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The Conducttr Conference 2014 Dr Sophy Smith Transmedia Performance and Pervasive Theatre #cdttr2014 @assaultevents @sophysmith [email protected]

Transmedia Performance and Pervasive Theatre

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Page 1: Transmedia Performance and Pervasive Theatre

The Conducttr Conference 2014

Dr Sophy Smith

Transmedia Performance and Pervasive Theatre

#cdttr2014

@assaultevents @[email protected]

Page 2: Transmedia Performance and Pervasive Theatre
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The potential of transmedia tools tocreate a multi media cross-platformenvironment for performance that willbe exciting, immersive andparticipative

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Multiple media on single broadcast channel

Vs

Multiple media on multiple broadcast channels

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Artistic infrastructure must workeffectively with the technologyinfrastructure.

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The social media performance spaces were crucial to the narrative development, particularly different characters’ voices, and decisions about how/where/when to reveal the narrative.

Dirty Evangelica: SEE (still photos) and HEAR (via song)Neutrick Excess: READ (via HSH page)Trainer Crew: SEE (video & photo) and HEAR (video)Candy Wrap: SEE (still photo & video), READ and HEAR (video)

The way we ‘speak’ online is its own language, ie to‘like’ a post on Facebook, is a form of characterdialogue.

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Artistic infrastructure must workeffectively with the technologyinfrastructure.

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Audience involvement

Passively reading posts on newsfeed

Actively clicking on Vines, photos, music, posts

Interactively commenting on each others’ posts, ‘favouriting’ & retweeting on Twitter

Collaboratively sharing posts on their pages, inviting friends to like the HSH

Facebook page, using Twitter handles in their posts (ie. #fallenangels)

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It’s not just about new environments,it’s about new kinds of work.

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The Conducttr Conference 2014

Dr Sophy Smith

Transmedia Performance and Pervasive Theatre

#cdttr2014

@assaultevents @[email protected]