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op"3

40 Variations/ Variationen

for

CtrLLOarr. Feuillard

BOS\MORTTI

4A Variationenvon 0. $evcik op.a

fiir Violoncello iibertragen vonL . R . FEUILLARD.

ASKURZUIIGEII UTD ZEICHEII :G. Ganzer Bogen.H. I lalber Bogen.u.H. Untere Hlfte.o .H. Obere Hl f te .Fr. Am Frosch des Bogens.M. I l i t te des Bogens.Sp. Spitze des Bogens.R Hcrunterstr ich.V Hinaufstr ich.

Bre i t s tossen -

40 Variationsde 0. $evik op.s

transmites pour Yioloncelle ParL. R. FEUILLARI l .

40 variaciod 0. $evcika op.g

pro violoncello uPiavilL.R. FEUILLARD.

40 Variations0, $evik op.e

transcribed for Violoncello byL . R . FEUILL IRD.

40 BffiIlifi.cocr. 0. 0. l lJeBr{ t{xt. op. 3[;rr nio.roIIqo.iIE treperorrsrb

t . R . F E U I L L A R D .ABBREY IATIOI{S AID SI GIIS:G. Whole bow-length.H. f la l f bow- length.u.H. Lower half bow-length.o .H. L Ipper ha l f bow- lencth.Fr. Fig (nut, or heel) othe bow.M. Bow -m idd le .Sp. T ip o f the bow.n Down- stroke.V Up -stroke.

Broatl (detached) staccato.. Hammered staccato (martel lato).t Jerkediricochet) or hopping st&ccato.) Raise ,h" lo*

_-

-

coKFAq,Efi tR H 3HAKlt:G. Id.rr^rxr cv t , l r r t iox lb.I I . I lo"ronrt t toHl c r r , r r r t ia .u .H . Hnx r ren t roJo r runuh) .o. I I . Bepxnerc no"roornroru.Fr. Y xo.ro,qo' rx l r .[1. Cepegruorccvhlr{NiI.Sp. IioHu,ov-b e]f,r,rqn&.n Cxbrcxorrl Brrrrl 'b.V Ci lLrcr iour BBepx'b.

IIp oramx r,l lr ' l lrrrp nxolr'6.. Orpus l reTo .I 0rcnal i r rBenu{nx6 rr . rn

IlpblraX,q,IIlI 'b Cil I ' lq ROY'b.) Cnnr r cub rqona .

ABREYIATIOTS ET SIGI IES:G. Tout lbrchet.H. Noitt d'archet.u.H. I[oiti infriere.o.H. Moiti supriere.Fr. Talon de l'archet.M. llle'lieu de l'archet.Sp. Pointe de l'archet.n Tirez.V Pousses,

T

)Ahgestossen oder gehmmert.Geworfen (spiccato) oder springend.Bogen heben.

I

)

Dtach large.Staccato ou martel.Jet (spiccato t ou sautill .Leaer l'arcltet.

z[aATKY A ZtAhrEl l r .g. celym..sng!ccem.t l . potootcn?.m snlyccem,u.E . dolejiz' polooici.o.H. hoiefir.p oloo ici.Fr. U abky smyce.M. Stied,ern smuce.Sp. Hrotem sn{ce.n smyk dol.V smuk nahoru.

ir-ok{m turten.. odrd.en aneb potepem.r, a3rgm (spiccat6) aieb poskokem.) gdozn snycce.

Edited and translated byAllegro.

Edited by L.E. Feuillard and, A.E.Bosmorth

-\-'

n

\ nTema.

Allegro.EYE

n, - - -t - - -

H. Bret t .J= l r , z .

J= us.

VI

nf l f

Fr.I

n V ;

nfVtV

Inv V N V YY n

Fr.

C

4Ya.2.

Var.3.M.n

A l l eg ro . )= t44 . rn

"f *t.

werfenjeter L'h

je rkY, Y.

Allegro.J = r38.

E

pI

I

0 5

'/e

Y

p sirntnI4

p

YV

pn

fY ! -

v n

V Nt - -

fn T- YV ! _

pt

p

f

pV

2 l

t

Vt

,p

_ , v

"fn M.!

_ I

p

I

fn

f

Ya.4.Al leg ro . J - r lB .

Ft tqr r r r n n F t

f e,r Fr6sch.v Du ta lon. U akyAt the frr,g. V no.to.1ourcrr.

t s . . t c , t 6157

! 1 1 n n

Var, 5.

Var. 6.

-----'-/ a t

-^\:1 r

1 - v

2-{

6Var.8.

Var.9.

Var. 10.

Allegro. J = r3p.FrI -

f senrpre

rx : \J

Allesretto. J. = ao.r r - - V 4

-_, I f.l r .r t-l I.

Allegro. J = rso.sDtcca to \

B . & C g 6 1 5 7

Var.l1.

Var.12.

Var. 13.

I.A, l legro, J=l lo l_ .

4 - r r 1 . r

I. d l l eg ro .=84 .

- V,,_. n_

v.11

I r :

YERi l t lERUI IGEI { DES EOGEI ISTRICHES.A)

o.H. fi. u.It.

I

CHAHGEHEIITS DE COUPS D'ARCHET,ZHEI IY STYXU.

G . LT,

-->

G . S p . G .

CHAIIGES O F BOWI }IG -STYLES.n EPEl i l tHbr BHHEH|n Ct*Ur q{n,

I

Allegro . J= 162.U.(p) spiccato

2

B . , r C o 6 1 5 7

u.fr

B)r t t l l- t

IVar. 14.u . I I . u.H.fl

--

- d o

i-}.

V V V

Allegretto. J. = os.sp iccato I rI ' l : - 2 + '

n v n V V Y - Vli. *ld"[Ii q.

f v t f

Var. 15,V V V

X'eter UhozjcrkY

V V V

l o

V V V

' - r y

V V VvJ- v

V V V

V V V

l v - :

Y

t r 4?+r.t I I

44 o 1

r Qt V

f

tt

It-

VAllegro . J =rc2.

sauti l l> | . '

B . & C g 6 1 5 7cre

_

Var. 16.

f t ] I r r r r

Var, 18.

u . I I .

u . H .

n

I

Al legro . )= lo.n I r r f

u . I [ .

o . I I .

u . H .

o . I I .,-) l t t l

I t t l t r r r r r r r l

r r f l t trv l: tt

l r '

/1>

u . I I .

, --\

f t t t

0 scen,y y l y l l l l

- d ol r l f

v r t t

: ) t t l 4o

A l l eg ro . J=162 .sautill r r> r : ^ t

?, rre &

t t rr t] '{,

u . I I .

I

u . H .

B . . r C g 6 1 5 7

I . ' C .

7, vr tt

A r

u . H .

u . I I . c . I I .

o . l I

o . I l .

a.--)

10

Var. 19.

Var.20.

Var. 21.

Allegro . J=yt+.,^r l_ s-n

Ifi.-r

i,o l l-t

*t - .

u.H.

Va-

; PPN.IAl legro . J= 88 .

nv- t

M

scen - - dof!Dfrc (;

I

' I

I

l l

A l l eg ro . ) . - so .h ^ t - r

nf Sp. G. sp.

G. Spr. fG. tj:\

G .

-i\

I

B . . r CS 6157

pp

Allegro . J=126.

Ya,r,22,spiccato

l t t t t

r v i l * ; r

r 1, - L I I

\ y ^1 r r I r r I

t{.

- - = = = - -

\ - ' - \

Y

I I1c

V t l i* : . , t - : , r

, f l r l

II

2I

3T I

Ig lI t

t

i' I

I 4t? | :.Lir;Lfu-1 ,.i r , I ! k,Lhi r -L r r t r -1 , r ,?1,II9 C.

r l r r t r

t r , l f I I r

venrornurogr oEs B0GErsrRrcHEs. cH^'rcEnElrrs oyEscoup$ D'^ncilEr. f;llliiilirtlllhrllirii_^.

Allegro. J= ro,

4r yt1t

t{. }I .

1v .

Var.23.

I

Allcgro. I = 88.'4=-

^ ^ . , ' 4 1 r r )

I

:J tz',

n -.r, .rJ - -a.L l^ r

1.5=-G. o .H .

n Vr}C. tI'.- -o,L I I

M. } I .PP

mG\B . & C S 8 1 5 ?

L2Allegro. ) = Mz.

Yr- Y1..l . t l

n9 sautil lt t t r

t r r t

L \ ,-:.:;rLLi9C.

Y R , t-\liy'.

l r r

Y-t Y Iv l t IvYat24.

Ta1.

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t

)

Y,--

Ytt-a t

^ r r IAt tegro . J :138.-Ft

'i_\

trl.wclfietuf,It uhr,z 4^

t r Y . fr:\ ---...---

JerK &."

Yr=

M..-> t\ nr-

4

n,-i ;\ l^i in 2-'l \Cn s

\

u.H. 'G.

Allegro moderato. J =ro4.

ilr-)

1,i> ;\ fi

Fr .

v I ' r

' f

l _

G .n

Var.26.l'Nj r"

B. & Cg 6 {57

fffi: 4fe

;"fr;->

Allepro. ) =r44.Srytill.

3Rnn

G

8 r

| | l r.

-:---

I

nnn! . tt t F

Yar.27,g ,

v r * , r r

> Y I f

> V V t f r tl . l - > ^ -

=iil;iV

l f l l v t tr - - t a l ^ - -

a

6/

4> l r t > t l r

4 0 0 0>

o o o> 2 4

> t t v

Var.28.

Allegretto. J: too.o " 4

l l jssend'

"^o\'nt letmof l y iug

B . & C 9 6 r 6 7

l4

Var.29.

IAltegrO. d = 86.

YERATI}ERUTGET DES EOGETSTRICHES,, t{..(P)l . l '

sr-.Q)Al legro.J=152.

'L f ;Var.30.

f l iegend

cHAi lGEtEt{TS" 0E CoUBS I I 'RCHET CHAi lGES 0F 80WltC- STYLES.zrny sHyr(, nEpEtrtHbr8HxEHil i crbtqKA.

\ t f i z . \ * )< . rl it. r-r )- 1\>r- 4.wuto.* d 4ll'g'g../n11.,,rrW) r'ii I\t. sautill

rtolant letmof ly ing

.--^ \

G.

I ffiII9 C.

Al leg ro . J=12o . f,h_

4:{--/ / \ - l t l h S

--*-a-.. L=

Var.31.r t t t f

B. & C9 8 t57

154-\{ - - l l l l -

,\i r r V t l t - ^

->D r r r t r l -

p -dolce

AlleEro. J: t lo.sPP..-.rfu

Var.32.

Var,33.

werfenj.ete.r uhozJ"t*

-\.

--

-P-/--:

#>>->,f

5 l * ->I r l t v

f*>

t t t t

:/'J

p

pt v t t v

o.H.dolcet - u r t

f p

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;>>>

JP>> >-

I r t

: > - 5 5

,'>

Semltre

aj

>

' c t

r I v f f

--:/r'> =

i\

.-=--/ -/---^ l.-7-.

Allegrells.J = ro4.Y:c; r)

B. & c9 8157

16

Var.34.spic cato

I

@ ) ^("flFr.

Allegro. J : 126., r a Q g

I v f

r v 4 9 9r . r - l I t

VERA III)ERUI{GEfl DES BOGEIISTRICHES,

.-+ J1-'/I I .

6.Fr.(

- 9 . . 1 : r r -t t . @ l ' '

t t l , r . IM.( ? )Fr.(nf)Al legro . J = t44 .

Ll -=,

CHAHGEIIEilTS- DE COUP"S I!'ABCHETZHilY ShIYKU.

C H A I I G E S O F B O W I T G . S T T L E S .nEPEHf Hb t Br f XEHtH CMbrqKA.

v ' - v c ' - / 7 \ J

t

^ lt.i'.

t

12.

l I t :

Allegro. J : eo.

Var.35.

r r . . - r , ,

i l . i

Allegretto. J : 6s.vffi'h.'-..

l \ -' \_:

olz.--\

rffi>

l/->

B .& C9 6 t7

{T---

I I9 C. -_ - - I9C.

lr- fffi> | ---G r J

rffi-

Var.36.

Var.37.

IAllegro. J = Lao.

G.gliss.

ff>

i$x

Mod.erato. J: to8.

frI I C. IC.

t f r r v I

18

Var.38.

Al legro. J =ru ,e .3 -I l r Iooe t l ^ r r

4t

4 4l ! f

YER A II DERUI{GEII DS BOGETSTR ICHES. CHATGETETTS. I lE C( IUB,S D'ARCHET. CHAIIGES OF BOWITG - STYLES.zi lEty styr(. nEpEHtHbt BtlxEHt[ ctbtqKt.

,^. =] . , ] .2 '? l; , L:. , r s.l G* (i -(l : (i 4.iFr.(r,tf)M,(P)

,ff:w

t

M;saut i l l, &.)> LJ

trl.

,.7

Var.39. B.

V?T, . - e.L[ L]

ii:',f, ra)t* L:

Al legretto. J = noo.tt ', , f 6 . 1 ; J L : . : .

Var.39.A.

CHATGEMEHTS DE COUPS I l 'ARCHETPo-uR rEs IAR, 3s A.) 3s B.) . .zilily snyru yE yARtAcrcH se'A) 39 B)

CHAHGES OF B(}WII IG - STYLESFOR THE VAR. 39 A . ) 39 B . ) .N E PETtHbI BHXEHIl,| CITbII{KAnn vAR.3e A. gg e.

>

I

M .

,

l r tz J I 8 g P e

v

t , 9 l

> l I | | I r I

B. . t C9 6 t57

YENI i lDERUIIGEII l lES BOGEi lSTSICHESrun otE YAR. 39 l) 39 B,).

n.Allegro . ) 1y+

r] nu.i

Var.40.u .arpegglo

t)-

, l =vrn HDSRUP{GEH DEn ARPEGGTEH.

Allegro. J =$2. /4.saut i t l / :

l r r,

CHAHGEIdEHTS DES ARPEGES.zttHY Y AnPEzifcx. CHATOES

OF THE AI.:PEGGI(,S.nEPEit tHbt Arnrtr xrr .

,

f>I

(t,

cr

r5I

.G

The \{trrks ofOTAKAR S V JEYOIK

\

Sovolopmcnt ofi the .tot, l/""/

O P . 6 . V I O L I N M E T H O D F O R B E G I N N E R S .Par ts 1 -5 . l s t Pos i t ion .Par t 6 . S tud ies Prepara tory to the var ious

Part 7 .

OP . 6 . Comp le te , bound i n C lo th .

Pos i t i ons .5 th Pos i t i on and comb in ing t he va r i ousPos i t i ons .

T"z fligAtly lvanccl, Fuplt

OP.7. STUDIES PREPARATORY TO THE SHAKE &D E V E L O P M E N T I N D O U B L E - S T O P P I N G .Par t 1 . Exerc ises in the 1s t Pos i t ion .Par t 2 . Exerc ises in the 2nd, 3 rd , 4 th , Srh & 6 thpos i t ions .

OP. B . CHANGES OF POSITION & PREPARATORY SCALES T U D I E S .ln Th i rds , S ix ths , Octaves , & Tenths .

O P . 9 . P R E P A R A T O R Y S T U D I E S I N D O U B L E . S T O P P I N G .In Th i rds , S ix ths , Octaves & Tenths .

OPS. 7 , I & 9 . Comple te , bound in C lo t t r .

vloLtNLITTLE SEVCIK, Elementary TutorSEVCIK SCALES & ARPEGGIOSHOW TO PRACTISE SEVCIK'S MASTERWORKSINTRODUCTION TO SEVCIK VIOLIN STUDIES

f rom Op. 1 (by K. W. Rokos)

Tnz /{*o l,ronecl P"plt

O P . 1 . S C H O O L O F V I O L I N T E C H N I O U E .Pa r t 1 . Exe rc i ses i n t he 1s t Pos i t i on .Pa r t 2 . Exe rc i ses i n t he 2nd -7 th Pos i t i ons .Pa r t 3 . Exe rc i ses i n Change o f Pos i t i on .Pa r t 4 . Exe rc i ses i n Doub le -S topp ing , T r i p l e -

S topp ing , Ouad rup le -S topp ing (3 & 4 -par t chords) . P izz icato , F lageole t Tones,H a r m o n i c s .

O P . 1 . C o m p l e t e , b o u n d i n C l o t h .

?nrolopmcnt of tAc RtgAt l/""/O P . 2 . S C H O O L O F B O W I N G T E C H N I O U E .

(4 ,000 Exerc ises in Bowing)P a r t s 1 - 6Exerc ise Themes to Op. 2 .

OP. 3 . 40 VARIATIONS-

P iano Accompan iment (op t iona l )OPS. 2 & 3 , Comple te , bound in C lo th .

VIOLAArranged by L ionel Ter t is

OP. 1 . SCHOOL OF TECHNIOUE.Par t 1 . Exerc ises in the 1st Pos i t ion.Par t2 . Exerc ises in the 2nd-7th Pos i t ions.Parl3/4. Exerclses in Changes of Posit ion & in

Double, Tr ip le & Ouadruple Stopping, e tc .OP .2 . SCHOOL OF BOWING TECHNIOUE.

P a r t s 1 , 2 & 3 .

OP. 3. FORTY VARIATIONS (arr. Margaret Major)P iano Accompan imen t ( op t i ona l )

OP.7. PREPARATORY STUDIES TO THE TRILLPar t 1 . ar r . A lan Arno ld ; 1s t Pos i t ionPar t 2 . 2nd-6th Pos i t ion.

OP.8. CHANGES OF POSITION & PREPARATORY SCALESTUDIES.

OP. 9 . PREPARATORY STUDIES IN DOUBLE-STOPPING(arr . A lan Arno ld)

CELLOOP. 1 . THUMB PLACING EXERCISES.

Part 1. 1st Posi t ion (arr . W. Schul tz)OP.2 . SCHOOL OF BOWING TECHNIOUE.(4,000 Exercises arr . Feui l lard)

Parts 1-6.OP. 3. FORry VARIATIONS (arr . Feui l lard)

Piano Accompaniment (opt ional)OP.8. CHANGES OF POSITION & PREPARATORY SCALE

STUDIES.In Thirds, Sixths, Octaves & Tenths (arr . H. Boyd)

BOSWORTH8/9 Fr i th St reet , London W1V 5TZExclus ive d is t r ibutors :Music sa les L imi ted, Newmarket Road, Bury s t . Edmunds, suf fo lk lp33 3yBAugustinusstr. 9b, 50226 Frechen, Germany

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