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VOLUME 3 ano Part

Solos for Young Violinists 3

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Solos for Young Violinists 3

Text of Solos for Young Violinists 3

  • VOLUME 3 ano Part

  • TNTRODUCTION

    Solos for Young Wolinists is a six-volume series of music books with companion CDs fea-turing more than 50 pieces for violin and piano. Many of the works in this collection havelong been recognized as stepping stones to the major violin repertoire, while others arenewly published pieces that offer further choices for study; most are recorded in this seriesfor the very first time. Compiled, edited, and recorded by violinist Barbara Barber, Solosfor Young Wolinists is a graded series of works ranging from elementary to advanced lev-els and represents an exciting variety of styles and techniques for violinists. The collec-tion has become a valuable resource for teachers and students of all ages. The piano trackrecorded on the second half of each CD gives the violinist the pportunity to practice withaccompaniments.

    Abbreviations and Symbols

    L.H. - Lower HalfU.H. - Upper HalfFr. - FrogTip - TipMid. - Middle,^. - Half Step* - Left Hand Pizzil1s1- - Finger remains on string

    - Finger covers 2 strings

  • Contents .

    .g,, ,, ,

    T e m p o d e M i n u e t t o . . . . ' K r e i s l e r . . . . . . : . r . " . ' . . . . , ' . r . ' . , ; . 4A i r v a r i , O p . 8 9 , N o . 5 . . . . . D a n c l a . - r i . . : . ' . , . . . . . . . . . . . 6Mazurka .M lynarsk i . . . . . . 9Perpetuo Mobile,

    f rom L i t t leSui te ,No.6 . . . .Bhm

    H"il*;;" : : : : : : : : : : : : : : :3fiT"ll : : : : : : : : : : : : : : : : : : liC o n c e r t o N o . l i n A M i n o r . . . A c c o l a y . . . . . . . 1 8

    ;,=, 'o

    , ' :a,t ' " l i

  • Tempo di MinuettoIn the style of Pugnani

    f

    - p

    --- :-

    |.lI

    Ftrtr"tr

    4

    L

    J

    molto cresc. lT'. t t

    v l

    ? semplice

    V, 4 F l

    FI2

    u '0 3

  • V It i p o '

    Itb

    20

    \ ,2

    p\-----l

    n v l p vrl + t I

    mid.

    V0

    \-/

    I-f+.-

    f

    -

    cresc. -

    -=--

    oho cresc.

    - - - G t PJJ '-J

    V 'allargandoI t

  • 6sth Air Varion a Theme by Weigl

    Op. 89, No. 5

    Moderato J = 104

    Charles Dancla

    t 4

    --

    VAR. 1FI

    f

    / .oo\. !

    VAR.2Brillante

    Ft

    spiccato 44

    l'lJ

    l'13

    I t l

    z -

    rlJ

    L

    2 -

  • F t , ; F l I F l

    I00 0

    20

    2/^>

    t l . , n n ! n

    A { i i Fr.V F I v r F t ^

  • MazurkaTempo di mazurk" J = nS E. Mlynarski

    v v v i

    P poco rit,

    V , n

    przLtr-

    --------

    F ! { {5 4arc?- \,

    p congrazia

    )

    4-0 4

    0

    --

    poco rit.

    'aJa tempo3-,

    P40 V

    PT' 3 rr i-r,

    + 4'--r tsa - b -q>l'

    " --n*^

    f=-q_ ?v a tempo0

    :, ,,?r ____ p

  • l0

    frp

    J

    40

    accel. e cresc.

    l 03 l

    1 1 1

    121

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  • l l

    a tempo| 2 Fl

    ir, "?f Pn---:-

    l'lorco34}.

    pcon grazia

    9. 11

    -lt160 poco nt. Te;nno I

    h'

    molto dimin. e rit. - PP 3 "tr4

    t

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    | i fir*-*-:-A- >{-. I

    e ' =J - |

    ' {a tempo n V

    t84 Poco ri.-.._

  • t2

    Perpetuo Mobilefrom Little Suite, No. 6

    Rapidlyn

    ) = 1 7 2 Carl Bohm

    3

    I(poco rit.)decresc.

    2---;-) ) J

    fi o,"*pjL - L - 3 - za

    Z t 0 3 _

    0 4 3 2 4

    f

    -

  • t4

    Ave MariaMeditation on the lst Prelude of J. S. Bach

    Andante semplice J =66 Bach-Gounod

    ? A 3

    FI3

    molto

    ' ! * t ) r^- 4i t \ 7 =

    33pi f

    dim.TtJ

  • Allegretto J,[email protected]

    Souvenir de SarasateFantasia Espagnole

    " f7

    15

    Wm H. Potstock

    33

    FI

    2cnf

    J e 3

  • 16Meno mosso e tranquillo

    2 2I

    n1 V

    \ ' t * i ? q

    p

    A ?r l l l 4

    + 4 .r . \ r r r E2 - L + l ^ l + V _ - l - t y r r r l

    0 3

    2 r 1 Iq ) 3 ^ 3 oL*2 ' 4 i

    2 \ I

    - 2

    rit.

    7!'* *:, * V + + V + + Fr

    ? - ^ ) ^

    - i ;

    -

    rall.- ntf

  • fii"f

    Tempo I

    f 3 3

    f 3 3

    F I Y F1

  • l 8 Concerto No. Lin A Minor

    AliegromoderatoJ=106J. B. Accolay

    ^ 3z^.. , , 1 i f

    3

    - : -b , , h , , 17 - t

    -

    -- - - - _ _

    1 - . , V V

    - f

    \J \--l- -\-,

    -

    . . - _ mj

    I

    - f

  • l9

    >

    < > : > Ypoco 4 poco

    a tempo r r 3

    -

    p conespressivo

    --_

    - , h--

    --

    Sul A

    - . - ,

  • 20

    .-_-_

    89

    r r - - - - ' -i v - ' --*--b. ' z 2 o, a-

    --___

    - ^ 2

    --_

    4-

    -_

    -___

    - - - _ _ pcresc. -

  • 2l

    -.

    -__

    z t + 3 l

    .1ff largamente

    13s simile

    ---

  • 22

    --*

    - . -

    =- -.

    --__

    Sul A

    -_

    a tempo

    |.l3 -.

    f largamante

    176 "f

    t ,G.z 2

    . r o o l1 n4 r\ 1-.-r.\ -r

  • 23

    'rt;->r,6->,22L 1

    23

    I2--

    F l | . l F F t

  • i;.

    ContentsTempodeMinuetto.. Kreisler . . .4A i r v a r i , O p . 8 9 , N o . 5 . . . . D a n c l a . . . . . . . 8Mazurka . .Mlynarsk i . . . .14Perpetuo Mobile,

    f r o m L i t t l e S u i t e , N o . 6 . . B h m . . . . . . 2 4A v e M a r i a . . . . B a c h - G o u n o d . . . . . 2 8SouvenirdeSarasate .Potstock ...31C o n c e r t o N o . l i n A M i n o r . . . A c c o l a y . . . . . . 3 6

  • Tempo di MinuettoIn the style of Pugnani

    Fritz KreislerMartiale J =96

    -

    7 .T l\___/

    \-/l Icresc, -

    - " f

    !-/

  • //-

    rI

    allargando

  • t . /l"---/I cresc.

    .JTC

  • sth Air Varion a Theme by Weigl

    Op. 89, No.5Charles Dancla

    Moderato J = 104

  • 10

    VAR.2 Ilrillante

  • l r

    VAR.3 Cantabile

  • t2

    \ \

    --

    --.

    t - \.,,

  • l 3\

    fl ., {*'F " /

    ir CODA* Tempo animato

  • t4

    MazurkaE. Mlvnarski

    Tempo di mazurka J - 138Violin

    t' S.poco rit.

  • l 5

    -P-.\

    P con grazia

    a rcmpo.

    poco rit. ?-

    molto dim. e rit.

    t'-y

  • l 6

    s1 . ! *. t(, *a

    __!_ P poco it. .f

    rE r;. *

    . I ep

    t-

    efa

    t .

  • 17

  • 1 8

    accelerando poco a Poco

  • 19

    sempre Jr

  • 20

    .lPi4z.

    . se*h..

    P con graua

    \-----.-/

  • 2r

    a tempo-

    -l--j

  • 22

    m'i -

    s* .1[. *s

    ii}\

    brillante

    "tr-\ "G> ,p-ts-,-n

  • 24Perpetuo Mobile

    from Little Suite, No. 6

    Rapidly J =172Ft

    decresc.

    P (a tempo)(poco rit) 1 , . -e i

    t F i , ,

  • 25

  • 26

    'lp

    ' l )V

    ' r * 1 *V V

    P (a tempo)

    (poco rit)7 f t i

    P \o t"^po1

    'l -f )/ c

    7 ' / ' t * ' t *V V

  • 27

    dii:: tr

    \ e sempre gf---z

    v v

  • 28Ave Maria

    Meditation on the l.st Prelude of J. S. Bach

    Andantesemplice J=66Bach-Gounod

    Violin

    Piano

    . s. *. *

    FF-Ep

    - , t a , t

    a - a -c ? ?

    = : 7 -

    + - ?

  • 1e .

  • tuttaforza

  • 3rSouvenir de Sarasate

    Fantasia Espagnole

    Allegretto J. = 64

    n \ !r,Jr

  • Meno mosso e tranquillo

  • 33

    --

    ,r?f

    ,tfft

  • 34

    ,nf \!

    \ {nlf -

  • 35

  • 36

    4 t i r

    Allegro moderato.l = L06

    a +

    Concerto No. Iin A Minor

    i---................-r----

    -

    -3A i 7-3--t 3

    r3a -!

    3r--l --r 3

    = d e S- - /s- \uval 3 3 s 3

    a 'cresc,

    / ^ t ) f - - ^ - t ) -

    T3

    fr 7>--f; - / t v l

    3 3-T'"i r l-fl I

    tr -\\' /\ { i

    ' + t

    t t

    1 6 p

  • r- 3 --r

    L-.1-l

    ^-l-r- J --t

    L - j l L - 3 --.-- >^

    f

  • - - s c e n - ' - - - d o f 3- ? - ' r 3 - 1 3 - 3 - - 3I J I J J - r

    c r e - - L-3 r 3 f

    r

    41 L_3 J

    f =.--_,3

    ,'---T---/-

    < > - < : > < : > < >poco u poco rit.

    P con espressivo

    a tempo

  • a...--......--'-- ,.,,.,----

    ' r . , - - z I

    t---------...--- i---.-.->

    a ) = i j FJ -t esDr'\ I lc. l . / . .- l

    - l .211'1 .

    \

    y1--

    69resc

    a--.-:>^ atem.o . ,

  • 4l

    S v i

    J ! 2

    a) a t

    t t t t * *

    3

    r-3_-__r 3

    101

    3

    . ) 3

    +3

    n z t - r *

    3

    IDT-

    -1 J j 3

    nt

    + 2 + + t ?

    J J

    cresc.

    - r - .I J . / | J \

    104 4l J '

  • 42

    e. r- ja. - r t-\

    a)

    --

    i - i t . F t .l "-- l ) | \--- l '

    , l r l

    f r lT:l r

    1 1 1

    d e O

  • cresc. - -

    . j t

    < >

    /1

    a!"z:75r-l-\. ,--- ,--- /-* ,--iE-- - - - -t -

    - ' - j j i -t .

    a 3 t * *_ ' - j i : . cresc.

    + i l i l ; >T

    \

    1 i ' ' r t t

    < [ J , "

    =t

  • -> -> -^ /---,, -> -)

    f poro apoco rit.

    poco rit,

  • ----

    ----/-

    largamante

    = \\J

    ^

  • cresc.-

  • C { >

  • Addition al M ateri als by

    Solos for Young Violinists andSolos for Young Violists are grad-ed series of works, rangingfrom elementary to advancedlevels, that represent an excitingvariety of styles and techniquesfor violinists and violists. Theseseries are valuable resources forteachers and students of allages. Many of the works inthese collections have longbeenrecognized as stepping-stonesto the major violin and violarepertoire, while others arenewly published pieces for fur-ther choices of study.

    t s B N 0 - 8 7 4 8 7 - 9 9 0 - 6

    " iluxt|[ttlil[|lllilliltlI n78087 4il8799021

    Volume 1Volume 2Volume 3Volume 4Volume 5

    Scales forAdvanced Violinists(8010x)

    CD(8018)(801e)(8020)(8021)(8022)

    Other Titles by Barbara Barber:

    TwinkleVariations

    FestivalAnangement

    (8017)

    The practice of scales need never be monotonous! ftales for Advanced Violinists andScales for Advanced Violists are "user-friendly" scale books with each of the twelvekeys complete on two facing pages. Dozens of bowings and rhythmic variants areoffered to develop and improve evenness, clarity, agrlity, speed and intonation. Aninnovation introduction to double-stops takes the guess-work out ofthis important technique. TheCircle of Sths explains k.ysignatures. The books include threeoctave major, melodic minor,harmonic mino alpeggios, broken3rds and chromatic scales. Double-stops in octaves, thirds, sixths andharmonics are presented in twooctaves. These are the only scalebooks that most violinists andviolists will ever need!

    SUMMY-BIRCHARD INC.Distributed byAlfred Publishing Co., Inc.15320 Roscoe Blvd., Suite 10OP.O. Box 10O03Van Nuys, CA 9141(Hn03alfred.com

    lllllll||lllililU[llll 'H

    Barbara Barber:Solos forYoung ViolinistsVolume 1Volume 2Volume 3Volume 4Volume 5Volume 6

    Book(0e88)(0e8e)(Oeeo)(Oee1)(0ee2)(0ee3)

    CD(8011)(8012)(8013)(8014)(801s)(8016)

    Solos forYoung Violists

    Book(18400)(185e0)(1,8670)(18750)(18830)

    Scales forAdvanced Violists(8023)

    L-

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