18
L ENTICULAR : H ISTORY AND AESTHETICS Lara Ermacora

Lenticular history and aesthetics

Embed Size (px)

DESCRIPTION

I discussed about lenticular in my bachelor thesis.I made these slides for my speech at Cinanima ( http://www.cinanima.pt/english/en.html ), international film festival of Espinho, Portugal.

Citation preview

Page 1: Lenticular history and aesthetics

LENTICULAR: !HISTORY AND AESTHETICS !

LaraErmacora

Page 2: Lenticular history and aesthetics

STEREOSCOPHY

OLOGRAPHY

ANAGLIPH

Page 3: Lenticular history and aesthetics

Len7cularexploitsstereoscopicvisiontoachievea3Deffectoranima7on.

Page 4: Lenticular history and aesthetics

Stereoscopic Vision is the human ability to seeindepth.Humanbrainmixtogetherimagesfromthetwoeyestobuildupauniquedepthimage.

Page 5: Lenticular history and aesthetics

IntegralMethod

BarrierTechnique

Page 6: Lenticular history and aesthetics
Page 7: Lenticular history and aesthetics

PSEUDO‐SCOPY:peoplecanlookatthisimageonlyfromaprecisepointofview.Ifyoumoveoutofthispredeterminatespacetheimageturnsreverse:therighteyeseestheleQimageandviceversa.

PROBLEM Ivesmul7pliesthepointsofview.Soheincreaseddetailsandsolvedthesevisionproblems.

Heobtainedamul7prospec7veeffectcalled:

STEREO‐PANORAMAGRAM

SOLUTION

Page 8: Lenticular history and aesthetics
Page 9: Lenticular history and aesthetics

CommercialProducts

Page 10: Lenticular history and aesthetics

Adver7sing’spath

Postcard BuTons

Thecase:CrackerJack

Thanks to lenstar for images and case histories: www.lenstar.org

Page 11: Lenticular history and aesthetics

Flip

Morphing

3D

Zoom

Anima7on

Page 12: Lenticular history and aesthetics

• Reproducibility• RealityRepresenta7on

• Movement

• Time

• Anima7on

Page 13: Lenticular history and aesthetics

• Reproducibility• Commerce

• Urbanfolklore• Out of the museum

• Ordinary manufactured objects

Page 14: Lenticular history and aesthetics

“Wesetouttodestroythe"novelty"aspectofthemediumandreplaceitwithanuncompromising direct assault on that prevailing percep9on. We wanted topresent the viewer with an experience that would be refreshingly andprovoca9velynew”

‐RobertAntonhyMunn‐

StreetPhotography Len7cular Art

Thanks to dephtography group website for images: http://www.depthography.com/

Page 15: Lenticular history and aesthetics

DavidCombs’pain7ng

transformedintolen7cular

TheTransparentWoman

TheSirenGenii

"Thismediumpossessesuniquequali9esinconveyingsymbolismonasubliminallevel”

‐SaraCook‐

Thanks to dephtography group website for images: http://www.depthography.com/

Page 16: Lenticular history and aesthetics

"Theemo9on is the importantaspectand, inthebestcases,thereisapleasantconnec9ontothosesimplestatesasacuriouschild.”

“Theabilitytoconceal,revealandanimatemakesthelen9cularprocessespeciallywell‐suitedforseCnguphumoroussitua9ons.Withoutundersellingmeaningandinten9onintheseworksIconsider“fun”tobetheprimaryconcern”

Thanks to chris dean website for images: ww.chrisdean.com

Page 17: Lenticular history and aesthetics
Page 18: Lenticular history and aesthetics

LARA ERMACORA Graduatein"Communica7on&NewTechnologies"atIULMUniversity.AdvancedcourseinSocialMedia:SocialMediaLab.BachelorDegreein“CulturalHeritage”.InterestedinCinema,Web,VideoGamesandUnconven7onalCommunica7on.MywishwastobecomeamoviedirectorbutatacertainpointIfoundinternetandnewtechnologies.Soldecidedtofocusoninterac7on&visualdesign.

Foreveryques7onorotherinforma7onfeelfreetocontactme:

[email protected]

arallara

lara.ermacora hTp://cineludico.site50.net

hTp://it.linkedin.com/in/laraermacora