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STUDIO ARTSWritten examination
Tuesday 15 November 2011 Reading time: 9.00 am to 9.15 am (15 minutes) Writing time: 9.15 am to 10.45 am (1 hour 30 minutes)
QUESTION AND ANSWER BOOK
Structure of bookSection Number of
questionsNumber of questions
to be answeredNumber of
marks
A 3 3 20B 3 3 30C 2 2 25
Total 75
• Studentsarepermittedtobringintotheexaminationroom:pens,pencils,highlighters,erasers,sharpenersandrulers.
• StudentsareNOTpermittedtobringintotheexaminationroom:blanksheetsofpaperand/orwhiteoutliquid/tape.
• Nocalculatorisallowedinthisexamination.
Materials supplied• Questionandanswerbookof11pageswithadetachableinsertinthecentrefold.
Instructions• Detachtheinsertfromthecentreofthisbookduringreadingtime.• Writeyourstudent numberinthespaceprovidedaboveonthispage.
• AllwrittenresponsesmustbeinEnglish.
At the end of the examination• Youmaykeepthedetachedinsert.
Students are NOT permitted to bring mobile phones and/or any other unauthorised electronic devices into the examination room.
©VICTORIANCURRICULUMANDASSESSMENTAUTHORITY2011
SUPERVISOR TO ATTACH PROCESSING LABEL HERE
Figures
Words
STUDENT NUMBER Letter
Victorian Certificate of Education 2011
2011STUDARTSEXAM 2
SECTION A–continued
SECTION A
Instructions for Section AYoumayselectthesameartworkoradifferentartworkfromthedetachableinsertforQuestions1,2and3.Answerallquestionsinthespacesprovided.
Question 1Selectoneartworkfromthedetachableinsert.
Artworknumber
Describehowmaterialsandtechniqueshavebeenusedtomaketheartwork.
6marks
3 2011STUDARTSEXAM
SECTION A–continuedTURN OVER
Question 2Selectoneartworkfromthedetachableinsert.
Artworknumber
Discusstheideasandmeaningsthatarecommunicatedintheartwork.
6marks
2011STUDARTSEXAM 4
Question 3Selectoneartworkfromthedetachableinsert.
Artworknumber
Discusshowtwoartelementshavebeenusedtocreateaestheticqualitiesintheartwork.
8marks
END OF SECTION A
5 2011 STUDARTS EXAM
SECTION B – continuedTURN OVER
Question 4When an artist makes a new artwork from another artist’s artwork they engage in a process of appropriation.The considerations listed below may affect this process. Define the following terms.
moral rights of artists
originality
copyright law
6 marks
SECTION B
Instructions for Section BAnswer all questions in the spaces provided.
2011STUDARTSEXAM 6
SECTION B–continued
ForQuestion5youmustselectanartworknot previously selectedinSectionA.
Question 5Selectoneartworkfromthedetachableinsert.
Artworknumber
Inordertopreserveorconservethisartworkinapublicgallery,whatcouldeachofthefollowingpeopledo?
theartist
thecurator
thepublic
9marks
7 2011STUDARTSEXAM
SECTION B – Question 6–continuedTURN OVER
Question 6Identifyanartgalleryorotherartspacewhereyouviewedanartexhibitionthisyearanddiscussthefollowing.• theroleoftheartgalleryorartspace• theintentionofthecuratororartist• thepresentationoftheartwork(s)
Nameand/orlocationofartgalleryorartspace
2011STUDARTSEXAM 8
END OF SECTION B
15marks
9 2011STUDARTSEXAM
SECTION C–continuedTURN OVER
Question 7Analysetwoartworksbyanartistwhoyouhavestudiedthisyear.Makereferencetoartelementsandhowtheyhavebeenusedtodevelopaestheticqualitiesandstyleintheartworks.
Artwork1
Artwork2
10marks
SECTION C
Instructions for Section CAnswerallquestionsinthespacesprovided.
2011STUDARTSEXAM 10
SECTION C – Question 8–continued
Question 8SelectadifferentartistfromtheoneyoudiscussedinQuestion7.Analyseoneartworkyouhavestudiedthisyeartoshowhowitreflectstheartist’s• historicalandculturalcontext• artisticinfluences• communicationofideasandmeaning.
11 2011STUDARTSEXAM
15marks
END OF QUESTION AND ANSWER BOOK
1 2011 STUDARTS INSERT
INSERT FOR QUESTIONS 1, 2, 3 AND 5
TURN OVER
81 × 60 cm1. Pablo Picasso, Spain/France, Woman with hands
joined, 1938, charcoal and pencil on primed canvas
21 × 44 × 20 cm3. Margaret Dodd, Australia, Holden with lipstick
surfboards, 1977, handbuilt, glazed earthenware Photo by Clayton Glen, National Gallery of Australia,
Canberra, purchased 1981
87 × 50 cm2. Dennis Nona, Australia/Kala Lagaw Ya people,
Malu lag a dapar – A urungu aidal (Sea, land and air creatures), 2000, hand-coloured linocut, edition 75
Due to copyright restriction,this material is not supplied.
2011 STUDARTS INSERT 2
81 × 53 cm4. John Everett Millais, England, The Blind Girl,
1854, oil on canvas
6. Daniel Crooks, New Zealand/Australia, Static Number 11 (man running), 2008, production still, 04:32 min, single channel HD/BluRay, stereo, edition of three
Courtesy of the artist and Anna Schwartz Gallery
39 × 29 cm5. Jill White, Australia, Max Dupain AC OBE, 1990,
gelatin silver photograph
3 2011 STUDARTS INSERT
TURN OVER
155 cm high9. Myron, Greece, c. 450 BC, The Discus
Thrower, marble, Roman copy
79 × 103 cm7. Callum Morton, Australia, Mac Attack, Wahroonga, NSW, 2001,
digital print – Auto Cad, 3D Studio max, Illustrator, Photoshop, edition of 30
Courtesy of the artist and Anna Schwartz Gallery
8. Kristin Leek, New Zealand, Mahuika-Guardian of the Fire Children, 1995, scarlet dyed silk shirt and trousers screen-printed with wax stencil, silk-screened cloak with green dyed feather cloak and head wrap of printed silk and scarlet dyed toetoe grass plumes
Wearable Art: Design for the body, ed. Naomi O’Conner, Nelson: Craig Potton Publishing, 1997.
Photo credit: World of Wearable Art Ltd.
2011 STUDARTS INSERT 4
END OF INSERT FOR QUESTIONS 1, 2, 3 AND 5
110 × 130 × 18 cm11. John Davis, Australia, Evolution of a fish: Traveller, 1990, twigs, cotton thread, calico,
bituminous paint
dimensions variable
10. Nele Azevedo, Brazil, Climate Change Artistic Campaign: Tiny Melting Ice Men Sculptures, 2009, (detail) Installation, 1000 tiny ice sculptures of men sitting on the steps of the Berlin Concert Hall, melting time about 30–40 minutes
Minimum Monument 2009
Due to copyright restriction,this material is not supplied.
Due to copyright restriction,this material is not supplied.
Due to copyright restriction,this material is not supplied.
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