Vancouver Special: Ambivalent Pleasures 2019. 6. 25.¢  Vancouver Special: Ambivalent Pleasures. Since

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    Vancouver Special:

    Ambivalent Pleasures

    Tamara Henderson

    The Scarecrow’s Holiday, 2015

    textile, wood, glass, sand, pigment, rope

    Courtesy of the Artist and Rodeo, London

    TEACHER’S STUDY GUIDE

    WINTER 2016

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    Contents Page

    Program Information and Goals ................................................................................................................. 3

    Background to the Exhibition Vancouver Special: Ambivalent Pleasures ............................................... 4

    Artists’ Background ..................................................................................................................................... 5

    Pre- and Post-Visit Activities

    1. About the Artists ....................................................................................................................... 8 Artist Information Sheet .......................................................................................................... 9

    Student Worksheet ................................................................................................................ 10

    2. Watercolour Patterns ............................................................................................................. 11 3. Felt Paintings .......................................................................................................................... 14 4. Expression Exercise ................................................................................................................ 18

    5. Creating Characters ............................................................................................................... 23

    Vocabulary ................................................................................................................................................. 26

    Resources .................................................................................................................................................. 27

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    Vancouver Art Gallery Teacher’s Guide for School Programs

    The exhibition Vancouver Special: Ambivalent Pleasures features works by forty

    contemporary artists produced within the last five years—Vancouver’s post-Olympic period.

    The exhibition includes many emerging artists as well as those who are more established but

    whose ideas were forward thinking and visionary. Some are recent arrivals to Vancouver,

    while others are long-term residents who have already made significant contributions. Others

    are nomadic, working energetically among several locations. The featured artworks do not

    adhere to a particular subject or style, but share common ideas and inspirations. The

    exhibition includes painting, video, sculpture, mixed media and drawing.

    DEAR TEACHER: This guide will assist you in preparing for your tour of the exhibition Vancouver Special:

    Ambivalent Pleasures. It also provides follow-up activities to facilitate discussion after your

    Gallery visit. Engaging in the suggested activities before and after your visit will reinforce

    ideas generated by the tour and build continuity between the Gallery experience and your

    ongoing work in the classroom. Most activities require few materials and can be adapted

    easily to the age, grade level and needs of your students. Underlined words in this guide are

    defined in the Vocabulary section.

    The tour of Vancouver Special: Ambivalent Pleasures has three main goals:

     to introduce students to a variety of contemporary artists connected to Vancouver,

     to consider diverse artistic traditions and disciplines,

     to explore individual artworks in terms of ideas, materials, techniques and inspiration.

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    THE EXHIBITION: Vancouver Special: Ambivalent Pleasures

    Since its inception in 1931, the Vancouver Art Gallery has regularly organized survey

    exhibitions of local art. The Gallery now introduces Vancouver Special, a survey exhibition

    that will occur every three years. The triennial model offers a sustained engagement with the

    contemporary artists who make Vancouver a dynamic art community. Ambivalent Pleasures

    is the first exhibition in this series and features works by forty artists produced within the last

    five years—Vancouver’s post-Olympic period.

    The featured artworks do not adhere to a particular subject or style, but instead offer a set of

    overlapping ideas:

     A number of artists engage with Surrealist strategies and ideas. They explore the unconscious, and diverse modes of perception. In some instances, the works have a

    comic tone; in others, a sense of darkness or unrest lurks beneath the surface.

     Several artists present a range of approaches to abstraction. This naturally includes a number of painters, as well as sculptors and artists working with textiles who connect

    to the history of Modern painting without necessarily putting brush to canvas.

     Other artists are invested in the possibilities of working conceptually to address today’s social contexts. Questioning dominant systems of knowledge, these artists

    make sense of the world through materials, gestures and other types of expression.

    The title of the exhibition, Ambivalent Pleasures, refers to the complex nature of pleasure in

    the early twenty-first century as we become increasingly aware of the social, economic and

    environmental costs of our desires, habits and patterns of living. We can see artists in this

    exhibition finding and experiencing pleasure in a variety of ways. Pleasure is present in the

    processes of making and the sensory nature of materials.

    These artists live and work in an uncertain context of economic slowdowns, widening

    divisions of wealth, technological progress and global warming. Their artistic expressions of

    pleasure may offer ways of reflecting on where we are as individuals or a society and where

    we would like to be. At a time when our experiences of pleasure are often too fleeting or

    superficial, encountering these artworks reminds us to be conscious of finding our own

    modest pleasures as we negotiate the contradictory conditions of contemporary life.

    This exhibition is organized by the Vancouver Art Gallery and curated by Daina Augaitis, Chief Curator/Associate

    Director, and Emmy Lee Wall, Assistant Curator.

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    ARTISTS’ BACKGROUND

    The following background information highlights some of the artists whose work may be

    explored in the school tour.

    Derya Akay (b. 1988)

    Derya Akay approaches everyday objects, materials and experiences as manifestations of

    knowledge and meaning. In his work, Akay uses ceramics, tableware, food, flowers and

    textiles for installations and public events. These materials, along with other found and

    borrowed elements, are frequently reworked by Akay into immersive, sensory environments

    that encourage warm social encounters.

    Akay was born in Istanbul, Turkey, in 1988 and currently lives and works in Vancouver. He

    holds a BFA from Emily Carr University of Art + Design, Vancouver. The artist has participated

    in recent solo exhibitions at Kunstverein Toronto; Centre A, Vancouver; The Apartment,

    Vancouver; and Terasaki Gallery, Kofu-shi, Yamanashi, Japan; and in group exhibitions

    at Gardiner Museum, Toronto; SFU Gallery, Burnaby; and Access Gallery, Vancouver. Akay

    was awarded a 2016 Portfolio Prize and shortlisted for the 2015 RBC Emerging Artist

    People’s Choice Award.

    Mark Delong (b. 1978)

    Mark Delong’s bold and deliberate paintings, sewn and pasted collages and absurd drawings

    and videos are animated by a spirit of playful exploration and sharp wit. Working in a variety

    of media, the artist engages cultural and art historical reference points ranging from abstract

    modernist painting, to film and television, to bricolage and craft aesthetics. In his most

    recent body of work, Delong uses fruit and vegetable boxes collected from grocers in

    Chinatown as source material, cutting, sewing and layering the vibrant graphic imagery to

    create dense patchworked surfaces and three-dimensional forms.

    Born in New Brunswick in 1978, Delong is a self-taught artist. His work has been included in

    exhibitions at Colette, Paris; Bee Studios, Tokyo; Spencer Brownstone Gallery, New York;

    ABEL Neue Kunst, Berlin; Perugi Artecontemporanea, Padova, Italy; MOCCA, Toronto; and

    LES Gallery, Vancouver. Delong has collaborated with artists such as Paul Butler, Jason

    McLean, Jacob Gleeson and Geoffrey Farmer, and has published books with Nieves, Seems

    Books and TV Books. The artist is represented by Cooper Cole, Toronto, and Ed. Varie, New

    York.

    Tamara Henderson (b. 1982)

    Tamara Henderson’s immersive installations often include painting, film, textiles, sculpture

    and audio. Drawing on mythology and investigating realms of consciousness, Henderson’s

    sensory explorations are informed by dreams, hypnosis, literature and transcendental

    ex