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& 43 .. ..œ˙
œ˙
œ˙
œ˙ Ó Œ
Play these intervals twice. The first time through use regular middle finger B.
The second time through use the alternate"Fork" B.
œ˙#
Notes that sound the same, are fingered the same, but look different on the staff are ENHARMONIC.
œ˙b
œ˙#
œ˙b Ó Œ
& 43œ#
˙œb
˙œ#
˙œb
˙ Ó Œœ
˙œ
˙œ
˙œ
˙ Ó Œ
& 43œ#
˙#œb
˙bœ#
˙#œb
˙b Ó Œœ
˙œ
˙œ
˙œ
˙ Ó Œ
& 43 .. .. .. ..œ#
˙#
Play these intervals twice.The first time through use LEFT Pinkie. The second time through use RIGHT Pinkie. Use LEFT for the chromatic scale.
œb˙b
œ#˙#
œb˙b ∑
œ˙
There are two fingerings forF/C. Practice both. Use theright hand F for chromaticpassages.
œ˙
œ˙
œ˙ Ó Œ
& 43
œ˙
œ˙
œ˙
œ˙ ∑
& 43
œ œ œ# œ œ# œLeft
œ# œ ˙Fork
œ œ œb œ œb œ œb œ ˙
Same fingerings with the register key.
œ œ œ# œ œ# œ œ œ# ˙ œ œb œ œ œb œ œb œ ˙
Clarinet City / Paula Corley 2017
Things I should have practiced but didn'tPart 1: Fingering Fumbles
A# & Bb
C & G
A & E
G# & Ab
D# & Eb G & D
C# & Db
F# & Gb
E & B
F & C
& 43 œ˙
œ˙
œ˙
œ˙ ∑
œ#˙#
œb˙b
œ#˙#
œb˙b
∑
& 43 œ˙
œ˙
œ˙
œ˙
∑ œ#˙#
The side-keyfingering is my preferred fingering.
œb˙b
œ#˙#
œb˙b
∑
& 43 œ˙
œ˙
œ˙
œ˙
∑ œ˙
œ˙
œ˙
œ˙
∑
& 43 œ œ# œ œ# œ œ œ œb œ œb œœ œ# œ œ# œ œ œ œb œ œb œ
& 43 œ œ œ#Side-Key or alternate F#/Gb isa very important fingering tomaster for chromatic passageswhere Fn and F#/Gb are neighbors.
œ œb œ .˙ œ œ œ œ œ œ œ# œn œ# œn œ# œn .˙ œ œ# œn œ# œn œ#Practice the side key (alternate)F#/Gb even though it mayfeel awkward!
œ œb œn œb œn œb .˙
& 43 œ# œ œ œ œ œUse regular F# here.
œb œ œ œ œ œ .˙#
& 43 œ œ# œn œ# œn œ# œ œb œn œb œn œb .˙
& 43 œ# œ œ œ œ œ œ# œn œ# œn œ# œnUse regular Bb/A# here.
.˙#
3
Building a bridge from Chalumeau to Clarion
G# & Ab
C# & Db
D & A A# & Bb
D# & Eb
E & B F & C
Clarinet City / Paula Corley 2017
& 43 œ œ# œn œ# œn œ# œ œb œn œb œn œb
Alternate Bn is often usedfor trills.
.˙ œ# œ œ œ œ œ
Switch from alternate B fingering to regular B fingering on the last noteof this measure. This is a great interval to practice correct hand position.
œ œ œ œ œ œ4
Pinkie Finger Gymnastics
Right Pinkie:
Play low G. While sustaining G, press each one of the lever keys one-at-a-time. Think up (1), down (2), across (3), and up (4).
Squeaks are often the result of poor hand position - fingers not completely covering the open tone holes.
Left Pinkie:
Play low G. While sustaining G, press each one of the lever keys on the left side of the clarinet. Think down (1), left (2), and up (3).
Clarinet City / Paula Corley 2017
(A good reminder for keeping pinkie fingers where they belong most of the time)
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