Volume II - Transcriptions (September 2019)Volume II: Transcription Portfolio By Gary Lutton (BMus, MMus) Faculty of Arts, Humanities and Social Sciences Submitted for the Degree of Doctor of Philosophy September 2019 "MMUSBOTDSJQUJPOTCZUIFBVUIPS FYDFQU4MJQTUSFBNCZ.BSL(SPWFS Table of Contents 4. Musical Dice Games 4.1 Iteration 1 Matrix 4.2 Iteration 2 Matrix 4.3 Iteration 3 Matrix 4.4 Iteration 4 Matrix 4.5 Iteration 1 Transcription 4.6 Iteration 2 Transcription 4.7 Iteration 3 Transcription 4.8 Iteration 4 Transcription 8.2 Linear Approach 2: Tir na nÓg 9. A Lotus On Irish Streams (McLaughlin) 10. Solo Guitar Improvisations: 10.1 DADF#AE Improvisation 10.2 DADGAD Improvisation I 10.3 DADGAD Improvisation II 10.4 DADGAD Improvisation III 11. Orchard EP Tracks: Audio (C) 1.1 Slipstream Audio (C) 3.1 Diabaté-Style Variation 1a Audio (C) 3.2 Diabaté-Style Variation 1b Audio (C) 3.3 Diabaté-Style Variation 1c Audio (C) 3.4 Diabaté-Style Variation 2a Audio (C) 3.5 Diabaté-Style Variation 2b Audio (C) 3.6 Diabaté-Style Variation 2c Audio (C) 3.7 Diabaté-Style Variation 2d Audio (C) 3.8 Diabaté-Style Variation 3a Audio (C) 3.9 Diabaté-Style Variation 3b Audio (C) 3.10 Diabaté-Style Variation 3c Audio (C) 3.11 Diabaté-Style Variation 4a Audio (C) 3.12 Diabaté-Style Variation 4b Audio (C) 3.13 Diabaté-Style Variation 4c Audio (C) 3.14 Diabaté-Style Variation 4d Audio (C) 3.15 Diabaté-Style Variation 5a Audio (C) 3.16 Diabaté-Style Variation 5b Audio (C) 3.17 Diabaté-Style Variation 5c Audio (C) 3.18 Diabaté-Style Variation 6a Audio (C) 3.19 Diabaté-Style Variation 6b Audio (C) 3.20 Diabaté-Style Variation 6c Audio (C) 4.1 Musical Dice Games Iteration 1 Audio (C) 4.2 Musical Dice Games Iteration 2 Audio (C) 4.3 Musical Dice Games Iteration 3 Audio (C) 4.4 Musical Dice Games Iteration 4 Audio (C) 5.1 Etude 1 Audio (C) 5.2 Etude 2 Audio (C) 5.3 Etude 3 Audio (C) 5.4 Etude 4 (aka DADGAD improvisation I) Audio (C) 6.1 Alap Audio (C) 8.1 Linear Approach 1 (Icarus) Audio (C) 8.2 Linear Approach 2 (Tir na nÓg) Audio (C) 9.1 A Lotus on Irish Streams Audio (C) 10.1 DADF#AE Solo Guitar Improvisation Audio (C) 10.2 DADGAD Solo Guitar Improvisation I Audio (C) 10.3 DADGAD Solo Guitar Improvisation II Audio (C) 10.4 DADGAD Solo Guitar Improvisation III Audio (C) 11.1 Lila (Orchard EP) Audio (C) 11.2 Tir na nÓg (Orchard EP) Audio (C) 11.3 Orchard (Orchard EP) Moderate = 80 Percussion 0 0 5 6 rom t e Departure (2016 Transcribed by Mark Grover 7 8 S 5 3 9 B 10 2 S 4 4 T.H. 0 5 T.H. 2 T.H. 15 16 *string scrape 4 4 7 7 T.H. T.H. T.H. T.H. 0 S 2 19 20 0 S 6 0<12> 0<12> 0<12> (0) (0) X X X X X X T X cami p FH (4) T.H. T.H. 25 26 2 0<12> 0<19> 0<19> 5 (0) (0) (0) (0) 5 (5) 0 5 0<12> G u it ar 31 32 3 3 3 6 <12> <12> <12> <12> <12> <12> <12> (<12>) (<12>) (<12>) (<12>) (<12>) 2 S 4 X S 4 35 3 3 36 0 (5) S T.H. (0) 3 0 <12> (0) 7 41 42 T.H. T.H. 2 0 0<12> 47 48 0 (0) 4 10 = 110 s.guit. 5 4 4 4 4 5 4 5 4 <16> 3 3 11 5 4 4 5 4 4 Ex. 5 9 10 7 5 <17> 7 13 14 3 3 3 3 6 5 5 6 5 <17> 8 19 20 7 5 5 7 5 <17> 9 23 24 4 5 4 6 5 <17> 25 26 27 28 13 AH AH AH 7 <19> 5 <17> 31 32 14 Ex.1 ( = ) Ex.2 3 4 s.g uit Ex.3 5 6 Ex.4 7 8 Ex.5 9 10 5 5 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 Ex.7 13 14 5 10 10 10 10 9 7 5 10 10 10 10 10 10 10 10 10 9 7 5 Ex.8 15 16 7 7 7 7 5 8 7 7 7 7 7 7 7 7 7 7 5 8 7 Ex.9 17 18 5 12 9 10 7 9 5 7 7 7 7 7 7 5 7 8 5 7 5 5 5 7 Ex.13 25 26 12 10 14 12 14 10 12 10 14 12 14 10 Ex.14 27 28 5 0 5 0 X X X X 0 7 5 5 8 0 8 0 0 5 5 7 5 X X 7 4 <16> AH AH 5 7 5 5 7 5 5 5 7 7 5 5 9 X 9 X X X X 9 9 7 X 7 7 7 7 7 7 6 7 DADGAD Tuning DADGAD Tuning DADGAD Tuning Open Dsus4 = D = A = D = 80 s.guit. ( = ) 5 7 Open Dsus4 = D = A = D = 80 s.guit. 0 7 5 5 4 5 6 12 10 14 12 14 10 12 10 14 12 14 Open Dsus4 = D = A = D = 80 s.guit. 0 0 15 14 12 12 0 9 5 10 X X 9 7 7 0 6 0 7 7 X <12> <12> (6) (7) Open Dsus4 = D = A = D = 80 s.guit. 0 5 5 7 5 5 5 0 0 7 X X X X 5.1 t de Open Dsus4 = D = A = D (3) 3 7 5 5 7 5 <17> 5 7 30 11 13 let ring AH AH AH AH AH 0 (7) 3 2 31 = 90 s.guit. 7 5 5 5 5 7 5 7 5 <17> 10 9 9 9 9 10 9 10 9 <21> 3 3 32 3 0 5 4 4 5 <17> 33 = 90 34 s.guit. 3 3 5 9 7 5 7 (7) 3 2 0 0 3 2 5 3 2 2 3 0 3 5 5 5 7 7 7 9 9 10 7 10 6 5 3 6 4 3 3 8 11 810 9 11 8 Improvise using only the notes/positions indicated 4 6 6 8 8 11 10 11 8 6 4 5 8 11 8 10 8 8 6 8 4 8 6 8 8 11 10 11 13 11 10 13 9 8 6 6 6 8 6 6 8 8 11 10 8 1113 10 11131311 10 35 9 1113 13 6 6 5 6 10 11 10 11 4 6 5 8 8 11 10 11 11 15 13 15 16 15 13 16 8 6 4 5 8 11 8 10 36 0 0 7 4 4 0 7 0 9 <19> 0 let ring 0 14 14 14 12 7 7 7 7 7 7 7 9 14 14 14 14 14 12 0 <19> 0 let ring 0 2 0 let ring 0 0 0 0 0 0 <7> let ring 0 <12> <12> <12> <12> <12> <12> <7> <7> <7> <7> <7> 0 29 30 31 32 33 let ring 0 0 0 0 0 0 0 let ring 0 <7> 0 0 let ring 2 0 let ring 0 7 4 0 5 4 0 4 5 0 0 2 0 0 0 0 let ring 19 0 0 7 0 0 0 54 55 56 57 58 let ring 0 2 <21>4 <23> 2 2 2 4 2 0 0 2 0 59 60 61 62 X 0 0 X 0 0 0 X X 0 5 (0) (0) 0 0 X X 0 2 (<12>) 0 0 X 0 <12> (12) 0 0 0 X = 70 s.guit. 5 5 X 5 X 5 5 5 5 5 X 5 5 5 X X 5 5 5 5 5 5 5 X X 5 5 5 <17> X 9 5 5 X 5 X 5 7 <19> 5 5 X 5 X 5 5 5 X 5 5 5 5 <17> 9 X 5 5 5 5 5 X 5 5 5 X 5 5 X 5 X 5 5 5 5 5 X 5 X 5 5 5 X 5 5 5 X 5 5 5 = 90 s.guit. X 2 2 2 X 2 2 2 X 2 2 2 X 0 0 X 0 0 0 X 0 0 0 X 0 0 0 X 4 4 4 X 4 4 4 X 4 9 7 9 X 7 X X 7 X X 2 2 2 X 2 2 2 X 2 2 2 X 2 2 2 X 4 4 4 X 4 4 4 X X 2 2 2 X 0 0 0 X 0 0 0 X 0 X 0 0 0 X 0 0 0 X 0 0 0 X 2 2 2 X 2 2 2 X 2 2 2 2 2 2 = 130 12 12 14 11 (11) 14 11 11 12 10 12 14 14 14 14 13 12 10 8 8 12 (12) (10) (8) (8) 8 8 10 8 <20> 12 8 <20> 10 <22> 15 13 12 13 14 15 16 12 14 14 12 (12) 9 12 12 12 P.M. P.M. 3 14 12 12 12 12 12 10 10 9 9 9 7 10 9 8 7 G(9) G(9)/B 17 18 19 20 45 8.1 inear pproac car s To ner 3 3 3 14 12 12 (12) 10 10 9 9 12 12 10 10 10 10 9 9 9 9 7 7 9 9 9 10 Cmaj9 10 10 12 3 3 46 = 60 12 12 12 12 12 12 10 10 7 4 5 7 4 5 5 7 5 (7) 7 12 14 12 14 13 15 15 13 12 15 12 15 14 14 14 12 12 12 10 10 10 11 10 10 8 8 8 5 5 F(9) C C#/F 4 5 6 3 3 3 3 3 3 3 3 3 3 3 8 13 13 12 12 10 12 13 10 1310 1310 15 12 12 12 15 15 (15) 15 12 12 15 15 12 12 15 15 D# F Bbmaj9 7 8 9 (15) 10 7 10 8 8 Open Dsus4 = D = A = D Freely = 90 4 6 6 8 4 6 8 8 8 0 8 8 10 6 7 8 9 8 <20> 10 <22> 10 11 12 13 AH AH AH AH 8 9 8 <20> 11 8 10 10 10 8 8 8 9 8 <20> (arr. Lutton) 10 8 10 12 18 19 20 21 9 0 0 11 12 9 12 11 12 9 12 11 12 9 9 9 9 9 8 9 0 26 27 28 29 11 11 (11) 9 9 (9) 7 7 (7) 4 4 (4) 5 5 4 3 5 5 8 F5 = 70 s.guit. 7 8 7 9 8 6 9 Free time E (13) 1 2 3 4 7 9 8 9 8 8 3 3 7 6 7 6 7 9 7 7 9 7 6 7 9 6 <18>7 <19> 6 <18>7 <19> 6 <18> 7 <19>9 <21> 0 6 7 6 7 6 7 AH ¼ 0 4 4 G Lydian F# minor blues (D 1st inv.) 13 14 15 16 5 4 3 5 3 0 5 0 3 5 3 5 3 0 50 3 5 3 5 A add9 (1st inv.) A sus2/D 21 22 23 24 5 2 3 2 0 2 3 2 3 2 25 26 10 9 11 10 9 11 D# Locrian D Lydian 27 28 29 30 9 10 9 10 9 10 9 10 9 10 11 3 7 9 7 9 7 9 0 2 6 7 9 10 7 9 11 9 11 7 9 E (13) E Lydian Dominant E Lydian 35 36 37 38 3 3 3 7 9 11 5 6 8 8 7 6 7 7 7 7 7 9 6 7 6 7 6 7 10 7 10 0 AH 51 7 6 7 8 7 7 8 9 5 G Lydian F# min Blues (over D maj 1st inversion) 43 44 45 46 3 3 3 3 3 3 7 5 2 5 2 0 0 3 4 2 3 2 0 4 0 3 5 3 0 5 0 3 5 3 5 2 3 4 5 6 4 0 A add9 (1st inv.) A sus2/D 51 52 53 54 3 11 14 AH AH 12 14 12 9 14 16 12 14 9 12 7 9 7 12 10 9 11 9 11 9 7 4 2 2 52 7 7 7 7 7 6 7 6 7 6 7 9 9 9 9 6 7 9 9 9 9 6 7 7 5 5 A 2:17 66 67 68 69 3 3 5 3 0 5 0 3 0 4 <12> 0 8 7 9 5 9 14 12 14 82 83 84 85 0 16 16 16 16 12 14 9 12 7 9 4 7 2 4 2 0 0 5 0 0 0 0 19 19 19 19 14 17 12 14 9 12 7 9 3.12 8 7 9 9 7 9 11 9 11 10 9 11 14 12 14 14 16 14 14 13 14 16 14 16 17 18 19 0 19 19 19 19 14 17 12 14 9 12 7 9 102 103 104 105 12 14 <19> 0 3 3 3 17 17 17 12 14 9 12 7 9 2 4 2 0 0 0 2 0 2 0 0 9 7 9 7 9 9 10 9 0 138 139 140 141 6 11 7 9 9 7 9 6 <18> 7 <19> X 7 <19>9 <21> 0 9 <21>7 <19> 9 <21>7 <19>6 <18> 7 <19> 6 7 5 7 5 7 5 7 7 5 7 146 147 148 149 0 2 3 4 5 6 0 4 2 3 2 4 6 0 2 4 0 0 0 0 0 4 2 0 2 4 9 12 9 11 9 10 9 7 8 158 159 160 Freely = 90 4 4 6 1 2 3 3 6 3 4 3 6 3 3 6 8 11 13 11 10 11 8 13 15 13 11 8 9 6 28 29 30 9 7 6 6 16 16 16 15 13 16 37 38 39 Freely = 90 3 3 7 4 0 7 0 4 0 4 7 0 0 4 7 4 0 9 6 0 6 9 0 2 2 0 0 0 2 2 2 4 0 0 0 2 2 2 2 2 2 2 2 2 4 0 0 0 2 2 2 2 2 2 2 2 2 4 0 0 0 2 2 15 16 17 2 2 2 2 2 2 2 0 0 0 0 0 0 2 0 0 0 0 0 0 0 0…