The George Gregson Collection (Art eBook)

7/23/2019 The George Gregson Collection (Art eBook)

1/120


2/120


3/120

708

Ar

Arizona.

University.

Museum

of

Art.

THE

GEORGE GREGSON

COLLECTION


4/120


5/120

GG


6/120


7/120

(Frontispiece)

Ines

Napoli

Kees

Van

Dongen


8/120


9/120

THE

GEORGE GREGSON

COLLECTION

Paintings,

Watercolors

and

Sculpture

Collected

by

George

Gregson

COLLIER

L/BRARY

T

H

K

I

N

I

\

E

R

S

I

T

Y

A

R

I

Z

N

A

\1

L

S

E

I

\I

E

A

R

T


10/120


11/120

THE

GEORGE

GREGSON

COLLECTION

It

is

with

the

greatest

sense

of

pride

and

satisfaction

that

the

University

of

Arizona

Museum of

Art

presents

to

the

people

of

Arizona

this

exhibition

of

painting

and

sculpture

from

the

collection

of

George

Gregson.

Mr.

Gregson's

generosity

in

making

his

collection

available

for

exhibition

is

a

characteristic

example

of

his

devoted

interest

in

the

University

of

Arizona.

Everyone

will

recognize

the

distinction

and

high

quality

of

the

collection

and

will

appreciate

the

museum's

good

fortune

in

being

offered

this

opportunity.

George

Gregson

has long

been

associated

closely

with

the

University

of

Ari-

zona,

first

as

a

student

in

the

College

of

Mines,

and

a

recipient

of

the

Bache-

lor's and

Master's

degrees,

and

continuing

as

a

benefactor

to

the

University's

scholarship

fund.

In

the

world

of

real

estate

and

finance,

he

has

demonstrated

the

same

high

measure

of

skill

and

understanding

that

distinguish

him

as

a

collector

and

patron

of

the

arts.


12/120

To Mr. Gregson, and

to everyone

who

has

had a

part,

either

large

or

small,

in the

preparation

of this

exhibition,

I

wish

to oflfer my heartfelt thanks.

The

Arizona

Board

of Regents and

the

University

of

Arizona

Museum of Art

join me in expressing

our deep

appreciation

to

Mr. Gregson for

having loaned

his collection for

public

showing

at this particularly appropriate point

in

the

expanding program

of

the

University

of

Arizona Museum

of Art.

Richard A.

Harvill

President

The

University

of Arizona


13/120

George

Gregson

September

11, 1968

Dear

Bill:

You

recently asked

how

I

became

infected with

the

art collecting

bug.

It

began in Paris

in 1956

at which

time

I purchased

three paintings

by

contemporary

French

artists.

Thereafter

I

became

personally acquainted with

several

young artists of the

School of Paris,

including Pelayo,

Yankel,

Cor-

neille.

Asse,

Germain and

Doucet

and acquired

from them

a number

of their

paintings, all

abstract.

Then

in

1959,

while

in Paris I saw

a

beautiful

Renoir of

a

young

girl

with a hat

and was fascinated

by

the

painting

and

knew

that

I had

to

own

it.

This

painting

became my

first

important

art

acquisition,

and that just about

sealed

my

fate. I've been broke

ever since. It

is

quite

appropriate

that

you

should decide

to

reproduce

this

Renoir

on

the cover of the

catalogue for the

forthcoming

exhibition. After

acquiring

a

work

of

this

quality,

my

interest

then

turned principally

to

impressionist

and

neo-impressionist

paintings

and

to

sculpture.

I

first

became

interested

in sculpture

when I

met Antoine

Poncet

in

Paris.

He was

a student of Jean

Arp.

I

acquired

several

bronzes and

a

marble

by

him,

all

abstract.

While

on trips

to

Tokyo, I

acquired

both abstract and

figurative

sculpture

by contemporary

Japanese

artists.

Then,

the

purchase

of

a bronze

by Rodin

led

to

the

acquisition

of

sculpture

by Renoir,

Bourdelle,

Maillol

and

works

of

contemporary

School of

Paris

sculptors.


14/120

I

never

at

any

time

felt

that

I was

putting

together

a

collection as

such.

It just

seemed to

grow on

its

own

with

relatively

modest

outlays

considering

today's

art prices.

The

experience has

been

deeply

absorbing,

most

pleasur-

able and

very

satisfying.

I

am

looking

forward

to

exhibiting

the

works which you

have

selected

from

the

collection

and

appreciate

very much

your

very kind

helpfulness in

arranging

the many

details. I hope that

the

exhibition in

your

new

Museum

facilities

will

provide

enjoyment for

manv;;;^

lovers

at

the

University.

George

Gre^

Mr.

William

E.

Steadman, Director

University of

Arizona Museum of

Art

Tucson,

Arizona

85721


15/120

FOREWORD

One

of

the

great

satisfactions

of

museum

work

is the

presentation

of

an

exhi-

bition

that

makes a

genuine

contribution

to

a

museum's

development

and

is,

at

the

same

time,

aesthetically

rewarding.

Selections

From the

George

Gregson

Collection

is

such

an

exhibition.

It

is

also

the

first

public

showing

of

his

collection

a

fact

that is

particularly

remarkable

in

view of

the

rich-

ness

and

variety

of

the

collection.

William

E.

Steadman

Director

The

University

of

Arizona

Museum

of

Art


16/120


17/120

SELECTIONS

FROM

THE

GEORGE

GREGSON

COLLECTION

OF

PAINTINGS

AND

WATERCOLOR5


18/120


19/120

ILLUSTRATIONS


20/120


21/120

Albert

Benjamin

Andre,

French,

1869-1954

Signed

by

the artist,

lower

right

Acquired

at

Galerie

Durand-Ruel,

Paris, 1959

Inventaire

Number 17042

Authentication

by

Charles

Durand-Ruel

LE

PARC

MONCEAU,

1922

Oil on

Canvas,

34

x 26


22/120

Genevieve

Asse,

French,

b.

1923

ABSTRACTION Oil

on

Canvas,

1

8 x 22

Signed by

the

artist, lower

right

Acquired

from

the artist, Paris,

1961


23/120

Maurice

Blond,

Polish

(Schooi

of

Paris),

b.

1899

NATURE

MORTE

Oil

on

Canvas,

29 x

37

Signed

by

the

artist,

lower

left

Acquired

at Galerie Urban, Paris, 1961


24/120

Charles

Camoin,

French,

1879-1965

LESVOILIERS,

1907

(Fauve

Period)

Oil on Canvas,

20

x

26

Signed

by

the artist,

lower

right

Acquired

at Galerie

Urban, Paris.

1965

Authentication

by

Andre

Pacitti

and

by

Andre

Urban

20


25/120

Antoni

Clave,

Spanish

(Schooi

of

Paris),

b.

1913

Signed by

the

artist,

lower

right;

dated

58

Acquired

at

Edgardo

Acosta

Gallery,

Beverly

Hills, 1962

Authentication by

Edgardo

Acosta

LE

ROI

Oil

on

Masonite,

43

x

21

Vz


26/120

Antoni

Clav^,

Spanish

(SdwoiofParis),

h.

1913

Signed by

the

artist,

lower

right

Acquired

at

Galerie

Urban,

Paris,

1962

Authentication

by

the

artist

FEMME

ASSISE,

1947

Gouache,

9x7


27/120

Corneille (Corneille

Guillaume

Beverloo),

Belgian

(SchooiofPanS),

b.

1922

ASMARA,

1958

Oil

on

Canvas,

15 x

24

Signed

by

the

artist,

lower

left

Acquired

from the

artist, Paris, 1958


28/120

Lucie

Coustwier,

French,

1876-1925

CHENET DU

CHARMOIS

(

Fauve Period

Oil

on

Canvas,

18x20

Signed

by

the

artist, lower left

Acquired

at

Galerie

Urban,

Paris,

1964

Authentication

by

Andre Pacitti


29/120

Henri-Edmond

Cross, French, 1856-1910

PAYSAGE

DE PROVENCE

Oil

on Cardboard, 8x10

Signed

by

the artist,

lower left

Acquired

at

Galerie

Urban, Paris, 1965

Authentication

by

Gilbert

de

Knyff

Exhibited:

Seiiral

and

His

Friends, Hammer

Galleries,

New

York,

1962

Reference:

Catalogue

,

Seurat

and

His

Friends, No.

17,

illustrated

'


30/120

Hemi-Edmond

Cross,

French,

1856-1910

-

TT^i.

^^s^t^..

WK-

ri.v.

. 4

m

Cachet, lower

right

Acquired

at Galerie

Urban,

Paris,

1962

Authentication

by

Gilbert

de Knyff

,

.

.-


31/120

Henri-Edmond

Cross,

French,

1856-1910

^

\

Cachet,

lower right

Acquired at

Galerie

Urban,

Paris, 1965

Authentication

by

Gilbert de

Knyff

LA

BRETONNE

A

LA

COIFFE

Aquarelle,

12x8


32/120

Andre

Derain,

French,

1880-1954

FEMMES

NUES

AU-DESSOUS

D'UN

AIGLE

ET

PRES D'UN

ARBUSTE

(Fauve

Period)

Aquarelle,

15'/2

x 19

Signed

by

the

artist,

lower

right

Acquired

through

Galerie

Urban

at

Auction,

Versailles,

France,

June

7,

1966

Authentication by

Me.

Georges

Blache

Reference:

Catalogue

of

Versailles

Auction.

No.

61,

illustrated


33/120

Pierre

Dorian,

French,

h.l914

INTERIEUR

Oil on

Canvas,

18x21'/2

Signed by

the

artist,

upper left

Acquired at

Galerie

Urban,

Paris,

1959


34/120

Jacques

Doucet,

French,

b.

1924

ABSTRACTION

Oil on Canvas, 20 x

29

Signed

by the

artist,

lower right

Acquired from the

artist, Paris, 1959


35/120

Ignace-Henri-Jean-TModore

Fayitin-Latour,

French,

1836-1904

BAIGNEUSES

DANS UN

PAYSAGE

Oil

on

Canvas,

19 x 25

Signed by the

artist, lower right

Acquired through

Galerie Urban at

Auction, Hotel Drouot, Paris, June

23,

1967

Reference:

Catalogue

of

Hotel

Drouot Auction, No. 74.

Plate II


36/120

Robert

Fonta,

French,

b.

1922

Signed

by the artist.

right

center

Acquired

from

the

artist, Paris,

1959

FLEURS

DANS

VASE

BLEU

Oil

on Canvas,

26x21 '/2


37/120

Robert

Fonta, French,

b.

1922

JWT^^

NATURE

MORTE

(FRUIT)

Oil

on Canvas,

13x16

Signed by

the

artist,

upper left

Acquired from

the

artist, Paris,

1960


38/120

Sam

Francis,

American,

b.

1923

ABSTRACTION,

1959

Gouache,

15

x 22

Unsigned

Acquired

at

Minami

Gallery,

Tokyo,

1967

Authentication by the artist


39/120

Alexandre

Garhell,

Latvian

(Sdwoi

of

Pwis),

b. 1903

A

L'ABATTOIR

DE LA

VILLETTE

Oil

on

Canvas,

13x16

Signed

by the artist,

lower left

Acquired

from

the

artist, Paris,

1959


40/120

Jacques

Germain,

French,

b.l915

Signed

by

the artist,

lower

right

Acquired

from the

artist,

Paris. 1957

ABSTRACTION, 1957

Oil on

Canvas,

36

x

25

36


41/120

Jacques

Germain,

French,

b.

1915

Signed

by

the

artist,

lower

right

Acquired

from

the

artist,

Paris,

1962

ABSTRACTION,

1962 Oil on

Canvas, 17 Vi x UV2


42/120

Andr^

Lhote,

French,

1885-1962

VENISE,

1922

Oil

on Canvas,

14 x 26

Signed

by the artist, lower

right

Acquired atGalerie Urban, Paris,

1966

Authentication

by

Simone

A.

Lhote, widow of artist


43/120

Giistave

Loiseau, French,

1865-1935

Signed

by

the

artist,

lower right;

dated

1921,

lower left

Acquired at

Galerie

J.

Le

Chapelin,

Paris,

1964

Authentication

by

Andre

Pacitti

MAISON

SE

REFLETANT DANS L'EAU

Oil on Canvas, 22

x

18

39


44/120

Maximilien

Luce,

French,

1858-1941

't-


45/120

Maximilien

Luce,

French,

1858-1941

PAYSAGE

Oil

on Wood,

9 X 13

Signed by

the

artist,

lower

right

Acquired

at Galerie

Romanet,

Paris, 1960

Authentication

by

Andre

Roinanet


46/120

Henri

Manguin,

French,

1874-1943

CASSIS,

1906 (Fauve

Period)

Oil

on

Canvas,

8'/2

x

10'/2

Signed

by the artist, lower

left

Acquired

at Galcriede

Paris, Paris,

1963

Authentication

by

Lucile

Manguin-Martinais,

daughter

of

artist

Exhibited:

Exposition

Manguin

(No.

30),

Galerie Lucien

Blanc,

Aix-en-Provence,

July, 1961

Albert


47/120

Marquet,

French,

1875-1947

* '

'iriiiiif ''

r

BORDS

DE SEINE,

1919

Oil

on Canvas, 13 x

16Vi

Cachet,

lower

left

Acquired through

Galerie Urban

at Auction, Versailles,

France, June

17,

1962

Authentication

by

Madame

M. Marquet,

widow

of artist

Reference:

Catalogue

of

Versailles

Auction, No.

83,

illustrated

43

1880-1957


48/120

Henri

Montassier,

French,

INTERIEUR

AVEC

FEMME

Oil

on Wood,

20 x 22

Signed

by

the

artist,

lower

right

Acquired

at

Galerie Urban,

Paris,

1966

Authentication by

Andre

Urban

Pierre

Montezin,

French,

1874-1946


49/120

PAYSAGE

D'ETE

AU

BORD DE

L'EAU

Gouache,

10x13

Signed

by

the artist,

lower

right

Acquired

at Galerie Romanet,

Paris, 1962

Authentication

by

Andre

Romanet

45

Pierre

Montezin,

French,

1874-1946


50/120

NATURE MORTE (ROSES)

Gouache,

17x21

Signed

by

the

artist, lower right

Acquired

at Edgardo

Acosta Gallery, Beverly Hills, 1963

Authentication

by

Edgardo Acosta

Orlando

Pelayo,

Spanish

(Sdwoi

of

Paris),

b.

1920


51/120

ABSTRACTION

Oil

on

Canvas,

20 x 29

Signed

by the

artist,

lower right

Acquired from the artist,

Paris,

1959

47

Pelayo,

Spanish

(SdwoiofPans).

b.

1920


52/120

Orlando

ABSTRACTION

Oil

on

Canvas,

20 x

26

Signed

by

the

artist, lower

right

Acquired

from

the

artist,

Paris,

1958

Reginald

Pollack,

American

(Schooi

of

Paris),

b.l924


53/120

Signed by

the

artist,

lower

right

Acquired

from

the

artist,

Paris,

195^

ABSTRACTION

Oil on

Canvas,

24'/2

x 14

Jean

Pougny,

Finnish

(Schooi

of

Paris),

1894-1956


54/120

Signed

by

the

artist,

lower

right

Acquired at Galerie

Romanet,

Paris,

1962

Authentication

by

Andre

Romanet

Gouache, 5x4

Raoul

Pradier,

French,

b.

1929


55/120

Signed by

the

artist,

lower

right

Acquired at

Galerie

Romanet,

Paris,

1965

Authentication

by

Andre

Romanet

NUE

51

Raoul

Pradier,

French, b.

1929


56/120

LES

NIDS

Oil

on

Canvas,

24

x 32

Signed

by

the

artist,

lower left

Acquired at Galeric

Romanet,

Paris, 1964

Authentication

by

Andre Romanet

Pierre Auguste

Renoir, French,

1841-1919


57/120

UNE

ROSE

Oil

on

Canvas, 4x4

Cachet,

lower

right

Acquired

through

Galerie Urban,

Paris,

1965

Claude

Renoir

Collection

Authentication by

Claude

Renoir,

son

of

artist

and by

Andre Urban

Pierre

Auguste

Renoir,

French,

1841-1919


58/120

Cachet,

lower

left

Acquired

through

Galerie

Urban,

Paris, 1965

Claude

Renoir

Collection, Paris

Authentication

by

Claude

Renoir,

son

of

artist,

and

by

Andre

Urban

PETE

Oil

on

Canvas,

5x4

54

Pierre

Auguste

Renoir,

French,

1841-1919


59/120

Cachet,

lower

left

Acquired through Galerie

Urban, Paris,

from

Private

Collection, 1959

Ambroise

Vollard

Collection,

Paris

Authentication

by

Claude

Renoir, son of artist,

and

by

Andre Urban

JEUNE FILLE

AU CHAPEAU

Oil

on

Canvas,

IOV2 x

8V2

55

Pierre

Auguste

Renoir,

French,

1841-1919


60/120

Cachet, lower left

Acquired

at

Galerie

Urban, Paris

Anibroise Vollard

Collection,

Paris

Authentication by

Claude

Renoir,

son

of artist, and

by

Andre

Urban

ROSES

DANS

UN

VASE

Oil

on

Canvas,

9

'/2

xlVz

56

Auguste

Rodin, French,

1840-191


61/120

Signed by

the artist,

lower

left

Acquired

at

Galerie Urban,

Paris, 1959

M.

Albert Sarraut

Collection

Authentication by

Gilbert

de

Knyff

DEUX FEMMES

NUES

Aquarelle, 12x1

57

Louis Sue,

French,

b.

1875


62/120

Signed by

the

artist, lower left

Acquired

at

Galerie

Romanet,

Paris, 1959

Authentication by

Andre

Romanet

Exhibited: Louis

Siie

el ses

Amis,

Galerie

Romanet,

Paris,

1959

Reference:

Catalogue,

Louis

Siie

et

ses

Amis,

illustrated

TOILETTE

Oil

on

Canvas,

22

x

15

58

Pierre

Tal-Coat, French,

b.WO


63/120

NATURE

MORTE

(CITRONS)

Oil

on

Canvas,

1

3

x

:

Signed

by

the artist, lower

rigl

Acquired

at Galerie Urban,

Paris,

196

Authentication by

Andre

Urba

59

Louis

Valtat,

French,

1869-1952


64/120

LA

TONNELLE,

1900-1903

(Fauve

Period)

Oil

on Canvas, 17

x

22

Cachet,

lower

right

Acquired

at Galerie

Urban,

Paris,

1963

Authentication

by

Docteur

Jean

Valtat,

son

of

artist

and by

Madame

I.

Valtat,

widow

of

artist

60

Louis

Valtat,

French,

1869-195


65/120

Cachet, lower

right

Acquired

at

Galerie

J.LeChapelin,

Paris,

1962

Authentication

by Docteur

Jean

Valtat,

son

of

artist

and by Madame

I.

Valtat,

widow

of artist

LA

LOGE, 1916

Oil

on

Paper,

24 X

\8V

61

Louis

Valtat,

French,

1869-1952


66/120

LES

CHAMPS

ELYSEES,

1904,

(Fauve

Period)

Oil

on

Canvas,

32

x

40

Signed

by

the

artist,

lower

right

Acquired

at

Galerie

J. Le

Chapelin,

Paris,

1962

Ambroise

Vollard

Collection

Authentication

by

Docteur

Jean

Valtat,

son

of

artist

and

by

Madame

I.

Valtat,

widow

of

artist

and

by

Andre

Pacitti

Louis

Valtat,

French,

1869-1952


67/120

PETITE

PLAGE

Oil

on

Canvas,

10 x lU

Cachet, lower

left

Acquired

at

Galerie

J. Le Chapelin,

Paris,

1962

Authentication

by Docteur

Jean

Valtat,

son

of artist,

and

by

Madame

I.

Valtat. widow

of

artist

Kees

Van

Dongen,

Dutch

(SchooiofPans),

1877-1968


68/120

Signed by

the

artist,

lower

center

Inscribed

Ines

Napoli

on

the

stretcher.

Acquired

through

Galerie

Urban,

Paris, 1965

Collection

Madame C.

(Paul-

Boncourt

)

Loraine,

daughter

of

former

Prime

Minister

of

France.

Initial

acquisition

from

artist,

1920.

Authentication

by

the

artist and by

Andre

Pacitti

INES

NAPOLI, 1908

Oil

on

Canvas,

32

x

2

Theo Van

Rysselberghe, Belgian,

1862-1926


69/120

PAYSAGE

DE

SAINT CLAIR

Oil

on

Canvas,

18x22

Unsigned

Acquired

at

Galerie

Urban,

Paris, 1961

Authentication

by

Elizabeth

Van

Rysselberghe,

widow

of

artist

and

by

Andre Urban

Edouard

Vuillard,

French,

1868-1940


70/120

Cachet, lower right

Acquired

at Galerie

Urban,

Paris,

1959

Hessel

Collection,

Paris

Authentication

by

Jacques Salomon

NATURE

MORTE

(FLEURS)

Oil

on

Cardboard,

12x

10

Edouard

Vuillard,

French,

1868-194


71/120

JEUNE

FILLE AU

BUSTE

NUE,

1908

Oil

on Cardboard,

7

x

1

Signed

by the artist,

lower

rigl

Acquired

at Galerie

de Paris,

196

Palais

Galliera

Auction,

June

21,

1961,

Item

No. 10

Authentication

by Andre

Pacitti

and by Jacques

Salomo

Reference: Catalogue

of

Palais Galliera Auction, Plate

No.

3

67

Edouard

Vuillard,

French,

1868-1940


72/120

Cachet, lower

right

Acquired

from

a private

collection,

Paris, 1967

Authentication

by

Antoine

Salomon and

by

Jacques Salomon

FEMME

Pastel,

121/2

X91/2

Jacques Yankel,

French,

b.

1921


73/120

Signed

by

the

artist, upper right

Acquired from the

artist,

Paris,

1960

VENISE,

LE GRAND CANAL

Oil

on

Canvas, 22 X

13

'/a


74/120

THE

GEORGE

GREGSON

COLLECTION


75/120

INDEX

OF

PAINTINGS

AND

WATERCOLORS


76/120

INDEX


77/120

PAINTING

Le

Pare

Monceau

Abstraction

Nature

Morte

Les

Voiliers

Le

Roi

Femme

Assise

Asmara

Chenet

du

Charmois

Paysage

de

Provence

Paysage

du

Midi

La

Bretonne

a

la

Coiflfe

Femmes

Nues

Au-Dessous

d'un

Aigle

et

Pres

d'un

Arbuste

Interieur

Abstraction

Baigneuses

Dans

un

Paysage

Fleurs

Dans

Vase

Bleu

Nature

Morte

(Fruit)

Abstraction

A

r

Abattoir

de

la

Villette

Abstraction

Abstraction

Venise

Maison

se

Refletant

Dans

I'Eau

Paysage

Paysage

Cassis

ARTIST

Albert

Benjamin

Andre

Genevieve

Asse

Maurice

Blond

Charles

Camoin

Antoni

Clave

Antoni

Clave

Corneille

(Guillaume

Beverloo)

Lucie

Cousturier

Henri-Edmond

Cross

Henri-Edmond

Cross

Henri-Edmond

Cross

Andre

Derain

Pierre

Dorian

Jacques

Doucet

Ignace-Henri-Jean

Theodore

Fantin-Latour

Robert

Fonta

Robert

Fonta

Sam

Francis

Alexandre

Garbell

Jacques

Germain

Jacques

Germain

Andre

Lhote

Gustave

Loiseau

Maximilien

Luce

Maximilian

Luce

Henri

Manguin

PAGE

17

18

19

20

21

22

23

24

25

26

27

28

29

30

31

32

33

34

35

36

37

38

39

40

41

42

73

INDEX


78/120

PAINTING


79/120

THE

GEORGE

GREGSON

COLLECTION

OF

SCULPTURE


80/120


81/120

ILLUSTRATIONS


82/120

Jean

Arp,

French,

1887-1967


83/120

NOEUD

DE

MEUDON,

1958

Bronze

(5/10),

3

high

Acquired

at

Galerie

Iris Clert,

Paris, 1959

Authentication by

the artist

Andr^Belo,

Italian

(Schooi

of

Pans),

b.

1908


84/120

Acquired

at

Galerie Katia

Granoff, Paris,

1963

Authentication

by

the artist

LA PRETENTIEUSE

Bronze

(unique),

18 high

Emile-Antoine Bourdelle,

French,

1861-192i


85/120

Susse, Fondeur

Acquired at

Galerie

Claude

Bernard,

Paris,

1967

Authentication by Madame

C.

Bourdelle,

Conservateur,

Musee

Bourdelle,

Paris and

by

Claude Bernard-Haim

ADAM,

1888-89

Bronze

(4/10)

26

high

EmUe-Antoine

Bourdelle,

French,

1861-1929


86/120

Valsuani,

Fondeur

Acquired

at

Galerie

Claude

Bernard.

Paris.

1967

Authentication

by

Madame

C.

Bourdelle,

Conservateur.

Musee

Bourdelle.

Paris

and

by

Claude

Bernard-Haim

Exhibited:

Boivdelle,

Galerie

Claude

Bernard,

Paris,

1967

Reference:

Catalogue

oj

Bourdelle

Exhibition,

illustrated

MAIN

DE

GUERRIER

MOURANT

Bronze

(8/10),

14

high

Augustin Cardenas,

Cuban

(Schooi

of

Pans),

h.

192


87/120

Acquired

at

Galerie

du Dragon,

Paris,

1965

Reference:

Catalogue

of

the

exhibition No. 14

Authentication

by the artist

CHRISTINA,

1964

White

Marble,

30

hi|

83

Augustin

Cardenas,

Cuban

(Schooi

of

Pans),

b.

1927


88/120

Acquired

at

Galerie a

a

a,

Paris,

1960

Authentication by

the

artist

FORME

White

Marble,

10

high

Shin

Hongo,

Japanese,

h.

190,


89/120

'^

3

-Jl

Acquired

at

Galerie

Nichido,

Tokyo,

1962

^''d.

V*

i3f?:->'

NUDE

STANDING

Bronze,

29

h

85

Shin

Hongo,

Japanese, b.

1905


90/120

NUDE

SEATED

Bronze,

10

high

Acquired

at

Galerie

Nichido,

Tokyo,

1961

Sueo

Kasagi,

Japanese,

h.1901


91/120

ABSTRACTION

Bronze,

6

'/i

high

Acquired

at

Galerie

Nichido,

Tokyo,

1961

Reference:

Japan's

Ten

Sculptors.

Japan,

1959,

illustrated,

p.

53

Kentaro

Kimura,

Japanese,

h.

1928


92/120

ABSTRACTION

Black

Granite,

1

l high

Acquired at

Minanii

Gallery,

Tokyo,

1959

Kentaro

Kimura,

Japanese,

b.

1928


93/120

ABSTRACTION

Black

Granite,

13

high

Acquired

at

Minami

Gallery,

Tokyo,

1961

Kentaro

Kimura,

Japanese,

h.

1928


94/120

ABSTRACTION

Black

Granite,

27

high

Acquired

at

Minami

Gallery,

Tokyo,

1961

Aristide

Maillol,

French, 1861-1944


95/120

Alexis

Rudier,

Fondeur

Acquired

at

Perls Galleries,

New

York, 1968

Through Madame Dina

Vierny,

Paris,

Executrix

of

Maillol

Estate

Authentication

by

Madame Dina

Vierny and

by Klaus

G.

Perls

MARIE,

c.

1925

(Etude

pour I'Ue

de

France)

Bronze

(4/6),

271/2

high

Ghana

Orloff,

Ukmnian

(Sciwoi

of

Pans),

b.

1888


96/120

Signed

by

the

artist,

right

of

base

Acquired

at

Galerie

Katia

Granoff,

Paris,

1963

Exhibited:

Galerie

Katia

Granoff,

Paris,

December

7,

1962

Reference:

Catalogue

for

the

exhibition

at

Galerie

Katia

Granoff,

No. 33,

illustrated

on

cover

RUTH

ET

NOEMI,

1928

Bronze

(1/4),

24

high

Antoine

Poncet,

French,

b.

1928

sr>S55W^i S?S5sTii?SreSS S S8KSiS5SfiS5?SS BtS ^^


97/120

IP

Acquired

at Galerie Marbach, Paris,

1966

Authentication

by

the

artist

Exhibited:

Galerie Marbach, Paris.

1966

Reference:

Catalogue

of the

exhibition,

illustrated

FINETAILLE, 1965

Portuguese

Rosa

Aurora

Marble,

52

high

Antoine

Poncet,

French,

h.

1928


98/120

\^

FORME

SANS

NOM, 1959

Bronze

(5/5),

12

high

Acquired

from the

artist,

Paris,

1960

Authentication by

the

artist

Antoine

Poncet,

French,

b.

1928


99/120

Acquired from the artist, Paris, 1960

Authentication

by

the

artist

L'ARBRE

A REFLETS,

1959

Bronze

(1/6),

16

high

Antoine

Poncet,

French,

b.

1928


100/120

MONOCLE, 1958

Bronze

(1/6),

6

high

Acquired

at

Galerie Loeb,

Paris,

1959

Authentication

by

the artist

Antoine

Poncet,

French,

h.

1928


101/120

Acquired

at

Galerie

Loeb,

Paris,

1959

Authentication

by

the

artist

ABSTRACTION,

1958

Bronze

(3/6),

6

high

Pierre Auguste

Renoir,

French, 1841-1919


102/120

Valsuani,

Fondeur

Acquired

at Galerie

Urban,

Paris,

1964

Authentication

by

Andre

Urban

DANSEUSE

AU

TAMBOURIN

Bronze

Plaque

(

15/20),

24

x 17

Pierre

Auguste

Renoir,

French,

1841-1919


103/120

Valsuani, Fondeur

Acquired

through

Galerie

Urban,

at

auction.

Hotel

Drouot,

Paris,

March

25,

1968

Authentication

by

Maitre

Guy

Loudmer

Reference:

Catalogue,

Hotel

Drouot

Auction,

No.

57,

illustrated

LE JOUEUR

DE FLOTE

Bronze

Plaque

(17/20),

24 x 17

Augusts

Rodin,

French,

1840-1917


104/120

LES

NEREIDES

Bronze

(6/12),

9

high

Georges

Rudier, Fondeur

Acquired

at

Edgardo Acosta

Gallery,

Beverly Hills,

1961

Inventaire No.

1

140,

Musee

Rodin,

Paris

Authentication

by

Madame

Cecile

Goldscheider,

Conservateur,

Musee

Rodin,

Paris

Auguste

Rodin,

French,

1840-1911


105/120

Acquired

at

Galerie

Urban,

Paris,

1962

Demotte Collection

Authentication

by

Gilbert de

Knyff

'.*

^.-

(

ETUDE

D'HOMME AU BRAS REPLIE Bronze

(unique),

7

higl

101

Takashi

Shimizu,

Japanese,

b.

1897


106/120

Acquired at

Minami

Gallery,

Tokyo,

1963

NUDE

SEATED

Bronze,

16

high

Antoniucci

Volti,

Italian (Sciwoi

of

Pans),

h. 190i


107/120

Epreuve

d'atelier

Acquired

at

Galerie

Katia

Granoff,

Paris,

1962

Authentication

by the

artist

Exhibited: Galerie

Katia

GranofT,

Paris, 1962

LES TROIS

GRACES

Bronze,

14

high

103

Antoniucci

Volti,

Italian

(Schooi

of

Paris), b.

1905


108/120

ANITA

Bronze

(2/6),

20

high

Acquired

at Galerie Katia

Granoff,

Paris,

1964

Authentication

by the artist


109/120


110/120

THE GEORGE

GREGSON

COLLECTION


111/120

INDEX

OF

SCULPTURE

107


112/120

INDEX

SCULPTURE

ARTIST

PAGE


113/120

Noeud de

Meudon

La

Pretentieuse

Adam

Main de

Guerrier

Mourant

Christina

Forme

Nude

Standing

Nude

Seated

Abstraction

Abstraction

Abstraction

Abstraction

Marie

Ruth et

Noemi

Finetaille

Forme

Sans

Nom

L'Arbre a

Reflets

Monocle

Abstraction

Danseuse

au

Tambourin

Le

Joueur

de

Flute

Les

Nereides

fitude

d'Homme

au

Bras

Replie

Nude

Seated

Les

Trois

Graces

Anita

Jean

Arp

Andre

Belo

Emile-Antoine

Bourdelle

Emile-Antoine

Bourdelle

Augustin

Cardenas

Augustin

Cardenas

Shin

Hongo

Shin

Hongo

Sueo

Kasagi

Kentaro

Kimura

Kentaro

Kimura

Kentaro

Kimura

Aristide

Maillol

Ghana

Orloff

Antoine

Poncet

Antoine

Poncet

Antoine

Poncet

Antoine

Poncet

Antoine

Poncet

Pierre

Auguste

Renoir

Pierre

Auguste

Renoir

Auguste

Rodin

Auguste

Rodin

Takashi

Shimizu

Antoniucci

Volti

Antoniucci

Volti

79

80

81

82

83

84

85

86

87

88

89

90

91

92

93

94

95

96

97

98

99

100

101

102

103

104

109


114/120


115/120

GG

n


116/120

Two

thousand

copies

of

THE GEORGE

GREGSON

COLLECTION

prepared

by

William E.

Steadman

were

printed in

December

1968

by

Walker

Lithocraft

Printing

Company

at

their

press in

Tucson,

Arizona

All

photographs

and

transparencies

were

completed

by

Balestrero-Western

Ways

Tucson,

Arizona


117/120


118/120


119/120


120/120

Documents

The George Gregson Collection (Art eBook)