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WERWERWERWERWER
The Anatomy of a SpeechPowerful Public Speaking
The Anatomy of a SpeechThe Essential Elements
StructureWordsVoiceBody LanguageStagecraft
Anatomy of a Speech1. STRUCTURE
1. Structure
Build your ideas.
Idea 1Idea 2Idea 3
Build relationships between your ideas. Link ideas in a seamless flow.
1. StructureIdea 1Idea 2Idea 3
1. Structure
Add a dramatic opening
1. Structure
and a memorable conclusion.
1. Structure
Create a seamless flow, as if youre on a scenic journey.
Anatomy of a Speech2. WORDS
2. Words
(Less relatable)
Use words that your audience can relate to
It started to snow that evening, and our journey became more difficult.
2. Words
Use word pictures.
Dusk fell; the air was dense and heavy with snow. The terrain became steeper and more difficult, our journey punctuated only by the steady beat of the horses hooves and my own ragged breathing.
Tell riveting stories.2. Words
Weave stories into the structure of your speech.Build a narrative, not just a speech!
2. Words
Dusk falls; the air is dense and heavy with snow. The terrain becomes steeper and more difficult, our journey punctuated only by the steady beat of the horses hooves and my own ragged breathing.
Tell riveting stories in the present tense.
Anatomy of a Speech
3. VOICE
VoiceVoiceVoice
PITCH is the rate of vibration of your vocal folds.
TONE is the resonance - the quality of your voice.
VOLUME is the decibel level at which you speak.
PACE is the number of words a minute.
3. VoiceYOUR pitch, tone, volume and pace are unique.
Take your voice for a test drive: vary the pitch, tone, volume and pace.
What can you REALLY do with your voice?
Vocal Variety
Read out a familiar story in a low pitch, medium pitch and high pitch. Did the meaning change?
Take any sentence from the story. Read it in a angry, happy, sad, loving, despairing, laughing, authoritative, sly and shy voice.
3. Voice
Read out loud in a monotone
Stand up, take a deep breath and read out a couple of paragraphs of text from your favourite novel or magazine. Read it in a monotone, ensuring that you use your diaphragm when you speak.
VoiceExercise:Pitch and Tone
Singing LessonsAlternating pitches
Take singing lessons this will give you more breath control, flex your vocal muscles, and give you lots of practice using your diaphragm to sing and to speak.
Say the words cheese sandwich, or any other two-word phrase, alternating between two pitches. cheese (low) sandwich (high) - and vice versa.
VoiceExercise:Pitch and Tone
Hello
Imagine youre standing in front of a mirror. Greet your image in the mirror. Hello, Sam!
Now walk backwards from the mirror, greeting yourself again every five to ten feet you move further away.
Vary your voice pitch, tone and especially volume, till you truly believe your mirror image self can hear you at 50 feet or more. Do this outdoors, in a park, and practise with a friend if possible.Sam!
Projecting Your VoiceVoiceExercise:Projecting Your Voice
Write your speech. Count the words.
Deliver your speech as a practice. Time yourself. Divide the number of words by the total time to get your practice pace.
Deliver your speech to an audience. Time yourself. Again, divide the number of words by the total time. This is your actual pace.
Get feedback from your audience. Do you need to change your pace to make your speech clearer and more powerful?
VoiceExercise: Whats Your Pace?
Anatomy of a Speech
4. BODY LANGUAGE
4. Body Language
Start your speech with hands open and at your sides. This starts the connection between you and the audience.
4. Body Language
Use hand gestures judiciously. Keep them clean, strong, and purposeful.
4. Body Language
Use facial expressions consciously but naturally, to tie in perfectly with your words.
4. Body Language
Move your feet only when required, when movement adds to your message.
Watch out for wandering feet!
A lot of speakers do this without realising it, and the audience can find it distracting.
Anatomy of a Speech5. STAGECRAFT
5. StagecraftFuture
Present
Past
Show TIME visuallyStep back (past) step forward (present), step forward again (future). Move naturally!
Stage
5. Stagecraft
Show DIALOGUE visuallyExample: Calpurnia begs Caesar not to go to the Senate, and Caesar responds.
Calpurnia
Caesar
Right = The audiences right. Left = The audiences left.When youre speaking Calpurnias words, move to the right hand side of the stage. When youre speaking Caesars words, move to the left hand side of the stage.Maintain the same positions throughout the dialogue.Always on the right as Calpurnia, always on the left as Caesar. Stage
5. Stagecraft
Show LOCATIONS visuallyExample: I was born in Sydney. I moved to New York in my teens. Now I live in Stockholm.
New York
Right = The audiences right. Left = The audiences left.Sydney = left. New York = centre. Stockholm = right.Maintain the same position for each location throughout your speech.
Stockholm
StageSydney
Anatomy of a SpeechStructureWordsVoiceBody LanguageStagecraft
Visualise! Practice.Thats what brings authenticity. Yes, really.
More than anything else, have fun with it !
www.speechmatrix.nz Powerful Public Speaking