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In public spaces like coffee bars, elevators or airport lounges there is big chance you'll hear music. Among many other factors, music can contribute in these places to a positive user experience. Question is, what is the right music on a given time and place? Is there such a thing as the perfect track for a crowd? And how do you know? In the face of the digital evolution, individuals now have access to an endless stream of music. This changes the traditional concept of a collection, and as a side effect, its organizing principles. It raises the question what exactly is being organized when the collection is infinite and how relevant tracks are pulled out. But this is restricted mainly to individual headphone experience. What if we turn this into a loudspeaker situation and the individuals suddenly become a group with a shared context? This presentation will discuss a conceptual model for streaming music in public spaces, which is in more general a talk about designing a user experience by showing the right stuff to the right group at any given time and space.
Citation preview
The Social Sound of the Airport LoungeStreaming Music in Public Spaces Using IA Principles
Xander Roozen@shuggie
woensdag 2 oktober 2013 week
bad
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uptempomismatch
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“Not bruxia-inducing.”
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listening experience
public space
music listeners
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musicC
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The music business has made the from wax records to vinyl, from the Walkman to the CD and the DVD (…) and has only recently arrived at the broad acceptance of digital downloading.
~ Gerd Leonhard
transition
disembodied
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1984
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cover art format genre shelve space
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factual metadata
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Майкъл Джексън, J. Jackson, J.Jackson, Jacko, Jackson, Jaxson, Just Michael, M J, M Jackson, M. Jackson, M. J., M. J. Jackson, M. Jackson, M.J, M.J., M.J. Jackson, M.J.Jackson, M.Jackson, Michael, Michael J, Michael J. Jackson, Michael Jack5on, Michael Jackson (Mijac Music), Michael Jackson / Captain Eo, Michael Jackson's, Michael Jacson, Michael Joe Jackson, MichaelJackson, Micheal Jackson, MJ, MJ For Africa, MJ The One
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2.mp3
ID3
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genre & mood
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cultural metadata
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Garage
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• D.C. Hardcore• Japanese Funk• Ahmirs Golden Age• Albums I Should Have Never Bought Yet Feel Compelled Not To Discard~ genres used by Questlove
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ParadiseGarage Heavy?
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0,99
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moodor
occasion
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I've always felt like, until you buy the vinyl record, you don't really own an album.And it's not just…some kind of retro romantic thing from the past.It is still alive.~ Jack White
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No metadata=
No business
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• Container limitations
don’t exist, endless
filtering
•The more structure
you put into content the
freer it will become
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listenersC
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suppliers currators recommenders
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If I'm not scrobbling the music I hear, it doesn't count!
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tags
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tax meets folks
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social
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1
2
FB &LastFM
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geodatageodata
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local
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local
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tag
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local
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communitymetadata
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• Listeners have a creative role in
the selective process.
• Many ways to involve & measure
• Not all listeners are equal
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public spaceC
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effect of built environment
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courtesy Luke Ma
place space non-place
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place+ effective
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Listening
Experience
public space
music listenerswho’s there
time & date
hyper local
metadata
factualcultural
metadata
hand picked
culturalcommunity metadata
streamno skip
moods
weather
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“While computers can aggregate content, information or any shape or size data, aggregation without curation is just a big pile of stuff that seems related but lacks a qualitative organization.”~ Steven Rosenbaum, Curation Nation
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coversampletheme
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thank you
slideshare.net/deluca
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Hat tips
Special thanks for feedback, discussion and inspiration information goes out to:
Peter Bogaards @bogiezeroJulien Mourlon @Julien_MoJeroen de Boer @jtdeboerJeroen van Mastrigt @jrnvmEliot Van Buskirk @eliotvbBas Evers @everbassWillem Cortez Lauwers
woensdag 2 oktober 2013 week
Xander Roozen@shuggie
Parallelle Lijnenpersonal weblogwww.parallellelijnen.nl
Royal Groovewebradioroyalgroove.tumblr.com
Thank you.
.:
woensdag 2 oktober 2013 week
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