The sacrifice of a celestial horse.

(Ahsvamedha) (Brihadaaranyaka Upanishada, first chapter, first Brahmin---with original

texts in English fonts and meanings.) (First edition.)

(Written following the teaching of my Gurus, the great seer BijoyKrishna

Chattopaadhyaaya (1875-1945) and his principle disciple Tridibnath Bandopaadhyaaya (1923-1994).)

Note: Sanskrit words which are written in italics in this article are the i-

trans version of Devanagari (Sanskrit) Text and can be read in the Sanskrit

English Lexicon by Sir Monier Williams available in the internet at <

http://www.sanskrit-lexicon.uni-koeln.de/monier/>

Introduction----Animal Sacrifice.

The article here is on the first chapter and first part of Brihadaaranyaka Upanishad. The seer or Rishi of this Upanishad is yaj~navalkya and he has described how the self-revealing, active eternal Consciousness is existing in the physical form as the earth and the Universe, and how the Consciousness after creating us, is carrying us back beyond the death. It is said that the Consciousness carries us back as a horse. In this presentation, the meaning and significance of ‘horse sacrifice’ has been explained. In this chapter of the Upanishad, it has not been told where the Consciousness carries us, i.e. whether the destination is the place ‘beyond death’. However, elsewhere in Chandogya and Brihadaaranyaka Upanishad it is explicitly mentioned that as a ‘horse’, the praaNa or mukhya (principal) praaNa carries us beyond the death. The intention of the seers was not to camouflage what they wanted to tell from their experience by using allegories. Their words inherently carry the entirety of an expression as they know the

mysteries of the words. By the word horse, he sees the ‘Consciousness running as time and pulling all of us as well as the animal named horse. They have taught us how the expressing Consciousness has become the universe itself including all of us. Thus, they know how the Consciousness or the expressions or words of Consciousness have become physical. The expressing Consciousness has been described as of two personalities, vaak (female) and praaNa (male). vaak shapes praaNa in all the forms, which we perceive as the universe. So, the formed and processed words are called ‘vakya’ or formation of vaak. So, every object, every event, every moment and every being is the ‘word’ of Consciousness. When they (the seers) say ashva or horse, their saying contains the knowledge of how the expressing Consciousness has become ashva or a horse. Thus, the word at the root is not confined to only a four-hoofed animal called ‘horse’. The word defines and describes all the aspects of Consciousness that represents the ashva; a horse is called ashva because such aspects are naturally visible in it. Similarly, all the religious rituals laid down by the seers, express the function and work of the Universal consciousness. The description of ashvamedha (ritual in which a horse is sacrificed) is one such. Here, below, we have briefly presented the mysteries behind animal sacrifice which we have learnt from our guru, the great seer BijoyKrishna Chattopadhaya (lived from 1875-1945 and known as Howrah’s Thakur—god of the place called Howrah where he lived). Some of the family members advised Rishi BijoyKrishna to abandon the ritual of animal sacrifice. Animal sacrifice used to be carried out only during the Kali puja (worship of the goddess Kali)

which was performed in the ancestral house of the Rishi (seer) in the village called Nikash. One of the reasons why Rishi BijoyKrishna did not interfere with the same could be because the ritual of animal sacrifice was in practice by several generations of his family. Sacrifice was also performed by the Rishi during the puja (worship) of the goddess Durgaa and the goddess Vishwamaataa (Universal Mother goddess) in Howrah every year. In these puja-s (worships) a vegetable called ‘ash gourd’ (winter melon) representing the sacrificial animal(pashu) was used and is still being used by his followers. (The reason for not using an animal in his puja could be two—(i) sacrifice is meant for destructing the animal instincts by attaining the divinity and which was his action on his disciples leading them to divinity; (ii) death fearing persons tend to get upset or confused if a live animal is sacrificed.) However, in his preaching, he has addressed the mysteries behind ‘animal sacrifice’ and here is a quote from his sayings on a November day in the year of 1934: Quote “Human beings follow the laws of karma (transformation and consequences due to one’s desire, determination and consequent actions or deeds)), but this is not the case with creatures which are lower than the human beings in the domain of evolution (to eternity). So, such creatures do not have to go through the rules of karma (deeds and their effects) as experienced by the human beings. After their deaths, they (animals) are transformed to the other states of existence in a very straightforward manner and fast. They usually are reborn within 10 to 15 days of their death. This is unlike the case for human beings, whose rebirth happens after several years. The human beings, after their deaths, pass through various stages of existence or states and experiences and this is as per their living on the earth. This is not the case with animals and lower beings. Such animals or beings cannot stay in the higher planes of existence as they are driven by nature or instincts and not

by karma (or by the considerations of vice and virtues, right and wrong); thus, they are not responsible for their deeds. In what a crafty way, the Mother (Universal consciousness) transfers them (from life to death and to rebirth)! In the economy of nature, the mighty one devours or kills those which are small and weak; so many die by the turmoil of nature or by floods and by some other destructive events; majority die like this. When they are killed like that, the picture of the death scene is drawn and imprinted very vividly in their heart. Consider an ant is being devoured by a frog. During that time, the ant may be feeling that if it would have had the piercing stings it could have stung the frog or if it would have had the fast running capability it could have run away from the frog. This heart rendering feeling during the death is created in it by the Mother and following this feeling during the death its (ant’s) rebirth happens accordingly. Animals do not experience any consequences for their deeds after their death. If they are slaughtered, they are reborn as evolved creatures (rising up in the ladder of evolution). (Note: The intense feelings during the death becomes the cause of the transformation or evolution after the death. The ant so died, may become an insect that can fly away or may become another creature that can run away fast or a creature that can fight with a frog. Thus, it gets some new features and some of its previous capabilities are enhanced. This is how its rebirth is determined and evolution happens.) However, human sacrifice is a completely different subject. By sacrifice, it is possible to raise a person to a level of higher being, if the one carrying out the sacrifice can merge with the person to be sacrificed and take control over him. However, if it is not carried out properly, the person thus sacrificed will be debased due to the sudden termination of life.

Ritual of human sacrifice is not a doctrine mentioned in the Vedas; indeed, in some of the Tantric rituals it has been described but, it carries no value at all. So, this is all about vali (sacrifice). The performer, who has to perform the sacrifice, is only eligible to do so if he possesses a very strong determination that can act on the animal (to be sacrificed) and uplift it to a higher being. The seers (Rishi-s) have never performed any thing for their sole benefit. Rishis who are omniscient, cannot introduce a ritual (animal sacrifice) which actually is an act of atrocity during the worship of the goddess, which is the sheer slaughter of an innocent animal or which is an act of barbarism under the guise of religion. They (the seers) would never have prescribed animal sacrifice if there would not be a real auspicious intention behind the same. Those who are death-fearing, they will never understand the underlying mysteries behind the ritual of animal sacrifice. The Rishis (seers) have symbolized the gist of the whole Vedas through the ritual of animal sacrifice established by them. This was same as the offering soma to the gods. Sacrifice or vali means to lift someone from the animalism (animal instincts) to the divinity. The deities called Fire, Air and Sun were animals. They performed the yaj~na (sacrifice--- the act of getting joined to the divinity) by using their animalhood and thus they have become eternal. I myself will do the yaj~na by my humanity and by that only I will become eternal. In such a sacrifice, you will remain living even if you are killed----“tasmat (that’s why) yaj~nae (in yaj~na) vadho (slaughter) avadho (is not the slaughter)”----that’s why in yaj~na killing does not kill ! Unquote

(Note---etymological meaning of yaj~na----ya + j~na; ya= ya (who) + j~na (know / knowledge)---(i) who knows or the Universal knower or Universal Consciousness; (ii) the act or the ritual to know ‘who knows everything’; (iii) ya (joining/ join) + j~na (knower/knowledge)---joining the knower or the Universal Consciousness; (iv) ya (restraining or controlling) + j~na (knower/knowledge)---act of control by knowing or by knowledge or by Consciousness.) During one of the pujas (worships), he (Guru) mentioned, ‘valaaya (since strength is achieved) vali (vali) ucahhte (is said)—since one gets strength (vala) through sacrifice, so it is called ‘vali’. Getting into divinity is getting strength, because then one gets emancipated from the tentacles of physicality and one dominates over physicality. Physicality becomes a part of the Consciousness, to the one who gets into divinity. Consciousness controls the physicality. vala is called strength or force. By force the change in motion or change of state is done. This is praaNa or Active Consciousness and also called ‘kaala’ or ‘time’. In vali, the head (shira) is to be severed (Cheda) from the body (decapitation) because the head or the face is the seat of the Consciousness who controls and reveals. The rest of the body represents the physicality. We are not going here into further details on the mantras and methods of vali. Except that a few mantras related to vali referred above are quoted below:

(i) (the sacred words addressed to the animal to be sacrificed during the vali)

agnih (agni) pashuraasIt (was an animal) The deity called agni (god of Fire) was an animal. tena (by that /by the animalism itself) ayajanta (performed yaj~na----joined with the divinity) He performed the sacrifice (yaj~na) by it (by his animal-hood—by connecting animalism to divinity). sa (he) aetam (this) lokam (domain/ abode) ajayat (conquered) He (agni) conquered this domain (kingdom of the deity agni). (He attained the state of the deity agni.) yasmin (where is) agni (agni) sa(that) te (yours) loko (location / abode) bhavishyati (will become) Wherever the deity agni is, that shall be your abode. tam (you) yeShyasi (will excel) You will excel. piva (drink) aetah (this) aapah (water/ spirit). Drink this water (which will lead you to ‘agni’). Similar hymns are chanted for the animal with reference to the deity vaayu (Air) and sUrya (Sun).

Thus, the animal is raised to the basic plane of divinity. This is because, the three main deities (as mentioned in Upanishad) are agni or vaak, vaayu or praaNa, sUrya or manas (mind) who are invoked as stated above.

(ii) yaj~naarthe (for the sake of yaj~na) pashavha (the animals) sRiShTaa (are created) yaj~naarthe (for the sake of yaj~na) pashu (the animals) ghaatanam (are slaughtered)

atostam (hence you) ghaatayiShami (I will kill) tasmat (since) yaj~ne (in yaj~na) vadho (killing) avadhah (is not killing/ does not lead to death). The animals are created for the sake of yaj~na. The animals are slaughtered for the sake of yaj~na. Hence, I will kill you, since in yaj~na killing does not kill one.

Brihadaaranyaka Upanishada, first chapter, first Brahmin.)

This is the first Brahmin (braahmaNa) of the first chapter of

Brihadaaranyaka Upanishad. Each part is called a braahmaNa or a form of brahma. brahma means the Universal Consciousness who is expanding,

and exceeding everyone. The word brahma is from the root word bRih

meaning ‘to expand’ or ‘to grow’.

praaNa is the active form of Universal Consciousness. praaNa = pra (principal) + aNa (animation). Everything is animated and changing due

to praaNa. Where there is no activity, where all energy is at rest, there is

nothing but the soul or the assertion-less self or aatman or Universal Oneness and from there praaNa originates.

Who is mentioned as praaNa in veda (aagama) is the same one who is

mentioned as kaala in tantra (nigaama). ‘kaala’ is felt by us as ‘time’.

Now ‘aatman’ is also called ‘sva’ (‘svayam’ ) and ‘kaala’ time is called ‘shva’. Also, the word ‘ashva’ means ‘praaNa’. However, commonly, the

word ‘ashva’ means ‘a horse’.

The words ‘sva’ and ‘shva’ both represents two fundamental states of the Universal Consciousness. ‘sva’ means ‘su + a’---meaning the One who is

characterized by bliss or ‘sukha’. ‘su + a’ also means flow (su ) of a(aatman)—flow of the Universal soul.

This flow is praaNa.

‘shva’ means ‘shu + a’—meaning that is characterized by ‘shakti’ or

energy or motion. The word ‘shu’ is from the root word ‘shav’, which means ‘to change’. Thus, ‘shva’ is the power or shakti of the Universal

Consciousness by which the Consciousness brings about changes.

So, as stated above, ‘sva’ and ‘shva’ are both the properties of the

Universal Soul or the Universal Consciousness who is the origin of everything, cause of everything and the element (constituent) of

everything. One state of the Universal Consciousness is absolute Oneness

or absolute bliss and the other state of the Universal consciousness is active, emitting energy, multiplying the Oneness into duality, into many.

Though One, the Consciousness is becoming different, becoming dual and still remaining the One. There is nothing other than the Universal One and

so it is the Universal One as activity, as energy is bringing change in

everything. By this activity, by this flow of energy we are travelling from childhood to maturity, from maturity to old age and so on. We call this

aging---but this is praaNa (when we feel it inside) and we call ‘kaala’ or time in external sense This is behind the process of cycles of creation,

existence and termination; in this process, each of us is evolving.

The activity of the Universal Consciousness is creating many out of One;

everyone, every entity that is created is being taken back by the Universal

Consciousness in the Universal Oneness. Thus, with each creation there is

a motion of the creature toward the source. This is appearing as the evolution of every entity and this is appearing as the multiple cycles of

‘birth, existence and death and re-birth….’

This active Universal Consciousness or praaNa’ is in us and that’s why

we are animated. Thus, Vedas have hailed praaNa as ‘aa~Ngirasa’ meaning rasa or the elixir or marrow of the anga or body. This Universal

Consciousness or praaNa as the universe is always keeping us live and conscious by revealing Himself/ Herself in us as sound, touch, light, taste

and smell; nourishing us. praaNa is flowing in us as the senses and

becoming our part and parcel. This is ‘medhaa’ or ‘sap’ or ‘marrow’—becoming our life in us, our vitality. Following this aspect of ‘praaNa’ or

‘ashva’, the word ‘ashvamedha’ has been created. Thus ‘praaNa’ is sacrificing in us, and this is called ‘ashvamedha’ and the ritual of horse

sacrifice is based on this.

In the other way, our running around riding the horses (which are our

sensory organs and other associated organs) is by the inspirations or by the controlling action of the ‘praaNa’. As we realize that our motions in the

senses are by the action of the ‘Universal sense’, we also realize that our

senses and actions are parts of the senses and actions of praaNa or of Universal Consciousness. Thus, these horses (the eyes, ears etc.) start

merging in the Universal Consciousness; so, this is also ‘sacrifice’. This sacrifice ultimately leads us beyond death, beyond decay. The senses don’t

decay and die any more. The senses become super i.e. the senses transcend

death or limitation; so, then what is unheard is also heard, what is unseen is also seen, what is unknown is also known.

This ‘knowledge’ is worshipped by performing the ceremony of ‘horse

sacrifice’ or ‘ashva medha yaj~na’, a ceremony used to be famous in

those days of Vedic era. The seers have narrated in the veda that this Universal Consciousness, that this praaNa is carrying us as ‘horse’ (haya /

ashva) from the death to the eternity. Further, they ( in Upanishad ) have

named this praaNa as the goddess ‘dUr ’because the death remains away

from her. ‘dUr’ means distance in Sanskrit. The ‘death’ always remains at a distance from the goddess. The goddess ‘durga’ is the goddess ‘dUr’.

Upanishad has mentioned ‘mRityu (death) aetasmat (from her) dUram (distance) gacchati(goes)’ (the death goes away from her). These two

words ‘dUram’ (distance) and ‘gachhati’ (goes away) together make the

word ‘dUrga’. Even these days the goddess ‘durga’ is worshipped in India and the knowledge on which this worship is founded is the same

knowledge on which the ‘horse sacrifice’ or ‘ashva medha yaj~na’ is based.

Brihadaaranyaka Upanishad is a part of shukla yajur veda. yajur means

‘joining’. That we are connected to the Universal Consciousness and that Universal Consciousness is connected to us---- this joining,

communication and correspondence of the praaNa or Universal Consciousness is the foundation of all the sacred words laid in yajur veda.

In the form of sound, touch, vision, taste and smell, the senses are coming

from the external or from the Universal Consciousness to us and thus praaNa is entering in us and getting in us all the time. In a reciprocating

manner, we are getting active, using our sensory and associated organs to interact with the external world and getting merged with the external or

with the Universal Consciousness. This is how praaNa is merging in us

and we are also merging in praaNa. This is sacrifice. Both the motions, praaNa coming in us and we going to praaNa are represented in us as ‘in

breathing’ (nishvaasa) and out breathing (prashvaasa). Both are the steps of the horse, ‘ashva’. Also, the regulations of these two and fro motions

are controlled by two deities who are twins and known as ashvin (meaning

related to ‘ashva or horse’ or ‘possessing horses’). All illness can be healed by the praaNa; all illness praaNa can heal by praaNa’s regulation

in us. This provides the clue as to why the ashvin-s have been described as the divine doctors in the Vedas. They replaced the head of the seer

‘dadhikraa’ by a ‘horse head’ so that the seer becomes eligible to receive

‘madhuvidya’ (the knowledge of the sweetness of Universal Consciousness) from ‘indra.

Thus, praaNa is merging in us, becoming our life, our spirit, our ‘being’.

This spirit, this elixir or this juice is ‘medha’. Accordingly the Vedas have hailed praaNa as ‘angirasa’ meaning ‘angam (of the limbs) rasa (juice,

spirit)----the spirits of the organs and limbs. praaNa is sacrificing by becoming our ‘medha’. By getting ourselves active in the ‘praaNa’ we

are sacrificing ourselves to praaNa. In this way we are automatically

crossing the boundary of our limitations, evolving and getting merged in the Universal Consciousness or praaNa.

It is noteworthy that the goddess ‘durga’ also belongs to ‘yajur veda’.

The name of an animal has been given by the seers by observing how the

Universal Consciousness or praaNa is active in it characterizing the creature---i.e. the name characterizes how the divinity is present in the

creature to characterize the animal. Like, in a horse, the strength and vitality, motion, the habit of carrying, all time activeness, firmness etc. are

quite vivid. Thus, the species named ‘horse’ is called ‘ashva’. For similar

reasons, a dog in Sanskrit is called ‘shva (time/kala/praaNa)’. It is because a dog follows its master religiously. They always follow the rules

of the ‘time’ or the ‘master’. May be the word ‘dogma’ was created in the same sense. Similarly, a predator is called ‘shvaapada’. Like the time

(shva) runs after us (pada—foot) and snatches away our life at some (pre-

determined) moment, like predator {pre—dat(e)-or} following its prey and devouring it.

(It is noteworthy that the root word shvi means ‘to swell’ and implies the

growing Consciousness. Thus in Brihadaaranyaka, the seer has mentioned

the swelling or growing of the Consciousness by the word ‘ashvat’ (derived from the verb shvi) meaning ‘inflated or swelled in a sphere’ and

has related it to the word ‘ashva’….Brihadaaranyaka—1/2/7.)

Like we are created with forms and definition, with bodies and limbs by

the Universal Consciousness, similarly this expressed Universe is the existence of praaNa as a personality with appearance, with body, organs

and limbs. As praaNa is limitless, unbounded, so is the knowledge and

vision of the seers who know praaNa. Thus RiShi, the seer yaaj~navalka,

narrated seamlessly the body and organs of a horse and those of the Universal consciousness (as the formed universe) in one go in this part of

the Upanishad (upaniShad).

bRihadaaraNyaka upaniShad is a part of the branch (shaakhaa) named

‘yaaj~navalka’ which is also the name of the seer who has narrated this part and many other parts of bRihadaaraNyaka upaniShad.

Below is quotation on yaj~navalkya from my guru --- the great seer ‘BijoyKrishna Chattopadhyaaya’

Quote ‘There are two parts in the word ‘yaaj~navalka’----yaaj~na and valka’.

One is yaj~na= ya (who) + j~na (knower)---the One who is knower (Consciousness is knowing and everything is the form of the knowledge of

Consciousness) and valka meaning bark of a tree (embracing the trunk

and stems) i.e. the universe or the creation embracing the creator (knower). It is just not j~na (the knower, the Consciousness who is

knowing) it is along with valka’ (bark or the creation or formation out of the ‘knowing’); it cannot happen just with j~na (the knower), it has to be

also with valka (the bark or the creation); the tree dies if the bark is

removed. Thus this name (yaj~navalka) connects two----the knower and the knowledge i.e. the knower and the universe embracing the knower; for

this reason yaj~navalka had two gurus (teachers) named vaishampaayana and aditya. yaj~navalka thus had everything in pair. Not only two gurus,

he had two wives ---kaatyaayanI and maItreI ‘kaatyaayanI’ means –kati

(so many) ayana ( forms)---in how many forms you are there! And, mayItreI is the Shakti (power or consort) of ‘mitra’ or ‘aditya’.

( Note: mitra and aditya are the names of the sun. aditya is the son of

aditi {who is without duality)}. Sun is also called aditya (the center of

oneness) because everyone is synchronized to the sun or the center of oneness.)

katayanI means ‘so many forms, shapes and hues!’.

(katayanI is the Universal Consciousness as expressed universe in many forms, dimensions and shapes; maItreI is the Universal Consciousness

who is holding or regarding the universe in Oneness (aditya))

yaj~navalkya’s teachings are also of two types---‘brahma exists in two

forms’ dve vaavo brahmaNo rupe’ (‘there are two forms of brahma’). Further he composed two Vedas ---kriShNa yajur veada and shukla yajur

veda.

One day yaj~navalkya announced: “maItreI now I will depart for the

wilderness! Then he decided to distribute his properties between his two wives. But maItreI told ----I don’t need anything; let everything remain

with kaatyaanI, I am going to accompany you. Let kaatyaaNI remain as kaatyaaNI—let the world continue to remain as

world---I will enter in the Oneness---tat vanam iti upaasitavyam’ (He is to

be worshipped as the great wilderness---within which everything grows).’ Unquote

(The above is quoted from veda-vaaNI---26th volume, page 37-45.)

We present below the original text of the first Chapter first part

(braahmiN) with word by word meaning and brief explanation by following the teaching that we have learnt.

--------------------------------------------------------------------------------------------------- shaanti mantra (Words those bring peace.)

oM purNamadha

(oM, that is whole) purNamidam

(This is whole) purNaat purNam udachatye

(From the whole emerges the whole)

purNasya purNam aadaya (When the whole is taken out of the whole)

purNameva avaShishyate

(What is left is indeed the whole.) oM shaantiH oM shaantiH oM shaantiH

(oM peace be there, oM peace be there, oM peace be there)

First Brahmin (Chapter) {prathama braahmaNa }

1.1.1

(a) om uShaa vaa ashvasya medhyasya shiraH

om (Om) uShaa (Ushaa is) vai (verily) ashvasya (horse’s) medhyasya

(sacrificial) shiraH (head).

om uShaa (the goddess of dawn) is verily the head of the sacrificial horse.

(b) sUryashchakShUrvaataH praaNo

sUryah (The sun is) chakShuH (the eye); vaataH (the air is) praaNaH

(praaNa or the life).

The sun is its eyes; the air is the life (praaNa) flowing in it.

(c) vyaattamagnirvaishvaanaraH

vyattam (the gaped mouth is) agniH (the Fire) vaishvaanaraH

The gaped mouth is the Fire vaishvaanara.

(d) saMvatsara aatmaashvasya medhyasya.

saMvatsaraH (a full year) aatmaa (soul /nature) ashvasya (of the horse)

medhyasya (sacrificial).

The annual cycles are due to habitual action of the sacrificial horse.

( e) dyauH pRiShThamantarikShamudaraM

dyauH (the divinity) pRiShTham (is posterior); antarikSham (the inner sky) udaram (is stomach)

The heaven (divinity) is its posterior; the inner sky is its stomach.

(f) pRithivI paajasyam pRithivI (the earth is) paajyasyam (the hoofs)

The earth is its hoofs.

(h) dishaH paarshve avaantaradishaH parshava

dishaH (the directions) paarshve (are the sides) avantara (other or intermediate) dishaH (directions) parshavaH (the other sides / ribs)

The directions are its sides; the intermediate directions are its ribs.

(i) Ritavo a~Ngaani maasaashchaardhamaasaashcha parvaaNyahoraatraaNi pratiShThaa

RitavaH (the seasons are) a~Ngaani (body and the limbs) maasaH (the months) cha (and) ardhamaasah (fortnights) cha (and)

parvaaNi (the layers) ahaH (the day) raatraNi (the nights) praaTiShThaa (status)

The seasons are the limbs; the months and the fortnights are the layers; the days and the nights are its status.

(j) nakShatraaNyasthIni nabho maaMsaani

nakshatraaNi (the stars are) asthIni (the bones); nabhaH (the atmosphere) maaMsaani (the flesh)

The stars are its bones; the atmosphere is its flesh.

(k) UvadhyaM sikataaH

UvadhyaM (the undigested foods are) sikataaH (the sands)

Uvadhya---U / Una (not) + vadhya (killed or digested);

The undigested foods are the sands.

(l) sindhavo gudaa

sindhavaH (the rivers are the) gudaa (guts /channels/entrails )

The flowing rivers are the channels and entrails.

(m) yakRichcha klomaanashcha parvataa

yakRit (the liver) cha (and) klomanaH (colon) cha (and) parvataaH (the

hills)

The liver and the colon are the hills and rugged terrains.

(n) oShadhayashcha vanaspatayashcha lomaani

oShadhyaH (the herbs and plants) cha vanaspatyaH (trees providing

shelters) cha (and) lomaani (body hairs)

The plants, herbs and the nurturing trees are the body hairs.

(o) udyan pUrvaardho

udyan (rising—rising sun) pUrva (eastern /frontal) ardhaH (half) part

The rising sun is its frontal part.

(p) nimlocha~njaghanaardho

nimlochana (going down—setting sun) jaghana (hind) ardhaH (half / part

The descending or the setting sun is its hind part.

(q) yadvijRimbhate tadvidyotate

yad (that) vijRimbhate (it yawns) tad (that is) vidyotate (lightning)

That it yawns, that is the lightning.

(r) yadvidhUnute tat stanayati yad (that) vidhUnute (it shakes the body and brushes off dust) tat (that)

stanayati (rumbling of clouds)

That it brushes the dirt (off the skin), that is the rumbling of clouds.

(s) yanmehati tadvarShati

yad (that) mehati (it effuses) tad (that) varShati (rains)

That it effuses is the rain.

(t) vaagevaasya vak

vaak (vak—the shakti or the goddess who is the root of all words or expression) aeva (indeed) asya (its) vaak (words).

vaak (the goddess who is the root of all words) is its vaak (vaakya—words---formed or processed words.)

vaak indeed is its vaak.

nirukta ---Inner meaning

{ nirukta ---niH (nija / soul) + ukta(uttered)—Uttered by the soul (Revealed in the soul) }

1) om— When the universal soul ( universal oneness) { whom everyone

is feeling as one’s (assertion-less) self or one’s soul} expresses, the

first expression is ‘om’. The first expression of the Consciousness is the ‘word’. This is why everything in this world has a name, has a

definition. In this first word ‘om’, exist whatever can be expressed by a word or a sound. In this expression ‘om’ exist whatever was created,

whatever is being created, whatever will be created.

In Chandogya Upanishad, ‘om’ has been also described as an ‘anuj~naa

(granting) akShara (word)’ or as an ‘OK’ from the Universal Consciousness.

2) ashva---‘ashva’ means the one from whom ‘shva’ or the ‘time’ is flowing out---it is the source of time and time in action. As stated

earlier ‘shva’ means ‘time’. Some connected words are ‘parashva’ meaning ‘day after tomorrow’, or ‘nashvara’ means ‘momentary or

mortal’.

The animal in whom the aspects of time like motion, strength, rigidity,

‘being always on feet’ etc. are vivid are also called ‘ashva’ or ‘horse’. When the ‘Absolute One’ or the ‘Universal Soul’, whom everyone feels as

one’s (assertion-less) self, becomes active, the active form is called

‘praaNa’ (the life-god). This activity is animation in us. praaNa is ashva.

3) medhya—medhya means who or what can ‘merge’--- who enters us and mixes with us and merges in us. This Universal Active

Consciousness, who is the dynamism, life, animation, vibration

everywhere, in every being, who is always entering in us as our senses, as sound, touch, vision, taste and smell and merging in us,

becoming our ‘medhaa’, our sap, our vitality, our ‘being’.

4) uShaa---uShaa means who makes everyone uSh~na or warm by the fervor of consciousness or life. uShaa is also the goddess of dawn.

uShaa is the one who ushers everything in us. Everything dawns in us by her. Thus, uShaa is the head of ashva or praaNa because this

dawn, this rise from the darkness or transition from death to light or

to eternity is the first thing which dawns in us as we approach praaNa.

5) sUryaH (sun) chakShuH (eye)—the sun is its eyes.

sUrya (sun)= sU (sUchana= beginning, start) + Ri (motion and vision or dimension) + ya (yamana= control)-----by whom everything or every

event is initiated, and then it is set in motion and then it is provided with dimensions or a form (or a vision is created) and also who is the

controlling center of this initiation and formation.

chakShu (eye)---cha +kSha +u; cha= chamana (act of sipping)

kSha= kSharaNa= to flow, to decay, flow of time chakShu= center from which everything is flowing out and whatever is

flowing out is also sipped and tasted---this is eye (in us) or the sun (in the

external space) where our feelings or visions are created and accordingly we are moving or flowing in the stream of time. Where all our feelings are

flagrant, are revealing splendidly, that centre is called ‘eye’. This flagrant, revealing aspect of the eye or the Consciousness is called vision and is

appearing as the sun in the physical space or the sky. The feelings in us

and the consequent changes and formation of us by the feelings are controlled in the centre called moon. Thus, moon is called ‘soma’ and is

the centre where all soma or elixir or the feelings are stored. It (the moon internal and in external) is the centre of feelings. The light of the sun is

absorbed and reflected by the moon and it becomes its own light, similarly

the senses coming in us from the Universal Consciousness is getting absorbed in us and is constructing us, merging with us. Thus, there is an

expression of Consciousness called ‘vision’ and there is ‘feeling or

knowing’ everything that is being expressed or created in consciousness---

this is the ‘sipping of soma’. So indra, the divine or the eternal observer is called ‘somapaayI’ which means the one who drinks ‘soma’.

In Brihadaaranyaka Upanishada, yaj~navalkya has said that the entity or

the one who is residing in the eye is called ‘indha’ as well as indra’.

indha means who is flagrant or illuminated, i.e. who is revealing. indra means ‘idam (it) + dra (draShTRi—observer /seer), i.e. who is observing

whatever is being reveled. Thus, indra is feeling or knowing or regaling every revelation.

As mentioned above, there is a component, ‘kSh(a)’ in the word ‘chakShu’. ‘kSha’ means ‘kSharaNa’ or decay or the action of time. The

connected word ‘khaNa’ means ‘moment’. Thus, the revealing source of time in us is our ‘eyes’ and is the sun in the external space.

This is why the Vedic word ‘IkShaNa’ (I + kShaNa) means to see as well

as ‘action of time’.

6) vaataH praaNah---vaata or air is the ‘flowing life’ or ‘praaNa’.The word vaata is from the root word ‘vaat’ meaning ‘flow of air’. It is

the flowing Consciousness, who is internally flowing in everyone. In

the external it is called air or vaayu. Inside it is life or aayu. Its nature is to exercise (to flow) and maintain connectivity. Thus, god

vaayu (Air) has been mentioned in the first hymn of yajur (joining) veda, implying ‘joining’ or ‘connectivity’.

7) vyaattam agniH vaishvaanaraH vyaatta—vyaatta means the gaped open mouth.

vyaatta—vi + aatta vi---in different directions

aatta---seized, grasped

vyaatta---everything is grasped or taken within the gape of its mouth. The word mouth is ‘mukha’ in Sanskrit. mukha also means ‘chief’ or

‘principal’. The active Universal Consciousness or Universal praaNa is

called mukhya praaNa. mukha (mouth) is the seat of mukhya praaNa.

Mouth or mukha is the seat of all the sensory organs. mukha----mu (mouth, source) + kha (sky) (inner sky) is the source of all feelings or the seat of

the feelings----from here all the feelings are coming out or revealing. From the sky or the void within the mouth, the words or the senses are

coming out as expressions. These words are the expressions of the

Consciousness and formed by the expressive power or shakti called vaak who is the mother of all words. Upanishad has mentioned vaak as the

shakti of praaNa or shakti of agni. agni is the ‘fire god’ or the ‘self-revealing dynamic Consciousness’. It is for this reason vedas have cited

‘vaak vai agni’ (vaak is agni ), ‘mukhat agnih ajayata’ ( agni or fire was

created from the mouth). So here in this text, it is mentioned ‘vyaattam agniH’.

8) vaishvaanara—vishvaa + nara. vishvaa is derived from the word

vishva.

The word vishva means ‘universe’. vishva---vi (in all directions) + shva (the flow of time or life, breathing in

all directions)----the spread of praaNa or Consciousness in all directions. nara means ‘a man’.

nara---na (certainly) + Ri (to move)

nara---through whom the Consciousness is spreading. Another connected word ‘naari ’means ‘pulse’.

{In the Bengali (Bangla) language (one of the Indian languages mainly comprising of Sanskrit words or words derived from Sanskrit) the word

‘naraa’ means to ‘move’ or ‘to change state’.}

vaishvaanara : So, vaishvaanara means the Universal Consciousness or the praaNa who has created every one and who like the ‘spokes of a

wheel’ (araa) is spreading or flowing in everyone, in everything. vaishvaanara is the universal pulse.

9) saMvatsara (a full year) aatmaa ( is nature) ashvasya (of the horse) medhyasya (who is sacrificial)

samvatsara---sama + vatsara.

sama = perfect or complete; something that is duly done; something which

is synchronized (sama =same) with the Soul.

vatsa means an offspring. vatsa= vat (like) + sa (saH—he/ she/it)---like

praaNa. A child resembles its parent.

samvatsara means a ‘full or complete year’ and is the time to rear the child or offspring perfectly.

Whatever has been created from the Universal praaNa or the Universal Consciousness is a part or fraction of the Universal Consciousness (though

each fraction is ‘whole’ also!). All such parted souls are having separate identity. They are going back to the source from where they are originated.

The time taken for this complete cycle is called samvatsara. It is the time

duration in which each parted soul returns to the source. This is why it is stated that samvatsara is the ‘soul’ or the ‘nature’ of the ‘sacrificial horse’

because the habit of praaNa is to take back every soul created or separated as duality into Oneness.

10) dyauH (the divinity, the heaven or the divine plane) pRiShTham (backside).

dyau—dyu—div---divinity—is the plane from where the days are getting revealed or it is the ‘plane of revelation’. The significance of the word

dyau/dyu/div is the revelation from the soul by the soul, i.e. creation of

duality without duality.

11) antarikSham (the inner sky) udaram (is the stomach)

antarikSham is the derivative of antarIkSha.

antarIkSha----antara (inner, inside) + IkSha/ IkShaNa (viewing, act of time)---where everything is felt or seen inside; where everything is

achieved inside is the ‘inner sky’ or antarIkSha. IkShaNa means ‘seeing,

feeling, flowing of time’.

‘udaram’ is the derivate of the word ‘udara’ meaning stomach. udara= ud (upward) + ara (going / spokes of a wheel). udara or the

stomach is the centre from where whatever we are acquiring (foods) they

are being energized and illumined and propelled upward (toward the soul or oneness). Whatever we take, whatever we eat, that gets digested here,

the physical part goes to the body/physicality/earth. The subtle parts go to our mind, to praaNa (emotional or middle plane) and to vaak (the plane

above the emotions, where we are in the form of ‘words’ or ‘mantra’

(where our instincts are seeded). The foods become shining by the touch of Consciousness and are blazed in several colours. Thus, stomach is

called ‘manipura chakra’. ‘mani’ means ‘gems’. ‘pura’ means ‘abode’. ‘chakra’ means centre.

The ‘inner sky’, ‘anatarIkSha’ is the stomach or ‘udara’ of the Universal praaNa or Universal consciousness, where we are all held in Her/His inner

shine (moon shine) or in ‘HER’. She / He is holding us there ‘sans physicality’, ‘above the earth and mortality’.

12) pRithivI (the earth is the) paajasyam (hoofs)

pRithivI (earth) is the one who gives everyone a ‘pRithak’ or separate ‘identity’ or ‘status’. ‘pRithak’ means ‘separately’.

paajasyam (hoofs) is derived from the root word ‘paj’ meaning’ ‘to solidify or to harden’. Like water freezing into ice, similarly

Consciousness burning as fire, revealing and driving everyone, everything, every event and also called praaNaagni (praaNa+agni) has cooled down

and condensed as earth or physicality. So, the hoofs are the ‘earth’.

Further, the word ‘paajas’ means ‘shining’, ‘shining heaven and earth’ as well as it means the ‘rigidity or resoluteness’. Like the hoofs of a horse

which are rigid and solid, which keep its feet protected from the reactions

of motion and from the weight of its body and enable it to remain always

on the feet steadily and sturdily, similarly the Universal Consciousness has become the physicality, has become the earth and created the foundation

and stability of everyone. What is earth in the external is the body in us.

13) dishaH (the directions) paarshve (are the sides) avantara (other

or intermediate) dishaH (directions) parshavaH (are the other sides / ribs)

The inclination of Consciousness, the trend or direction, that leads to the

creation of ‘touch’ (sparsha) is called ‘side’ (paarshva). This is why our

hands (the organs for touch or sparsha) are located on the ‘sides (paarshva)’.

Example of intermediate direction: When you see a flower, the direction

(dik) toward flower is activated or that direction called ‘flower’ is created.

Then the ‘colour’, ‘fragrance’, ‘shape’ of that flower come to you or your corresponding senses are activated. Thus, the other directions are created

in the Consciousness. Then you get involved in the flower, you get activated, and that is the creation of space or dimensions (desha). The

drive (inspiration) you get toward flower is by praaNa or kaala. That in

those moments you are driven toward a flower and not toward a food is driven by ‘time’ (kaala).

14) RitavaH (the seasons are) a~Ngaani (the limbs): The word

RitavaH is the plural of the word Ritu which means ‘the seasons’.

Ritu is from the root word ‘Ri’. ‘Ri’ means ‘to flow’. The streams of praaNa are the Ritu or the seasons. They flow to make us, our definition,

our body and limbs. Thus, the body or the limbs are called ‘a~Nga’. a~Nga= am + ga. ‘am’ is the ‘teja’ or the radiant Consciousness about to

split.

‘ga’ is ‘go’ or motion. Thus from the radiance or ‘desire’ of the Consciousness we are created and defined in shapes.

From praaNa, from ‘so called external, along the flow of time (kaala) the

senses and feelings which are coming to us in streams, are broadly identified as six seasons. In the external sky, the most prominent and

physical center of this is the Sun from whom we are getting our life along the years, seasons, months, weeks days and nights. The seasons are six in

numbers. (I do remember in my childhood time, during late 50’s and early

60’s we used to get all the six seasons in Bengal.) The number six / ShaT (‘sex’ in Latin) represents ‘sweetness’ or ‘honey’. Thus, the Mother

Consciousness is imbuing us with streams of ‘honey’ or ‘soma’ in HER ceaseless care to raise every grain of the universe to eternity. Whatever

SHE (Consciousness) has created SHE knows that as HER own form and

as HERSELF. This is the sweetness—the two hearts or triangles together making six.

Briefly we describe below the six seasons as they are working within us following the explanation of our guru Shri. BijoyKrishna Chattopadhaya:

(i) vasanta (Spring): When a sense or an event comes to you, it shrouds you with it. It becomes your cover or dress. This dress is

called vasana. You sit on it or reside in it. This seat or residence is vaasa.

(ii) gRiShma (Summer)—The word gRiShma is from the root word gras meaning ‘to eat’, ‘to devour’. What comes to you and

covers you with a dress (Spring), you eat it. It starts going into you. You get the heat or the spice or calorie out of it.

(iii) varShaa (Rainy season, monsoon)----What you eat and chew, it rains the taste in you. The more you chew it, more you get into

it. More its spirit, its juice, its perceptions fill you. This is rain and you get wet.

(iv) sharada (Autumn)---As you digest the same, it becomes your part, your constituent. You know it; you rely on what you know

or experience. It gives you a shelter or reliance.

(v) hemanta (pre-winter)---- It is from the root word him or hIM which is the expression of Consciousness that represents

‘certainty’). (Refer ‘hIM/hImkaara in Chandogya Upanishad). This is the maturity of your knowledge or experience you get

during ‘autumn’ as mentioned in iv) above. This makes you

certain on something which you have learnt from experience or ‘knowing’.

(vi) shIta / shishira (Winter)--- Both the words are from the root

word shyai meaning ‘to congeal or to freeze. What we learn

through experience, finally it becomes frozen or rock heard in us. It becomes our instinct. This is the ‘clear winter sky’. This is

pitRiloka or the domain of the divine fathers. This is the domain where our instincts are located.

15) maasaaH (months) cha (and) ardhamaasaaH (fortnights) cha (so/and)

parvaaNi (layers): The months and the fortnights are the layers of its body Month and fortnight means a lunar month or the two lunar periods of

waxing and waning phases. Moon is that center of the Universal

consciousness from where or by whom the flow of senses which merge in us is administered, regulated, proportioned and absorbed. So, what is

effusing from moon is ‘soma’ the elixir. The waxing and waning periods together make a month or a maasa; the English word ‘together’ is

‘samaasa’ (sa + maasa) in Sanskrit. We are waxing and waning in our

reflections, in our feelings; in the lunar dimension of ours and we are being thus constructed. soma, elixir, is the flow of senses streaming from

the Universal Consciousness to blend in us.

16) ahaH (days) raatrani (nights) (are the) status.

The two words aha(day) and aham (I am) convey the same meaning. This has been mentioned in Brihadaaranyaka Upanishad.

aha (day) and aham (I am), both are the assertions of praaNa or the

Consciousness. In the morning, when we get up from the sleep, the first thing that comes in the Consciousness is ‘I am’. This revelation of

praaNa, this revelation of active Universal Consciousness has been described by the words ‘hanta aham’ in Chandogya Upanishad. The word

‘hanta’ is an exclamatory expression in Sanskrit and is derived as ‘aahaa’

in some Indian languages. It is an ‘heart felt’ expression. It is notable that ‘hanta’ is also an exclamatory word in Japanese. From this exclamation of

the Universal Consciousness, the sense that we call ‘day’ or ‘aha’ and the sense that is called ‘aham’ (I am) are created in all of us.

‘raatri’ (night) means ‘daatRi’ or ‘the goddess who gives us everything’. Whatever we get throughout the day, whatever every moment brings in us,

it comes from the ‘kingdom of night’. The black, obscurity contains everything that is perceived by us as ‘day’ or ‘revelation’ or ‘perception of

senses’.

In us, at every moment, a sense or a feeling is coming and it is getting

replaced by another one. Thus, in every moment there is a ‘rise’ and there is a ‘setting’ of the sun or the Consciousness who controls our time. This

is why we are called ‘aho (day)-ratro(night)-maya (characterized)’----

beings characterized by ‘day & night’. (This is also the root of ‘circadian rhythm’.)

17) nakshaatraaNi (the stars are) asThIni (the bones)

nakShatra---na (like /similar to) kShatra (kShatra---the kShatriya race);

kShatra or kShatriya are those who protect others from kShata or ‘wound’. Thus, kShatriya is the name of the race of warriors protecting others from

invasion.

kShatra---kShahta (wound /decay) + tra (traaNa or relief)----who relieves

from wound or decay—who helps to see our immortal soul. The stars and

constellations are those personalities of the Universal Consciousness, in

whose locations aging mortality (which are characters in planets) are absent or not felt. There it is the endless day or constant revelation and

time is not characterized as the sequence of day & night (aho-raatro). These stars, the self-revealing, radiating personalities of the Universal

Consciousness (under the leadership of Universal Moon or soma) are

making the constellations or geometries to refract or modulate the abundant flow of soma (the rays flowing out of moon) or the flow of

senses (from the Universal Consciousness) to everyone, to every destiny, thus making our destiny and fixing our stay or status. This is ‘asthi’ or

bones. asthi---as (ayam /this) sthiti (stay)’.

18) nabhaH (the atmosphere) maaMsaani (the flesh)

nabho (the atmosphere) (are the) maaMsaani (fleshes):

‘maaMsaani’ meaning ‘fleshes’ is derived from the root word ‘maMsa’

meaning ‘flesh’. This body, this physicality, is the formation of Consciousness. The way

the Consciousness is knowing, correspondingly the body and the limbs are formed. Activity of Consciousness is ‘knowing’. Everything is the

‘knowledge of Consciousness’---this physicality has also been formed in

the ‘knowledge’ or in the ‘Consciousness’. Thus, in every part of the body, the senses or the words of the Consciousness are embedded. The

stars are the bones. nabha/nabhas (atmosphere) is the embrace of praaNa, embrace of the Consciousness. Like the flesh embracing the bones.

(maMsa = flesh----maM (mine) + sa (he/she)—She/he is mine. Atmosphere = atmo---aatman (soul) + sphere—sphuraNa(manifestation))

19) UvadhyaM sikataaH (the sands).

Uvadhya—U / Una (not) + vadhya (killed); Uvadhya means which is not

killed or digested.

sikataaH derived from the word ‘sikta’ which means ‘soaked’ and the

corresponding root word is ‘sic / sik ’. Whatever is still under digestion or undigested foods in the belly of the ‘horse’ are the sands.

20) sindhavah (the flowing rivers) gudaah (intestines).

The word sindhava is the plural of the word ‘sindhu’. ‘sindhu’ means the

‘flowing river’. sindhu is from the root word ‘sidh’. ‘sidh’ means ‘to flow towards the objective or toward what is ‘desired’. The objective of a river

is to meet the ‘sea’. Thus in the context of this meaning (confluence), ‘sindhu’ also means ‘sea’ in addition to a ‘flowing river’.

gudaaH--- (intestines / channels); guda----gut---gastrointestinal tract or channel. praaNa has laid the

channels to bring back the separated souls or to assimilate whatever is of desire, whatever to be achieved / acquired. To make it to merge, to bring

back all the separated soul in the Oneness, the channels are laid out by

praaNa and are these flowing rivers or ‘gudaH’. (Bengali or Bangla language is a derived language from Sanskrit. ‘guda’

in Bengali means ‘vagina’. Vagina is the channel through which we come out from the ONE or the Mother as a separate entity and also it is the

channel through which we can enter ‘HER’ who is ‘shakti’.

It may be noted that every part of the physical body represents an aspect of the Universal Consciousness.)

21) yakRit cha klomanH cha (the liver and the colon) (are) parvataH

(hills)

‘yakRit’ means the ‘liver’. yakRit---yat (in line with) + kRit (deed or performance).

The way you live, your future is constructed in that way. This is ‘karman’ (karma / deeds) and ‘phala’ (consequences). The way you live or you

perform, is actually the way you ‘feel or sense’ or the way you are active

in your Consciousness. The way you feel, sense and digest, you are transformed accordingly and your future is also taking the form

accordingly. So, this is how the ‘liver’ or the center called ‘liver’ or

‘yaKrit’ in Consciousness is working. The action of yakRit is to transform

you as you digest; how will you digest depends on such action and such action depends on your deeds or how you live in your Consciousness.

klomana--- colon ----The function of colon is to purge or expel what is

unwanted It is noteworthy that stones are formed in this part of the body

when it does not function well. It may be because of this feature as well as the channels, these parts of the

‘horse’ have been termed as ‘parvata’ or ‘hills / rugged terrain’ (and there must be more mysteries which are the reasons behind word ‘hill’).

22) oShadhyaH (the herbs and plants) cha (trees providing shelters) vanaspatyaH cha (and) lomaani (body hairs)

The plants, herbs and the nurturing trees are the body hairs.

oShadhi / oShadhI ---who holds or preserves the ‘oSh’ or the uShmaa or

warmth of praaNa (the Life god) and through whom this warmth or vigour is entering us. This vigour is held predominantly and explicitly by the

vegetation and plants. The lunar centre revealed as moon in the physical sky is the centre of ‘soma’ and controls the saps in the vegetation and

plants and in everywhere and in every being.

The herbs, the plants and creepers etc. are also called ‘oShadhi’ as the extracts from them make the medicine and heal the ailments. By the

regulation of praaNa or by oShadhi, the flow of life in us becomes balanced and normalized; the disease is cured.

vanaspati---vanaH + pati ; vanaH is derived from the word ‘vana’. ‘vana’ and ‘nava’ are ‘retroverted

words’. Thus ‘vana’ means ‘old’ or ‘who does not change’ and ‘nava’ means ‘new’. ‘vana’ means who is before everyone or everything. The

One who is ‘vana’, who is pristine and before anyone, is the abode and

shelter of all the beings. This is why forests are also called ‘vana’ in Sanskrit. ‘pati’ means lord. This ‘great forest’ is harbouring everyone of

the Universe with its great trees having sturdy trunks, spreading branches,

flowers and fruits and the roots ending in the eternity. This is why, in the

language of Sanskrit the magnificent trees are called ‘vanaspati’.

loma--The word ‘loma’ and ‘roma’ both mean ‘body hair’. The word ‘roma’ is from the root word ‘ruh’ meaning ‘to grow’. The growth from

the touch of Consciousness or praaNa is the air. The word ‘loma’ means

‘the one who is aligned with the flow’. Thus ‘anuloma’ means along the flow and ‘viloma’ means against the flow. The body hairs represent this

flow of sap, the undercurrent of Consciousness on which the physicality has formed. The water percolates through the soil, flows and spray life or

soma and the vegetation, herbs and plants sprout. Similar are the body

hairs and the body hairs of the ‘horse’.

23) udyan (rising –the rising sun) pUrva ardhaH (the front, frontal part).

Everyone rises by the praaNa, by the drive of Consciousness. When

praaNa rises in a particular way in us or raises a thing or an event in us, the direction ‘east’ is formed.

The desire of the Universal consciousness motivates or moves everyone; time is created from this desire and also the days and nights, diurnal

motion. Whatever rises, whatever is rising, is the frontal part of praaNa

and the east--- the direction where the face is located. (East is from the Sanskrit word iShTa meaning ‘desired’. The sun rises, praaNa rises, to

bring the ‘desired’ in us. (This is why the Sun god is called mitra meaning ‘friend’. Also he is mitra because he embraces us with ‘oneness’).

24) nimlochana (going down—setting sun) jaghana (hind) ardhaH (half / part).

nimlochana is derived from the word ‘nimlocha’ which means ‘setting of

the sun’. The word ‘nimlocha’ is from the root word ‘mluch’ which means

‘to move downward’, ‘to bring to rest’. The realm of the deity lord varuNa is ‘nimlochani’ The west is the

direction where the things remain covered Whenever a sense or a feeling

comes in us, rises in us, everything else gets covered or shrouded at that

moment. Suppose you are reading and then someone calls you, you then get into that ‘call’ or the ‘call’ rises, and the ‘reading’ sets down. This

rising Consciousness is called mitra. When the Consciousness covers or shrouds everything, Consciousness is called varuna. varuNa is related to

the word aavaraNa meaning ‘a cover or a shroud’ and both the words are

from the root word vRi meaning ‘to cover or to conceal’. The deities mitra and varuNa are paired Vedic deities.

‘jaghana’ means ‘part of the body that contains loins and hips’. ‘jaghana’

= ‘ja’ (generated) + ‘ghana (dense)’----from where the ‘density’ /

‘solidity’ or ‘physicality’ is generated. Also, it means: ja (jala—water) + ghana (dense)---where water or

liquidity becomes dense and becomes the solid earth or physicality. This vast expanse of water body, the oceans, which belong to the kingdom of

varuNa, are reigning over the physicality and behind the changes of the

hard rocks and the soils---behind the formation and transformation of physicality. What is earth in the external is same as the body in us. It is

for this reason, the ‘vagina’ is part of the ‘jaghana’, or in the region of ‘loins and hips’; it is the place from where we come out from the mother’s

womb after the ‘water’ breaks and then we get connected to the external

earth or physicality. This setting sun is the hinder part or the ‘jaghana’ of this celestial horse, of our praaNa.

25) yad (that it) vijRimbhate (yawns) tad (that is) vidyotate (lightning)

vijRimbhate is derived from the word ‘vijRimbhana’ meaning ‘to yawn’. This word originates from the root word ‘jRimbh’. ‘Yawn’ reveals the

‘void’ or the ‘sky’. It reveals the state of ‘neutrality’ from where a ‘specified’ or a ‘defined’ thing or an event is created. Thus, we yawn

when we are sleepy or when we are bore i.e. when there is no particular

spirit in us. This ‘yawn’ is like our ‘inner sky’ getting extended or connected to the ‘outer sky’. This ‘void’, this ‘sky’ which is the same in

external as well as in internal is the neutral field behind every creation.

This is not just void or ‘inane’, it is the neutrality of the ‘Universal

Consciousness’. The sky is called ‘aakaasha’ in Sanskrit meaning the ‘kaasha’ or radiance of ‘aa’ or ‘aatman’ or ‘soul’. (Thus the physical

space or void is full of energy.) Because of our obsession in physicality we find this void as ‘inane’.

The root word ‘jRimbh’ mentioned above can be broken into ‘jRi’ +

‘ambha(s). The general meaning of the word ‘ambhas’ is ‘water’. ‘ambhas’ is ‘am’ (radiation, teja) + bha (bearing; bhRi means ‘to bear’ or

‘to hold’. ‘ambhas’ is the ‘water bearing the heat’ or the ‘radiating water’ or ‘water

that condenses or becomes rain to create what has been radiated out of the

desire of Consciousness’. It also means ‘the cloud bearing water and electricity’.

jRi means ‘to come near, to approach’. Thus ‘jRimbh’ means to move or approach to create or reveal or rain.

So the seer has said as it yawns it flashes ‘lightning’.

vidyotate---flashes electricity or lightning. vidyotate is derived from the

word ‘vidyut’ meaning ‘electricity’. The word ‘vidyut’ is from the root word dyut’. ‘dyut’ means ‘to shine’ and also ‘to tear apart’. Here in this

sky, in this state of neutrality, the Universal Consciousness flashes

electricity. The creation exhibits ‘radiation’ and ‘splitting’, tearing apart the ‘oneness’ into duality. In the word ‘vijRimbhana’ the word ‘vi ’ means

‘many’ or ‘various’. This means, it (yawning) is the act of revealing the specifics of ‘praaNa’ or of ‘Universal Consciousness. Thus, specific

creatures and universes are created; thus is the multiplication of Oneness

into many. For example, ‘whatever could be the kind of flower’, ‘whatever is

conveyed by the concept ‘flower’, whatever kind of flower was/is and will be in anywhere and in any time, is seeded in the space or the sky of

flower’. In this ‘void’ or space all the ‘directions’ or ‘inclinations’ of

praNa or Universal Consciousness are held in equilibrium. This is why space is generally felt as ‘spherical’. Thus, as a state of equilibrium this

‘space’ or ‘void’ is neutral. The physical space is the root of physicality.

The gap between two physical objects is this void as felt in physicality.

This space is full of directions or propensities of praaNa. So, in the direction called ‘flower’, in that ‘direction’ all kind, flowers of all time

and space exist. This way of revealing or creating is lightning or electricity. So, electricity or ‘vidyut’ also means ‘vid’ (existence) + ut

(supreme) or supreme state of existence. In these directions of

Consciousness when we can identify ourselves, we realize our supreme state of existence which is sans physicality, sans any limitation. As all

directions are held in equilibrium in the sky, so we see it round from the earth. It is true that the sky is round because the earth is spherical but this

truth reveals the deeper truth that directions are in equilibrium in the sky

or in the state of neutrality.

26) yad (that) vidhUnute (it shakes the body and brushes off dust) tat (that) stanayati (rumbling of clouds)

vidhUnute is from the root word ‘vi-dhU’ meaning to ‘shake off’, ‘to disperse’. By this shake, by this action of praaNa or the air, the clouds are

dispersed or moved. Cloud is called ‘megha’ and is from the root word ‘mih’ or ‘migh’ meaning ‘to sprinkle’ or ‘to make water’ The rumble of

the clouds is called ‘stanaitnu’ which means the expression of the Mother

consciousness to feed the creation with Her breast milk. The word ‘stana’ means ‘breast’ and is from the root word ‘stan’ meaning ‘to roar or

thunder’. The word ‘stanana’ means ‘sound’. The ‘words’ in us rain the ‘meanings’. The Consciousness as ‘goddess vaak’, as the mother of the

‘words’ are feeding us with senses, with life and vitality stana= sta (stu /

praise) +ana/an (praaNa)---the self-praising, self-nourishing ‘word’ or ‘goddess vaak’. From ‘stana’ the milk effuses to build us. (Thus, the

breasts are located below the neck, the organ of voice.)

27) yad (that) mehati (milks herself or effuses) tad (then) varShati (it

rains).

This rain is the ‘rain of life’ coming out of the ONE or the Universal soul,

effusing all over the universe out of the self-praising, self- appreciating, self-revealing hymns or ‘words’.

28) vaak (vaak---the mother of all words or expressions) aeva(indeed)asya

(its—this horse’s vaak)

This part may have several meanings like (i) vaak is its vaakya (words); (ii) its vaakya (words) are ‘vaaak’; (iii) its ‘vaak’ is ‘vaak’.

(i) vaak means the consort or shakti of the Soul. In soul, there is

no differentiation; soul is soul’s power or consort; however, to

describe the creation and duality, the seer has mentioned vaak as the consort or shakti or power of ‘praaNa’. (praaNa

means when Consciousness is active. In praaNa there is both oneness and duality.) The Universal Consciousness who is

One and only One, in whom there is no sense of duality,

creates duality out of Oneness. ONE multiplies ONE into many by ONE. This power by which Consciousness

multiplies is called (goddess) ‘vaak’. The goddess with her sword cuts the Oneness into many. What bleeds out of this

incision is ‘time’ creating the sequence of ‘beginning,

existence and termination’. vaak has given everyone a name, a definition a word. Everyone is created by vaak and

controlled by vaak. Thus, whatever has been created from vaak it is the ‘word’ or ‘vaakya’ of ‘vaak’. vaakya (word) =

vaak +ya(controlled / processed). Every word, every creation,

every definition is from vaak and by vaak. What we feel in us as our ‘inner sky’ or ‘inner space’ is the field of

expression of our Consciousness. From there the elemental words, alphabets, quantum of Consciousness is created. Those fundamental or

elemental words, or forms of vaak, coalesce to form cloud in our plane of

feelings or emotions, in our heart. Then it rains and, we get feelings and emotions. We become desiring. Those make us deterministic, drives us

into actions in our mind and further into physical work. Whatever we

sense in our mind are made of words. They have definitions. They have

appearance. In the innermost phase, it is vaak or Consciousness radiant with urge to express; further it is feeling, emotion, desire; then in mind it

is formed idea, determination and action. It ends in physicality. This is why the Seer has said that the earth is the body of vaak. The entire

physical universe is the body of vaak.

(ii) Its word is vaak--- This means whatever this celestial horse is

speaking, whatever is coming out of Consciousness is Consciousness or vaak herself

(iii) vaak is its vaak --- this means vaak is the Shakti (vaak) or consort or power of Consciousness.

1.1.1 aharvaa ashvaM pUrastaanmahimaanvajaayata

ahaH vai (the day is indeed) ashvam (the horse’s) pUrastat (eastern)

mahimaa (magnificence) anu (accordingly) ajaayata (was born).

The day is indeed the eastern magnificence of the horse and was born in

accordance.

tasya pUrve samudre yonI

tasya (its) pUrve (in the east) samudre (sea) joniH (the origin) Its origin is the sea in the east.

raatrirenaM pashchaanmahimaanvajaayata tasyaapare samudre yoniretou

vaa ashvaM mahimaanaavabhitaH saMbhUvatuH. haayo vUtvaa

devaanvahadvaajI gandharvaan arvaa asuraanashvo manuShyan samudra aevaasya vandhuH samudro yoniH.

raatri (night) aenam (its) pashcaat (westernly) mahimaa (magnificence anu

(accordingly)ajaayata (was born).

Night is its magnificence in the west and it was born in accordance.

tasya (Its) apare (in the other) samudre (sea) yoniH (origin) Its (night’s) origin is in the other sea.

aetou (These two) vai (indeed) ashvam (the horse’s) mahimaanou (two

majesties) abhItaH (towards it /following it) saMbhUvatUH (were formed

appropriately). These two indeed are its two majesties and were formed appropriately

following it (horse).

hayaH (As the horse named haya) bhUtvaa (by becoming) devan (dieties)

avahat (it carried).

By becoming ‘haya’ it carried the deities (beyond the death).

vaajI (as the horse named vaajI) gandharvan (gandharva),

By becoming vaajI it carried the gandharva.

arvaaH (As the horse named arvaa) (asura-s) By becoming arvaa it carried the asura.

ashva manuShyan (the human beings).

By becoming ashva it carried the human beings.

samudrah (The ocean/sea) aeva (indeed asya (its) vandhuH

(friend/companion) samudraH (the ocean) yoniH (origin).

The ocean is its companion, the ocean is its origin.

nirukta ---Inner meaning

ahaH –Alphabets and words are the expressions of the Consciousness.

The elemental stage of the Consciousness is the are the alphabets which

are the components. They are called ‘varNa matRikaa’, ‘the mothers as

alphabets’. They join to create the words and the worlds. The alphabet ‘a’ the first vowel and the alphabet ‘ha’ is the last consonant. All the

alphabets from ‘a’ to ‘ha’ have made ‘aham’ or ‘I am’ or ‘me’. Thus whatever is there, it is the expression of the Universal “I’ (or the vision of

the Universal ‘eye’). The radiant alphabets from ‘a’ to ‘ha’ are making the

Universe; and this ‘time’, ‘this period’ or ‘this mood’ of Consciousness that characterizes the creation is ‘aha’ or the ‘day’.

pUrva is the ‘east’ direction. It is direction that leads you to ‘pU’ or completeness by achieving what is desired. The direction

which the Universal soul or the Sun or praaNa takes to rise and to bring

in us what we desire is the ‘east’. The word ‘east’ is from the Sanskrit word ‘IShTa’ meaning what is ‘desired’. Thus with every day we get back

the world which we long to live. So, the Sun is called ‘mitra’ in Vedas. ‘mitra’ means a friend. (It may be noted that the rise of the sun is the rise

of praaNa and from whom we and the earth get our motion and time. This

includes the diurnal and annual motions. Thus there is nothing wrong to say that the sun rises and moves. Whatever is our motion is the motion of

Consciousness.)

ahaH vai (the day is indeed) ashvam (the horse’s) pUrastat (eastern)

mahimaa (magnificence) anu (accordingly) ajaayata (was born)— ‘aha’ or

the day rises following the Consciousness or ‘praaNa’ or ‘following the desire or motion of Consciousness’. The appearance and disappearance of

senses and feelings in us, the diurnal cycles, all the periodicity of time are due to the ‘praaNa’ (the ‘Consciousness in motion or Consciousness

flowing’).

‘mahimaa’ is derived from the word ‘mahiman’ or ‘maha’ which means

the ‘majesty’ or ‘might’ or ‘greatness’ The eastern majesty or magnificence is the ‘day’ or ‘aha’.

tasya (its) pUrve (in the east) samudre (sea) joniH (the origin)

samudra (sea) = sam (perfectly, rightly) + udRi = rises---from whom

everything rises to the surface.

Another meaning of samudra (sea) is ----sa (He/it) + mudra / mudraa (print or impression)----where everything remains imprinted. This is why

palmistry is called ‘samudra vidya’ i.e. the knowledge by which what is

stored for you can be read from the lines imprinted on your palm. The great divine memory, the memory of the Universal consciousness, in

which we all stay and remain imprinted and from where we are again reborn or recreated is the sea (arNava). These vast water bodies, the

oceans, which we are perceiving in the physicality is the physical

expression of this ‘divine memory’. Thus we get back things like before after we get up from the sleep or when we are reborn after the death.

raatri (night) aenam (its) pashcaat (westernly) mahimaa (magnificence)

anu (accordingly)ajaayata (was born) tasya (its apare samudre (sea)

(origin) raatri means ‘night’. raatri > rati + tra. rati = rata + i. ‘rata’ means the

act of staying or remaining fixed in a place or in a particular status. The time when we sleep is also termed as ‘raatri ’because during the sleep we

rest in the ‘soul’. Thus in the sleep, we do not feel about existence or non-

existence, but we can always recall after the sleep whether we have had a sound sleep or not. Also the word ‘rati’ means ‘act of sexual intercourse’

and implies the power of staying in a ‘female’ or ‘shakti’.

Also, raatri> raati----willing to give; rati also means ‘rest’; like the word

‘virati’ means ‘an interval’ or ‘time between two events’. Thus ‘raatri’ is the goddess or the personality of the Universal Consciousness who ‘gives

us or nourishes us while we rest in Her. As we are invigorated and animated and driven in the time called ‘aha’

(day), similarly we are pacified, tranquilized and driven to the rest during

the time called ‘raatri’ (night). Our activities in the state of existence or ‘aha’ is controlled in the ‘sea located in the east’. In the state of negativity

or rest the Consciousness reviews and keeps looking at the ‘sleeping one’.

This reviewing centre is located in the sea at the other sea. (Upanishad has

described every soul or entity having two parts—one remaining always awake and the other who wakes and sleeps; during the sleep, the waking

one keeps looking at the sleeping one-----asuptaH {waking/ ever-waking soul} suptaan {who is sleeping} abjichaakashIti {looks at})----the ever

waking soul keeps looking at its sleeping part!)(Brihadaaranyaka—4/3/11)

etau vai ashvam (horse’s) mahimaanau (the two majesties)abhItaH

(following it) saMbhUvatuH (were formed). Thus, the day and the night are the two aspects of praaNa manifested as

praana’s majesties.

hayaH (as the horse named haya) bhUtvaa (by becoming) devan (dieties)

avahat (it carried).

hayaH is derived from the word ‘haya’. mukhya (principal) praaNa or

eternal praaNa has carried the deities beyond the death. This is also stated in Chandyogya Upanishad. The word ‘mukha’ means ‘mouth’, and it is

that seat where all the activities of praaNa (or the sensory organs) are located. Since the senses are praaNa’s flow, so the Universal

Consciousness is also called mukhya (principal) praaNa. mukhya is

derived from ‘mukha’. mukha also means ‘principal’ or ‘main’. Also, vaak as vaakya or words are coming out from ‘mukha’ or mouth’. vaak is the

Shakti of praaNa. Now,’mukha’ is also called ‘aasya’ in Sanskrit. In Chandogya Upanishad the seer has said that mukhya praaNa is also called

‘aayaasya’ since praaNa is coming out of ‘aasya’ or mouth (aasyat {from

the mouth} yat{since} ayayte{coming out}). Thus, ‘haya’ has a meaning like this: aasyat(from the mouth) hi (indeed) ayayte(is coming out).

(Chandogya---1/2/12)

The Consciousness, by whom we are also Conscious, whose vision creates

our eyes and sights, whose act of listening creates our ears and sense of hearing and so on, is coming out of our mouth or from the void or sky

inside our mouth as formed and defined words or expressions. Thus the

seers have said: ‘mukhaat (from the mouth) agniH(the fire) ajaayataH

(was created)’ ---the fire or the all revealing personality of Consciousness was created from the mouth (of the Universal Consciousness). mukha---

mu / mud (joy)+ kha (sky/void)---the sky full of joy!

haya---In whom ‘ha’ or the void ends (ya). ‘ha’ is the last consonant in

Sanskrit and denotes the Consciousness as neutral space or void. So, where this void also vanishes into Oneness or Soul is called ‘akShara

aatman’ (Immutable Soul) {--—Refer Brihadaranyaka Upansihada : the conversation between Yajnavalkya and Gargi.}

The divinity or the deities are nearest to the ‘akShara aatman’ (Immutable Soul). The eternal praaNa or mukhya praaNa carried the deities to His

oneness or to the Soul in order to take them beyond the death and He is thus known as ‘haya’.

vaajI (as the horse named vaajI ) gandharvan (gandharva)--- By becoming vaajI it carried the gandharva:

The word ‘vaajI’ is derived from the root word ‘vaaja’.

vaaja = vaak + ja ---what is generated (ja) from vaak.

Also, vaaja = vaak + ja----from vaak everything is generated ( ja ). Thus the name of ‘ap / aapa’ or divine water is ‘jala’ meaning the plane

that supports ‘life’. ‘ap’ or ‘jala’ is generated from ‘vaak’.

vaak is also called teja meaning tad (that) + aejati (vibrates)---vibration of

Oneness or the Soul. This vibration is the radiance or teja which splits oneness in duality. The cosmic radiations, radioactivity, electricity,

electromagnetic radiations etc. all are forms of this teja and so also the warmth of life in us. From teja, apa or water (jala) is generated. apa is the

water or the cooling, satisfying, bestowing Consciousness. This is why, we

first feel thirsty and then drink to quench the thirst; this is why a fire is doused by pouring water; this is why the season of summer is followed by

monsoon; this is why thunder & lightning are followed by rain; this is why

hunger adds to the taste. (These are not the reasons from a simpleton. If

you think this is unscientific, then you are missing a vital thing about how to read and interpret what all you are sensing in the course of your living.)

Thus the seers in Upanishad have said, Consciousness first becomes vaak

and then apa. This universe is apa or water or the ‘acquirement’ (aqua) of

the Consciousness. HE/ SHE has achieved or acquired HIMSELF/HERSELF as the universe. Similarly, whatever we are getting

or achieveing every moment, whatever we are sensing every moment, it is due to the Consciousness in us who is revealing as radaiance or units of

expressions within us. This is vaak as teja. Then Consciousness holds an

unit or the sperm in HER to develop it further. Thus vaak is named as ambhRiNI which means who carries (bhRi) the unit / sperm or teja (am).

Thus as the cloud holds the water before the rain, so vaak is holding every sense before our sensing. Then we have feelings in the heart which is

water. Further it acts in the mind and body (earth).

gandharva---who are characterized by gandha or fragrance.

gandha or sense of smell represents that faculty of praaNa by which praaNa holds us and provides stability.

gandha = gam (to go > motion) + dha (act of holding).

praaNa who is the active aspect of the Universal consciousness, whose

activity is felt as time and who is flowing as life in us, who is characterized by motion (legs of viShNu) and expressions (vision / eyes of

viShNu), has created a stability in us amidst this motion or dynamism. This

is why we feel the ‘stability’ though we are aging / changing or in motion all the time! This is ‘holding (dha) the motion (gam)’ or gandha or sense

of smell / olfaction. This praaNa as air is entering us, through our nose in the process of inbreathing and leaving us in the process of out-breathing.

This cyclic motion through the nose, keeps us alive and keeps us stable.

Thus what is smell in our sense, is the earth and physicality in the

external.The sense of smell has the role to provide the sense of being

‘static’ and ‘stable’ This is why what is physical and mortal to us is not so

to gandharva; because they know them as the physicality of praaNa or Consciousness and not just the physicality. So, they dominate on the

physicality and so they live in ‘ ap / aapa’ or ‘water’. Their consort or shakti is called ‘ap-saras’. They are celestial muscisans and composers

and fond of opposite sex.

Thus teja or vaak becomes ‘ap’ or ‘aapa’. So, praaNa as ‘vaajI ’ carries

the gandharva-s from the ap (water) to teja (radiance) and from teja to the universal Oneness of ‘universal soul (aatman) ’.

arvaaH (as the horse named arvaa) (asura-s) By becoming arvaa (it carried) the asura.

asura (commonly means demon) = asu + ra.

asu means praaNa :asu = a(aatman / soul) + su (flowing)

asura = asu (praaNa) + ra (ra~njan -- colour). Thus ‘asura’ means those who are obsessed or dyed by the colour or

revelation of praaNa and in the process have lost the connection with the source (aatman or praaNa) from which everything is revealing.

arvaa---This word arvaa (the name the horse took when it carried asura beyond death) is from the word ‘ara. ‘ara’ means spokes of a wheel or the

radii originating from the centre and running toward the circumference. Like the spokes of a wheel remain connected to the centre, so we all are

remaining connected to our source or praaNa, however away we may be

or whatever ignorant we may be. This why the seers have said---yatha araa iva rathanaabhau praaNe sarvaM pratiShThitam----like the spokes of a

chariot wheel connected to the centre, similarly everything is founded in praaNa. Thus praaNa rescues us from the physicality and death by rising

in us with this ‘reality’ of connection to the centre. This is how ‘arvaa ’

carries asura beyond the death. (It is noteworthy that the word ‘arvaa’ in Sanskrit also means ‘Arabian’

people.)

ashvaH manuShyan---as the horse named ashva it (praaNa) carried the human beings beyond the death.

As explained earlier, ashva means the flow of life (air), breathing, flow of

Consciousness, flow of time. So, praaNa takes us beyond the death along

the normal streams of our life. We human beings are balanced creatures. We think of good and bad, we respect lineage and relations, we are eager

to know what is unknown and beyond death. This is how we are; our heart dominates over the mind. Heart is the place of singularity and duality

together as in praaNa who is simultaneously one and many. Thus, we

evolve from this state to eternity.

The word ‘manushya’ (man)consists of two parts, ‘manu’ and ‘IShat’ manu is related to the word mana or manas meaning mind. manu is the

one who has got the entire universe in the mind. As ‘vaak’ becomes

‘vakya’ or formed / defined words in our mind, similarly this entire physicality is the shapes and dimensions of the Universal or divine mind.

When we start realizing this, our words become ‘mantra’ i.e. such words or such mind provide ‘tra’ or ‘rescue’ or reveals what is beyond

physicality. This faculty, though slight (IShat) is inherited by the ‘human

beings’. This is why we are ‘manu + IShat’ or ‘little manu’. Mind is the outer cover of praaNa. Where praaNa is directly acting on the

physicality it is the mind (and the sun is radiant form of the divine mind as manifested in our space).

Beyond mind are the realms of feelings, love, hatred, dualities. This is the

realm of praaNa (in this context). In the external sky this is ‘moon’. As we realize the words and physicality as the formation of mind, we

become more tuned to praaNa and spirited. praaNa means who is vision and view, who is hearing and sound, who is skin and the touch and so on.

Then the word spoken, can bring in entirety of what is meant by the word.

This is called ‘mantra chaitanya’. This is common in the elevated souls among human beings. Thus, from the mind we can enter into praaNa and

we cross the death to eternity.

(Notes: Deities (deva) are principally characterized by teja The root word of deva

is div meaning (self)-revealing.

gadharva-s are characterized by the joy and attainment acquired by living

in praaNa predominating over the physicality.

The human beings are balanced creatures. They apply ‘heart’ whenever they act. They live by comparing good and bad, evil and virtue. They are

more oriented to deeds and works and its outcome (karma).

asura-s are dazzled by the grandeur of the universe and not inclined

toward the origin of the same. Thus they are physical.

The goddess durgaa taking deities to eternity.

The following quotes from Brihadaaranyaka Upanishada are noteworthy. (i) sa vaa eShaa devataa durnaama----She that deity is named as

dUr ‘; dUram hyasyaa mRityuH -----the death remains away from Her;

dUraM ha asmaanmRityurbhavati ya aevang veda---the one

who knows the deity) , the death remains away from the one. (Brihadaaranyaka Upanishad 1/3/9)

(ii) saa vaa eShaa devataitaasam devataanaM paapnaanaM

mRityumapahatyaathainaa mRityumatyavahat.

(She, that goddess, carried these deities away from the sins

which are the forms of the death by severing the death from them. (Brihadaaranyaka Upanishad 1/3/11))