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SoundWhat you hear is not always what you heard
Sound
Sound is the sub-conscious part of the film process
If it sounds right, most of the time, the audience won’t notice
When it is wrong, the audience immediately knows
Early movies
The first movies had music that was played along with them... no on scene recorded sound
The first “talkies” were visually very boring because the shots had to be continuous due to the sound recording technology of the time.
Synchronous vs non synchronous sound
synchronous sound means the sound is recorded with the action as it happens
non synchronous sound is sound recorded separate from the filming and can be effects, music, voice-over, or replace dialogue recorded during filming
Synchronous vs non synchronous soundEarly formalists remained hostile to synchronous sound, while realists embraced it
Musicals, until very recently, relied upon non synchronous sound for filming. Essentially, the singing done on stage would be recorded months in advance and then dubbed over the music in the movie
Sound vs Camera
Sound in a shot should mirror the shot
Close-ups are used with whispers and low conversations
Wider shots are used for sweeping addresses
Sound Effects
Sound editors take several tracks and combine them into one cohesive sound track
Most of the effects that you hear are not designed to be heard... consciously at least
squeaky doors, foot falls, dog barking, etc... your brain expects them to be there
Sound Effects cont.
Most sub-conscious effects are prerecorded
Other effects are created by sound engineers and are designed to be heard
Some effects are designed to be symbolic
Formalist directors use sound effects to symbolize things like emotions
Music
Music can be used to tell the audience how to feel, to build emotion
Music can be used as background to the dialogue or replace the dialogue altogether.
Music can also be used to establish a location, even if the establishing shot is vague
Use of music example
Reservoir Dogs
http://youtu.be/TqRHjYl955s
Braveheart
http://youtu.be/ASIrlDeP000
Musicals
Two types of musicals:
Realistic, where music is used as the dialogue and dancing and choreography is kept to a minimum ex: Rent and Les Mis
Formalistic, where the actors seem to burst into song and dance ex The Sound of Music and My Fair Lady
Musicals
The old way: Actors went into a sound studio and recorded the music well in advance
The new way: Actors recorded on stage, truly acting the music
Spoken Language
The last component of sound spoken language
How the spoken word is delivered is just as important as what is spoken
Subtext... or the meaning of the words beyond the literal is one of the most important things to get across to the audience
Example of subtext
Woman: “May I have a cigarette, please?”
Man: “Yes, of course. (lights her cigarette)
Woman: “Thank you. You’re very kind.”
Man: “Don’t mention it.”
Accent
Most film actors learn to speak in an accent that does not exist called “transatlantic”
Accents are used to give location or to imply something about a character
For example, if you want to imply someone is stupid, give them a Southern, hick-ish accent
Voice-over
Voice-overs serve a couple of functions:
Narration
Expressing hidden thoughts
Voice-over examples
A River Runs Through It
http://youtu.be/VxzDgfVI9H0
Dune (1984)
http://youtu.be/yIDtN8CDQmk