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COPYRIGHT, CREATIVE COMMONS, & OPEN ACCESS RESOURCES BEC OMIN G A 21 ST CE NTURY ACADEMIC Brett D. Currier, MSLS, JD Director of Scholarly Communicatio [email protected] @brettdcurrier

Copyright, Creative Commons, and Open Access Resources

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COPYRIGHT,

CREATIVE COMMONS, &

OPEN ACCESS

RESOURCES

B E C O M I NG A

21S T C

E N T U R Y AC A D E M I C

Brett D. Currier, MSLS, JDDirector of Scholarly Communications

[email protected]@brettdcurrier

WHO AM I?

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WHY NOW?

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KINDS OF QUESTIONS RECEIVEDWe videotaped a guest lecturer who showed a youtube video in

class. Can I put that recording in blackboard?Can I use a youtube video in my class?I want to use this theory in my dissertation. How do I receive

permission to include it?I’m creating a class that UT Arlington isn’t administering. What

can I use? My students are citing a Creative Commons Licensed image.

How do we do that?

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TEAM

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LIBRARY SUPPORTBrett D. Currier, Director of Scholarly CommunicationsLydia Pyburn, Off-Campus Service LibrarianHeather Scalf, Director of Assessment & Nursing LiaisonKaeli Vandertulip, Health Sciences LibrarianKelly Visnak, Associate University Librarian of Scholarly

CommunicationsPeace Ossom Williamson, Health Sciences Librarian

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AGENDA FOR TH

E DAY

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AGENDA• Introduction to Copyright• Learning how to identify Creative Commons Licensed

materials for your preferred objectives• Break• Learn how to identify Legitimate Open Educational Materials• Learn how to create and release Open Access Resources

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DEFINING COPYR

IGHT

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To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.

Constitution Art. I, § 8, Cl. 8

• Balance between the exclusive rights of authors and

• The Public Interest in the Free Flow of information

• For a Limited Time

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INTRODUCTION

Created at the moment it the work is fixed in a tangible medium of expression.

Requires a minimal amount of creativity

Literary works;Musical works, including

any accompanying words;

Dramatic works, including any accompanying music;

Pantomimes and choreographic works;

Pictorial, graphic, and sculptural works;

Motion pictures and other audiovisual works;

Sound recordings; andArchitectural works.

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STATUTORY REQUIREMENTS

RIGHTS OF THE AUTHOR• Make copies• Distribute the work• Publicly perform or display the work• Prepare derivative works• License any of the above to third parties• Transfer the copyright to a third party

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USE OF COPYRIGHTED MATERIALSLinking to ContentEmbedding Content in BlackboardArchival Preservation

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FAIR USE1. Purpose and Character of the Use2. Nature of the Copyrighted Work3. Amount and Substantiality of the work4. The Effect of the Use upon the Marketplace

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GENERAL GUIDELINES1 Chapter from a book1 Article from a journalWhen placed in Blackboard for students in your course

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THE PU

BLIC DOMAIN

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PUBLISHED BEFORE JAN. 1, 1923Portal to Texas HistoryUT Arlington Libraries Digital GalleryLibrary of Congress Prints & Photographs Online CatalogProject GutenbergArchive.org

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FEDERAL GOVERNMENTNational Institute of HealthNational Library of Medicine Centers for Disease Control and Prevention

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RECEIVING PERMISSIONS

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TWO CATEGORIES• Permissions that are given in advance • Permissions that must be requested

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PERMISSIONS THAT ARE GIVEN IN ADVANCE

• Creative Commons Licenses • Anti-copyright Notices

• Woody Guthrie• Other ways

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PERMISSIONS THAT MUST BE REQUESTED

• Exclusive Licenses: Must be in writing• Non-exclusive Licenses: Can be oral• Better to be documented!

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REQUESTING PERMISSIONS• Copyright Clearance Center• Other Clearing agencies• Permissions Letters

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COPYRIGHT CLEARANCE CENTERJournal of Endocrinology

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PERMISSIONS LETTERS• UT Arlington Example Permission Letter Request• Dr. Holliday in Architecture

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CITING WHEN RECEIVING PERMISSIONExplanation from Purdue“If you are reproducing a graphic, chart, or table, from some

other source, you must provide a special note at the bottom of the item that includes copyright information. You should also submit written permission along with your work. Begin the citation with “Note.”

Note. From “Title of the article,” by W. Jones and R. Smith, 2007, Journal Title, 21, p. 122. Copyright 2007 by Copyright Holder. Reprinted with permission.”

APA encourages submitting copies of the permissions letters with the work

From Purdue’s Online Writing Lab Available at https://owl.english.purdue.edu/owl/resource/560/04/

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QUESTIONS?

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CREATIVE COMMONS

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STATE OF THE COMMONSCreative Commons Licensed Materials

• Almost a total of 1 billion licensed materials• Over 9 million websites that utilize a Creative Commons material,

including UTA Arlington Library • Almost 60% of content are licensed for Commercial Reuse • Over 75% of content are licensed for adaptions• State of the Commons

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FIVE CATEGORIESTerm DefinitionCC0 No restrictionsBY AttributionSA Share AlikeNC Non-CommercialND No derivatives

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SEVEN LICENSESCC License

CC0CC-BY

CC-BY-SACC-BY-NDCC-BY-NC

CC-BY-NC-SACC-BY-NC-ND

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LOCATING CREATIVE COMMONS LICENSED MATERIALS

Creative Commons SearchAdvanced Google Search3D Printing Repository • Pinshape• Thingiverse• NIH 3D Print Exchange

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CITING CREATIVE COMMONS LICENSED MATERIALCreative Commons Best Practices for AttributionOnCall Team. (2006). Nursing students. Flickr.com. Retrieved from 

https://flic.kr/p/8J8tSS. Copyright 2006 by OnCall Team (https://flic.kr/ps/QmPsu). Reprinted courtesy of the Copyright Holder under a Creative Commons License CC BY-SA 2.0 (https://creativecommons.org/licenses/by-sa/2.0/)

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ACTIVITYSearch Creative Commons SearchAdvanced Google Search3D Printing Repository • Pinshape• Thingiverse• NIH 3D Print ExchangeIdentify License

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BREAK

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OPEN EDUCATIONAL

RESOURCES

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DEFINING OPEN EDUCATIONAL RESOURCES

“OER are teaching, learning, and research resources that reside in the public domain or have been released under an intellectual property license that permits their free use and re-purposing by others. Open educational resources include full courses, course materials, modules, textbooks, streaming videos, tests, software, and any other tools, materials, or techniques used to support access to knowledge.”

William and Hewlett Foundation

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KINDS OF OERS• Open Textbooks

• Open Textbook Library• Open Journal Articles

• Institutional Repositories • Virginia Henderson Global Nursing E-Repository

• Powerpoints• Slideshare

• Photographs• Creative Commons search• Google Search• Achive.org

• Videos• Clip Art

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DIRECTORY OF OPEN ACCESS JOURNALSDOAJ Nursing

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QUESTIONS

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HOW TO CREATE

AND

RELEASE OPEN ACCESS

CONTENT

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WHY?• Broad dissemination of Research• More readers• More citations• Social Justice• Grant Compliance

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DO YOU HAVE THE RIGHT?University of Texas System Policy

UT System Intellectual Property Policy in Plain EnglishContracts

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CONTRACT TERMS: FOUR MAIN MODELSModel Type Journal ExamplesWork Made for Hire Oxford University Press; ASMECopyright Transfer Elsevier Journals (over 2000

titles)Exclusive License Elsevier Open Access licenseNon-Exclusive License* PLOS; Buzzfeed

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*Only Contract term that does not require permission from the publisher

Before . . . Determine

what rights you want to keep

Negotiate the Contract

After . . . Permission

from the Publisher

Rights reversion

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BEFORE AND AFTER

RELEASING OPEN MATERIAL• What kind of material is it?• Where do you want to release it?• Are you interested in archival preservation? • Subject specific? Or institutional?

• Research Commons• Virginia Henderson Global Nursing E-Repository

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APPLYING A CREATIVE COMMONS LICENSE

Selecting the license

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OPEN ACCESS PUBLICATIONS• Peer Reviewed • Beall’s List Criteria• Open Access Scholarly Publishers Association (OASPA) Code

of Conduct • Committee on Publication Ethics (COPE) Code of Conduct for

Journal Publishers• International Association of Scientific, Technical & Medical P

ublishers (STM) Code of Conduct• Directory of Open Access Journals• Principles of Transparency and Best Practice in Scholarly Pu

blishing• Ask a colleague• Ask a librarian• Instinct

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UT ARLINGTON REPOSITORY• Library• Contact Faedra Wills [email protected]• Submission Walk Through

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QUESTIONS?

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Brett D. [email protected]@bdcurrier