Tvp Camera

7/26/2019 Tvp Camera

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TELEVISION PRODUCTION


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CAMERA TECHNIQUES

The composition

Framing or camera movementStatic

Canted

Mobile


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The composition of the shot is also called mise-en-scene.

Mise-en-scene is all the elements placed in front of the

camera to be photographed: the settings and props,

lighting, costumes and make-up, and figure behaviour


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Frame Dividing line between the edges of

the screen image and the enclosing

darkness of the theater Single photo of film


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11/27/2014 S.BHAVANA, ASSISTANTPROFESSOR

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Static the camera and frame remain still for the entire

Canted a view in which the frame is not level, causing the

objects in the scene to appear slanted out of an upright

position.

Mobile when the frame moves of changes position by

use of one of the following techniques:


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Types of Shots

Cinematic shots are defined by theamount of subject matter within the

frame Shots can vary in duration

Shots vary in time from subliminal (afew frames) to quick (less than a

second) to average (more than asecond but less than a minute) tolengthy (more than a minute)


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Establishing Shot

(or Extreme Long Shot) Shot taken from a great distance,

almost always an exterior shot,

shows much of locale

ELS

Indiana Jones And The Temple Of Doom


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Long Shot (LS)

(A relative term) A shot taken from a

sufficient distance to show a

landscape, a building, or a largecrowd

Austin Powers and

the Spy Who Shagged Me


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Medium Shot (MS)

(Also relative) a shot between a long

shot and a close-up that might show

two people in full figure or severalpeople from the waist up

The Talented Mr. Ripley


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Close-Up (CU)

A shot of a small object or face that

fills the screen

Adds importance to objectphotographed


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Extreme Close-Up (ECU)

A shot of a small object or part of a

face that fills the screen

The Saint In London


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Over the Shoulder Shot

Usually contains two figures, one

with his/her back to the camera, and

the other facing the camera

Hollow ManCast Away


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WIDE SHOTWS) or VERY LONG SHOTVLS).

Used when it is important for the audienceto understand or havean idea about the setting. This shotwill often establish a scene orplace giving an audiencecontext for the following action. Anyfigures will be very small.
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Types of Angles The angle is determined by where the

camera is placed not the subject

matter Angles can serve as commentary on the

subject matter


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TWO SHOT.

Any shotwhich has two people in it.
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Birds Eye View

Camera is placed directly overhead

Extremely disorienting

Viewer is godlike

Beverly Hills Girl Scouts


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High Angle (h/a)

Camera looks down at what is being

photographed

Takes away power of subject, makesit insignificant

Gives a general overview

Without Limits


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Low Angle (l/a)

Camera is located below subject

matter

Increases height and powerof subject

The Patriot


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Oblique Angle

Lateral tilt of the camera sothat figures appear to be

falling out of the frame Suggests tension

and transition

Sometimes used asthe point of viewof a drunk

The Matrix


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Point of View (POV)

A shot taken from the vantage point

a particular character, or what a

character sees


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Eye-Level

Roughly 5 to 6 feet off the ground,

the way an actual observer might

view a scene Most common


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LIGHTING FOR INTERVIEWS


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Key Light defined:The primary or dominant source of light in a shot.

It often suggests an out of frame source. Choice of fixture (hard or soft)

and its position will help set the mood of the shot.

Key Light


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FILL LIGHT

Fill light defined:Fill is used to lighten shadows and control contrast ratios

(the ratio of amount of Key to Fill light). Combined with the Key light,

Fill light helps define the mood by lighting the shaded areas in a range

of intensities. It can vary from none, to a level equaling the Key light


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Three Point Lighting for Interview


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Lighting Placement


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Outdoor Interviews


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