Back MatterSource: Source: Notes in the History of Art, Vol. 20, No. 1, Special Issue on Forgeries ofAncient Art (Fall 2000)Published by: Ars Brevis Foundation, Inc.Stable URL: http://www.jstor.org/stable/23206966 .

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STYLE SHEET

The Manuscript

1. Two copies of a complete manuscript and

one diskette must be submitted—i.e., with all

notes, illustrations, and captions present and

accounted for.

2. All permissions for the reprinting of per tinent material (including illustrations) must be taken care of by the author before submission of

the manuscript to SOURCE's advisory board. 3. Including notes, the manuscript should be

no longer than 2,000-2,500 words, and should

contain no more than 3 illustrations. It should

not contain any subheads.

4. The manuscript (including notes and cap

tions) should be double-spaced on one side of standard-sized (8V2 x 11 inches), nonerasable

paper. Ample marginal space must be left on

each sheet of paper. The entire manuscript should be numbered consecutively.

5. A translation or transliteration rather than

the original is required of passages in which the originals use a non-Latin (e.g., Cyrillic, Arabic, Hebrew, Greek) alphabet.

6. The author should follow American pub

lishing style (which is basically lowercased and closed up, and utilizes serial commas) when

preparing his or her manuscript for publication. The following references may be consulted:

a. Chicago Manual of Style, latest edition b. Webster's International Dictionary, un

abridged, latest edition c. Random House Dictionary, unabridged,

latest edition d. Webster s New Geographical Dictionary e. Webster's Biographical Dictionary f. New York Times Atlas

g. London Times Atlas

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photos to Dr. Laurie Schneider, 224 East 68th Street, New York, NY 10021.

The Notes

8. All references must be verified before the

manuscript is submitted for publication. 9. The notes should be numbered consecu

tively, should be double-spaced as a separate section, and should contain full bibliographical information at each entry's first mention. Full titles of journals and other works are required

(i.e., no abbreviations). 10. The following are examples of periodi

cal (notes 1, 3, 4) and book (notes 2, 5, 6) refer ences done in SOURCE'S house style:

1. H. Schwartz, "The Mirror in Art," Art Quarterly 15, no. 2 (1952):96—118.

2. M.-L. Franz, "The Process of Individ uation," in Man and His Symbols, ed. C. Jung (New York: 1964), pp. 189-191.

3. Schwartz, 98 ft. 4. Ibid. 5. Franz, pp. 189-190.

6. Ibid., p. 191.

If more than one work by an author is cited, sub

sequent references after the initial full reference should repeat the author's name and enough of

the work's title to avoid confusion.

The Illustrations

11. Illustrations other than photos (pref erably black-and-white glossies) or line draw

ings will not be accepted. 12. Illustrations should be clearly identified

on the back with the author's name and the fig ure number; marking should be done with a felt

tip pen. 13. The top of an illustration should be in

dicated on the back. 14. The author should indicate where crop

ping (if any) should occur. 15. A separate list of captions, double

spaced, must accompany the manuscript when it

is submitted. Fall 1997

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CONTRIBUTORS

OSCAR WHITE MUSCARELLA

BO LAWERGREN

ROBERT STEVEN BIANCHI

KENNETH D. S. LAPATIN

RICHARD DE PUMA

Department of Ancient Near Eastern

Art, Metropolitan Museum of Art, New York

Department of Physics and Astronomy, Hunter College, City University of New York

Baxter, Minnesota

Department of Art History, Boston Uni

versity

School of Art and Art History, Universi

ty of Iowa, Iowa City

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SOURCE

Notes in the History oí Art

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New York, New York 10128

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PAID EPHRATA, PA.

PERMIT NO. 102

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