Tabela de Cores Aqua

Authorized Distributor: Color Identification Chart (CIC)

Copyright 2003 LiPigments Due to variances among monitors and/or printer configurations, Revised: 05/25/2014 colors shown may vary from actual colors. Page 1 of 25

SPECIAL NOTE: The eyeliner and brow colors have been reviewed as of June of 2014 and reassigned Light to Dark (Reference the Light-to-Dark Scale), Temperature Values (Reference the Color Temperature Scale) and each yellow has been assigned a cool yellow, more neutral or warm yellow designation in the base section. In regard to the lip & areola pigments, at this time the lip & areola pigments are designated as cool, more neutral, or warm. In the future LI will provide the same organizational detail for the lip & areola pigments as what is given for the eyeliner and eyebrow pigments. This is a labor intensive project that we will work diligently to provide to you in the near future. LI Eyebrow pigments are pre-neutralized. What this means to the artist (technician), is that minimal mixing is required to attain the desired healed result. LI recommends no more than two eyebrow colors mixed together to create a third color or one eyebrow color adjusted with one of the appropriate modifiers to accommodate a particular skin undertone.

Color *Temp/**L-D Base Suggested Use:

Traditional Eyeliner Colors: Listed Light to Dark Charcoal (119) True Charcoal

Cool -4 L-D 4

Black & White Inorganic

True charcoal. Great for minimum commitment eyeliner. A good option for male lash enhancement. Looks great on people with light blue or gray eyes. Add Onyx to darken. Add to Taupe to obtain a darker Taupe or a soft charcoal eyebrow color.

Steel Gray(122) Charcoal with a Brown Influence

Cool -3 L-D 4+

Gray Black Inorganic

A charcoal color with a brown influence. This is a great color; charcoal but with a brown undertone.

Ebony Brown (104) Must-have Rich Darkest Brown

Cool -6 L-D 5+

Black & Brown Inorganic Contains a small amount of red which makes this color less cool than Black Magic, but is still a cool dark color.

Rich dark brown chocolate eyeliner. Appropriate for Fitzpatrick skin types I-V and all eye colors. Add Onyx to darken as needed. Also a fantastic eyebrow color. See Ebony Brown in the eyebrow section of the CIC.



Black Magic (103) Must-have Rich Iron Oxide Brown-Black

Cool- 5 L-D 5+

Black Inorganic

A soft black appearing eyeliner color with subtle brown undertones. This eyeliner color is appropriate for most Fitzpatrick skin types and eye colors. Add Onyx as needed to darken. Mix in 1/3 Khaki Halo or Forest Halo for a beautiful tone. Brown-Black.

Onyx (102) Must-have Rich Iron Oxide Black

Cool -6 L-D 6

Black Inorganic

Beautiful rich black eyeliner and lash enhancement. Appropriate for all Fitzpatrick skin types. Will offer dramatic contrast against light eye color. Due to the intensity of the blackness of this pigment, adding a very small amount of Un-Gray or Caribbean Mod for clients with very cool eyelid undertones to maintain the blackness of the pigment in the skin is an option.

Ultra Black (109) Carbon & Iron Oxide & Mixed

Cool -6 L-D 6

Black Organic & Inorganic

A rich black mixture of half carbon black and half black iron oxides. Use in the upper lash line avoiding inner and outer cantus areas. Due to the intensity of the blackness of this pigment, adding a very small amount of Un-Gray or Caribbean Mod for clients with very cool eyelid undertones to maintain the blackness of the pigment in the skin is an option. For technicians experienced with carbon black. Migration is possible when using any carbon black if not used by an experienced technician. Notice: This product contains carbon black.

Midnight Black (115) Carbon Based. True Black

Cool -6 L-D 6

Black Organic

Carbon black eyeliner or lash enhancement. This black-black will offer dramatic contrast against any eye color. Due to the intensity of the blackness of this pigment, adding a very small amount of Un-Gray or Caribbean Mod for clients with very cool eyelid undertones to maintain the blackness of the pigment in the skin is an option. For technicians experienced with carbon black. Migration is possible when using any carbon black. Notice: This product is carbon black.

Fashion Eyeliner Colors: Listed Light to Dark



Highliner (420)

Cool -3 L-D 1+

Pink & White Inorganic

A light, almost white color with a pink undertone. Use for the French Eyeliner effect above a black eyeliner. Not popular in the U.S. Notice: Once the dark eyeliner naturally fades, the white highliner will remain. Be advised, this could be problematic. Advice the client accordingly before using this product.

Ocean Blue (803)

Cool -4 L-D 4

Blue Organic & Inorganic

Fashion blue-teal eyeliner. Intense in color; consider mixing with other pigment colors. Works well for people with green or blue eyes as an accent eyeliner above black lash enhancement. Favorite Combinations: Mix with Jade for deep teal eyeliner. Mix with Taupe for muted soft color. Mix with Charcoal for a slate blue smoky effect

Jade (703) Green

Cool - 4 L-D 4

Green & Blue Inorganic

Fashion green eyeliner. Works well for people with green or blue eyes above black lash enhancement. Favorite Combinations: Mix with Taupe for a sage color. Mix with Charcoal for a smoky liner. Deepen with Ebony Brown or Black Magic.

Smoky Marine (827)

Cool - 4 L-D 4

V Blue Inorganic

Fashion blue color smoky eyeliner.

Rich Sapphire (814) Blue

Cool -4 L-D 4 .

Blue Contains a small amount of violet Organic & Inorganic

Deep blue with subtle violet undertones fashion eyeliner. Works well on people with brown or blue eyes. . Use above a black lash enhancement for accent. This is a beautiful accent color. Wash (dilute with Soft FX) for a stunning Halo color.

Amethyst (825)

Cool -5 L-D 5

Violet & Blue Organic & Inorganic

A deep eggplant purple eyeliner color. This is a beautiful color and looks fabulous against dark eyes on Fitzpatrick I-IV skin types.



Rich Velvet (802) A Rich Violet Black

Cool -5 L-D 5

Violet & Blue Organic & Inorganic

A deep violet-black eyeliner color. The added violet to black is subtle. This is a beautiful color and looks fabulous against dark eyes on Fitzpatrick I-IV skin types.

Eyeliner Halos Subtle colors most often used as soft, shaded, powder effect above top lid eyeliner. May also be used as an eyeliner color, however the end result will be very subtle compared to more intense standard eyeliner colors. It may also be used as subtle lower eyeliner. Colors Listed Light to Dark

To use as a halo over a top eyelid eyeliner: Once you have pigmented the eyeliner, pigment the selected halo color directly above the lash enhancement or top lid eyeliner and blend down onto the liner. For eyelash enhancements, place the Halo color adjacent to the lash line to enhance a darker enhancement color.

Color *Temp/**L-D Base Suggested Use:

Halo Khaki (725)

Cool -1 L-D 2+

More Neutral Yellow & Green Inorganic

A subtle khaki color. Use above black upper lash enhancement, brown or black eyeliner. May also be used for lower eyeliner (heals very light). Use on Fitzpatrick I-V skin types. Beautiful contrast to hazel or green eyes. Add a small amount of Black Magic to deepen. Favorite Combinations: Mix in Halo Forrest to deepen or Halo Taupe to make smokier.

Halo Taupe (272)

Cool -3 L-D 3

Cool Yellow & Green Inorganic

A subtle taupe color. Use above black upper lash enhancement, brown or black eyeliner. May also be used for lower eyeliner. Use on Fitzpatrick I-III skin types. Beautiful contrast to all eye colors. Favorite Combination: Add a small amount of Charcoal to deepen and make more smoky.



Halo Denim (120)

Cool -3 L-D 3

Blue & Green Both Organic & Inorganic

A subtle denim color. Use above black upper lash enhancement and black eyeliner. May also be used for lower eyeliner. Use on Fitzpatrick I-IV skin types. Beautiful contrast to blue or gray eyes. Favorite Combinations: Add a small amount of Ocean Blue to deepen the blue or a drop of Ebony Brown to darken.

Halo Forest (724)

Cool -2 L-D 3+

Green Inorganic

A subtle forest green color. Use above black upper lash enhancement, brown or black eyeliner. May also be used for lower eyeliner. Use on Fitzpatrick I-V skin types. Beautiful contrast to hazel or green eyes. Favorite Combination: Add a small amount of Black Magic to darken.

Halo Brown (271)

Cool -2 L-D 3

Warm Yellow & Orange Both Organic & Inorganic Subtle brown color.

Use above black upper lash enhancement, brown or black eyeliner. May also be used for lower eyeliner. Use on Fitzpatrick I-V skin types. Beautiful contrast to all eye colors. Favorite Combination: Add a small amount of Black Magic to deepen.



Color Temp/L-D Base Suggested Use: Eyebrow Colors: Listed Light to Dark Notice: From a formulation perspective, the medium to dark eyebrow colors listed below may also be used as a consideration for top and/or bottom eyeliner, as appropriate based, on the clients eyeliner color requests. Slightly Cool to Very Cool Blonde and Brown Brow Colors Sahara (266) Very light often used to lighten other colors

Cool -2 L-D 1+

Cool Yellow & Green Inorganic & Organic

Very light blonde color. Appropriate for most Fitzpatrick I-II skin types. May use to lighten other blondes and medium browns. Favorite Combinations: Add Brve to darken. Add Autumn Gold or Auburn for light to medium strawberry blonde. Add Olive Mod for a beautiful ash blonde.

Brve (261) Darker than Sahara with some warmth added

Cool -1 L-D 2

Warm Yellow & Green Inorganic & Organic

A well balanced light to medium blonde color for Fitzpatrick I-III skin types. Brve a slightly warmer base than Crme Latte. Lighten with Sahara or Lighten Up. Darken with Cappuccino, Hazelnut or Mochaccino. For additional warmth add Grey Vanish, 24 Carat Mod, Blonde or Autumn Gold. Favorite Combinations: Brve and Autumn Gold. Brve and Hazelnut. Brve and Pecan or Taupe. Brve and Crme Latte.

Crme Latte (262) Must Have Cooler and slightly darker than Brve

Cool -2 L-D 2+

More Neutral Yellow &Green Inorganic & Organic

A beautiful well balanced neutral to slightly cool blonde color for Fitzpatrick I-III skin types. Slightly cooler and darker than Brve. This is one of Lis most popular and versatile colors. Lighten with Sahara or Lighten Up. Darken with Cappuccino, Hazelnut or Mochaccino. For additional warmth add Grey Vanish, 24 Carat Mod, Blonde or Autumn Gold. Favorite Combinations: Crme Latte and Brve. Crme Latte and Hazelnut. Crme Latte and Olive Mod.



Latte (235) Slightly darker than Crme Latte

Cool -2 L-D 3

Cool Yellow & Green Organic & Inorganic

A well balanced medium blonde brow color for Fitzpatrick I-IV skin types. Slightly darker than Crme Latte. Lighten with Sahara, Brve or Lighten Up. Darken with Cappuccino, Hazelnut or Mochaccino. For additional warmth add Grey Vanish, 24 Carat Mod, Blonde or Autumn Gold. Favorite Combinations: Latte and Hazelnut. Latte and Cappuccino.

Cappuccino (212) Darker than Latte

Cool -2 L-D 3+


A well balanced medium brown. Slightly cooler than Hazelnut (see the neutral brow color section). Use on Fitzpatrick IIIV skin types. Lighten with Sahara Brve, Crme Latte or Lighten Up. Darken with Mochaccino, Navajo Brown or Cocoa. For additional warmth add Grey Vanish, 24 Carat Mod, Blonde or Autumn Gold. Favorite Combinations: Cappuccino and Latte. Cappuccino and Mochaccino.

Mochaccino (290) Darker than Hazelnut (see the Neutral Section) Lighter than Cocoa

Cool -2 L-D 3+ .


A well balanced rich medium brown, slightly darker than Hazelnut and lighter than Cocoa. Use on Fitzpatrick IIIV skin types. A very popular color. Lighten with Crme Latte, Latte, Cappuccino or Lighten Up. Darken with Cocoa, Navajo Brown or Dark Toffee. For additional warmth add Grey Vanish, 24 Carat Mod, Blonde or Autumn Gold. Favorite Combinations: Mochaccino and Autumn Gold. Mochaccino and Cocoa.

Cocoa (204) Similar coolness and darkness of Espresso but does not have the smoky brown influence

Cool -3 L-D 4


Medium to dark elegant brown for Fitzpatrick III-V skin types. Darker and cooler than Mochaccino. Lighten with Cappuccino, Latte, Hazelnut or Lighten Up. Darken with Dark Toffee or Ebony Brown. For additional warmth add Un-Gray or Autumn Gold. Favorite Combinations: Cocoa and Autumn Gold (an absolutely stunning combination. Hazelnut and Cocoa. Cocoa and Blonde.



Navajo Brown (295) Must-Have Darker than Cocoa

Cool -4 L-D 4+

Cool Yellow & Green Inorganic Contains a small amount of red which makes this color less cool than Espresso, but is still a cool darker color

A beautiful brown, darker than Cocoa, lighter than Espresso. This color heals to a dark brown for Fitzpatrick III-V skin types. Navajo contains a small amount of red in the base formula however; it is a cool brow color, but not as cool as Espresso. Lighten with Cappuccino, Hazelnut or Mochaccino or Lighten Up. Darken with Dark Toffee or Ebony Brown. For additional warmth, add Un-Gray or Autumn Gold or Blonde. Favorite Combination: Navajo and Autumn Gold.

Espresso (203) Darker and cooler than Mochaccino

Cool -5 L-D 5

Black & Brown Inorganic

Dark brown with a hint of charcoal (smoky brown) eyebrow color. Espresso contains no warmth additives. Good for Fitzpatrick IV-V skin types. Exceptional color for the Asian client who requests a dark brow without any warmth. Lighten Cappuccino or Hazelnut. Darken with Dark Toffee or Ebony Brown. For additional warmth add Un-Gray or Autumn Gold. Favorite Mixes: Use to darken Hazelnut, Mochaccino or Cocoa. Hazelnut and Espresso is a beautiful mix.

Dark Toffee (203-1) Darker than Navajo

Cool -5 L-D 5

Black & Brown Organic & Inorganic Contains a small amount of yellow/orange which makes this color less cool than Ebony Brown, but is still a cool dark color

This is a rich dark brown color. Dark Toffee contains a small amount yellow-orange in the base formula however; it is a cool brow color, but not as cool as Ebony Brown. Use on Fitzpatrick V-VI skin types. Lighten with Cappuccino, Hazelnut and Mochaccino. Darken with Black Magic only when appropriate due to the darkness of the canvas. For additional warmth add Un-Gray or Autumn Gold or Blonde Favorite Combinations: Mixes beautifully with Autumn Gold, Sandalwood, Cappuccino and Hazelnut.



Ebony Brown (104) Must-have Cooler and darker than Dark Toffee

Cool -6 L-D 5+

Black & Brown Inorganic Contains a small amount of red which makes this color less cool than Black Magic, but is still a cool dark color

This is a very dark black-brown color. Ebony Brown contains a small amount of red in the base formula however; it is a cool brow color, but not as cool as Black Magic. On Fitzpatrick V-VI skin types may heal to the appearance of a rich black. Add Black Magic only when appropriate due to the darkness of the canvas. The darker the eyebrow canvas, the cooler the canvas and appropriate amounts of Un-Gray should be considered as an additive to avoid a too cool healed eyebrow. For additional warmth add Un-Gray or Autumn Gold. Use to obtain a beautiful rich dark chocolate eyeliner as well see Eyeliner section. This is a definite favorite and there are many ways to use this color. Favorite Combinations: Ebony Brown may be used to darken up mid-range brown eyebrow colors. Ebony Brown is advised to be used in very small quantities. This is a strong pigment and a little bit goes as long way. Ebony Brown & Sandalwood or Ebony Brown &

Hazelnut are both stunning mixtures. Taupe/Gray Cool Brow Colors Pecan (210-1) Lighter than Taupe

Cool -2 L-D 3


Light taupe brow color with subtle brown undertones. A stunning light taupe for clients who have white, gray or salt and pepper scalp hair without the benefit of substantial amounts of natural eyebrow hair; or for clients who have white, gray or salt and pepper natural eyebrow hair. Pecan is also a good choice for the client with blonde scalp hair with or without light blonde natural eyebrow hair who desires an ashy light taupe brow. Lighten with Sahara or Lighten Up. To darken add Taupe, Eskimo Gray or Charcoal in small amounts. Select another color if a warmer pigment or result is desired. This is quickly becoming an artist favorite and a beautiful color. Notice: Less brown undertones will be evident on the ruddier (reddish and pinkish) skin types. Favorite Combinations: Mixes well with Brve or Crme Latte to achieve a light ash blonde.



Taupe (224) Must-have Darker and cooler than Pecan

Cool -3 L-D 3+

Green & Cool Yellow Inorganic

Taupe brow color with brown undertones. Great performer which can be used alone on moderately cool skin undertones Fantastic for clients who have white, gray or salt and pepper scalp hair without the benefit of natural eyebrow hair, or a client who has gray or salt and pepper natural eyebrow hair. This color may be too dark of a background for clients who have a significant amount of white bushy natural eyebrow hair. Use appropriately. Taupe also works for blondes who want a medium taupe eyebrow. Best Taupe ever with long stretches between touchups . When used on ruddy skin types (reddish or pinkish appearance) consider adding Grey Vanish or 24 Carat Mod to prevent the color healing too cool. Lighten with Sahara or Lighten Up. Darken with Espresso, Eskimo Gray or the Charcoal pigment listed in the CIC eyeliner section. If a warmer pigment is desired, consider a warmer color. Notice: Less brown undertones will be evident on the ruddier (reddish and pinkish) skin types. Favorite Combinations: Mixes well with Hazelnut, Cappuccino, Sahara, Brve and Crme Latte. An endless range of blondes may be created mixed with Sahara.

Eskimo Gray (106) Darker and cooler than Taupe

Cool -4 L-D 4

Black & White Inorganic

A very dark taupe to charcoal appearing color when healed. Can be used alone on moderately cool skin undertones. Ideal brow color for senior women with more pepper than salt scalp hair and natural eyebrow hair color who are accustomed to wearing a darker gray or charcoal brow pencil. When used on ruddy skin types (reddish/pinkish appearance) consider adding Grey Vanish or 24 Carat Mod to prevent the color healing too cool. Lighten with Pecan, Taupe or Lighten Up. Darken with Charcoal eyeliner pigment (see eyeliner section). If a warmer pigment is desired consider a warmer color.

More Neutral Brow Colors



Sandalwood (260) Slightly lighter than Hazelnut because of the yellow green influence as opposed to yellow red

More Neutral 0 L-D 3

More Neutral Yellow & Green Organic & Inorganic

This is a medium brown color that may also be appropriate for darker blonde requests. A great color recommended for Fitzpatrick III clients with dark blonde or medium brown hair. Lighten with Brve or Lighten Up. Darken with Cocoa, Dark Toffee or Ebony Brown (in small amounts). Favorite Combinations: Add Auburn as needed for dark auburn brows. Add Ebony Brown, Cocoa, or Navajo to darken as needed. Add Olive Mod or Espresso to cool for Asian brows.

Hazelnut (236) Must-have


More Neutral Yellow & Green Inorganic Contains a small amount of red which makes this color slightly warmer than Sandalwood but is still a more neutral color

A well balanced universal medium brown color for most Fitzpatrick III-V skin types. A stand alone; great right out of the bottle color. A very popular brow color. Slightly warmer than Sandalwood; but still a more neutral color. Lighten with Sahara, Brve, Crme Latte or Lighten Up. Darken with Cocoa, Navajo or Ebony Brown (small amounts) For additional warmth add Grey Vanish, 24 Carat Mod, Blonde or Autumn Gold. Favorite Combinations: Add Auburn as needed for dark auburn brows. Add Ebony Brown, Cocoa or Navajo to darken as needed. Add Olive Mod or Espresso to cool for Asian brows.

Warm Brown Brow Colors Blonde (259) Lighter and less warm than Autumn Gold

Warm +2 L-D 3

Warm Yellow & Orange A lighter warm blonde. Lighten with Sahara, Brve, Crme Latte or Lighten Up. Darken slightly with Hazelnut, Autumn Gold. If a warmer color is desired, consider another color such as Autumn Gold. A beautiful color that is quickly becoming a favorite. Very versatile. Favorite Combinations: Blonde and Hazelnut. Blonde and Cocoa. Blonde and Navajo.

Autumn Gold (234) Must-have Darker and warmer than Blonde

Warm +3 L-D 3

Red & Warm Yellow Organic & Inorganic

A medium warm brown color for use on Fitzpatrick I-VI skin types. Use on a Fitzpatrick V-VI skin type will produce a very light soft barely there eyebrow. Lighten with Sahara, Brve or Lighten Up. For additional warmth add Auburn. This is a great color. Favorite Combinations: Autumn Gold and Cocoa is a beautiful mix. Autumn Gold and Brve. Autumn Gold and Hazelnut.



Milk Chocolate (205-1) Slightly darker than Autumn Gold

Warm +3 L-D 3+

More Neutral Yellow & Red Inorganic

A beautiful, warmer, medium to medium dark brown eyebrow color (depending on the canvas). May be applied directly on the cooler undertones of Fitzpatrick IV-VI. May also be a good choice for Fitzpatrick III if a darker, warmer brow is desired. Lighten with Brve or Lighten Up. Darken with Cocoa, Dark Toffee or Ebony Brown (in small amounts). For additional warmth add Auburn. Favorite Combinations: This is a beautiful color alone or can add to Hazelnut to warm up, or Autumn Gold to darken.

Warm Brown (233) Slightly darker and warmer than Sandalwood

Warm +3 L-D 4

Warm Yellow & Green Organic & Inorganic

A soft, natural, warm medium brown color for use on Fitzpatrick III-IV skin types. Lighten with Brve or Lighten Up. Darken with Cocoa, Dark Toffee or Ebony Brown (in small amounts).

Auburn (223) Warmer and darker than Warm Brown

Warm +4 L-D 4

Red & Orange Inorganic

Beautiful Auburn brow color for Fitzpatrick I-III skin types with cooler to extremely cool skin undertones. This will age without red/orange residual color. Lighten with Brve, Blonde or Autumn Gold. Darken with Cocoa, Dark Toffee or Ebony Brown (in small amounts). Favorite Combinations: Mix with Sahara for light strawberry blonde. Mix with Autumn Gold for medium strawberry blonde. Mix with Hazelnut for a medium to dark Auburn. Mix with any brow color to add warmth.



SPECIAL NOTE: The lip pigments are currently arranged in temperature categories. This will be updated in the near future to reflect the same organizational consistency as depicted for the eyeliner & eyebrow shades.

Color Temp/L-D Base Suggested Use: Lips Colors (NOTE: Lip Color Procedures NOT Recommended For Fitzpatrick VI Skin Tones) NOTE: Although a lip formula may contain warm ingredients, because all lips have a cool undertone (some more than others), a lip color that is designated as warm will likely heal less warm than the formulation appears prior to the procedure. Achieving a warm lip is very challenging; the clients lips must be very pale to achieve this. Warmer ingredients are offered in selected formulations to help prevent a too cool healed lip appearance, not necessarily to achieve a healed orange appearance. Even considering a pale lip canvas, the technician nor the client may not see a noticeably orange appearance when healed. PINKS Rose Petal (522) FOR LIPS ONLY*

Cool Semi-Opaque


A soft rose lip color. Yields a very soft natural lip color.

Pink (908) (formerly Areola Pink) Must-have

Cool Opaque

Orange & Pink Inorganic

A cool lighter pink used to create a natural lip line or full lip. A very popular color for creating a natural lip and to enhance natural vermillion lip borders. Add to natural lip colors to increase opacity. This is the same formulation as Pink in the Areola section.

Montana Pink (921)

Cool

Pink Organic & Inorganic

A soft mauve pink lip color. Add a small amount of Neon Orange Mod to avoid a too cool healed lip color.

Pink Orchid (588) (See note of Caution) FOR LIPS ONLY*

Cool Red & Pink Organic & Inorganic

An intense, deep pink with red undertones lip color.



Strawberries and Cream (520) FOR LIPS ONLY*

Cool Semi-Opaque

Pink & Red Inorganic & Organic

A bright pink color with red undertones. This is one of the prettiest stand alone colors.

Raspberry Crme (590) (See note of Caution) FOR LIPS ONLY*

Cool Red & Pink Organic & Inorganic

A bright pink-red lip color. Note of Caution on deep lip colors: Deep lip colors were developed to meet the needs of well trained, experienced professionals. These are powerful colors and not intended for general use alone upon virgin skin. Technicians familiar with layering insurance colors into lip formulas will enjoy beautiful results. Inexperienced technicians should seek formula advice and specialized training in advanced lip procedures before using deep or dark lip colors.

WINE/PLUM Burgundy Wine (535) (See note of Caution) FOR LIPS ONLY*

Cool Red & Violet Organic & Inorganic

A wine lip color. Not recommended on clients with a natural dark vermillion. Note of Caution on deep lip colors: Deep lip colors were developed to meet the needs of well trained, experienced professionals. These are powerful colors and not intended for general use alone upon virgin skin. Technicians familiar with layering insurance colors into lip formulas will enjoy beautiful results. Inexperienced technicians should seek formula advice and specialized training in advanced lip procedures before using deep or dark lip colors.

Soft Plum (558) (See note of Caution) FOR LIPS ONLY*

Cool Violet Organic & Inorganic

A plum lip color. Do not use alone on virgin lips. This is a very intense color and may heal very cool (bluish) if lip color has not been sufficiently layered with insurance colors/modifiers etc. Note of Caution on deep lip colors: Deep lip colors were developed to meet the needs of well trained, experienced professionals. These are powerful colors and not intended for general use alone upon virgin skin. Technicians familiar with layering insurance colors into lip formulas will enjoy beautiful results. Inexperienced technicians should seek formula advice and specialized training in advanced lip procedures before using deep or dark lip colors.

MAUVE



Mauve (529) (formerly Areola Red) Must-have

Cool Opaque

Orange & Cool Yellow Inorganic

A true mauve lip color. Add to Autumn Red or Candy Apple for brick red lip liner or fill. Add to Indian Earth with a small amount of Ruby for red-wine lip color. Add to reds to increase opacity. This is the same formulation as Mauve in the Areola section.

Country Mauve (515)

Cool Semi Opaque

Red & Pink Organic & Inorganic

A medium brown mauve lip color.

ORANGE/PEACH Mango (609) Must-have FOR LIPS ONLY*

Warm Sheer

Pink & Orange Organic & Inorganic

This is a cool coral shade of lip color. Mixes well with any lip color to brighten.

Autumn (formally Autumn Red) (510) Must-have FOR LIPS ONLY*

Warm Red & Orange Both Organic & Inorganic

A warm brick red lip color. Add Mango for vibrancy or Ruby Red for depth. Add Neon Orange Mod as insurance against the color healing too cool on some cooler natural lip tones.

Darkenalf (516) FOR LIPS ONLY*

Warm Red & Pink Both Organic & Inorganic

A mauve lip color. Dont be confused by the warm appearance in the bottle; this color heals cooler than it appears.

REDS Valentine Kiss (555) (See note of Caution) FOR LIPS ONLY*

Cool Red Organic & Inorganic

A reddish pink lip color.



Candy Apple Red (505) FOR LIPS ONLY*

Warm Semi Opaque


A bright red with some warmth added. The most popular go to lip color. Beautiful as a stand-alone color. Use to warm up any cooler lip color.

Ruby Red (504) Must-have FOR LIP ONLY*

Cool Sheer

Red & Violet Organic

A sheer red lip color. Mix with any lip color to add depth. Used alone, color will be very sheer and pick up the undertone of the natural lip color. Mix with Mauve (formerly Areola Red) for a more opaque red. Mix with Brown (formerly Areola Brown) for Terra Cotta.

EARTH TONES Nectar (557) (See note of Caution)

Cool Orange Organic & Inorganic

Copper Brown Lip color. . Note of Caution regarding deep lip colors: Deep lip colors were developed to meet the needs of well trained, experienced professionals. This powerful color is not intended for general use alone. Technicians familiar with layering insurance colors into lip formulas will enjoy beautiful results. Inexperienced technicians should seek formula advice and specialized training in advanced lip procedures before using deep or dark lip colors.

Indian Earth (527) Must-have

Cool Opaque

Russet & Pink Organic & Inorganic

A brownish pink color. Mix with Darkenalf for a beautiful brown- mauve. Add Mango to brighten. Add Neon Orange Mod as insurance against a too cool healed lip.



Color Temp/L-D Base Suggested Use: Modifier/Correction Colors Desert Beige Mod(414) Only used with camouflage Colors

Cool -3 L-D 1

White & Pink Inorganic

A light beige color. Use to lighten other Areola or Skin Colors. Never mix with Eyebrow, Eyeliner or Lip Colors to lighten.

Lighten Up Mod (273)

Cool-1 L-D 1+ (Neutral)


A light beige-brown color. Use to go over a brow that has healed a bit too dark will lighten a couple of shades. Also use to lighten any brow color. This is a very useful color.

Yellow Gold (311)

Warm +3 L-D 2

Warm Yellow Inorganic

Golden yellow. Use to correct purple/gray brows. Can be used for lightening or increasing the gold/green tones in eyebrow colors. Corrects purple and gray eyebrows. Notice: This yellow contains more white than 24 Carat. Use sparingly.

NON-Violets (303) must have


More Neutral Yellow Inorganic

A more neutral yellow used to neutralize purple/violet brows. Add to brow colors as needed to increase the more neutral yellow and orange in the formulation. Do not use this to correct purple lips; this color is intended for brows only.

24 Carat Mod (321)

Warm +3 L-D 2

Warm Yellow Inorganic

A warm vibrant yellow. Do not use alone; this color has a warm yellow (orange appearing) base. Use to warm up blonde and light to medium brown brow colors. Can add a small amount to brow formulations to add warmth, golden tones and avoid a too cool healed result. Also used to correct (neutralize) faded light gray eyebrows. Since this color is a mild yellow with a medium opacity, it will not correct stubborn, dark gray, and/or charcoal gray eyebrows. See Un-Gray to correct stubborn dark gray or blue eyebrows.



Yellow Olive Mod Mod (YOM) (313)

Cool -3 L-D 2

Cool Yellow Inorganic

An ochre yellow with green undertone modifier used use to correct (neutralize) salmon or mauve brows. Corrects (neutralizes) red, purple, purple-mauves and salmon-mauve brows

Grey Vanish Mod (639) must have

Warm +3 L-D 3

Warm Yellow & Orange Inorganic

A warm orange formulated specifically for the correction of light to medium gray and blue eyebrows to achieve a soft brown on Fitzpatrick I-III skin types. . A lighter, golden version of Un-Gray May also be used to add warmth to lighter to medium eyebrow colors. (See Breve through Mochaccino brow colors) or as a precautionary measure to prevent the same range of eyebrow pigments healing too cool on the clients with lighter skin. Corrects soft to medium gray and blue eyebrows on Fitzpatrick I-III skin types.

UN-Gray Mod (604) must have

Warm +4 L-D 3

Orange Inorganic

A warm dark pumpkin color. Formulated specifically for the correction of stubborn dark gray; charcoal gray; or stubborn darker blue brows. May be used alone if the gray or blue is dark and dense. Use as a 50% additive to target color if the stubborn gray or blue is sheer in the skin and is not dark and dense. Add to any mid range to dark brow colors (See Cocoa through Ebony Brown eyebrow colors) for additional warmth. Not recommended as an additive to blondes or lighter brown shades. May add a very small amount of Un-Gray to black eyeliner colors for clients with very cool eyelid undertones to maintain the blackness of the pigment in the skin.

Neon Orange Mod (NOM) (610) FOR LIPS ONLY.*

Warm +5 L-D 4

Orange & Warm Yellow Organic

Corrects (neutralizes) blue and purple lips. Mix into any lip color before tattooing for added insurance against a lip color healing too cool. Not to be used for eyebrow or eyeliner correction.



Caribbean Mod (528)

Warm +3 L-D 3+

Red & Warm Orange Organic & Inorganic

A very deep red-orange color Corrects (neutralizes) green and blue eyebrows. Consider Un-Gray for this purpose first. Use when Un-Gray is not quite enough, especially as an additive to black eyeliner for clients with very cool eyelid undertones to maintain the blackness of the pigment in the skin. Use to correct (neutralize) blue or gray eyeliners. If aged eyeliner has shifted to blue undertones, and brown is desired, the technician may apply Caribbean Mod apply Ebony Brown at the same appointment, however waiting for any correction to heal first before a target color is considered the best technique for optimum results.

Copper (209-1)

Warm +4 L-D 4

Warm Yellow & Red Organic & Inorganic

Dark copper shade. Used to warm up brow color on cool undertones. Recommended for darker skin undertones. An opaque color modifier.

Brow Mod(707) must have

Cool -3 L-D 2

Green Inorganic

A light ash-brown color. As a modifier use to correct (neutralize) red, orange or pink eyebrows on Fitzpatrick I-III skin types. Use as an eyebrow color to obtain a light taupe blonde or light ash brown eyebrow on cool skin undertones for Fitzpatrick II-III. On warm undertones (Peaches and Cream), use as an eyebrow color to obtain a light brown May mix Brow Mod and Olive Mod together as needed. For camouflaging, add a small quantity to equalize skin tones or obtain a gray/olive base. Use to modify any pigment which has a red base to avoid red results. Use in mixtures to correct (neutralize) eyebrow, eyeliner and areola procedures that have shifted to a reddish/pink.



Olive Mod (OM) (706) must have

Cool -4 L-D 4

Green/ Cool Yellow Inorganic

A medium ash-brown color. This is a very versatile color. Use to correct (neutralize) red, orange or pink eyebrows on Fitzpatrick II-III skin types. Use as an eyebrow color to obtain a medium ash- brown eyebrow on cool skin undertones for Fitzpatrick II-III. On warm undertones (Peaches and Cream), use as an eyebrow color to obtain a medium brown. May mix Olive Mod and Brow Mod together as needed. Use to modify any pigment which has a red base to decrease the red influence. Mix w/ Jade for soft green eyeliner combined with black upper lash enhancement. May add a very small amount to adjust black eyeliner for clients with red-violet eyelid undertones.



Color Temp/L-D Base Suggested Use: Areola & Skin Colors Honey (408)

Neutral

Cool Yellow & Orange Inorganic

Equalizes skin tones and areola applications. Add to Lip mixtures to lighten and equalize the mixture.

Sand (411)

Cool Cool Yellow Inorganic

Pale pink beige areola color. Creates Halo on areolas.

Nude (412)


Pale pink areola color.

Flesh (407)

Neutral

Pink Inorganic

Soft Medium pink-beige areola color.

Blush (906) (formerly Areola Blush)

Cool


Slightly darker than Flesh but a medium-beige areola color. Use for light outer areola border zone or to dilute intensity of darker areola cool colors.

Pink (908) (formerly Areola Pink) must-have

Warm Opaque

Orange & Pink Inorganic

Pink areola color. Mid to outer areola zone. Most popular color for creating a natural lip. This is the same formulation as Pink in the CIC lip section.

Mauve (529) (formerly Areola Red) must-have

Cool Orange& Cool Yellow Inorganic

Red areola color. This is the same formulation as Mauve in Mauve in the CIC lip section.



Berry Ice Tea (919)

Warm (Warm with More Neutral Bias)

Red Inorganic

Dark red-pink nipple and areola color. Add to warm up areola mixtures. Muted pink-Brown mauve lip color. Can be used for nipple areola either direct or as an additive to pink- up the target color.

Light Salmon (418)

Warm Orange Inorganic

Use direct on areola procedures to obtain a pink- beige areola. Not recommended on Fitzpatrick V-VI skin types.

Rose (904)

Warm Red & Violet Inorganic

Medium to dark pink nipple color.

Old Rose (923)

Warm Red Inorganic

Dark pink nipple and areola. Add to warm up areola mixtures

Caramel (252)

Neutral


Medium brown areola color. Can be used to create Montgomery Glands.

Pink Sand (492)


Cool beige areola color. Outer areola zone. Use to add cool highlights to an areola mixture.

Bisque (421)

Warm Orange & Cool Yellow Inorganic

Medium brown-pink areola color. Can be used to create Montgomery Glands.



Beige (416) (formerly Areola Beige)


Warm beige areola color. Outer areola zone. Use to add warm highlights to an areola mixture.

Mocha (419)


Use direct on areola procedures to obtain an orange-beige areola. Not recommended for warm skin tones.

Medium Brown (222)

Warm Cool Yellow & Green Inorganic

Medium brown areola color. Use on darker skin.

Brown (238) (formerly Areola Brown)must-have

Neutral

Orange Inorganic

Dark brown areola color. Inner areola zone and nipple. Lighten with Desert Beige Mod or Blush.

Dark Brown (220)

Warm Red & Cool Yellow Inorganic

Dark brown areola color. Use on darker skin.



Color Light to Dark (L-D) Scale

* Color Temperature Scale +1 barely warm +2 slightly warm +3 warm +4 extremely warm +5 warmest 0 Neutral; more neutral than other brow colors - does not have a strong bias towards warm or cool -1 barely cool -2 slightly cool -3 cool -4 very cool -5 extremely cool -6 coolest The Color Temperature Scale referenced above refers to the primary base of the pigment leaning toward cool or warm. Please note that all results are dependant not only on color chosen, but the skin undertone of the client, the needle configuration used; and the technique employed. Each of those elements all play a very important role in the outcome of how warm or cool a color appears when healed. As an example, a color rated as a -3 cool, pigmented into a very cool skin undertone with a single needle, employing the hairline stroke technique can ultimately heal to appear as a -5 extremely cool. Neutral signifies no substantial temperature bias. However, all color results are dependent upon skin undertones. Cool and warm designations indicate the basic temperature bias of the pigment's undertone. A temperature designation does not necessarily indicate absolute cool or warm properties; rather that the primary bias leans toward either cool or warm. There are different degrees of cool and warm. Some cool pigments may be only slightly bias to cool or warm, whereas others may be very cool or warm. Each technician must work with LI Pigments and the client's individual skin undertones to determine the appropriate temperature bias of the correct pigment selection for each client. ______________________________________________________________________



FOR LIPS ONLY* - Signifies pigments which contain colorants that are NOT to be used near the eye or eyebrow area. For Best Results: Always shake pigment bottles very well before each use. Best way to shakeremove cap, place a clean gloved finger or clean paper towel over opening

and shake for at least 30 seconds. Do not mix different pigment brandscritical to follow this rule. Always prevent cross-contamination by never dispensing color from bottle into pigment cup at

contaminated workstation. Never handle bottles with contaminated hands. Securely cap bottles immediately after dispensing color.

Unopened containers of pigments have a shelf life from 5-10 years from the date of manufacturing if kept in a cool, dry place and not exposed to any extreme temperatures or UV rays. Based on product ingredients the appropriate expiration date is given. For more information, please contact your Authorized Distributor of Aqua & Velvet. Opened Containers should be discarded after one year (12M). This is an international standard that LI adheres to for all locations. Ref: PAO (Point after opening) symbol (open container) on the product label. Pigment bottles should be annotated on the date of opening.

FITZPATRICK SCALE Fitzpatrick I Highly sun sensitive. Always burns, never tans. Example: Fair Red Heads w/

Freckles. Very cool, and some extremely cool in skin undertone temperature. Fitzpatrick II Very sun sensitive. Easily burns, rarely tans. Example: Fair complexion, fair

haired Caucasians. Fitzpatrick II skin types may be warm or cool. Note although it is possible to have a peaches and cream (warm) Fitzpatrick II client, 99.99% of Fitzpatrick II clients are cool.

Fitzpatrick III Sun sensitive. May burn, but will turn into golden tan. Example: Dark blonde to dark brown haired Caucasians and Asians, usually brown eyed. Although most Fitzpatrick III skin types are more neutral (Asian skin) to cool, some warm skin undertones do exist. Note although it is possible to have a peaches and cream (warm) Fitzpatrick II client, 99.99% of Fitzpatrick III clients either more neutral (Asian skin) or cool.

Fitzpatrick IV Low sun sensitivity. May burn, but will quickly turn to dark brown tan. Example: Mediterranean with olive skin tone, some Asians with yellow-green undertones. Fitzpatrick IV skin types are considered cool.

Fitzpatrick V Low to no sun sensitivity. Very rarely burns, tans dark quickly. Example: Hispanics, some Asians, some Blacks. Fitzpatrick V skin types are considered cool.

Fitzpatrick VI Will not burn, skin deeply pigmented. Example: Dark black skin. Fitzpatrick VI is considered to be an extremely cool skin undertone.

Please address any questions or concerns to Your Authorized Aqua & Velvet Distributor

Documents

Tabela de Cores Aqua