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Storyboards – Imperium By Amy Balmer, Callum Fisher and Jack Francis

Storyboards – Imperium

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Page 1: Storyboards – Imperium

Storyboards – Imperium

By Amy Balmer, Callum Fisher and Jack Francis

Page 2: Storyboards – Imperium

Basic idea- • Synopsis - A Mob boss plans to end racism in his town, one bullet at a time.

• The first two minutes – consists of the backstory of our main character (Wilson) while he’s walking in a village, narration is used to tell his backstory, he then walks into an old/abandoned barn, we are greeted with another man sat down tied to a chair, a detective (Detective McCoy), Wilson begins to interrogate him about his racism, him and his associate (McKenzie Gray) end up punching him to extract information and eventually killing him with a bullet to the head, as soon as the shot is fired, the shot is cut to black and the titles begin.

Page 3: Storyboards – Imperium

Rough Draft -

Page 4: Storyboards – Imperium

Feedback - Our rough draft received some criticism, we were told to experiment with different shots, in order to get a different view on the film as well as be more creative in the editing. We amended the criticism’s by adding more shots to our final draft and decided that we will experiment on the actual day with a variety of shots, so in post production we have an extensive amount of shots to choose from and use for our final piece. For example – for one of our narration about the detective it was said the audience may get board with the amount of shots we used for that particular line of script, so we added more to ensure the audience doesn’t get bored.

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Final Draft (1/2) – Analysis Introducing the audience to our film with a studio logo to inform and educate, and then an establishing shot to set the scene, this allows the audience to gain some knowledge of the film to follow.

We then slowly reveal our main character (Wilson), this creates some Enigma and will slightly excite the audience seeing as he looks like a powerful character for the film.

We see him walk into a barn where his face is finally revealed, narration will going on during a freeze frame while he is being revealed, so the audience is being informed about the back story of the universe/ character and to make sure they know it is about him.

Here we are greeted with the Detective. This creates even more enigma as we do not know why he is in there. The master shot is used well as it sets the scene in the new location and lets us know who is involved in the scene. The over the shoulder shots let the audience know who is talking and to show that both characters have important roles in the film because they are both having equal time in the film.

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Final Draft (2/2) – Analysis In this shot we introduce the detective by using narration and a freeze frame, this is effective as what the audience get is purely information about the character (the detective) which is informing them, the shot is also frozen so all the audience can see it is him, this means any information read in the narration will be purely associated with him.

In this sequence of shots We use a newspaper which we will create ourselves to give the audience some back story about the character, as we are doing this using a different media text, the audience will like the change and they will also have a visual aid, along with the narration.

Here we use shot reverse shot which we learnt earlier in the year to easily present a conversation to the audience.

Here we have the final part of our opening where Wilson pulls a pistol on the detective and fires a shot (in which the audience does not see as the shot cuts to black and all we hear is the gun shot), this leaves the audience with enigma, we then cut to titles to inform the audience about the titles of the film.