ^ m

7

mmm m mm m ^ ^ m m m

9 10 7/ 72

13

•'A^—x>^. m ^

U ^ m \ ' L y LEJLLf

7(5

17

f L 0—t H#-|9—0 — ̂ m M

r r r r ' r r r r r r r r r r 7« 7P

_ ^ a > i i ^ ^ ^ * f ^ m ^ * —

20

21

9 0 0 0^— \ 0 0 0 m *i

22 2i

- A A A . A A A . - i . —. — — A ^ .

25

JL }

FT

- S i l — «

26

-i sr

27 28

29 i 30 31

' P f i r r r r m r ^ j J2

1 j» f f f i * f f f r—J

RHYTHM SET 4 Sixteenth Rhythms

» r t — — 1 w w

15

• v y . -16 tf, a WW.

fe i ww=ww

mmmmmm 1 2 1 ^ ^

2 4 ^

• E E

25 S

261 ^ f r r ^

LJ LJ LJ L J i 27^S)g^p l l

2 8 ^ ^ ^ ^

19:

30l|,jiQJff II

WW

32 LJfII

^ 331 Si [_[f p ^ H

34

35

| ^ [ £ f P II

Chart 13 Dotted-Eighth Sixteenths

m 0 0 m

JO Jl J2

Jf A. t m A r v l ' ^

13 J4 JS 16

^ ^ a u LJLI ' L / L / CJU ' C / CJU n/'cj cju W

J7 J8 19 20

\ U UUU \U. LJUU\uu U a'L/L/ U L/l' 2J 22 23 24

0 0 0 - 0 ^ 0 0 0

26 27 28

i j [_j-r I'

29 30 3J 32 33 34 35 36

JT '••••iL/L/'LJr 'LTL/'ULI 0' 00 II

Chart 13.5 Crazy Sixteenth Rhythms

10 11 12

f f f f -

13 14 15 16

^ 0

17 75 19 20

21 22 23 24

25 26 27 28

f f f > f f

29 30 31 32

6/8 Countmg In 6/8 time, the dotted-quarter Mixed Triplet Rhythms note gets the beat. There are

only 2 beats per measure that are divided into triplets.

7 ^

5

1 la l i 2 la

•

T — H

5 7

r 1 -f0 w r r 7; 12

r p r p T' r 'r p r p T

7^ 75 75

r p r p p r p ip"

77 18 19 20

p p Ip p r ^ 27 22 25 2^

25 25 2 7 25

7 7 ft 7 7E ft 7 7 ft

-r \t

P — ^ 7 7 ft 7 ^

2P 50 57 52

r p r p ip"