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THE REVOLUTION HAS BEEN TWEETED POSTCARDS FROM THE EDGE OF THE (SOCIAL) MEDIA REVOLUTION MEDIA & INNOVATION CONFERENCE JUNE 2011

The Revolution has been Tweeted

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The latest remarkable stats about internet penetration, social media usage and the breakdown of traditional media models - as well as the possibility for innovation in media through big ideas and taking them into multiple platforms with new revenues streams, freeing creatives from the control of the gatekeepers

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Page 1: The Revolution has been Tweeted

THE REVOLUTION HAS BEEN TWEETEDPOSTCARDS FROM THE EDGE OF THE (SOCIAL) MEDIA REVOLUTIONMEDIA & INNOVATION CONFERENCE JUNE 2011

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SWEETIDEA FOR TV SHOW A FEW YEARS AGO...

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KENYA PIC

A TRAVEL SHOW TAKING PEOPLE TO ALIEN CULTURES WHERE LOCAL EXPERIENCES HEAL EVERYDAY PSYCHOLOGICAL ISSUES

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“NO”THE ANSWER FROM PITCH AFTER PITCH

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COMMISSIONERS OF TV CONTENT IN THE UK

100IF THEY PASS ON A PROJECT, IT IS EFFECTIVELY DEAD

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TRADITIONAL POWER STRUCTURES ARE CRUMBLING

PHEW

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GIANTS LIKE BLOCKBUSTER ARE BEING TOPPLED

UH OH

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ALLOWING AGILE, RESPONSIVE, INNOVATIVE, DISTRIBUTED TEAMS TO RISE UP

WHAT?!

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REVOLT!

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600 MILLIONFACEBOOK USERS

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3RDLARGESTCOUNTRY ON THE PLANET

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51%OF ALL US CITIZENS (12+) USE FACEBOOK

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93%ADULTSWHO USE INTERNET IN US HAVE A FACEBOOK PROFILE

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46MILLIONPEOPLE CHECK THEIR FACEBOOK PAGE ONCE A DAY

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50MILLIONTWEETS SENT PER DAY(BUT 40% OF TWITTER ACCOUNTS ARE DORMANT)

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500BILLION MINUTES PER MONTH SPENT ON FACEBOOK(UP FROM 150 IN 2010)

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500MILLION MINUTES IN ALL THE MOVIES THAT HAVE EVER BEEN MADE

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25MILLION BOOKS COULD BE WRITTEN EVERY MONTH

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50%MORE THAN ALL CURRENTLY IN PRINT IN THE WORLD

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GOINGEAST

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67%INDIANSHAVE A MOBILE PHONE

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8%INDIANSON THE INTERNET

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31%INDIANSDO NOT KNOW THE INTERNET EXISTS(SAME AS POPULATION OF BRAZIL)

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20 MILLIONINDIANS EACH MONTH GET A MOBILE PHONE(SAME AS THE POPULATION OF HOLLAND)

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NO.1SEARCHTERM ON GOOGLE IN INDIA IS ‘HOW TO KISS’

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INTHE LAST24HOURS

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735MILLION FACEBOOK COMMENTS

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1BILLION CONTENT PIECES ADDED TO FACEBOOK

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51,000HOURSYOUTUBE VIDEOS UPLOADED

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48HOURSEVERY MINUTE

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2BILLIONYOUTUBE VIDEOS VIEWED

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3VIDEOSPER GLOBAL INTERNET USER PER DAY

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20MILLIONIPHONE APPS DOWNLOADEDANDFACEBOOK APPS DOWNLOADED

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400MILLIONSKYPE CALLS

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25MILLIONNEW FACEBOOK MEMBERS

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86,000NEW LINKEDIN MEMBERS

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800,000NEW INTERNET USERS

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300BILLIONEMAILS SENT

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16BILLIONSMS MESSAGES SENT

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16BILLIONSMS MESSAGES SENT

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1EXABYTE

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1018BYTES

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5EXABYTESBEGINNING OF HUMAN HISTORY TO 2003

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2 DAYS IN 2010

5EXABYTES

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10 MINUTES IN 2013

5EXABYTES

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16BILLIONSMS MESSAGES SENT

SERIOUSMASSCREATIVITY

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86%VIEWERSSKIP TV ADS

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CAN WE CREATE (AND PAY FOR) GREAT CONTENT IN THIS ASTONISHING NEW WORLD

HOW?

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DO WE START

WHERE?

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INNOVATEHARNESSING MYRIAD MULTI-PLATFORMPOSSIBILITIES

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THE STORY

CONCEPT

PLATFORM(MEDIA OR

TECH)

CONSUMER CONTEXT

PLATFORMENGAGEMENT

MULTI-PLATFORMTRACK

PERVASIVEEXPERIENCE

ROLE

The creative idea, brand DNA, unique narrative concept or ur-plot (asdistinguished from theexecution or discourse)

The medium, channel ortechnology - whether digital, traditional, ambient, earned, owned or otherwise - and its unique capabilities

The actual, observed usage, habits and attitudes in everyday life. Ethnographically informed rather than assumed

The specific features, elements or ‘meanings’ of the platform to be leveraged based on context

The brand expressed through this particular platform.user interface. The interpretation of the story through the filter of the media or technology

The role the track plays (or not) within an orchestrated pervasive, immersive & interactiveexperience

Appropriate tracks are creatively arranged into a strategic and temporal sequence in synergy with a business model innovated around it

© 2003-2011 WECREATE

PLATFORM.USER INTERFACE - THE

‘TOUCHPOINT’

THE MULTI-PLATFORM CONSTRUCTOR®

MULTI-PLATFORM PLAYLIST

THE ENTIRESPECTRUM OF

MULTI-PLATFORM POSSIBILITIES

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THE STORY

CONCEPT

PLATFORM(MEDIA OR

TECH)

CONSUMER CONTEXT

PLATFORMENGAGEMENT

MULTI-PLATFORMTRACK

PERVASIVEEXPERIENCE

ROLE

The creative idea, brand DNA, unique narrative concept or ur-plot (asdistinguished from theexecution or discourse)

The medium, channel ortechnology - whether digital, traditional, ambient, earned, owned or otherwise - and its unique capabilities

The actual, observed usage, habits and attitudes in everyday life. Ethnographically informed rather than assumed

The specific features, elements or ‘meanings’ of the platform to be leveraged based on context

The brand expressed through this particular platform.user interface. The interpretation of the story through the filter of the media or technology

The role the track plays (or not) within an orchestrated pervasive, immersive & interactiveexperience

Appropriate tracks are creatively arranged into a strategic and temporal sequence in synergy with a business model innovated around it

PLATFORM.USER INTERFACE - THE

‘TOUCHPOINT’

MULTI-PLATFORM PLAYLIST

THE ENTIRESPECTRUM OF

MULTI-PLATFORM POSSIBILITIES

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THE STORY

CONCEPT

PLATFORM(MEDIA OR

TECH)

CONSUMER CONTEXT

PLATFORMENGAGEMENT

MULTI-PLATFORMTRACK

PERVASIVEEXPERIENCE

ROLE

The creative idea, brand DNA, unique narrative concept or ur-plot (asdistinguished from theexecution or discourse)

The medium, channel ortechnology - whether digital, traditional, ambient, earned, owned or otherwise - and its unique capabilities

The actual, observed usage, habits and attitudes in everyday life. Ethnographically informed rather than assumed

The specific features, elements or ‘meanings’ of the platform to be leveraged based on context

The brand expressed through this particular platform.user interface. The interpretation of the story through the filter of the media or technology

The role the track plays (or not) within an orchestrated pervasive, immersive & interactiveexperience

Appropriate tracks are creatively arranged into a strategic and temporal sequence in synergy with a business model innovated around it

PLATFORM.USER INTERFACE - THE

‘TOUCHPOINT’

MULTI-PLATFORM PLAYLIST

THE ENTIRESPECTRUM OF

MULTI-PLATFORM POSSIBILITIES

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IS ON THE WALL FOR LEGACY MEDIA MODELS

WRITING

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HAVE CHANGED FOR GOOD

RULES

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RULE

IDEAS

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LIES INCREASINGLY AT THE EDGES

POWER

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WEHAVE THE POWER TO TURN ANY DREAM INTO REALITY

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POSSIBLEHARNESSING TRADITIONAL MEDIA

IMMERSIVE MEDIA

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2.0COLLABORATION, COMMUNITY, CONVERSATION, COMMERCE

WEB

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3.0SEMANTICS, SERENDIPITY, SUGGESTIONS

WEB

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2.5COLLECTIVE CREATIVITY

WEB

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COCREATEA RADICALLY BETTER WORLD

-

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AMAZINGCONTENT WHICH BECOMES MARKETING FOR A BIGGER IDEA WITH A SUSTAINABLE, TRANSACTIONAL BUSINESS AT ITS HEART

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EAT!MY OWN CAVIAR

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UT VIDEO

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CONNECTNICK JANKEL

W: WECREATE.CCW: ULTIMATETRIP.TVT: #MIND_MAVERICK