SIR LANDON RONALD & KREISLER - sounds.bl.uk · "His Master's Voice" Records KREISLERAPRIL, 1925. ýýýýiýýnI;ýý FRITZ KREISLER (Violin) (and Orchestra conducted by SIR LANDON

SIR LANDON RONALD & KREISLERMozart Violin Concerto in D (See page 1).

PRICES OF

" His Master's Voice Double-Sided Records

THE ROYAL RECORD (R.E. 284) THEIR MAJESTIES THE KING & QUEEN.

10 in. Double-sided, 5/6.

THE ROYAL RECORD (R.D. 887) H.R.H. THE PRINCE OF WALES.

12 in. Double-sided 5/6.

NURSERY Records-ORANGE Label (Serial Letters AS), 7-inch 1/6. (Each series of 6 records in album, 12/6. Decorated Album-with linen pockets - separate, 3/6.)

PHYSICAL CULTURE Records.-Set complete in album, 12/-. Album and chart separate, 3/-.

Colour of Label.

PLUM... ... BLACK ... RED

... BUFF ... PALE GREEN PALE BLUE... WHITE

...

10-inch LSerial etter 12-inch Serial

4/6 C 6/6 D 8/6 DB

10/- DK 11/6 DM 13/6 DO 16/- DQ

Unless otherwise stated "His Master s Voice" Records should be 'lased at a speed of 78.

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"His Master's Voice" Records

KREISLERAPRIL, 1925.

ýýýýiýýnI;ýý FRITZ KREISLER (Violin) (and Orchestra conducted by SIR LANDON RONALD

12-inch double-sided Red babel.

Concerto No. 4 in D ... ... ... ... ... Mozart D.B. 815 First Movement-Allegro, Parts 1 and 2

D.B. 816 f Allegro, Part 3 i Second Movement-Andante cantabile, Part 1

D.B. 817 { Andante cantabile, Part 2 Third Movement-Rondeau, Part 1

D.B. 818 � Rondeau, Parts 2 and 3 T HE public has long been demanding that Mr. Kreisler should

record a big work for the gramophone. Here is the fulfil- ment of its wish. In this series of four double-sided records

he gives us, complete, Mozart's lovely Concerto in D. That his hand has not lost its cunning we know already ; but it needed this masterpiece to show us that all the marvellous sense of proportion, the instinctive feeling for the balance of a delicate phrase, all the old wizardry of the great artist, are preserved intact. Apart from the steady ripening of those powers which even in his youth made him a prince among violinists the years have wrought no change in Kreisler.

The music is too simple to require much analysis. The first subject is given out by the orchestra in the opening bars and is very soon followed by the second subject :-

The soloist takes up the tale and the material is repeated and expanded, a new phrase of great beauty being added :-

This completes Side One. Side Two contains the brief development and the recapitulation. This latter section omits the original

[Contioiued on page 8. For prices, see page 2 of cover.

"Greatest Artists-Finest Recording!"

APRIL, 1925.

BENNO MOISEIVITCH (Pianoforte) AND THE ROYAL ALBERT HALL ORCHESTRA

(conducted by Sir LANDON RONALD) 12-inch double-sided Black Label.

Concerto No. 1 in G Minor, Op. 25 ... . Vendelssnlin

D. 969 J First Movement-Molto allegro con fuoco, Parts 1 and 2

D. 970 Second Movement-Andante, Parts 1 and 2

D. 971 l

Third Movement-Presto : Molto allegro a vivace, Parts 1 and 2

THERE is something panther-like in Moiseivitch's playing. The silky softness of his piano passages, the pearly quality of his runs, are combined with a feline muscularity and

agility that make his style unique. All these qualities are dis- played in this famous Concerto of Mendelssohn's (recorded without cuts), where with the sympathetic assistance of Sir Landon Ronald and the Albert Hall Orchestra lie scores a veritable triumph. In this triumph the recording too has its share : never have the complex problems of the Piano Concerto been more successfully surmounted in the recording room.

The first movement opens with an introduction in which both orchestra and soloist take part. Soon the Piano announces the first subject, a virile emphatic phrase This is fully dealt with and then comes the lyrical time that serves as the second subject :--

Piano and orchestra take this up in turn and some brilliant passage work for the soloist leads into the brief development section. The second side contains the recapitulation and the coda.

The music leads straight into the slow movement (side three) A lovely melody is played by orchestra and Piano in turn, and is succeeded by an episode in which graceful arabesques on the solo instrument play a prominent part. Finally (side jour) the original air returns in the orchestra while the Piano arabesques persist as a decoration.

Side five. An introduction of considerable length ushers in the joyous subject of the Finale. The treatment of the material is so transparent that we need only call attention to the reminis- cences of the second subject of the first movement in the solo part about the middle of side six. The Coda is Mendelssohn at his most brilliant.For

prices, see page 2 of cover.

" His Master's Voice" Records

TH. I. CHALIAPINE (Bass) (with orchestral accompaniment)

12-inch double-sided Red babel The Moon is high in the sky (/° Aleko ")

D.B. 691 (Sung in Russian) Rachtnaninoff Crazy-Headed John (Russian Folk Song)

(Sung in Russian) C RAZY-HEADED JOHN' is an instance of the way

in which the great singer can take any theme, however unpromising, or even, if you will, no coherent theme at

all, and build up a tone-picture by sheer richness of expression and the depth of emotional feeling inherent in his voice.

Chaliapine relates that amongst the peasants of the Volga country the art of improvising vocal melodies is practised as a pastime. This is one, but "ä la Chaliapine."

"ALEK0." By V. I. Nemirouich-Danchenho on a poem by Poushkin.Music

by S. Rachmaninoff. j English version by Rosa Newmarch, published by Messrs. J. and W. Chester, Ltd.)

The moon is higher in the sky and looks smaller and paler. The camp's asleep. The moon above Is shining in her midnight splendour. Why does my sorrowing heart beat fast? Why weighs on me this secret anguish ? I have no cares, and no regrets, I lead a simple wand'ring life ; Scorning conventions and the world, I dwell among the gipsies free. I live, nor recognize the power Of blind and cruel destiny. But God ! How passion still can play On my distracted soul at will! Zemfira ! How I loved her well ! How in the silence of the steppes She yielded gently to my kiss ; What hours of rapture night beheld ; How often with a tender word, Or with a passionate embrace, She drove my gloomy brooding thoughts Away from me, as dawn the dark. I well recall the glowing words She whispered in those blissful hours :

" I love thee, for thou art my lord, Aleko, I am thine for aye ! "

Then list'ning to her glowing speech, Forgetful of all else, I bent And clasped her in a wild embrace, Lost in the depths of her dark eyes. Then in the wondrous perfumed dark, Zemfira's rips met mine . And she, Filled with a meltin g ecstacy, Clung fast to me and gazed so long, Into mine eyes . . And now and now .. . Zemfira false I Zemfira cold !

For prices, see page 2 of coves.

FRIEDA HEMPEL (Soprano)

(with orchestral accompaniment)

l3-ivch double sided Red Label.

Alleluia (A joyous Easter Hymn) D.A. 676 Arr. G. O'Connor Morris

Oh, had I Jubal's lyre ('" Joshua ") ... Handel

OH, had I Jubal s lyre is Handel in his most exultant mood. His tread is as firm as ever, but he adorns his progress with the most elaborate passage-work in the vocal part.

With other composers this sort of writing sometimes tends to become empty. It is one of Handel's chief claims to immor- tality that he manages to combine the utmost brilliance with real musical beauty and sincere expressiveness throughout. With this number Alleluia has been aptly coupled. Probably few of those who sing the tune in Church know that it is a very ancient melody that has come to us out of the mists of the -Middle Ages, a trium- phant paean of praise the like of which one seldom finds in the music of to-day. It has inspired Holst to one of the most gorgeous, full-blooded pieces for chorus and orchestra that the Twentieth Century has to show. This arrangement of O'Connor Morris is less complicated but not less effective, and Frieda Hempel has captured its mood with unerring instinct.

MICHELE FLETA (Tenor)

(with orchestral accompaniment) 10inch double sided Red iahe!.

1Mi Tierra (My native land) ... Mariano Altizas-

D.A. 573 (Sung in Spanish) Josl L. Mediavilla Adios Triguena (Good-bye, my darling)

(Sung in Spanish) Eduardo Vigil y Robles

T HE last issues of this great Spanish Tenor were a couple of Jotas, traditional songs of his native land, accompanied by the appropriate instruments. Now he gives us two

more songs of the same sort with orchestral accompaniment. It is difficult to know which to admire most, the charm of the melodies, the vivacity of the rhythms, or the verve of the singing. Spanish music is lucky in having such an enthusiastic and magnificently. endowed advocate of its merits. No one who owns a gramophone will be able to resist his eloquent pleading.

For prices, see page 2 o cover.

I'iIýýý

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VOCAL MUSIC APRIL, 1925.

DINH GILLY (Baritone)

(with orchestral accompaniment)

12-inch double-sided Red Label.

' (Fleurissait une rose (Legende de la Sauge), D.B. 693 I (Parts 1 and 2) ("Le Jongleur de Notre Dame ")

(Sung in French) Massenet

L E JONGLEUR de Notre Dame is a miracle play based on an old legend. A certain tumbler adopted the monastic life but found himself too ignorant to join in the acts of

worship practised by the fraternity. He resolved, therefore, to offer his own tribute and was found before the Iinage of the Virgin performing his tricks in her honour. This selection comes from the Second Act. One of the monks, to encourage the simple tumbler, tells him the story of the rose and the sage-how the Virgin, flying from the wrath of Herod and bearing the infant Jesus with her, was at a loss how to hide fling from the pursuers. She appealed first to the rose, but the rose was too proud. The humble sage, however, was kinder and concealed the sleeping infant till the danger was past. Dinh. Gilly supplies just that mixture of naivetd and fervour which such a story and music demand.

HARRY DEARTH (Bass)

(with pianoforte accompaniment)

to-inch double-sided Black Label.

Little Miss Over-the-Way ... ...

Sterneale Bennett The Adjutant

... ... ... Fisher

LITTLE .hiss Over the l6'ay is a light and whimsical song with a distinct individuality of its own. The Adjutant is more breezy, with a rhythm that tarries. one straight

through from beginning to end without a pause. The words are obviously the work of one who has had military experience himself, and his description of the Adjutant will strike sympathetic chords in the breasts of all who have had anything to do with life in the Army. Harry Dearth's strong full voice is skilfully modulated to suit the style of these two very different items.

For prices, see page 2 of cover.


APRIL. 1925.

TUDOR DAVIES (Tenor) (with orchestral accompaniment)

12-inch double-sided Black Label. (Lord, vouchsafe Thy loving kindness ... Rossini

D. 972 ý (Cujus animam) (" Stabat Mater ") Sound an alarm (" Judas Maccabaeus ") Handel

IT is interesting to find Handel and Rossini side by side like this. At first sight there is little in common between the plan who wrote Oratorio in England during the

eighteenth century and the man who wrote Opera in Italy in the nineteenth. But Handel wrote Opera as well as Oratorio, and Rossini tried his hand at sacred music as his magnificent Stabat Alater bears witness. Both composers made great demands on the singers, though in different ways, and Handel's broad, simple phrases, Rossini's florid and elaborate writing are equally difficult to make effective. Tudor Davies solves the problems of both styles and gives us a rendering of this fine music such as we seldom have a chance of hearing.

LEILA MEGANE (Contralto) (with orchestral accompaniment)

12-inch double-sided Black Label. " SONGS OF EGYPT " .. ... G. Bantock

D. 973 (a) No. 1-Invocation to the Nile (b) No. 5-Lament of Isis [Saint-Saens

Amour viens aider (11 Samson et Dalila ") A AIOliR, I'IENS comes at the beginning of the second act of A

Samson and Dalila. Dalila, the Philistine siren, is awaiting Samson, her Israelite lover. She summons Love to her

aid in her attempt to avenge her outraged Gods. The beautiful music needs no further explanation. Bantock's Songs of Egypt are also dramatic in style and his wonderful feeling for colour enables him. to conjure up a vivid picture of an ancient land and an ancient race. The full rich voice of the singer, and the magnificent reproduction of the orchestra both contribute to the making of a very noteworthy record.

DE RESZKE SINGERS (Male Quartet) (ERWYN MUTCH, HARDESTY JOHNSON. FLOYD TOWNSLEY,

SIGURD NELSON) (unaccompanied) 10-inch double-sided Black Label.

The winter is gone (English Folk Song) E. 376 Arr. R. Vaughan Williams

`Bushes and Briers (Essex Folk Song)

THESE are two tunes from the inexhaustible mine of I~nglish folk-song. Bushes and Briers in particular is a famous melody. With Vaughan-Williau.s as the arranger and

the De Reszke Singers as interpreters the success of the result is assured. The passing of the air from one voice to another is a feature that makes for variety in a delightful way.



INSTRUMENTAL MUSIC APRIL, 1925.

MAYFAIR ° ORCHESTRA (Under the personal direction of and conducted by

THE COMPOSER) 12-inch double-sided Plum Label.

C. 1192 Sumurün "-Selection, Part 1... Victor Hollaender " Sumurün "-Selection, Part 2... Victor Hollaender

V ICTOR HOI LAENDER's music to the wordless play now being revived at the Coliseum is remarkably fine. To those who have seen " Sumurün " this selection will bring back

vivid memories, while to all it will appeal as outstanding tone- painting. It has been conducted by the composer, exclusively for " His Master's Voice.

THE BAND OF H.M. COLDSTREAM GUARDS

(conducted by Lieut. R. G. EVANS) 10-inch double-sided Plum Label.

B. 1966 King's Guards' March . ... ... Keith

Third Battalion March .. EgertonT HE refined and finished playing of the Coldstream Guards'

Band enables them to undertake music that is out of the reach of less highly-trained organisations. But after all

it is by this performance of a March that a Military Band must largely be judged. These two vigorous Marches show that the players who can deal so delicately with works of a subtler kind are also second to none in the kind of music which to a great extent forms their raison d'itre as a part of the British Army.

DE GROOT AND THE PICCADILLY ORCHESTRA

12.inch double-sided Plum Label. C. 1182 " Bajadere "-Selection, Parts 1 and 2 E. Kdlmän

W HEN one turns from the Coldstream Guards' Band to De Groot the change is complete. The two present contrasted but complementary sides of our musical needs.

The virility of the band is replaced here by a yielding, almost feminine grace, as magnetic in its weakness as the other in its strength. The selection played is full of melody and gives ample scope to the peculiar abilities of the orchestra.



VOCAL AND HUMOROUSGEORGE BAKER (Baritone)

(with pianoforte accompaniment) W-inch dcuble-sided Plum Label.

B. 1967 l (a) Damask Roses (b) My life's Delight R. Quiltes Fill a glass with golden wine ... ...

R. Quitter SYDNEY COLTHAM (Tenor)

(with pianoforte accompaniment) 10-inch double-sided Plum babel.

n toast I My Lady Sleeps ... ... ... Cyrit Scott

Q UILTER and Cyril Scott are modern writers whose songs combine artistry with directness of appeal in the happiest way imaginable,and both are fortunate in having such a store

of melody as enables them to face their public with confidence. Coltham's second song is a setting by Hubert Eisdell of some Irish words that have already been immortalised by Stanford. It says touch for the talent of the composer that his version can be placed beside the older composer's-masterpiece without fear of the result of such a comparison.

ERNEST HASTINGS (Humorous) (with pianoforte accompaniment)

12-inch double-sided Plum I,abel.

C. 1190 A happy married man ... ... ... Reg. Low I Lord luv 'im ... ... ... ... Lee (- )Weston

ERNLST HASTINGS lives up to his title as a humorist in A happy married man, a song which, as he tells us, he sings for the special benefit of a class of people unjustly neglected

by other vocalists. Lord luv 'im has plenty of humour, too, but with it is successfully interwoven more than a touch of pathos.CONCERTO No. 4 IN D-Continued from page 1. first subject which is replaced by the idea (b) above-mentioned. Side Three is concerned with the Coda and includes a fine cadenza for the solo violin.

The slow movement occupies sides Four and Five. It consists simply of the statement and elaboration of two or three melodies of

celestial purity. Another cadenza provides a notable feature towards the end.

The last movement (Side Six) opens with a tune in fairly slow time which is immediately contrasted with a more lively measure. At the beginning of Side Seven the same two ideas are repeated, but this time the second one leads eventually to a new melody in four-time. This is remarkable for the " bag-pipe " effect that Mozart obtains by the use of a " drone." Finally (Side Fight) the first tune reappears once more, and with the second one, some new material, and yet a third cadenza, leads the Concerto to a graceful conclusion.For

prices, see page 2 of cover.

"'His Master's Voice" Records.............

"NO, NO, NANETTE" (Vincent Youmans).

IT is a long time since a musical comedy scored such an instantaneous and popular success as " No, No Nanette ! " which was produced on March 11th at the Palace Theatre,

London. The press were unanimous in their praise of this really witty and tuneful production. We have pleasure in announcing the issue of the following " hits," which have been recorded by specially selected artists.

10-inch double-sided Plum Label

THE BENSON ORCHESTRA OF CHICAGO

j Tea for two-Fox-Trot B.1978 JAN GARBER AND HIS ORCHESTRA

I want to be happy-Fox-Trot

SAVOY ORPHEANS At the Savoy Hotel, London.

B.1979 (Where has my hubby gone Blues ?-Fox-Trot

,You can dance with any girl at all-Fox-Trot

HELEN CLARK AND LEWIS JAMES (Duet) (with orchestral accompaniment)

B.1971 {Tea for two I want to be happy

MAYFAIR ORCHESTRA

12-inch double-sided Plum babe'..

,"No, No, Nanette "-Selection, Part I

Containing :-Introduction"No, No, Nanette"

"You can dance with any girl at all" "Too many rings around Rosie "

No, No, Nanette "-Selection, Part 2 Containing :-" Where has my hubby gone ? "

" I want to be happy "


"Greatest Artists-Finest Recording !"..................... - I .......................... I ........................ - ................................. I ...................... I ..... ............... -

MID-MARCH LIST 1925,

DANCE 10-inch double-sided Plum babel.

Me and the boy friend-Fox-Trot ... Savoy Orpheans 8.19731 Where's my sweetie hiding ?-Fox-TrotSavoy

Orpheans 8.1972 (Stars and Stripes Medley-One-Step

... Savoy Orpheans

(That's what I'll do-Fox-Trot ...

Savoy Orpheans

3.1963 Peter Pan-Fox-Trot ... ... ... Savoy Orpheans Indian Dawn-Fox-Trot... ... ... Savoy Orpheans Alabamy bound-Fox-Trot ... Savoy Orpheans

3.1970 Poem-Waltz Savoy Havana Band, at the Savoy Hotel, London

i Me Neenyah-Fox-Trot Savoy Orpheans B.1975 J Oh ! how I love my Darling-Fox-Trot

Savoy Havana Band, at the Savoy Hotel, London B.1965 f "The Dollar Princess"-Waltz... Savoy Havana Band

1 Sometime-Waltz Savoy Havana BandB.1969J Red-hot Mamma-Fox-Trot Jack Hylton and his

Kongo Kate ("The Punch Bowl ") Orchestra

8.1974 f I'll take her back if she wants to come back-Fox-Trot Sweet little you-Fox-Trot Jack Hylton and his Orchestra

8.1956 f Heart Broken Rose-Fox-Trot ... Jack Hviton and his ( When she's in Red-Fox-Trot Orchestra

B.1964 Nola-Fox-Trot ... ... ... ... Bost:rn Mamma's gone-Fox-Trot Orchestra

INSTRUMENTAL 10-inch double-sided Plum Label.

B.1962 J All alone ... ... ... ... De Groot and the In Shadowland Piccadilly Orchestra

12-inch double-sided Plum Label. C.1189 I" The Dollar Princess "-Selection ... ... llalfair

1" Patricia "-Selection Orchestra

VOCAL 10-inch double-sided Plum Label.

Put away a little ray of golden sunshine for a rainy day- B.1976 Everybody loves my baby (But my baby don't love nobody

but me) Aileen Stanley, from the Piccadilly Hotel Cabaret



(CHURCH OF ENGLAND SERVICE) TOGETHER WITH

Cbe 1Evening Canticles RENDERED BY A CHOIR FROM

ST. GEORGE'S CHAPEL, WINDSOR CASTLE.AND THE

Rev. Dr. E. H. FELLOWES. 12-inch double-sided Black Label

An appropriately designed Album is presented with each complete set of Records.

Part 1. Entroit (Weelkes) Opening Sentence-Exhortation D.963 -Confession-Absolution-Lord's Prayer.

Part 2. Preees-Venite.

D.964 Part 3. Psalm xxiii. (Garett), Psalm exi. (Waimisley) 1 Part 4. Te Deum (Wesley)

Part 5. Benedictus (Turle)-Apostles' Creed D.965.Part 6. Lesser Litany-Lord's Prayer-Versieles-

Responses

Part 7. Anthem (Purcell) (" Remember not, Lord our offences") Prayer for all conditions of men, A Prayer

D.966 of St. Chrysostom, and The Grace of Our Lord. (2 Cor., xiii.)

Part 8. Evening Canticles-Magnifleat (Wesley)-Nuns Dimittis (Battishill)



GILBERT & SULLIVAN OPERAS

"His Master's Voice"

T HE following operas have been recorded in com-

plete form under the personal co-operation of Mr. Rupert D'Oyly Carte.

..................................................................................... .... ........................ Each set is supplied in an artistic Album.

"THE MIKADO"£3:11:6 Complete on Eleven Double-sided Records

"THE GONDOLIERS"£3:11:6 Complete on Eleven Double-sided Records

" THE YEOMAN OF THE GUARD" £3.11.6 Complete on Eleven Double-sided Records 4& im A nrlylowArlm- 99iris it at,1N ..L. S.2:18:6 Complete on Nine Double-sided Records

" IOLANTHE3: 5:0 Complete on Ten Double-sided Records

"PIRATES OF PENZANCE" £3.11:6 Complete on Eleven Double-sided Records

"H.M.S. PINAFORE"Complete on Eight Double-sided Records CL&: i .:u

Records can be purchased scparalclr


"His Master's Voice" Records.................. .... ...... :ý I,--,-

You should ask for a copy of

" His Master's voice

CATALOGUE No. 2, CONTAINING RECORDS OF UNIQUE

AND HISTORIC INTEREST.

THE ART OF A PAST GENERATION.

THE DEVELOPMENT OF AN ART.

HISTORY TOLD BY THE GRAMOPHONE.

IT is a most fascinating book, and forms a commentary

on the careers of many of the world's greatest artists.

It is a guide to the recorded utterances of men who

have played an important part in the making of modern

social and political history.

Your Dealer has a copy for You.

ALPHABETICAL LIST OF RECORDS issued since January 1st, 1925.

All Records in this list are double-sided.

For prices see page 2 of cover.

A tanto amor i-see " LA FA- VORITA " Abendlied (Schumann-Joachim)Isolde

Menges

Ah, je suss seule-See "THAIS"

All alone Salon Orch. Allegro (J. H. Fiocco) I. Menges Amore o grillo-see "MADAMA BUTTERFLY"

ANSSEAU, Fernsnd and Helen SADOVEN

C'est toi ! c'est moi ! ("Carmen") Mais moi, Carmen je t'aime encore ("Carmen")BAKER,

George (Baritone) In Summertime on Bredon Top of the Hill, The BATTISTINI, Mattia (Baritone) A tanto amor ! (" LaFavorita ") Non pits andrai (" Figaro ") Blackbird, The Liam Walsh BORIS GODOUNOV (lloussorgsk)')Oh,

Tsarevitch, I implore thee Smirnoft and Davidoff

BOURNE, Una (Piano) Finnish Rhythms (Palmgren)

No. I-Karelian Dance No. 2-Minuet No. 4-Minuet-Waltz November (En Troika) (Tchaikovsky) " Caliph of Bagdad " (Overture) Coldstream Guards Band Cargoes Peter Dawson CARMEN (Bizet) C'est to) ! erst moi !

Ansseau and Sadoveu Mais moi, Carmen je t'aime

Ansseau and Sadoven CATTERALL QUARTET Quartet in F major, Op. 18, No. I (Beethoven)(Recorded

in complete form on 4 12-inch records) Quartet in F major-Scherzo (Tchaikovsky)C'est

1'histoire amoureuse-see ' :M ANON LESCAUT " C'est toi ! c'est mol I - see " CARMEN " CHALIAPINE, Th. I. (Bass) Last Voyage, The (In Russian) Nightingale (In Russian) Cider Peter Dawson Cielo e mar! -see "LA GIO

CONDA " COLDSTREAM GUARDS BAND

(Cond. Lt. Evans) "Caliph of Bagdad," Overture Marche Militaire

DB784DB784B1957B1957DB736DB736B1947

B1911B1911B1911B1911

DB784DB784D947toD950

LABELS-AS (Orange) B ani C (Plum)DJ and DK (Buff) DM (Pale Green) DO (Pale Blue) DQ (White)

COLTHAM, Sydney (Tenor) Devotion B1912 10 Song of Quietness, A B1958 10 Summer Afternoon, A B1958 10 What a wonderful world it would be 81912 10 Come, let us join the Roundelay

Gresham Singers E371 10 Come when the world is sleeping

De Groot's Orch. B19L0 10 Concerto in A minor, Op. 54 (Schumann)(Recorded

in complete form on 4 DB722 12-inch Records) to

Cortot and R.A.H. Orch. DB725 12 CORTOT, Allred-see SONATA (Cesar Franck)

CORTOT and R.A.H. ORCH. Concerto in A minor, Op. 54 DB722 (Schumann) to (Recorded in complete form on 4 DB725 12 12-inch Records)

CRAWFORD, Jesse (Pipe Organ) Serenade (Schubert) B1949 10 Somewhere a voice is calling B1949 10 Cuddle up Brooke Johns B1929 10

DANCE RECORDS-FOX- TROTS

Adoring you Whiteman'sO. B1938 10 All alone with you-Savoy Orpheans B1934 10 Back to Colorado Savoy Havana B1944 10 Bagdad Savoy Orpheans B1932 10 By the Lake Savoy Orch. B1933 10 Bye Bye Baby Savoy Orpheans B1955 10 Copenhagen Savoy Orpheans B1954 10 Doo Wacka Doo-Whiteman's Orch. B1937 10 Dream 'Maker of JapanSavoy

Orpheans B1934 10 Dreary Weather Savoy Orch. B1932 10 Eat more Fruit Jack Hylton's Or. B1959 10 Eliza .Whiteman's Orch. B1937 10 Follow the Swallow-Hylton's Orch. B1940 10 Hard hearted Hannah Savoy Or. B1955 10 Hoodoo Man Whiteman's Orch. B1938 10 I love dancing with you-Miami Syn. B 1950 10 I loved, I lost Savov Havana B1944 10 In between the showers-tivltou's O. B1939 10 In Carolina Jack Hylton's Or. B1943 10 I've got a feeling for-J. Hylton's Or. B1943 10 Let me be the first Savoy Or. B1941 10 Little old clock Savoy Orpheans B1942 10 Lonely little' elody-Whiteman's O. 81953 19 Ogo Pogo Savoy Orpheaus B1933 10 Out of a million Savov Orch. B1935 10 Rose of the Moonlight-Hylton's Or. B1959 10 Sally Lou Savoy Orpheans B1942 10 She loves me Hylton's Orch. B1940 10 Somebody like you dear-Miami Syn. B1950 10 Sun-Kist Cottage-Savoy Orpheans B1941 10 Tell me dreamy eyes-Whiteman's O. B1953 10

D and E (Black) DA and DB (Red)

No.No.IH

DANCE RECORDS-ONE-Foire de Sorotchintsni STEPS-contd.(Moussorgsky)

Medley of Medleys-Savoy OrpheansC118812Pourquoi mon triste cceur SmirnoffDB75312 Southern Melodies--Savoy OrpheansC118812Folk Songs from Somerset WALTZES-(March) R.A.F. BandB194510 Golden Nest Hylton's Orch.B193910Four by the C1onk (1fallinson) Haunting Melody-Savoy OrpheansB195410Carmen HillE37010 I love the moon Savoy HavanaB193610Fowls Alfred LesterC117712 In Shadowland Savoy HavanaB193510Fragment, A " From the New Moans Chimes-Hilo Hawaiian Or.B192810World " (Sym. No..S in E minor) Serenade Savoy HavanaB193610(Dvordk) Savoy Symphonic Orch.C118612 DAVIES, Ben (Tenor)Francesca da Rimini (Tchaikovsky) Go to bed, Sweet MuseE36410Pts. I and 2D95112 When Laura smilesE36410Pts. 3 and'4 Symphony Orch. DAVIES, Tudor (Tenor)-see also(Cond. by Albert Coates)D95212 under " LOHENGRIN ""Frasqulta" Selection, Pt. 1 and On her contentment (" Don Gio2 (Franz Lehar)-De Groot's Or.C118512 vanui ")D95712 To her I love (" Don GiovanniD95712GALLI-CURCI (Soprano) DAWSON, Peter (Bass-Baritone)Pretty Mocking Bird (Bishop)DB79812 -see also tinder RADFORD andSi carina (Slumber Song) (1leyerbeer)DB79812 DAWSONCargoesB193010GIGLI,

Beniamino (Tenor) CiderB191410Cielo a utar ! (" La Gioconda ")DA22010 Here's to the good old daysB194610Vesti Ia giubba ("Pagliacci",DA22010 Some crimson roseB194610GILLY (Baritone)-see also under Tramp, TheB191410HISLOP and GII,LY Wander Thirst (Landon Ronald)8193010Scorri flume," 11 Tabarro")DA55910 DE GROOT and the PICCA-Vecchia zit-wra n" La Botibna")DA55910

DILLY ORCHESTRA Come when the world is sleepingB191010GIOCONDA, La (Ponchielli) " Frasquita " Selection, Pts. 1 andCielo e mar ! GigliDA22010 2 (Lehar)C118512 PassioneB194810- GLYNNE, Water (Tenor) Precious wee one-LullabyB191010Easter Flowers (Sanderson)B192710 Thing of Dreams, AB194810Oh, let no star compareB191310 DE RESZKE SINGERSRosebudB191310

Studies in Imitation (Hughes)Slighted Swain, TheB192710 Little Jack HomerD94112Go to bed, sweet Muse Little Tommy TuckerD94112Ben DaviesE36410 There was a crooked manD94112GRESHAM SINGERS Devotion (Haydn IVood)Come, kt us join the RoundelayE37110

Sydney ColthamB191210Evening,E37110 Die Mainacht 1 Brahms) McCormackDA62810HAMLET (A. Thomas) DON GIOVANNI (Mozart)Pray you listen (Ophelia's Ballad) On her contentment Tudor Davie:D95712E. ScotneyD96812 To her I love Tudor Davie:,D95712HAYWARD, Marjorie (1'iolin) Dovunque al mondo-seeRomance (Love Song) (Friml)B192610 "MADAMA BUTTERFLY"Valse (d'Annbrosio)B192610 Duets-see HISI,OP and GILLY,Here's to the good old-DawsonB194610 RADI'ORD and DAWSONHILL, Carmen (Mezzo-Sop.) "LOHENGRIN" "TOSCA"(a) Four by the Clock (Mallinsoo) Easter Flowers (Sanderson)(b) To an isle in the waterE37010

Walter GlynneB1927100 that it were so (F. Bridge)E37010 "ELIZABETHAN LOVEShe dwelt among the untrodden waysE37510

SONGS " (arr. Krei )WaitE37510 Go to bed, sweet illuse-Ben DaviesE36410HILO HAWAIIAN ORCH.-see When Laura smiles Ben DaviesE36410DANCE RECORDS Evening Gresham SingersE37110 Exits, Parts I and 2 LawesC118712HISLOP, Joseph & DINH GILLY FAVORITA, La (Donizetti)Amore ogrillo ("Madama Butterfly")DB74312

A tanto asnor ! BattistiniDB73612Dovunque al mondo "Madama Butterfly ")DB74312

FINNISH RHYTHMS (Palnngren)HYLTON, Jack and OR.-see No. 1-Karelian DanceDANCE RECORDS No. 2-MinuetI sawfromthe beach McCormackDA63610 No. 4-Minuet-Waltz-Una BourneB1911, 10"Impresario" Overture (.ilozart) Fire Bird, The (Stravinsky)Symphony Orch. (Albert Coates)D94512 Symphony Orch. ( Albert Coates)D958In Summertime on Bredon-BakerB195710 (Recorded in complete form on t.cotoIn Waldeseinsamkelt (Brahms) 12-in, records)D95912McCormackDA628,10


Insuring his life A. Lester and Fred Rome C1177 12

It takes a good man to do that Brooke Johns B1929 10

JOHNS, Brooke (Humorous) Cuddle up B1929 10 It takes a good man to do that B1929 to KURZ, Selma (Soprano) Marien Wiegenlied (Reger) DA632 10 Ständchen (Strauss) DA632 10

LAMOND, Frederic (Piano) Sonata in E Flat, Op. 31-Scherzo (Beethoven) D962 12 Waldstein Sonata in C, Op. 53 (Beethoven) D960 (Recorded in complete form on 3 12-in. to records) D962 12 Last Voyage, The (Sung in Russian) Chaliapine DB757 12

LAWES, Ben (Humorous) Exits, Parts 1 and 2 C1187 12 Our Musical Drama-Pts. I and 2 C1184 12 LESTER, Alfred (Humorous) Fowls C1177 12 LESTER, Alfred and Fred ROME Insuring his life C1177 12

LEWIS, Mary (Soprano) Ah, je suis seule ("Thais") DB810 12 Tesouvient-il ("Thais") (:lfastenet) D._810 12 LOHENGRIN (Wagner) Intro : Act 3 Symphony Orch.

(Cond. A. Coates) D937 12 Love Duet (Pts. I and 2), Act 3

Austral, Davies and Orch. D931 12 Wedding Procession, Act 2 Symphony Orch. (Cond. A. Coates) D937 12 Lord is a Man of War, The ("Israel in Egypt") (Handel)

Radford and Dawson D967 12 MADAMA BUTTERFLY( Puccini) Amore o grillo Hislop, Gilly and

IBm. Parnis DB743 12 Dovunque at mondo Hislop & Gilly DB743 12 Mals mot, Carmen-see " CARMTEN " MANON LESCAUT (A uber) C'est l'histoire amoureuse-Scotney D968 12 Marche MilitaireColdstream

Guards Band C1176 12 Marten Wiegenlied (.llax Reger)

r Selma Kurz DA632 10 Mazurka in A Flat, Op. 59, No. 2 (Chopin) Paderewski DA633 10 Mazurka in F Sharp Minor, Op. 59, No. 3 (Chopin) Paderewski DA633 10

McCORMACK (Tenor) Die Mainacht (Brahms) DA628 10 I saw from the beach DA636 to In Waldeseinsamkeit (Brahms) DA628 10 Padraic the Fiddiler DA636 10 MEFISTOFELE (Boils) Prologo--Symphony Or. and Chorus (Cond. A. Coates) D938 12 Memory Lane Salon Orch. 81931 10 MENGES, Isolde ( Violin) Abendlied (.Schumae n Joachim) E373 10 Allegro (J. H. Pisces) E373 10

LABELS-AS (Orange) B and C (Plum) DJ and DK (Buff) DM (Pale Green)

NERONE (Boito) The Chariot Race-Symphony Orch.

and Chorus (Cond. A. Coates) Nightingale (Tchaikovsky) (Sung in Russian) Chaliapine Non phi andrai-see " I,$ NOZZ$ DI FIGARO "

November (En Troika) (Tchaikovsky) Una Bourne B1911 10

NOZZE DI FIGARO, Le Non pik andrai Battistini DB736 12 O that it were so (F. Bridge)

Carmen Hi E370 10 OFFERS, Maartje (Contralto)- see "RIENZI" Oh, let no star compare with

thee W. Glynne B1913 10 On her contentment-see " DON GIOVANNI " Our Musical Drama, Pts. I and 2

Ben I,awes C1184 12 Over the mountains E. Thornton E365 10PADEREWSKI, Ignace Jan (Piano) Mazurka in A Flat, Op. 59, No. 2 (Chopin) Mazurka in F Sharp Minor, Op. 59,No. 3 (Chopin) DA633 10 Padraicthe Fiddiler McCormack DA636 10 PAGLIACCI (Leoncavallo) Vesti la giubba Gigli DA220 10 Passione (V. Ransato) De Groot's O. B1948 10

PIANO SOLOS- see BOURNE, CORTOT, I,AMOND, PADEREEWSKIPIQUE

DAME (Tchaikovsky) Forgive me Smirnof DA569 10 what is our life Smirnofl DA569 10 Pray you listen-see "HAMLET' - Precious wee one-LullabyDe

Groot's Orch. B1910 10 Pretty Mocking Bird (Bishop)Galli-Curd

DB798 12 PRIMROSE. William (Violin) Sonata in A, No. 2 (Bach) D939 (Recorded in complete orm on 2 to 12-inch Records) D940 12

PURITANI, I. (Bellini) Sound, sound the Trumpet

Radford & Dawson D967 12 Quartet in F major, Op. 18, No.1 (Beethoven) Catterall Quartet D947 (Recorded in complete form on 4 to 12-inch Records( D950 12 Quartet in F major, Op. 22,

No. 1-Scherzo D950 12 (Tchaikwsky) Catterall Quartet Quartet in E minor, Op. 59, D953

No. 2 (Beethoven) to Virtuoso String Quartet D956 12

(Recorded in complete form on 4 12-inch records) RADFORD, Robert and Peter

DAWSON I,ord is a Man of War, The (Handel) D967 12 Sound, sound the Trumpet "I Paritani" (Bellini) D967.12

D and E (Black) DA and DB (Red) DO (Pale Blue) DQ (White)

RIENZI (IV'acner) Gerechter Gott Maartje Offers In seiner Blüthe Maartje Offers Romance (Love Song) (R.Frml) Ni. Hayward Rosebud Walter Glynne

ROYAL AIR FORCE BAND (Cond. Flight-Lt. Amers)

Sanctuary of the Heart SerenadeSuite-Folk

Songs (R. Vaughan) No. 1 Seventeen come Sunday No. 3 Folk Songz from Somerset

SADOVEN, Helen-see ANSSEAU and SADOVEN "Salamanca" Irish Reel-Walsh SALON ORCHESTRA- All alone Memory Lane Sanctuary of the HeartR.A.F.

Band Sarabande et Allemande Sharpe

SAVOY ORPHEANS and SAVOY HAVANA BAND-

see DANCE RECORDS

SAVOY ORPHEANS SYM- PHONIC ORCH.

Fragment, A "From the New World," Symph. No. 5 in E minor (Parts I and 2) (Dvorak) Scorri flume ('1) Tabarro") Gilly

SCOTNEY. Evelyn ;Soprano) C'est I'histoire amoureuse ("Marton Lescaut") Pray yon listen (" Hamlet Serenade R.A.F. Band Serenade (Schubert) J. Crawford Seventeen come Sunday (March)

R.A.F. Baud SHARPE, Cedric ('Cello) Sarabande et Allemande She dwelt among the untrodden

ways Carmen Hill Shepherd, thy demeanour vary

U.Suddabv Si carina (Slumber Song) ("Dinora h", Galli Card Slighted Swain W. Glvnne SMIRNOFF, Dmitri (Tenor)- see " FOIRE DE SOROTCH- INTSNI," " PIQUE DAME " BORIS GODOU NOV " Some crimson rose P. Dawson Somewhere a voice is calling

J. Crawford Sonata in A, No. 2 ( Bach)

William Primrose (Recorded in complete form on 2 12-inch Records) Sonata in A Major (Cesar Franck)

Violin and Piano)Thibaud and Cortot

(Recorded in complete form on 4 12-inch records) Sonata (Waldstein) in C Major,

Op. 53 (Beethoven)Lamond

D968D968

C1183B1949

B1945E374E375E366

DB798B1927

B1946B1949D939toD940

Sonata in E Flat, Op. 31- Scherzo (Beethoven) Lamond

Song of Quietness, A-Coltham Sound, sound the Trumpet-see

" I PCRITANI " Ständchen, Op. 17, No. 2 (Strauss) Selma Kurz

STUDIES IN IMITATION (H. Hughes) Little Jack Horner Little Tommy Tucker There was a crooked man

De Reszke Singers SUDDABY. Elsie (Soprano) Shepherd, thy demeanour vary Virgin's Lullaby ("Bethlehem") Summer Afternoon, A Symphony in C, No. 41 (Jupiter) (Mocarl) Symphony Orch. (Albert Coates) (Recorded in complete form on 4 12-inch Records)

SYMPHONY OR.(Cond.A.Coates) -see also under "LOHENGRIN,"

' MEFISTOFELE," "NERONE" Fire Bird, The (Stravinsky) D958/9

Francesca da Rimini (Tcnaikovsky) D951 (Recorded in complete Jorm on 2 to 12 inch records) D952 "Impresario" Overture (Mozart) D945 Symph. in C, No. 41 (Jupiter) D942 (Mozart) to (Complete on 4 12 uich Records) D945 Te souvient-it du lumineux

voyage-see ' THA15 THAIS f llassnieq Ah, je suis seule Mary LewisDB810 Te souvient-il (Meditation)Mary

Lewis DB810 THIBAUD, Jacques - see SONATA (Cesar Franck) Thing of Dreams, A ("The First Kiss ")-De Grout's Or. 81948

THORNTON. Edna ( Contralto) Over the Mounta ills E365 When singing birds were mute E365 To an isle in the water (Mallsnson) Carmen Hill E370 To her I love-see " DON

GIOVANNI " Top of the Hill, The G. Baker B1957 TOSCA (Puccuiz) Chi e quella donna bionda las_a

Ljungberg & Mummery DB752 Ora stammir a senor

Ljungberg & Mummery DB752 Tramp, The I'. Dawson B1914

TWILIGHT OF THE GODS (Wagner)Hagan

summons the Vassals (Pts I and 2) Radford, Ch. and Orch. D930

VALKYRIE (Witgnerl Wotan overtakes Brünhilde (Act 3) Miranda, Walker, Radford, Ch. & O. D929 Wotan's sentence (Act 3) Ancrum,

Walker, Radford, Ch. and Orch. D929


Valse. Op. 37, No. i: (d' Ambrosio) M. Hayward

Vecchia zimarra ("La Boheme")Gilly

Vesti In giubba - see " PAGLIACCI " VIOLIN SOLOS-seeHAYR'ARD, MENGES, PRIMROSE VIOLONCELLO SOLOS-=ee SHARPEVirgin's

Lullaby ("Bethlehem')E.Suddabv

VIRTUOSO STRING QUARTET Quartet in E Minor, Op. 59, No. 2 (Beethoven)(Recorded

in complete form on 4 12-inch recordsi

WALSH, Liam (Irish i3agpipes) Blackbird, The "Salamanca"-Irish Reel

Wander Thirst (No. 4-" Song Fancies ") (Landon Ronald)Dawson

What a wonderful world it would be S. Coltham

When Laura smiles Davies

When singing birds were mute E. Thornton

WHITEMAN'S ORCH. - see DANCE RECORDS

As under the Copyright Act 1911 copyright subsists WARNING.-in Gramophone Records proceedings under such

Act may be taken against anyone infringing the Company's copyright therein. THE GRAMOPHONE COMPANY. LIMITED.

Printed March, 1925.

Documents

SIR LANDON RONALD & KREISLER - sounds.bl.uk · "His Master's Voice" Records KREISLERAPRIL, 1925. ýýýýiýýnI;ýý FRITZ KREISLER (Violin) (and Orchestra conducted by SIR LANDON