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Act OneInterior of the Church of Sant’ Andrea della Valle.

Cesare Angelotti, a political prisoner who has just escaped from the Castel Sant’ Angelo, furtively

enters the church to hide in the private chapel of his sister, the Marchesa Attavanti. The sacristan

enters and is surprised to see that the painter, Mario Cavaradossi is not at work. Cavaradossi arri-

ves and attempts to resume his work – a painting of a blonde blue-eyed Mary Magdalen, inspired

by the Marchesa Attavanti, whom he has seen praying in the church lately. Cavaradossi compares

the dark beauty of his beloved Floria Tosca, the most celebrated Prima Donna of her day, with the

fair Magdalen.

The sacristan leaves. Angelotti, believing the church to be empty, steps from his hiding place and

is discovered. He is relieved to recognize Cavaradossi, who agrees to help him. Suddenly Tosca’s

voice is heard, and Angelotti hides once again. The jealous diva enters, convinced that Cavara-

dossi was with another woman. Preoccupied with Angelotti, Cavaradossi quiets her suspicions,

and they plan a rendez-vous later that evening. As she is about to leave, Tosca sees the painting,

and jealously recognizes the Marchesa Attavanti. Cavaradossi persuades her that his model is sim-

ply an unknown worshipper, and they part.

Angelotti emerges just as a cannon shot signals the discovery of his escape. Cavaradossi offers to

hide him in his nearby villa, and the two men flee together. The sacristan returns, accompanied by

members of the choir. All are excited by the latest news: Napoleon has been crushed at Marengo.

There is to be a victory celebration that evening at the Farnese Palace, where the choir will sing a

new cantata, with Floria Tosca as soloist.

Suddenly, Baron Scarpia, chief of the Roman police, enters. He and his agent Spoletta have traced

Angelotti to the church. After questioning the sacristan, Scarpia surmises that Cavaradossi, a sus-

pected Republican sympathizer, has aided the fugitive’s escape. Tosca returns to tell Cavaradossi

that she cannot join him later. Scarpia, who desires her, seizes the opportunity to arouse Tosca’s

jealousy, and to discover Angelotti’s hiding place. He shows her a fan he has found bearing the

Attavanti crest. She is consumed with jealousy and leaves to confront her lover, with Scarpia’s

spies following her. Scarpia gloats over the impending realization of his double goal – Cavaradossi

on the gallows and Tosca in his arms. Swept up in his vision, he declares that Tosca has made him

forget God.

Act TwoScarpia’s apartment in the Farnese Palace.

Scarpia is dining in his apartment, savouring the prospect of satisfying his desire for Tosca. He knows

that she is singing before the Queen of Napels in another part of the Palace, and sends a note asking

to see her. Spoletta enters and reluctantly reports that he followed Tosca to Cavaradossi’s villa, but

could not find Angelotti. He quickly adds that he did find Cavaradossi, and has brought him for que-

stioning. The painter denies any knowledge of the escaped prisoner, and Scarpia orders him tortured.

Tosca arrives and Cavaradossi manages to warn her to say nothing before he is taken into an adjoi-

ning room. Tosca skillfully evades Scarpia’s questions until her lover’s cries of pain are heard. Tosca

pleads for Cavaradossi. Unable to bear such agony, she reveals Angelotti’s hiding place. Cavaradossi

is brought out and denounces Tosca for her betrayal. Sciarrone, another of Scarpia’s agents, enters to

report a reversal at Marengo – Napoleon has won. Cavaradossi shouts his elation in defiance of

Scarpia, and is taken away. Left alone with Scarpia, Tosca attempts to offer him money in exchange

for her lover’s life. Scarpia names his price: Tosca herself. Her hatred only intensified his desire.

Scarpia persists, and Tosca finally agrees to submit to him in exchange for her lover’s life. Scarpia

explains that he cannot simply free Cavaradossi; a mock execution must be staged. Tosca demands

that Scarpia write a safe-conduct letter for Cavaradossi and herself. When Scarpia finishes, he advan-

ces to claim his prize. Instead Tosca stabs him to death … She departs at the sound of a distant

drum-roll.

Act ThreeRamparts of the Castel Sant’ Angelo.

Cavaradossi awaits his execution. Musing sadly on Tosca’s beauty and their love he writes her his

farewell. She enters and tells him of their safe-conduct letter and of Scarpia’s death, explaining the

need for the mock execution. The firing squad approaches. The soldiers fire and Cavaradossi falls.

Tosca waits impatiently as the soldiers leave, and then runs to him. To her horror, she sees that he

is dead and realizes that she has been tricked. Scarpia’s agents attempt to arrest her, but before

they can reach her, she leaps to her death, crying: Scarpia, we will meet before God!

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