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TESSELLATIONS!! The art of M.C. Escher and tessellations Circle Limit III, 1959

The art of M.C. Escher and tessellations Circle Limit III, 1959

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Page 1: The art of M.C. Escher and tessellations Circle Limit III, 1959

TESSELLATIONS!!

The art of M.C. Escher and tessellations

Circle Limit III, 1959

Page 2: The art of M.C. Escher and tessellations Circle Limit III, 1959

Definitions we need to know: 1. Vertex: A: a point (as of an angle, polygon,

polyhedron, graph, or network) that terminates a line or curve or comprises the intersection of two or more lines or curves

2. Angle: A: the space within two lines or three or more planes diverging from a common point , or within two planes diverging from a common line

Page 3: The art of M.C. Escher and tessellations Circle Limit III, 1959

3. Plane: A:Geometry, a surface generated by a straight line moving at a constant velocity with respect to a fixed point. B: Fine Arts, an area of a two-dimensional surface having determinate extension and spatial direction or position: oblique plane; horizontal plane4. Polygon: A: a closed plane figure bounded by straight linesB: a closed figure on a sphere bounded by arcs of great circles

Page 4: The art of M.C. Escher and tessellations Circle Limit III, 1959

5. Adjacent: A: Having a common endpoint or border (adjacent lots) (adjacent sides of a triangle)

6. Congruent: A: Geometry, coinciding at all points when superimposed, congruent triangles

Page 5: The art of M.C. Escher and tessellations Circle Limit III, 1959

What is a tessellation?The dictionary defines a tessellation as:A: MosaicB: a covering of an infinite geometric plane without gaps or overlaps by congruent plane figures of one type or a few types

Page 6: The art of M.C. Escher and tessellations Circle Limit III, 1959

A tessellation has three main properties:

1. They are repeated patterns, but they are a specific kind of repeated pattern.

2. Tessellations do not have gaps or overlaps.

3. Tessellations can continue on a plane forever.

Page 7: The art of M.C. Escher and tessellations Circle Limit III, 1959

The history of tessellations goes back toSumeria in about 4000 BC. The Sumeriansbuilt their homes and temples using mosaic tilesdecorated with geometric patterns. Throughouthistory, many civilizations such as thePersians, Moors and Romans used thesedecorative tiles extensively. The English wordtessellation comes from the Roman word fortile: tessellae.

This is an Islamic roof tessellation from Chehel Sotoon, 1642-1667. Islamic religion forbids the use of anything living in their art so mosaics using complex shapes and patterns were used quite frequently.

Page 8: The art of M.C. Escher and tessellations Circle Limit III, 1959

Pat Wehrman is a tile artist that is also an engineer. She is heavily influenced by M. C. Escher and creates mosaic’s with tiles using tessellations.

Page 9: The art of M.C. Escher and tessellations Circle Limit III, 1959

M.C. Escher was born in the Netherlands in 1898. He became one of the most famous graphic designers in the world. He did many realistic drawings and prints as well but he is very famous for his mathematical tessellations, many of which are extremely complex. Just like Leonardo da Vinci and Michelangelo, Escher was left handed. Escher passed away in 1972 but during his lifetime he created 448 lithographs, woodcuts and wood engravings and over 2000 drawings and sketches. He is still a very talked about artist today, not just for his art but for the mathematics behind it!

Page 10: The art of M.C. Escher and tessellations Circle Limit III, 1959

Lithograph, 1921 Symmetry series, 1936-1941

Page 11: The art of M.C. Escher and tessellations Circle Limit III, 1959

Symmetry series, 1936-1941

Page 12: The art of M.C. Escher and tessellations Circle Limit III, 1959

We are going to begin cutting a shape to make our own tessellation pieces from the 2 ½” X 2 ½” cardstock pieces I have provided. Although each person’s template will be a different shape, we will all end up with a template similar to this

Page 13: The art of M.C. Escher and tessellations Circle Limit III, 1959

I turned my template into a dog. What will yours be?

Page 14: The art of M.C. Escher and tessellations Circle Limit III, 1959

We will be going from this……to this!