2008DIN “Fabrika duvana” a.d. Niš, u sastavu Philip Morris International - Bulevar 12. februar 74, NIŠTošin Bunar 130, BEOGRAD

Galerija Matice srpske - Trg Galerija 1, NOVI SAD

DIN “Fabrika duvana” a.d. Niš, u sastavu Philip Morris International - Bulevar 12. februar 74, NIŠTošin Bunar 130, BEOGRAD

Galerija Matice srpske - Trg Galerija 1, NOVI SAD

Galerija, izraz vere u potencijale Niša

Niš je grad duge istorije, slavnih imena u dalekoj prošlosti, gde se u glavi vladara cara Konstantina i majke Jelene začela današnja evropska hrišćanska civilizacija. Niš je danas grad mladih. Dovoljno je prošetati se njegovim ulicama koje vrve od energije mladosti. A gde je mladosti ima i dara. U to je poverovao Nišlija Radovan Lale Đuric, koji se odavno otisnuo od svoga rodnog grada i obreo u Njujorku. I gde je uspeo kao slikar. On nije žalio truda, rada i sredstava da osnuje Niš Art Foundation da se pomognu mladi darovi širom naše zemlje i da se napravi moderni galerijski prostor, najprostraniji, najlepši i najmoderniji u nas, gde će svake godine mladi slikari do 35 godina pokazati šta su stvorili tokom te godine. Niš, drugi grad po veličini u našoj zemlji, može upravo preko te galerije postati mesto iz kojeg će isijavati nova energija, novo viđenje i novi doživljaj sveta. Galerija se nudi i kao alternativni prostor za nova viđenja scenske umetnosti. Zahvaljujući donatoru DIN “Fabrika Duvana“ a.d. Niš, u sastavu Philip Morris International, sa već osvedočenim smislom za potencijale niške kulture, postoje svi uslovi da se ona razvije i da poduhvat sa galerijom prevaziđe lokalni okvir. Nije tajna da je u gradu Nišu zavladalo mrtvilo među onima koji bi trebalo da podstiču i održavaju nemalu kulturnu tradiciju ovog grada. Energija koja će isijavati iz galerije kao mesta novih poduhvata, biće impuls i za druga događanja u gradu. Galerija, i vera u mladost onih koji su oko galerije, uliće novu nadu u umetničke potencijale Niša. Ja verujem u te potencijale i misiju Fondacije koja je za dobrobit darova mladih i osnovana.

Jovan Ćirilov

The Gallery, Reflecting Faith in the Potentials of the City of Niš

Niš is a town of long history, of glorious names from distant past, the venue in which in the minds of Emperor Constantine and Mother Helen today’s European Christian civilization was conceived. Today, Niš is the city of the young. One needs only to walk along its streets and see them thronging with youthful energy. Energy breeds talent. Such was the belief of Niš native Radovan Lale Đurić, who moved out of his hometown long ago and settled in New York. There he became successful as a painter. He spared no effort, work or resources to start up Niš Art Foundation. Its objective is to help young talented individuals from around our country, and to make a streamlined gallery building, the most beautiful and modern in the region, where every year young artists, up to 35 years of age, will present their creations from the previous twelve months. Niš, the second city in the country by size, can use this very gallery as a centre from which a new kind of energy, a new view and experience of the world will emerge. In addition, the gallery will also provide an alternative stage for new enterprises in performing arts. Thanks to the donation of DIN “Fabrika Duvana“ a.d. Niš, part of Philip Morris International, a company with well-established understanding of the potentials of Niš culture, all conditions have been met for the Foundation to grow and for the gallery enterprise to extend beyond local borders. It is no secret that in Niš apathy prevails among those who should be supporting the cultural tradition of this city, which is by no means neglect-able. The energy that will glow from this gallery, as the core of new ventures, will provide impetus to other events in the city, too. The gallery, and faith in the youth of those around it, will bring in new hope for the artistic potentials of Niš. I believe in those potentials and in the mission of the Foundation, which started precisely with the benefit of youthful talent in mind.

Jovan Cirilov

1

NASTAVAK PODRŠKE DUHU INOVACIJE

April 2008, treća godina Niš Art Fondacije

“Talentu je potrebna nega, potrebna mu je šansa, a pre svega podrška”, reči su koje je napisao moj prethodnik, Eugenio Sidoli, prethodni generalni direktor DIN “Fabrike duvana“ a.d., u sastavu Philip Morris International u katalogu druge po redu Izložbe Mladi aprila 2007. godine. Eugenio, Lale i Niš Art Fondacija bili su idejni tvorci ove izložbe i veoma mi je drago da njihova vizija živi već treću godinu za redom. Drago mi je da je ova izložba postala tradicionalni umetnički događaj u Nišu, Beogradu i Novom Sadu.

Ove godine, Niš Art Fondacija ponovo pruža šansu mladim umetnicima iz cele Srbije da se njihov talenat prepozna i nagradi. U ovom katalogu predstav-ljeno je četrdeset devet mladih slikara, vajara i grafičara izabranih između 800 umetnika koji su poslali svoje radove na NAF-ov umetnički konkurs. Sam broj i kvalitet priloženih radova, što potvrđuju i poznavaoci likovne umetnosti, jasno pokazuju da angažovanje organizacije kao što je NAF doprinosi poboljšanju umetničke scene u Nišu i Srbiji.

Takođe je značajno da se Niš Art Fondacija nije zaustavila na mladim likovnim umetnicima, već je organizovala konkurs za najbolju kratku dramu mladih dramskih pisaca do 35 godina. Zadata tema konkursa bila je prošlost, sadašnjost i budućnost Niša. Poznato je da je najbolji dokaz uspeha konkursa u oblasti dramske književnosti ako dramski tekst urodi dobrom predstavom. A to se nesumljivo desilo, što dokazuje i izuzetno velika pažnja medija i ovdašnje publike, sa predstavom “ОдабраNI и уNIŠтени”, adaptacijom tri prvonagrađena dramska teksta trojice mladih dramatičara od kojih su dvojica iz Niša (izabranih na anononimnom konkursu) u izvođenju Narodnog pozorišta u Nišu.

Nije od malog značaja činjenica da je predstava koprodukcija jedne od najznačajnijih ustanova grada Niša - Narodnog pozorišta i same Fondacije.

Smatram da je to dobar i ohrabrujući primer i drugim ustanovama Niša, za saradnju u oblasti kulture.

Uz našu podršku Niš Art Fondacija preuzima na sebe još jedan interesantan poduhvat - izložbu posvećenu kodeksima i izumima Leonarda Da Vinčija. Od maja do jula publika u Nišu i Beogradu imaće priliku da vidi izuzetnu izložbu preko šezdeset modela izuma, napravljenih po originalnim crtežima ovog genija Renesanse. Modeli predstavljaju vizionarske zamisli budućih robota, letilica, automobila, katapultova i drugih genijalnih Leonardovih zamisli.

Želeo bih da se zahvalim Niš Art Fondaciji na trudu koji ulaže u podsticanje angažmana mladih umetnika u različitim umetničkim disciplinama i nagrađivanje najkreativnih umetničkih izraza. Njihov trud inspiriše kulturnu kreativnost i spaja poznavaoce i ljubitelje umetnosti iz čitave Srbije da slave mlade talento-vane umetnike ove zemlje

Skip Bornhiter, generalni direktorDIN „Fabrika duvana“ a.d. Niš, u sastavu Philip Morris International

2

CONTINUATION OF SUPPORT TO THE SPIRIT OF INNOVATION

April 2008, year III - Niš Art Foundation

“Talent needs nurturing, it needs a chance and – most of all – it needs a supporter”. These are the words written by my predecessor Eugenio Sidoli, the former Managing Director of DIN “Fabrika duvana” a.d. Nis an affiliate of Philip Morris International, in the catalogue for the second consecutive exhibition--the Art of Young in April 2007. Eugenio, Lale and the Nis Art Foundation were the leaders in creating the exhibition and I am pleased that their vision continues for a third consecutive year. I am pleased that the exhibition is becoming a traditional art event in Nis, Belgrade and Novi Sad.

Again this year, the Nis Art Foundation has provided the young artists from all around Serbia with a chance to be heard, recognised and appreciated for their talents. This catalogue presents the forty-nine young painters, sculptors and graphic artists that were selected amongst 800 artists who submitted their work to the NAF Art Contest. The number and the quality of the submitted work, as testified by the art connoisseurs, clearly shows that the engagement of such an organisation as NAF has contributed to improving the art scene in Nis and Serbia.

It is also important that the Niš Art Foundation has not limited itself to fine arts, but it has organized a competition for the best short play written by young playwrights up to the age of 35. The subject of the plays was the past, present and future of the city of Niš. It is well known that the best proof of success of a drama related competition is if a play is materialized in a good theatrical performance. And that undoubtedly happened, through great media and public attention, with the performance “ОдабраNI и уNIŠтени”, an adaptation of the three awarded plays written by three young playwrights, two being from Niš (selected during the anonymus competition), starring the actors from the National Theater in Niš.

It is of significant importance that this perfomance is a coproduction of one of the most important cultural insitutions in Niš – The National Theater and the Foundation itself.

I believe that this sets a good example to other institutions in Niš to encourage cultural cooperation. With our support, the Niš Art Foundation has another interesting undertaking this year, the Exhibition dedicated to Leonardo da Vinci’s codices and inven-tions. From May through July, the public in Niš and Belgrade will have the opportunity to see an outstanding exhibition of more than sixty models and inven-tions, reproduced according to the original drawings of this Renaissance genius. The models represent visionary conceptions of future robots, hovercrafts, automobiles, catapults and some of Leonardo’s other ingenious inventions.

I would like to thank the Nis Art Foundation for their efforts to foster the engagement of young talents in art disciplines and to reward the most creative forms of expression. Their efforts have helped inspire cultural creativity and brought together art experts and art lovers from all around Serbia to help cel-ebrate the talented young artists of this country.

Skip Bornhuetter, Managing Director DIN „Fabrika duvana“ a.d. Niš, an affiliate of Philip Morris International

3

Stvara se nova elita!

Sa dozom ponosa i tihe radosti svih nas u Niš Art Fondaciji počeli smo odbrojavanje u suprotnom pravcu od onih sudbonosnih, kosmičkih, nuklearnih, kada se počinje od deset i dolazi se do nule. Mi smo počeli od nule, a danas stižemo do broja tri.

U ovom vremenu, u ovim našim teškim godinama ništa nije lako, a evo, pred nama su opet slike, skulpture naših mladih. I šta nam kaže ova godina? Pokušavam da je sagledam u onom sjaju mladosti, mogućnosti i moći, koju oni pokušavaju da iskažu. Kao i uvek, a to moram da naglasim sada, pojavljuje se prizvuk sumnje u mogućnost intervencije roditelja, poznanstava, prijatelja, bilo koga, ali mogu vam dati svoju reč da je početak svakog žiriranja bio slika, skulptura, odnosno rad, čak ni ime ni prezime autora. Dešavalo se da prepoznamo one koji su već učestvovali i bili viđeni ranijih godina, i to opet samo i isključivo preko radova, koji nose njihov pečat, sa uočljivim napretkom. Sa radošću smo onda upoređivali imena od prethodne dve godine. Neki ipak ponav-ljaju učestvovanje i traže mogućnost za sebe, raduju i nas, zato što već počinje da se stvara određena kategorija onih koji misle na jedan poseban način i nas koji ih prepoznajemo. Širi se krug Niške Art fondacije. Ove godine smo konstatovali da u našem statutu ne postoji ograničenje u broju slika koje neko može da izloži, pa smo nekima dali mogućnost da izlože više slika. Nama u žiriju se činilo kao da smo se odlučili oduvek da samo jedna slika predstavlja nekog au-tora. Ove godine smo konstatovali da to niko nije izgovorio i da smo to podrazumevali ali svako za sebe, niko nije postavljao pitanje više dela jednog autora. Ove godine se pokazala ta potreba jer su se ove godine neki autori potrudili malo više od ostalih i napravili svoje male opuse.

Šta nam nudi ova godina, šta su nam rekli mladi? Ono što sam konstatovala pri prvom gledanju je da ima više prisutnosti u sadašnjosti, u onome što nam nude mediji, kasni večernji programi na nekim televizijskim stanicama. Jedan od onih koje prepoznajemo od prošle godine je i Nikola Marković, sa ciklusom „Iz neverbalnog govora“, sa prstima, gde je sve bilo savršeno nacrtano a onda je to sve dorađeno ugljenom, koji je dodao slici jedan gest, nešto posebno, kao da je ugljenom doradio sliku. Tu je, posle prošlogodišnje kese sa šećerom, Srđan Arsić, sada sa mermernim predmetima svakodnevice, možda i slikarske svakodnevice, sa „Kanisterom“ i „Tubom od mermera“. Tu je Marija Falker, koja se posle prošlogodišnje „Simultanke sa starim majstorima“ pojavljuje sa „Udva-janjem“, gde se pojavljuju samo Kiš i Borhes. Tu je i Kristina Ristić sada sa triptihom, pa prošlogodišnja nagrađena Tijana Čakić, sada sa „Čekanjem“.

Tu su i novi autori, tu je jedan „Jež oklopni“ Tome Tomića, „Klupko“ Milene Stojanović, „breze“ slađane Đukanović. Impresivna je opomena „Ne hodajte izvan ovog prostora“, Ranke Marković, osim ako ne nosite „Baletske patike“ Andreje Prokopijevića, ako niste u „Holivudskom oltaru“ Nikole Stepanovića a po Van Ajku, ako sa sobom ne nosite „Crvenu gitaru“ Katarine Pešić, ako ne pevate u „Horu“ Smilje Ivetić, opominjućem, dramatičnom, da se pitamo kad sve može da se peva, u kojim situacijama, zašto se peva, tragično, opominjuće, ako ne trčite po Dini Belančić, ako niste na onom „Stadionu“ Aleksandra Dunčića, a stadioni su ove godine u modi, naročito onaj u Pekingu, zvani Gnezdo, ako niste na „Čekanju“, a čekanje se ponavlja na više mesta, u više poza, ali sa jednom istom određenom bojom, pratećom belom bojom, belo na čekanju, uz sivi „Srpski doručak“ Nilana Keleuve. Da li sve da završimo sa jednim opakim bubnjem iz veš mašine, koji, ako bi se uvećao na teritoriju jedne sobe bi mogao da sadrži jedan čitav život, bio bi skoro isto dobar kao izložba Cai Guo Qianga ovih dana u Gugenhajmu u Njujorku. Tu je i „Zid“ Dušice Vesnić, a na koliko načina nešto može da se kaže o zidu? Ima mršavih zidova, ima onih koji imaju puno značenja. Tu su i grafiti, jer život na zidu je ogoljen, sadržajan, vreo. Grafiti neutrališu zid. Cilj zida je ogroman.

U broju tri, odnosno u trećoj godini Niške Art fondacije imamo izložbu mladih, izložbu Olje Ivanjicki, izložbu Leonarda da Vinčija i konkurs za tri najuspelije jednočinke izvedene u Narodnom pozorištu u Nišu. Idemo ka broju četiri, a šta će biti u njemu? Iznenađenja su moguća.

Olja Ivanjicki, mart 2008.

4

New elite is being made!

With certain pride and silent joy of all of us in Nis Art Foundation, we started a countdown, opposite to the one in the faithful, cosmic, nuclear ones, when they start from ten to reach zero. We started from zero, and today we have reached number three.

Nowadays, in these harsh years, nothing is easy, and here we have again paintings, sculptures of our young artists. And what does this year say to us? I am trying to perceive it in the splendour of youth, opportunity and power which they are trying to express. As always, and I have to point it out now, there are seeds of doubt in the possibility of parent intervention, “friendly” or anybody else’s influence, but I can give you my word that the beginning of every jury session was a painting or a sculpture itself, and not even a name and surname of the author. It happened that we recognised some who have already taken part and were seen earlier, again, solely through their work, who bear their own mark, but with obvious improvement. It is with joy that we then compared names from the previous two years. Some of them, though, take part again seeking opportunity for themselves, which makes us happy, too, because a spe-cific category is being created, a category of people who think in a special way and of us, who recognise them. The circle of Nis Art Foundation is spreading. This year we concluded that in our Statute there is no limit of the number of paintings a person can exhibit, so we gave some of them a chance to present more paintings. It seemed to us in the jury as if we made a decision from start that an author can be represented by only one painting. This year we came to a conclusion that nobody has said that and that we took it for granted, each one of us for themselves, and that no one ever posed a question of more than one work per author. This year there was a need for that because this year some authors made an effort and made their own small opera.

What does this year offer us? What did the young say? What I concluded on the first sight is that there is greater presence in the present, in what media, late night programmes on some TV channels offer us. One of those whom we recognised from last year is Nikola Markovic with the cycle From Non-Verbal Speech, with fingers, where everything was perfectly drawn and then redone with carbon, which gave the paining a gesture, something unique, as if he used carbon to finish the painting. There is, after last year’s Sugar-bag, Srdjan Arsic, with marble everyday objects, maybe objects from painter’s reality, with Jerry-can and Nude – tuba. There is Marija Falker, who, after last year’s Simultaneous Game with the Old Masters appears with Doubling, where only Kis and Borhes appear. There is also Kristina Ristic, now with a triptych, then the last year award winner Tijana Cakic, now with Waiting.

There are also new artists; there is Hedgehog, armoured by Toma Tomic, Bobbin by Milena Stojanovic, Birch trees by Sladjana Djukanovic. What is impressive is a warning Do not walk outside this area by Ranka Markovic unless you wear Ballet shoes by Andreja Prokopijevic, if you are not in the Hollywood Altar by Nikola Stepanovic and according to Van Eyck, if you do not have Red Guitar by Katarina Pesic with you, if you do not sing in the Choir by Smilja Ivetic, which is warning-like, dramatic, makes us ask ourselves when we can sing, in which situations we can sing, why we sing, tragic, warning-like, if you are not a Racer ac-cording to Dina Belancic, if you are not in that Stadium by Aleksandar Duncic, and stadiums are fashionable these days, especially the one in Beijing, so-called the Nest, if you are not Waiting, and waiting is repeated in numerous locations, in multiple positions, but with one and the same specific colour, accompany-ing white, waiting white, with the grey Serbian Breakfast by Milan Keleuva. Shall we finish all this with a fearsome drum from the washing machine, which, if enlarged to the territory of a room, could contain one whole life and would be almost equally good as the exhibition of Cai Guo-Qiang at the Guggenheim Museum in New York? There is also The Wall by Dusica Vesnic, and how many ways there are to say about a wall? There are thin walls, there are those with multiple meanings. There are also Grafitti, because life on the wall is bleak, meaningful, hot. Grafitti neutralize the wall. The aim of the wall is immense.

In number three, i.e. in the third year of Nis Art Foundation, we have an exhibition of the youth, an exhibition of Olja Ivanjicki, an exhibition of Leonardo da Vinci and a competition for three most successful one-act plays performed in the National Theatre of Nis. We are mowing forward towards number four, and what will be in it? Surprises are possible.

Olja Ivanjicki, March 2008

5

“MLADOST 2008“

Sa prolećem 2008. godine stigla je još jedna pregršt likovih dela mladih Srbije do 35 godina. Između dve hiljade radova žiri Niš Art Fondacije je izabrao oko pedeset radova četrdeset devetoro umetnika koji će biti izložene u Nišu, Beogradu i Novom Sadu. Između njih troje umetnika dobiće prvu, drugu i treću nagradu kao najbolji.

Tri godine je u razvoju umetnosti kratak period. Ali ne i u životu mladih umetnika. Tako umetnici koji su prošle dve godine izlagali, a neki od njih dobili i na-grade, ovoga puta su ponudili zrelije radove, ne odričući se ni svojih tema, ni stila, ni tehnike. Znači da im je uspeh bio podstrek za njihov napredak.Iako nije lako uočavati tendencije u umetnosti u kraćim vremenskim periodima, dozvoliću sebi da napišem šta sam uočio gledajući dela ovogodišnje Izložbe mladih 2008.

Pre svega prisutne su najrazličitije tehnike, među kojima preovlađuju kombinovane tehnike, na primer vareno gvožđe i kamen, terakota i gvožđe, digitalni print na kamenu ili na drvetu...

Ukoliko je reč o klasičnoj tehnici, kao što je ulje na platnu, onda su slike svedenih boja, često samo sa jednom hromatskom bojom osim nehromatske crne i bele.

Ukoliko je reč o apstrakciji, ona je najčešće poetična, daleko od enformela 70-ih godina prošlog veka. Ako je pak reč o figuralnoj slici, ona je često umetnost o umetnosti, kao što je “Holivudski oltar” varijacija na temu čuvenog Ganskog oltara braće Van Ajk iz XIV veka, ali gde su likovi svetitelja zamenjeni licima iz istorije Holivuda od Merlin Monro do Breda Pita.

Ironičnost te varijacije je karakteristična za većinu radova mladih umetnika 2008. godine. Možda je ta ironija posredna reakcija na stvarnost u kojoj žive mladi. Prava su retkost direktni komentari naših mladih slikara na tešku društvenu stvarnost (kakvih je bilo u ekspresionista 20-tih godina XX veka). Pa i u tom slučaju likovnost je primarna vrednost. Da li je možda ta uzdržanost u odnosu na stvarnost prezir prema toj stvarnosti i stvaranje svog sopstvenog boljeg sveta.

Taj bolji svet nije dopadljiv u banalnom smislu reči, ali je izrazito likovni i univerzalan. Verovatno većina naših mladih umetnika nemaju vize za slobodni ulazak u Evropu, ali, svojim radovima oni su apsolutno na nivou svojih evropskih vršnaka. Znači da su već uveliko u Evropi.

Jovan Ćirilov, mart 2008

6

“YOUTH 2008“

With the coming of spring 2008, another spectre of visual artworks of the young of Serbia up to 35 years of age arrived. The jury of Nis Art Foundation se-lected around fifty among two thousand works of forty nine artists, which will be exhibited in Nis, Belgrade and Novi Sad. The best three of these artists will be given the first, second and third prize.

In the development of art, three years is not a long time. But not so in the lives of young artists. Therefore, the artists who have exhibited during the last two years, some of who were even given awards, this time offered more mature works, not renouncing their themes, styles or techniques. This shows that suc-cess was a stimulus for their progress.

Although it is not easy to perceive tendencies in art in short time periods, I will allow myself to write down what I have noticed watching the works of this year’s Exhibition of the Youth 2008.

First of all, various techniques prevail, among which there are combined techniques, for example, welded iron and rock, terracotta and iron, digital print on the rock or wood etc.

If we consider classical technique, such as oil on canvas, then there are paintings of derived colours, often with one chromatic colour beside non-chromatic black and white.

If it is about abstraction, it is most often poetic, far away from the informell of the 70’s from the last century. Anyway, if we speak about a figural painting, it is quite often art about art, the way Hollywood Altar is a variation of the famous Ghent Altarpiece by brothers Van Eyck from the XIV century, but where the faces of the saints are replaced by characters from Hollywood history – from Marilyn Monroe to Brad Pitt.

The irony of that variation is characteristic of most works of young artists in 2008. Perhaps that irony is an indirect reaction to the reality they live in. It hap-pens very rarely that our young painters make direct comments of harsh social reality (similar to those made by expressionists in the XX century). Even in that case, visual art is the primary value. Is that restraint towards reality actually disdain for it or a creation of their own new and better world?

This new world is not likable in the banal sense, but it is very artistic and universal. Probably most of our young artists do not have a visa for a free entrance in Europe, but, with their works, they are on absolutely the same level as their European age-fellows. It means they already are in Europe.

Jovan Cirilov, March 2008

7

Dina Belančić“Trkači” - kombinovana tehnika 125x80cm“Racers” - combined technique 125x80cm

8

Dežurni tim Art klinike grupa autora“Uljezi nisu bitni”– kombinovana tehnika na platnu 140x180cm

“Intruders are not important”– combined technique on canvas -140x180cm

9

Toma Tomić“Jež oklopni”– skulptura – drvo, metal 18x18x32cm ; “Jež”– skulptura – drvo 23x20x18cm

“Hedgehog, armoured”– sculpture – wood, metal– 18x18x32cm; “Hedgehog”– sculpture – wood – 23x20x18cm

10

Biljana Cvetković“Igra” – akril i štampa na platnu 120x120cm

“Play” – acrylic and canvas print 120x120cm

11

Jelena Đurić“Konglomerat” - akril i ulje na platnu 175x150cm

“Conglomerate” - acrylic and oil on canvas 175x150cm

12

Jelena Đurić“Lovely Blue” - akril i ulje na platnu 175x145cm

“Lovely Blue” - acrylic and oil on canvas 175x145cm

13

Andreja Prokopijević“Baletska patika”– skulptura – vareno gvožđe i kamen 29x18,7x9,5cm; 29x11,7x10,6cm

“Ballet shoe”– sculpture – welded iron and rock 29x18,7x9,5cm; 29x11,7x10,6cm

14

Tijana Čakić“Čekanje”– akril na platnu 200x300cm

“Waiting”– acrylic on canvas 200x300cm

15

Tijana Luković“Diši” – akril na platnu 140x100cm

“Breathe” – acrylic on canvas 140x100cm

16

Nikola Marković“Iz ciklusa Izvodi iz neverbalnog govora” - akril na platnu 2x130x130cm

“From the Cycle Excerpts from Non-Verbal Speech” - acrylic on canvas 2x130x130cm

17

Danilo Vuksanović“Amon” – kombinovana tehnika 70x150cm

“Amon” – combined technique 70x150cm

18

Kristina Ristić“Iznenada” – ulje na platnu 140x100cm“Suddenly” – oil on canvas 140x100cm

19

Kristina Ristić“Izvidnica” – triptih - ulje na platnu 3x 140x100cm

“Reconnaissance” – triptych - oil on canvas 3x 140x100cm

20

Kristina Ristić “Olovo između” – diptih - ulje na platnu 2x 140x100cm

“Lead in between” – diptych - oil on canvas 2x140x100cm

21

Darko Đorđević“Stakato”– skulptura – terakota i gvožđe 60x45x40cm

“Stakato”– sculpture – terracotta and iron 60x45x40cm

22

Ana Bondžić“Grafiti”– ulje na platnu 100x100cm“Grafitti”– oil on canvas 100x100cm

23

Andrea Ivanović Jakšić“Pobunjeni čovek” - kombinovana tehnika 160x180cm

Rebellious man” - combined technique 160x180cm

24

Andrea Ivanović Jakšić“Poreklo iz bezumlja”- kombinovana tehnika 140x160cm

“Origin in insanity”- combined technique 140x160cm

25

Aleksandar Bunčić“Stadion” - kombinovana tehnika 120x90cm“Stadium” - combined technique 120x90cm

26

Dimitrije Čurčić“Unius dementia”– ulje na platnu 100x100cm

“Unius dementia”– oil on canvas 100x100cm

27

Vanja Subotić“Bez naziva”– akril na platnu 100x125cm

“No name”– acrylic on canvas 100x125cm

28

Marija Felker“Udvajanje” (Kiš i Borhes) – kombinovana tehnika 140x140x25cm

“Doubling” (Kis and Borhes) – combined technique 140x140x25cm

29

Svetlana Vuksanović“ Kompozicija” – ulje na platnu 160x135cm“Composition” – oil on canvas 160x135cm

30

Aleksandar Srb“Ništa loše” – skulptura – patinirani pvc 3x 20x25x80cm

“Nothing bad” – sculpture – patinated pvc 3x 20x25x80cm

31

Nikola Stepanović“Holivudski oltar” – skulptura – digitalni print na drvetu 40x30x2cm

“Hollywood altar” – sculpture – digital wood print 40x30x2cm

32

Dragana Jaćimović“Voda “ – crtež olovka 70x100cm

“Water “ – pencil drawing 70x100cm

33

Srđan Arsić“Embargo - kanister” i “Nude - tuba”– skulpture - mermer 34x15x23cm

“Embargo – jerry can” and “Nude - tuba”– sculpture - marble 34x15x23cm

34

Maja Obradović“Post moderna ljubav” – akril i ulje na platnu 180x180cm

“Postmodern love”– acrylic and oil on canvas 180x180cm

35

Nina Todorović“Noćni program” - ulje na platnu 140x100cm

“Night program” - oil on canvas 140x100cm

36

Dragan Dejanović“Ptice lutalice”– diptih - akril na platnu 110x200cm

“Wandering birds”– diptych - acrylic on canvas 110x200cm

37

Ana Miletić“Život”– skulptura – ulje na platnu 200x150cm

“Life”– sculpture – oil on canvas 200x150cm

38

Nataša Dragišić“Love”– akril na platnu 120x130cm

“Love”– acrylic on canvas 120x130cm

39

Neda Šukletović Veselinović“Bez Naziva”– kombinovana tehnika na papiru 100x70cm

“No name”– combined technique on paper 100x70cm

40

Smilja Ivetić“Hor” - ulje na platnu 240x570cm

“Choir” - oil on canvas 240x570cm

41

Milan Keleuva“Srpski doručak” – akril na platnu 50x70cm

“Serbian breakfast” – acrylic on canvas 50x70cm

42

Milena Stojanović“Klupko”– akril na platnu 340x220cm

“Bobbin”– acrylic on canvas 340x220cm

43

Vesna Mitrović“Reminder“- kombinovana tehnika 100x70cm“Reminder“- combined technique 100x70cm

44

Tanja Mirković“Art project senses touch 1,2,3”– fotografija, digitalni kolaž 29,7x42cm

“Art project senses touch 1,2,3”– photography, digital patchwork 29,7x42cm

45

Ranka Marković“Do not walk outsidethis area”– ulje na platnu - diptih 220x320cm

“Do not walk outside this area”– oil on canvas - diptych 220x320cm

46

Nikola Radović“ Bez naziva” - ulje na platnu 150x190cm

“No name” - oil on canvas 150x190cm

47

Bojana Lazarević“Positive - Negative”– 3D crtež 50x50cm

“Positive - Negative”– 3D drawing 50x50cm

48

Radmila Ristić“Kaligrafija” – akril na platnu 100x80cm

“Calligraphy” – acrylic on canvas 100x80cm

49

Jagoda Micović“Bez naziva 1,2,3”– akvarel 3x 30x40cm

“No name 1,2,3”– water-color 3x 30x40cm

50

Slobodan Stošić“Čovek šeta psa, pas šeta čoveka”– tempera 44,5x49,5cm

“A man walks a dog, a dog walks a man”– tempera 44,5x49,5cm

51

Radmila Matejević“Čekanje”– ulje na platnu 150x200cm“Waiting”– oil on canvas 150x200cm

52

Vladan slavković “Belci i Belčevići”– crtež na papiru 147x180cm

“The whites and the whitish ones”– drawing on paper 147x180cm

53

Biljana Stanimirović“Bez naziva”– kombinovana tehnika na medijapanu 120x150cm

“No name”– combined technique on mdf 120x150cm

54

Dušica Vesnić“The Wall”– print fotografije na platnu 125x175cm

“The Wall”– photo print on canvas 125x175cm

55

Dijana Andrejić“Bez naziva”– miks mediji - instalacija 49x49x52cm

“No name”– mixed media - installation 49x49x52cm

56

Katarina Pešić“Red guitar”- akril na platnu 80x100cm

“Red guitar”- acrylic on canvas 80x100cm

57

Slađana Đukanović“Breze”– kombinovana tehnika 100x193cm

“Birch trees”– combined technique 100x193cm

58

Danilo Bojić“Gun power”– ulje na platnu 150x100cm“Gun power”– oil on canvas 150x100cm

59

Vladimir Stanković“Bez naziva”– metalna konstrukcija na platnu 300x175cm

“No name”– metal construction on canvas 300x175cm

60

The founders of Nis Art FoundationRadovan Lale Đuric NY, Olja Ivanjicki, Neda Arnerić, Jovan Ćirilov, Gordana Suša, Tihomir Trivunac, Rada Đuričin, Dr. Đorđe Lalošević, Dr. Dragoš Stojanović,Mihailo Spasović, Borislav Gvozdenović, Nenad Cvetković

express gratitude for the donation to DIN„Fabrika duvana“ a. d. Niš, an affiliate of Philip Morris International.

Printed by: Pelikan Print Niš

Osnivači Niš Art FondacijeRadovan Lale Đurić NY, Olja Ivanjicki, Neda Arnerić, Jovan Ćirilov, Gordana Suša, Tihomir Trivunac, Rada Đuričin, Dr. Đorđe Laloševic, Dr. Dragoš Stojanović, Mihailo Spasović, Borislav Gvozdenović, Nenad Cvetković

zahvaljuju se na donatorstvu DIN “Fabrika duvana” a.d. Niš, u sastavu Philip Morris International.

Štampa: Pelikan Print Niš

Real izovano zahval jujućiDIN “Fabr ik a Duvana” a .d. N iš , u sastavu Phi l ip M orr is I nternat ional