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trfl\ i#\J ffiffi&ffi* p;rä5äruYs: ffiFJJ* IN TICINO fl\ ,tttott ot Ticino, land of artistsl %",*c So \\-enr a tamous promotional slogan that conirit,uted to the successful reafrrr-rion of Ticino's cultural idennn. I::ieed. thanks to its gentle clima::. ::r: harmony of its colours, and th: -::.=::i- of its countryside. Iu-:--.:r:king part of Switzerland ha. ' -;";. :rlracted and inspired painttr.. -,.:-:i:i. :trusicians and, it would l::,:=:. -i0 !c\-eräl famous violiri.:. :-:::-: :he 19th century up to l;,J;-" -: -::rber of grand master 1:: -::-r:;; :::.-;e shared :heir art with :-= - r--:--r :nd ;ontributed tc- -..-.:-r :::!r--.1 enrichment. It all begar: --- -i-- -- :-::. J----inrric Russian B=. :.- J; -' '. -:- l:..'. 1i! built a .:'-: -.::-- . ,- -:-:::: .-.:" Jrl Tler'rr--.' i{ :-:-- ---------. .r:-:.: musr har e rir-i- i :::- I[. -:-::-=::-::- music temple of B.o,:lu=.T::. Baron was a grcai io'..: li.':=:= and the violin. u'hich he p.-:.:: himself. He formed an orche.;r:. and engaged some well-knosr musicians among whom was. as leading violinist, the Belgian Cdsar Thomson, the prodigal child of the era and one of the best interpreters of Paganini. Then Cdsar Thomson VIOLINISTS PAR EXCELLENCE T|-iE VlOl-lN! lS SLie F{ ,& SFNSlTlVr lvlLiSie,eL lhlSTRi.Jrv}äS,T TF{AT NT AI},&PT$ TFJT PHRSÜhi PLAYINü iT ,qND TO THT PL,&CT IN TI-IAT 1T tS *[!NG Pi-AYrD, S*eÄr 5ÄYTH,qT lr.{Tr-{r elTY ÜF CRilUüruA, Wl-lER[ !T W,qS $Onhl, THI Vl*l-lN f XTül-S lTä ACüL.,STie Qi-JAl-lTlr:S. üTl-itRS ßrLläVf Tt-lÄT lT rruJüYS Tl-l!: M0$T PrRFäCT l-lAR$,'10ruY WlTl-i ITS ENV!RüSJMf NT lN TI-.iT ITALIÄN.SPTAK!I\ü BÄRT ÜF SWiTZIflL.A,i{D, Wh{TRT IT PRÜDLJETS A VIRY SPECIAL SüU2N, ÄPPRÜAEHiNG HXCä|-LFNCä,

Manrico Padovani Violinists par excellence in Ticino

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Text of Manrico Padovani Violinists par excellence in Ticino

  1. 1. trfl ffiFJJ* ffiffi&ffi*i#J p;r5ruYs: IN TICINO VIOLINISTS PAR EXCELLENCE ,tttott ot Ticino, land of artistsllS SLie F{ ,& SFNSlTlVr lvlLiSie,eL lhlSTRi.Jrv}S,TT|-iE VlOl-lN!fl %",*c So -enr a tamous promotional TF{AT NT AI},&PT$ T TFJT PHRShi PLAYIN iT ,qND TO THT PL,&CT IN TI-IATslogan that conirit,uted to the 1T tS *[!NG Pi-AYrD, S*er 5YTH,qT lr.{Tr-{r elTY F CRilUruA, Wl-lER[ !Tsuccessful reafrrr-rion of TicinosW,qS $Onhl, THI Vl*l-lN f XTl-S lT ACL.,STie Qi-JAl-lTlr:S. Tl-itRS rLlVfcultural idennn. I::ieed. thanks toits gentle clima::. ::r: harmony of its Tt-lT lT rruJYS Tl-l!: M0$T PrRFCT l-lAR$,10ruY WlTl-i ITS ENV!RSJMf NT lN-::.=::i-colours, and th:of itsTI-.iT ITALIN.SPTAK!I BRT F SWiTZIflL.A,i{D, Wh{TRT IT PRDLJETS Acountryside.Iu-:--.:r:king part ofVIRY SPECIAL SU2N, PPRAEHiNG HXC|-LFNC,Switzerland ha.-;";. :rlracted andinspired painttr.. -,.:-:i:i. :trusiciansand,it would l::,:=:. -i0 !c-erlfamousvioliri.:. :-:::-: :he 19thcentury up to l;,J;-" -: -::rber ofgrand master 1:: -::-r:;; :::.-;e shared:heir art with :-= - r--:--r :nd;ontributed tc- -..-.:-r :::!r--.1enrichment. -- :-::. J----inrricIt all begar: --- -i--Russian B=. :.- J; - . -:- l:... 1i!built a .:-: -.::-- . ,- -:-:::: .-.:" JrlTlerrr--. i{ :-:-- ---------. .r:-:.:musr har erir-i- i :::- I[. -:-::-=::-::-music temple of B.o,:lu=.T::.Baron was a grcai io..: li.:=:=and the violin. uhich he p.-:.::himself. He formed an orche.;r:.and engaged some well-knosrmusicians among whom was. asleading violinist, the Belgian CdsarThomson, the prodigal child of theera and one of the best interpretersof Paganini. Then Cdsar Thomson
  2. 2. e rl?u sll dq se:ueru:roPed ol slueql oqtfLl6l uI ulqnuew Ipnqer s-fiI uo sdeld dlluer;nl ,tole8ue6.fuepue8a1 aql q ue,tr8 sJ;ecuocrut--i?Waidutxe JoJselJols ssorfns lsruqor,LotllJo punor8 pe-uo1eqeqt ,{t,u aruos uI sI puIlezll AS poprorer stq ,fuorsrquo lurod leql -irerrproerxa euros ur elol elqtredesur1pts go std Surltads-uerplleql,t?Po+uro.rgoue8nl ur uoqr,ttd EzuoJut e1d pu onp^ elq?rullsoul dlsur,te:rl5 :ro31 eql pu retteql olodY eql 1? Ios u? q11.^A efuellelxe Jo sJnseru edq ptl erlsal{rro aq}Jo uollrarlPeseuIJIJ uo ureSt prter{ eq ol eJo.& aruoJeq 3 ?q sullol^ uluor POePuI 9002 eruls eql repun qlrillepulH Ind osonlrl^ uqol^ eql Jo spunos snoluolurer{eql dq selutturoyad qrr,u L96t uIoql l?q] rt oql reur lllun lou ruerunrlsul snoroeld slql Jo Jau^ope.&ollo;1s,to1ttqra put surq?rg st^a tIu{oIA aqr;o la8ue aqtISg {u?q eseulllJ eql dq uq-,(quqolt roJ serols InJllnteqs? u,AAoIDI 1e1tuor1cegt enJ tseJeJ or patsnrlue ueeq sq reqr (ule15lsolu eqlqrP t96I uI urels fttsl elqerreS:ro3un eql Pu? 1s.rnoldruer5 feesl put elleud 3p lunofsl^ol dq pueue^oqleeg Put r:rezo141 dq snrxelg8urppd5 r-reqry3o raqIIeO pe8uoleq qrlq^e) lso9 Iep rreurtn9 ur1ol^ eqt roJ selpoleru pelerd:relureql Jo slslulTor^ osl sre a ereqlLt Ll t uo sdqd luePl Suno]3uessW sePf Putsrqauo5ndr3 PnuelJ lsruIToIA ru8ersel4i oller4lreg1g,p eue8ngr{ruerC q pepuellt osp il qlq,^se suelllsnur snoureJ rllns qll.^a F nsed out8nl er{]Jo lxsluor palsarlp eq qrlq.^atllsegcro uttoeql uI slJefuor sll 01 e3r1 elr8 ol srq peuroJ pu? selllecl uo uoJ?g slsllJ 09 euros . rralord,, Jeq punoJ ruo oue^e{ ry oilelseC eqr rq8noqsraqte8 qcr;e8lY r{ilery }srutrdpJ?qruoT srnoI lsru{or^ u?flJeruvaurtueS.ry snoruJ eqlarun8uuds u1 dputg rreqt puelsrlTeJ -oruerJ uaq.ttenbodfl ellag eql osonilIl t re;ruuaf sJL A srq qlr-^dItun penulluoc crde FlISmu eqJ rurutcsoa dq pelrerP tttw13o4 etedo orslrpuew .rteuoue1a141 3o e8elp,t sII{ Jo eruturoyed .rturp.rotrlxa ar{t Jo reluol ruolsq sql ur uoluer eI{1 reT?o8essug ur alor33e141eqtJo opIS reqlo eql uo serq (rr1o5 elTJo suq aql uo areedpue Iezetwurelsura g roJ lsluqol^punoJ ollt.eruoe1 ore33n11 7691Surpral aqr dpee4e) ruqg uoqluY ur logtctn 3o eSqPn reProq fiflustsrurloll utrptue3-o18rrv lter8 er{] Jo IIq 3I{l uo lnnsl-I uoupweqlrep?3l eJlser{fro uelutuo){snoureJ slq roJ rrsnur eql pesodruocsnorutJ eqlulrtw uol o1 esolc d;et ruIflnd ouroftrc 688l uIse^q oq.AA,to.reSuenurrxery uIJeclIS e:redoeqt :slsluqor.t futlodrueluocPut rlsnur IefISStIr Jo plro,^A ls eql pu?lrezll^ s ureqlnosrsetter8 orllJo ouo eclo1 poreplsuorol eruotrle.ll o1 Jelel stu qrrq,uorde,taou sI oq,AA euoeluos olur drunq Irrsnru t go SuruurSeqaql s?,^a slql dpsteppor noLoue8n1erroqt snrrAlplls slq ruog elqtwdesur eplsillq erlt uo pelrseu ou8tsst1413o seruauropad crlsrl.rt d;turp:toerlxe sleoJls eql ur peepul oulfrJ uI oAITsrq q]I.^a ISouITIJ eql Pa:rrdsurot uosotlf e^eq slsllJ 1ee;3 P;e,tas funtuec ? JII{ roJ Pue out8nl esntreq osp lnq rut^oPtd ofl-rutwe^ol uI uro ? ry ?slnl qll^ IIOJpue rurddrpg qs?S uerpllglNOlrvoNnol 3lsnw NoddlN lHr l{*i,l.vidn*j :!*i-i!i ***lli Yl sv* lli-lislsl ! !is irj !.1:,il* ll t*il !!Yt, lllvil.l:i I il :$d$ill iNv:ll Yi : iIYlll8vllvAV lcvl i ullldnl snluv^lovuls zzLt v svH INVAOCVd^8oJruNVn l-slNl-lol^ lslNlf,lr gNnO^ ;/407fs oNV lllsoddo ":-, I $ iCN $S:1. :-rSl : :1.1 : lfli l :liSl*l-{i-rf i:; :ijir;*:i: t:;
  3. 3. ,,..,- ,_.,*, LUTHIER DANIELA SOLCA, GRADUATE OFTHE PRESTI-.]} r r.r. Lutur:tt;Ess:*:si Nt[1.{ $*t.ti, Ii-i.i *r i- ilr$-GIOUS CREI/IONA SCHOOL, HAS HER OWN WORKSHOP IN THE CENTERTiGt{*:i il*i: rR*v*xt:t. tt*r*$n }[ s*f,i r*nlR* Allii*OFTHE HISTORIC IV]ARKETTOWN OF MENDRISIO, :, $:*[RI}JVI*:*I!jI51*{NS l-li {:S}llSl *!$:*ilQl-i: il f"iIliii]li:Si*. 2-LE VIOLONISTE.AXliJ Y:;e [R*v plYS lltl S]$niVRllJ$, {$!Ullln. ill: llIS SIBERIEN MAXIM VENGEROV JOUE SUR UN STRADIVARIUS, KREUTZER,:AR iNN :!! lr:AS$S!* lil!-Ls!lll.1727.:LV11 SUR LA COLLINE DE IiIASSAGNO, PNES OT LUGANO,1727 Stradlarius that belonged tothe composer Joseph Kreutzer,shile Anthony Flint preGrs his17L2 Carlo Testore that belonged tortuoso AugustWilhelmj. ManricoPadovani brings life to Paganinis24 Caprices on a 1722 StradivariusJupiter, made available to him by theNippon Music Foundation ofT"ky".We know that the violin is thes,ork of great luthiers, especiallythose of the Cremona school, suchas Andrea Guarneri and AntonioStradivari, who were both studentsof Nicol Amati, the only masterinstrument-maker to survive theplague at the beginning of the 17th century.The great traditionof luthiers has always embraced a number of people from the canton Multiple award-winner and already of Ticino and is still alive today,internationally recognized, Daniela thanks to youngsters such as Solc is continually searching for Valentino Natolini in Locarno, that special balance rhat eKists Manuel Lardi in Lugano, and even betr,veen all 71 components that, one lady instrument-maker, the once assembled, make up this highly talented, Ticino-born tnagical instrument. In the end, this Daniela Solc, who has caught this artist-craftswoman simply has to contagious passion. She is a discipleflnd that balance, which makes the of the prestigious school of instruments heart beat in unison.Cremona, which manufactures andwith those of the artist and the ATELIERVIOLINISOLCA DANTELA selcA, LUTHTERrepairs violins and cellos withaudience. Ticino, land of violinists VIA STELLA 7 CH.6850 MENDRISIO artistic precision, and has her ownand also of luthiers, both male andTEL, +41 (0)S1 630 29 63 WWWVIOLIN ISOLCA.COM workshop, situated in the center ofGmalelil the historic market town ofAIBERTO DELLACQUA OPERAPRIMAMendrisio. [email protected] CH ALBERTO DELLACQUA, AUTHORHISTORICAL LYRICAL ENCQUNTERS 3OO PAGES, sOO ILLUSTRATIONS, CHF 128.-