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TOBI, continued (continued) February 2, 2010

TOBI, continued (continued)

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TOBI, continued (continued). February 2, 2010. Languages!. Polish2 Tagalog2 Urdu Spanish Afrikaans Korean Gujarati Italian Russian Swedish. Also: Perception of palatalization in Irish Developing phonemic inventory in an 18 month-old. Agenda. Return homeworks. - PowerPoint PPT Presentation

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Page 1: TOBI, continued (continued)

TOBI, continued (continued)

February 2, 2010

Page 2: TOBI, continued (continued)

Languages!Polish 2

Tagalog 2

Urdu

Spanish

Afrikaans

Korean

Gujarati

Italian

Russian

Swedish

Also:

Perception of palatalization in Irish

Developing phonemic inventory in an 18 month-old

Page 3: TOBI, continued (continued)

Agenda1. Return homeworks.

2. Questions on course project?

3. The final pieces of the TOBI puzzle.

4. More transcription practice.

5. On Thursday, we will be in Craigie Hall D428.

• (the language lab)

Page 4: TOBI, continued (continued)

Mystery Solved• The Mystery Tone Language was the Amoy dialect of Min Nan, which is spoken in southern China.

• There are five tones in Min Nan (the mystery language):

High Level 5-5 #3: #10:

Mid Level 3-3 #4: #7:

Low Falling 2-1 #5: #12:

High Falling 5-1 #1: #6: #9:

Low Rising 2-3 #2: #8: #11:

Page 5: TOBI, continued (continued)

TOBI, so far1. Pitch Accents

• H* and L*

2. Phrase Accents

• H- and L-

3. Boundary Tones

• H% and L%

4. Break Indices

• 0, 1, 2, 3 and 4

5. Downstepping and Upstepping

Page 6: TOBI, continued (continued)

Bitonal Pitch Accents• In addition to H* and L*, there are three bitonal pitch accents.

• Here are the first two:

• L + H*

• L* + H

• The starred element denotes the tone which is associated with the stressed syllable.

• L + H* = high peak on stressed syllable, preceded by a sharp rise in pitch.

• L* + H = low pitch target on stressed syllable, followed by a sharp rise in pitch.

Page 7: TOBI, continued (continued)

H* vs. L + H*• Marianna won it.

H*

L + H*

Note: informative vs. contrastive function

Page 8: TOBI, continued (continued)

L* vs. L* + H• Only a millionaire.

• Marianna made the marmalade.

H* L* + H L- H%

L* L* H-H%

Page 9: TOBI, continued (continued)

L + H* vs. L* + H• There’s a lovely one in Bloomingdale’s.

L* + H

L + H*

Page 10: TOBI, continued (continued)

Filling the Gap• Another feature of phrase accents is that they fill in the gap between the nuclear accent and the boundary of the intermediate phrase.

L* + H L- H%

1 0 1 1 4

Page 11: TOBI, continued (continued)

More Downstepping• Bitonal pitch accents can also undergo downstepping.

L + H* L + !H* L + !H* L-L%

1 1 1 1 1 4

Page 12: TOBI, continued (continued)

H + !H*• The final pitch accent in the TOBI inventory is H+!H*.

• This one often appears at the beginning of phrases.

Page 13: TOBI, continued (continued)

Pitch-Accents Round-up• There are five pitch accents:

• H*

• L*

• L + H*

• L* + H

• H + !H*

• The * attaches to stressed syllables.

• The final pitch accent in an intonational phrase is the nuclear accent.

• Generally perceived as more prominent.

Page 14: TOBI, continued (continued)

Practice Time…https://webdisk.ucalgary.ca/~swinters/public_html/ling441/TOBIlab3.html

Page 15: TOBI, continued (continued)
Page 16: TOBI, continued (continued)

A Chunking Reviewutterance

intonational phrase (intonational phrase) ...

intermediate phrase (intermediate phrase) ...

(pitch accent) nuclear accent

(stressed syllable) stressed syllable

Page 17: TOBI, continued (continued)

Break Indices• 4 marks boundaries between intonational phrases

• associated with a boundary tone (H% or L%)

• sense of complete disjuncture

• 3 marks boundaries between intermediate phrases

• associated with a phrase accent (H- or L-)

• lesser sense of disjuncture

• 1 marks boundaries between words

• 0 marks phonetic coarticulation between words

• (2 marks uncertainties or apparent mismatches)

• rarely used

Page 18: TOBI, continued (continued)

0 Level Boundaries• 0 level boundaries are marked wherever there is clear coarticulation across a word boundary

• Also for flaps across word boundaries, as in “got it”

0 1 1 4