Transcript
Page 2: Engaging All Students: An Introduction to WHOLE BRAIN TEACHING

PLEASE INTRODUCE YOURSELF TO YOUR

NEIGHBOUR.TELL YOUR

NEIGHBOUR WHAT DIRECTION THE BALLERINA IS

DANCING.CLOCKWISE?

COUNTERCLOCKWISE?

BOTH DIRECTIONS?CAN YOU CHANGE THE DIRECTION?

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Perception:What You See Is What You Get

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THE LONGERI TALK … THE MORE STUDENTS

I LOSE!

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I’VE GOT AN ENTIRE CLASS

OF CHALLENGING

STUDENTS!

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OMG! I DON’T EVEN KNOW WHAT

WHOLE BRAIN TEACHING IS!

HELP!

HELP!

HELP ME!

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BUILD RELATIONSHIPS

BASED ON TRUST AND RESPECT.

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AHELPING

GAME

DOUBLE

THIS

THAT

DOUBLE, DOUBLE, THIS, THIS.DOUBLE, DOUBLE, THAT, THAT.DOUBLE THIS.DOUBLE THAT.DOUBLE, DOUBLE, THIS, THAT!Now pick up some speed!

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“IF A STUDENT’S WHOLE BRAIN IS INVOLVED IN LEARNING ...

... THERE ISN’T ANY MENTAL AREA LEFT FOR ANYTHING ELSE.”

CHRIS BIFFLE

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THE DIVIDED BRAINIAIN MCGILCHRIST

RIGHT HEMISPHERE

LEFT HEMISPHERE

FORIMAGINATION

YOU NEEDBOTH

HEMISPHERES

FORREASON YOU NEED

BOTH HEMISPHERES

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Page 30: Engaging All Students: An Introduction to WHOLE BRAIN TEACHING

THE TRIUNE BRAINPAUL MCLEAN

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THE THINKING BRAIN: The Neo-Cortex creates and interprets meaning out of our life experiences, and is the center of our cognitive functions, such as thought.

THE EMOTIONAL BRAIN: We are emotional creatures. This is the Limbic System: it fosters attachment, empathy, and mediating emotions.

THE SURVIVAL BRAIN: The brain stem and spinal cord are responsible for our most basic survival mechanisms, such as sensory perception, safety and the "Fight or Flight" response to perceived danger.

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LEARNING AND THE TRIUNE BRAIN

BRAIN STEM Hold your fist in the air

Touch your wrist

Say: “BRAIN STEM”

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LEARNING AND THE TRIUNE BRAIN

LIMBIC SYSTEM Touch your fist

Say: “LIMBIC SYSTEM”

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LEARNING AND THE TRIUNE BRAIN

NEO CORTEX Lay your hand over

your fist

Say: “NEO CORTEX”

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WHOLE BRAINHarry Berger: Constructivism

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100040

100030

100020

1000+ 10

4100

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4100

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Social Contagion

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IS COLLABORATION

REALLY THAT IMPORTANT?

Collaboration

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The Scannell-Newman Personality Indicator

Select the geometric shape that best represents your personality.

You are:• Intellectual• Objective• Rational• A good decision-

maker

You are:• Steady• Dependable• Conservative• Able to

Persevere

You are:• Dissatisfied with the

status quo• A believer in no-

nonsense behaviour• A risk taker

You are:• Strongly

preoccupied with sex

Is it possible to characterize people with such a “test”?

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TODAY’S WARM-UP:A CALL-AND-RESPONSE GAME

CALL: The name of the gameRESPONSE: The name of the gameCALL: is always the sameRESPONSE: is always the sameCALL: “People to people”RESPONSE: “People to people”Change partner when you hear “People to people”

Possible Matches:SHOULDER TO SHOULDER KNEE TO ANKLEHIP TO HIP SHOULDER TO ELBOWBACK TO BACK KNEE TO THIGHWRIST TO WRIST ELBOW TO THUMB

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PASI SAHLBERGDIRECTOR OF EDUCATION-FINLAND

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What are your long-term goals

for your students?

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What would you want them to be like

after they’ve left you?

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What words and

phrases come to mind?

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KALEIDOSCOPE BRAINSTORMING

• “Multiple Mind Conferencing”• Silence and Communication are

used as tools for generating possible strategies

STEPS:1. Initial brainstorming session2. Silent brainstorming session3. Presentation of ideas4. “The Kaleidoscope Effect”

"...Romantic interplay between silence and interaction... A heavenly marriage of thesis and antithesis.." D. Murthy

PROBLEM How could compatible people meet

each other for romance?

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WHAT WE WANT… WHAT WE ARE DOING…HOW WE WOULD LIKE OUR STUDENTS TO TURN OUT…

WHAT OUR CLASSROOMS AND

LESSONS LOOK LIKE…

WIDECHASM

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THREE DOORSONE DOOR = BIG MONEY

TWO DOORS = ZONK (farm animal)

Monty Hall asks you to choose a door.

You choose a door.

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The question is: should you switch?

Monty knows what’s behind each of the doors.

He reveals a ZONK behind one of the other doors.

He gives you the option of:

1. switching doors

2. sticking with your original choice.

Page 53: Engaging All Students: An Introduction to WHOLE BRAIN TEACHING

If you want to switch doors

Stand up.

If you want to stick with the original door,

Stay seated.

OBJECTIVE:

Convince the others that they`re wrong and they should join your group.

SWITCH or STICK!?

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The correct answer is

you should always switch!

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Each door has a 1 in 3 chance of hiding the grand prize.Suppose we begin by choosing door #1.

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Each door has a 1 in 3 chance of hiding the grand prize.Suppose we begin by choosing door #1.

In this case, Monty mayopen either door #2 or#3

In both of these cases,Monty is forced to revealthe only other zonk.

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So what happens when you switch?

In this case you wereright the first time.You lose!

In both of these cases,you switch to the correctdoor.You win!

Monty Hall Problem from Movie 21

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Page 61: Engaging All Students: An Introduction to WHOLE BRAIN TEACHING

Venus at a Mirror: Rubens c1615

MIRROR You say:

“MIRROR”

Students echo: “MIRROR”

They hold their hands up and:

MIMIC your

GESTURES.

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What concepts could be taught here?

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Which square is darker, A or B?

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IS THE PICKLE JAR FULL?

Fill the jar with these stones.

Now fill the jar with these tiny

pebbles.

Now add some sand to fill the jar.

Pour some water to fill the jar.

THE PICKLE JAR

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So…

What’s the point?

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If you hadn’t put the big rocks in first,How many would fit in at the end?

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What matters most,

matters most.

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IUMRING TQ GQNGIUSIQNS

What does this say?

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HANDCUFFS AND SHACKLES

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MODEL SPECIFIC SETSOF

SKILLS.

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DIAGNOSE SITUATIONS

AS THEYARISE.

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REWARDSAND PUNISHMENT

ARE UNPRODUCTIVE.

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QUESTIONYOUR OWN PRACTICES REGULARLY.

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GIVE STUDENTS OPPORTUNITIES TO

CONSTRUCTTHEIR OWN LEARNING.

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THE FIVE FINGER CONCENSUS

THREE FINGERSCan See Pluses/Minuses but Willing to Accept

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• Learning is an active process in which learners construct new ideas or concepts based upon their current/past knowledge.

• Facets of the process:• Selection and transformation of information• Decision making• Generating hypotheses• Making meaning from information and

experiences. Jerome Bruner

THE CONSTRUCTIVIST CLASSROOM

Example

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mirror

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