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poppy-matless
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Uma Thurman Music Video Storyboard
Shot 1 (00:00-00:26)
– Slow dolly zoom forward, eye level flat angle
– Lip-sync
– Choreographed dance routine with stylistic influence from Jay and Aliona/Pulp Fiction
– Possible cross cuts between different cameras around the room, different points of view1
Shots 2 & 3 (00:26-00:38)
– Fast paced cross cuts of long shots and close ups of the room being filmed and the Mia Wallace replica being told how to act, protesting, cut off in her sentences (no audio except the clean soundtrack
– Eye level still shots
2
3
Shots 4, 5, 6 & 7 (00:38-00:51)
– Still eye level shot, no movement
– Lip-sync
– Cross cuts between the actors after they mime each line, playing up to the camera
4
5
6
7
Shots 8 & 9 (00:51-00:57)
– Very slow pan upwards of the Mia Wallace actress looking bored, crosscuts to her arguing with a crew member off camera
– Pans interrupted with fast cuts of still close up facial shots
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9
Shot 10 (00:57-01:04)
– Still camera
– Lip-sync
– Finishing the end of the first part of the chorus by lip-syncing and small routine dance
10
Shot 11 (01:04-01:17)
– Eye level still shots
– Edits of Mia appearing to argue with camera crew, pushing and shouting, leaves the room
11
Shot 12 (01:17-01:29)
– Still camera
– Lip-sync
– Choreographed dance moves fitting the inspired intertextual references
12
Shots 13, 14 & 15 (01:29-01:42)
– Still eye level shot, no movement
– Lip-sync
– Cross cuts between the actors after they mime each line, playing up to the camera
13
14
15
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Shots 16, 17, 18 &19 (02:08-02:21)
– Still eye level shot, no movement
– Lip-sync
– Cross cuts between the actors after they mime each line, playing up to the camera
18
19
Shot 20 (02:34-02:46)
– Eye level still shots
– Varying angle shots of Mia, showing different emotions
20
Shot 21 (02:59-03:12)
– Still camera
– Lip-sync
– Choreographed dance moves fitting the inspired intertextual references, most energetic routine
21
Shot 22 (03:12-03:31)
– Eye level still shot
– Slowed down in editing
– Slow zoom out
– Actors lining up and look to camera
22