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The RenaissanceChapter 13-3
Mannerism
Michelangelo was the bridge between Italian Renaissance Art and Mannerism
Belief that painting in the Renaissance style had reached perfection so…
Exaggerated poses, elongated limbs, weird
Tintoretto’s Baptism of Christ
El Greco was the greatest Mannerist of all
Unnatural pigmentsElongated Limbs
The Burial of Count Orgaz
The Northern Renaissance
The Northern Renaissance was More Religious More emotion in the art More detailed especially in the
background More preoccupation with deathThe art in the North reflected Christian
Humanism: How can the knowledge of human nature as revealed in the ancient texts be blended with Christian principles to create a better (more Christian) world?
Flemish Style
Van Eyck: Perfected oil painting Had much religious symbolism Arnolfini and his Wife
Arnolfini and his Wife
Netherlands
Bosch: Symbolism, surreal, fantasy Death and the Miser
Peter Bruegal the Elder Peasant Wedding Not much Renaissance influence Focused on lives of ordinary people
Death and the Miser
Peasant Wedding
The Germans
Durer: Master of the woodcut Was the first to bring Renaissance style
to the North
Hans Holbein the Younger: Portraits The Ambassadors Henry VIII Erasmus
Durer’s Four Horsemen of the Apocalypse
The Ambassadors
Henry VIII
(Spain)El Greco’s The Holy Trinity
The Fugger Family
Like the Medici, they were bankers who patronized the arts in the North
