Schwartz, Ellen (1987). Historical Essay

VOLUME 1 The Nahl Family

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California Art ResearchEdited by Gene Hailey

Originally published by the Works Progress Administration San Francisco, California

1936-1937

A MICROFICHE EDITION

fssay a/M? îMiograp/uca/ iwprov^w^^ts Ellen Schwartz

MICROFICHE CARDS 1-12

Laurence McGilvery La Jolla, California

1987

0002California Art Research

Edited by Gene HaileyOriginally published by the Works Progress Administration

San Francisco, California 1936-1937

A MICROFICHE EDITIONuzz'r a?? ^z'sfon'ca/ Msay awtf ^zMognip^zca/ ZTMprov zM Mfs

Ellen Schwartz

MICROFICHE CARD 1: CONTENTS

Handbook Volume 1

Table of contents Prefatory note Introduction The Nahl Family Charles Christian Heinrich Nahl

"Rape of the Sabines""Rape of the Sabines""Rape of the Sabines"

Hugo Wilhelm Arthur Nahl Virgil Theodore Nahl Perham Wilhelm Nahl Arthur Charles Nahl Margery NahlTabulated information on the Nahl Family Newly added material on the Nahl Family Note on personnel

Volume 2Table of contents William Keith

"Autumn oaks and sycamores"Newly added material

Thomas Hill"Driving the last spike"Newly added material

Albert Bierstadt"Mt. Corcoran"Newly added material

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Newly added material copyright @ 1987 by EHen Haiteman Schwartz ISBN 0-910938-88-1

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1936-1937


wzt/? a??Ellen Schwartz

HANDBOOK

Laurence McGilvery La Jolla, California

1987

0004

Newly added material copyright @ 1987 by Ellen Halteman Schwartz

Laurence McGilvery Post Office Box 852

La Jolla, California 92038

ISBN 0-910938-88-1

Microfiche cards by Western Micrographics, Inc., San Diego, California MANUFACTURED IN THE UNITED STATES OF AMERICA

000b

CONTENTS

Publisher's Note iv Acknowledgments v

Art An Historical Essay vi-viiiNotes viii-ix

Key to Bibliographies xGuide to the Supplements xi-xii

Identification of Original Sources xi-xii Supplementary Bibliographies xii

Frequently Cited Sources, with Abbreviations xiii-xviii Contents Pages of Microfiche Cards 1-12 xix-xxxi The Hundred Artists of Cg/t/orHM Art R?spgrc/7 xxxii-xxxiii Key to Abbreviations xxxiv-xxxv

00 OB

PUBLISHER'S NOTE

It must have been about 1970 on a visit to the iate Mel Royer, Los Angeles art book dealer, that I bought a thin monograph on a Northern California artist named George Booth Post. It had been issued in 1937 by the Federal Art Project, San Francisco, and it consisted of only eight mimeographed pages stapled to a cover with an original photograph of a harbor scene mounted on it. In March, 1972, I catalogued it at $5.00 and sold it to an East Coast dealer in my normal course of business as an antiquarian bookseller. Along the way, I was introduced to the massive work in twenty-one volumes of which it was only a tiny part, Ca/i/orwM Art Rfsparc/?.

It was a fascinating and eccentric document. The page layout still is a source of amusement and wonder. The justified right margins of the typewritten text required either typing each page at least twice or counting each line before it was typed and inserting spaces to adjust the length. That is not an efficient procedure, but, then, efficiency was not the goal. The sheer mass of the work and its immediacy—the brief and extraordinary surge of activity that produced it—recommended the future worth of Ca/i/orma Arf as sourcematerial. With a total edition of one hundred copies, it was undeniably scarce. Then, there was the matter of the mimeograph paper on which it was printed. Sets in libraries all over California were already entering the terminal throes of disintegration. AH these elements appealed to the antiquarian and preservationist in me. Late in 1972 I began to think about a reprint.

Various alternatives were considered. Each proved impractical or overly expensive. A straight, full-size reprint would have had a selling price of hundreds of dollars, thus limiting its market to perhaps two or three dozen buyers. To have completely reset the book on my own equipment would have reduced the size—and the printing costs—by two-thirds, but the prospect of typesetting a thousand pages was a daunting one. Other printed solutions only compounded the difficulties.

In 1980 the project came to life again when Ellen Schwartz generously accepted my invitation to update the bibliographies and the basic biographical data for each artist. This microfiche edition is the result.

The San Diego Public Library kindly let me use its complete set of Art to make amaster copy. The photocopying process increased the contrast of the text, and the type was strengthened by hand in areas where there seemed a real risk of illegibility. Ellen Schwartz's contributions were added, and this handbook was prepared as a guide to the set.

Continuous pagination and running heads have been incorporated into this edition to simplify its use and to allow the addition of about three hundred fifty pages of new material. The new page numbers appear at the upper left of each frame. On the fifth, seventh, and

tenth microfiche cards (vols. 9-10,13-14, and 19-20ptl), adjustments have been made to accommodate two full volumes per card. The new tables of contents at the beginning of each card are best used in tandem with the original, detailed ones that open each volume. The reader may need to refer both to the original page numbers (at upper right) and the new, continuous ones. In all volumes the sequence of original page numbers is interrupted by the new bibliographical features at the end of each biography. Citations to this edition should refer to both sets of page numbers, where applicable.

The eleven text cards are reproduced at a reduction of 42x. The original photographs that accompanied most of the monographs appear in their proper places, but they are all duplicated more faithfully on the twelfth card at a lesser reduction of 24x. Cross- references to both locations have been added.

The names of Eugenie Candau and Eleanor Hartman appear in Ellen Schwartz's Acknowledgments, but they both deserve my heartfelt thanks, as well, for their encouragement. William B. Walker, now Librarian of the Metropolitan Museum of Art, made a real difference at the very beginning of this project with his support and intelligent advice. Mary Fuller of Petaluma and fellow booksellers Michael Good and Joyce B. Muns supplied answers to some early questions.

Special thanks must go to the San Diego Public Library and its staff, particularly: the indispensable Rhoda Kruse, former librarian in charge of the California Room; William W. Sannwald, Library Director, and his predecessor, Marco Thorne; Mary Allely,Special Collections Librarian; and Eileen Boyle of the Wangenheim Room.

Then there is Ellen Schwartz. How shall I thank her for her part in this enterprise? Praise that might sound extravagant to a stranger will appear scant, even stingy, to those privileged to know her. She is a paragon among researchers, a devoted mother and catlover, and a better friend than her wayward publisher deserves.

Ca/z/brwM Art could have been reproducedcomplete and without comment, revision, or addition.It would have had its uses, and it certainly would have been finished more rapidly. Once the decision was made to bring the original bibliographies up to something approaching modern standards without obliterating the original references as first published, the closet door was opened. Elsewhere in this handbook Ellen describes the procedures she used and the limits she placed on her additions and revisions. Without her passion for excellence, her energy, her seemingly boundless good spirits, and her patience, I doubt that this project would ever have been completed. I am, and remain, in her debt.

Laurence McGilvery

0007ACKNOWLEDGMENTS

My special thanks and appreciation go to the publisher, Laurence McGilvery, for asking me to edit this microfiche edition of C<i/:ybf7H'a Art and for being so patient during the two years it took me tocompile and prepare my work for publication. I thank him also for his wise editorial suggestions and for designing a useful and convenient volume. No author could wish for a more skillful publisher, or for a more gracious friend.

The following artists profiled in Ca/i/brzzM Art Rfsârc^, or members of their families, responded to my letters and spoke with me on the telephone: Esther Bruton, Helen Bruton, the late Margaret Bruton, the late Ruth Cravath, Ellen Howard, the late Robert Boardman Howard, Masha Zakheim Jewett,George Booth Post, the late Kenneth Rexroth, Jacques Schnier, and the late Bernard Baruch Zakheim.1 thank them all for their time and the information they generously provided.

The following is, I hope, a complete list of those who contributed specific information about the California Art Research Project and its artists. Their assistance is gratefully acknowledged.

the [ate Thomas Albright, San Francisco C&ronic/fMildred AibrondaDr. Joseph Armstrong Baird, Jr.staff of The Bancroft LibraryNancy C. Bavor, Stanford University Museum of Art Anne-Marie Bouche, Mills College Library Barbara Bowman, Oakland Museum Beverly Bubarstaff of the California Historical Society Library staff of the California Section, California State Library Eugenie Candau, Louise Sloss Ackerman Fine Arts Library,

San Francisco Museum of Modern Art Cynthia Charters Sharon ChickanzeffSusan Craig, Murphy Library of Art History, University

of KansasLawrence Dinnean, The Bancroft Library Inge Dortmund, Oregon Historical Society Duke University Museum of Art Lewis Ferbrache Peter FlaggRichard Geiger, Saw Jose Mere ary News Steven M. Gelber, Department of History, University of

Santa Clara the late Elsa GidlowMarcia Goerbe, Library Association of Portland Dr. Robert D. Harlan, School of Library and Information

Studies, University of California, Berkeley Ann Harlow, Mills College Art Gallery Eleanor C. Hartman, Los Angeles County Museum of

Art LibraryMirella Alterocca Hemp, Consolato Generate d'ltalia,

San Francisco

Andrew HoyemDr. Bruce Johnson, California Historical Society Library James KantorDr. Paul J. Karlstrom, Archives of American Art,

San FranciscoDr. Chauncey Anthony KirkLiza Kirwin, Archives of American Art, Washington, D.C. Don Kunitz, Department of Special Collections, University

Library, University of California, Davis Dr. Katherine Mather Littell Tim Mason Paul C. Millsstaff of the Monterey Peninsula Museum of ArtNancy MoureDr. Walter A. Nelson-ReesEmanuel PopolizioRuth N. PostDr. Don Price, Department of History, University of

California, DavisSuzanne Reiss, Regional Oral History Office,

The Bancroft Library Millie Robbins Janette B. RozeneJimmie Rush, National Archives and Records ServiceTerry St. John, Oakland Museumstaff of the Louise Sloss Ackerman Fine Arts Library,

San Francisco Museum of Modern Art Jessica Schwartz, San Francisco Art Institute Wilda Shock Alfred SperisenIrene Stickel, Archives of American Art, San Francisco staff of the Department of Special Collections, University

Library, University of California, Davis

Ellen Schwartz Davis, California December, 1986

OOORCALIFORNIA ART RESEARCH: An Historical Essay

Ellen Schwartz

CaAybrwM Art Research is an interesting episode in the development of California art bibliography. Itself a product of federal support in the 1930s, Ca/i/orMia Art Research is often cited in studies of New Deal art programs in California, but its publishing history has never been examined.* From the few surviving project records and from secondary sources, the story emerges of a thoughtful and industrious effort to document the state's most significant artists.

Initially Ca/i/br7Ha Art Research was a project of the State Emergency Relief Administration (SERA) under the joint direction of Dr. James B. Sharp (1901- 1941), State Coordinator of Statistical Projects for the Works Progress Administration (WPA), and Joseph A. Danysh (1906-1982), Western Regional Director of the Federal Art Project for the WPA. Two per cent of the work had been completed in July of 1935, when an application for financial support was made to the WPA. The goals of the California Art Research Project were ambitious: "To compile the history and development, public and private, of art collections in San Francisco; to make a study of the economic development of major California artists; to compile a series of biographical sketches covering the major artists of California." A final published report would be written by an editorial staff from information collected by researchers. Biographical and critical details were to be gathered for major California artists for the period 1769 to 1935. The history of art schools and commercial galleries would also be documented, and various aspects of the state's history would be examined, such as arts legislation, California primitives, Oriental influences on California art, and the relationship of California art to American art/

The Project was approved in January of 1936, after one rejection. Both Dr. Sharp and Joseph Danysh continued their involvement with the Project, Danysh on a volunteer basis; however, two new supervisors were appointed. Junius S. Cravens, a local art critic, was to direct the historical research, and Fred S. McFarland, who had been involved under SERA with the development of the Project's information-gathering guidelines, was transferred from the Federal Writers' Project to head the statistical unit. In line with Federal Art Project policy, the California Art Research Project also had a local sponsor, Dr. Walter Heil (1890-1973), then director of the M.H. de Young Memorial Museum and the California Palace of the Legion of Honor. The Washington Grammar School located at 901 Potrero, a building also used as studio and work space for other WPA arts projects, housed the California Art Research offices. The staff began work on February 14, 1936.

Junius S. Cravens, the first editorial supervisor of Ca/i/orTna Art Research, is an intriguing figure whose multi-faceted career in the arts deserves further investigation.^ Born in Indiana, Cravens studied art in his home state and at the Art Students League in New York City. He subsequently worked in New York as an illustrator and writer and then became an art editor for Fam'ty Fair, Fogae, and Butterick publications. Following service in France during World War I,Cravens returned to New York City to design sets and costumes for Broadway productions such as the Zieg- feld Follies (1918-1922) and also for motion pictures. He came to California in 1925, on his way to join Maude Adams in India to do a film of Rudyard Kipling's Kwr Cravens may have visited Hollywood, but when the plans for the film were abandoned, he chose to settle in San Francisco.

Active in the Bay Area art world, Cravens continued his career as a writer. The many quotations from his reviews which are to be found throughout Caii/orwia Art Research, especially in the later volumes, attest to his diligence. He was a critic with the Argcwaat for seven years and on the staff of the Argas for one year. At the time of his death, Cravens had been providing reviews for the Saw Francisco Acres for over two years. He also published articles in such national periodicals as Prints and Art Digest. His continued interest in the theater was evidenced by his involvement with local dramatic groups and several Bohemian Club Grove Play productions.

Junius Cravens did not live to see Ca/i/ornia Art Research to its completion. On the evening of July 3, 1936, his body was found at Mussel Rock, near Thornton Beach, in San Mateo County. Whether his death at age forty-two was accidental or a suicide was never determined. A letter of resignation from the Project dated June 30, citing doctor's orders for his decision, was found among his possessions. Newspaper accounts of his death hint at severe depression due both to recent disagreements with his peers and a failure to receive an unspecified position of prestige in the field of art criticism. Grant Wallace, one of the editors of Caii/orwia Art Research, did not feel that his friend was suicidal, relating that the talented critic was intensely devoted to his many creative pursuits.The death of Junius Cravens was widely reported in the California press and nationally in the Mete Yorh Fiwes and Art Digest. Since he died but a few months before the first volumes of Ca/i/braia Art Research were published, it is unfortunate that he is never linked bibliographically with the series. Gene Hailey, his successor is always given the credit as the chief editor/

ooon m S T O R IC A L ESSAY vii

Genevieve Hailey was born in Pendleton, Oregon, the daughter of Maud L. Beach Hailey and Thomas G. Hailey. Her father, a prominent Portland attorney and Oregon Supreme Court justice, died in 1908. Her first visit to San Francisco probably occurred in 1915, when she accompanied her widowed mother to the Panama- Pacific International Exposition, where Mrs. Hailey was a hostess in the Oregon Building. Evidently enthralled by the city, Miss Hailey returned to pursue art studies in 1917. By 1918 she had taken up residence. Her marriage to attorney Ernest Clewe was celebrated December 15, 1923, in San Francisco's Swedenborgian Church. For most of their married lives the Clewes lived in San Mateo.

Gene Hailey was listed as an artist with the Overland Publishing Company in the 1924 Saw Frawcisco City Directory, however, her contribution to Bay Area art activities seems to have been primarily literary. She wrote reviews of local art exhibitions for the Saw Fraw- cisco C^rowic/^ (1926-1927) and the Argws (1927-1928). Notice of her resignation from the C^rowic/c position appeared in the December 1927 issue of the Atgzzs and mentioned her plans to write for several Eastern art periodicals. Only one article has been located: a review of current decorative trends in California painting appeared in the Nerr 71wcs on August 4, 1929. Between then and 1936, when she was appointed chief editor of the California Art Research Project, her professional activities are unknown. During the early 1930s she was no doubt involved with the raising of her son, Thomas Hailey Clewe. Soon after the publication of Ca/z/brwM Art R ârc^ , the Clewes moved to Oroville, California, where Genevieve Hailey Clewe died on November 8, 1939, at age forty-six.

Specific details about the publishing history of Gt/z/orwM Art R^sMrc/? are even more elusive than biographical information about its chief editors. The staff, which eventually numbered forty, included researchers, interviewers, writers, editors, typists, stenographers, proofreaders, photographers, and a librarian. Although the title CgJz/brwM Art R<?$Mrc suggests statewide coverage, financial and practical considerations limited the Project to artists whose principal residence was San Francisco. The first stage of work involved extensive research. Staff members consulted local libraries, museums and private collections for published sources, and also collected photographs of representative works, memorabilia, scrapbooks of clippings, and other archival materials. During interviews with artists and their families and associates, researchers used a prepared list of questions covering family, education in the U.S. and abroad, exhibition history, teaching experience, awards, prizes, commissions, and details about income, expenses, and—for living artists—work with relief agencies. The completed research and interview notes for each artist were used to write the biography. All supporting documentation was typed and deposited in individual files.

Gt/z/orMM Art Research was scheduled to take 13.2 months to complete. Concern that the work was not proceeding satisfactorily apparently prompted the reorganization of the Project. In a memorandum to the district director dated August 1, 1936, Dr. Sharp outlined a new work plan and reinforced the Project's primary objectives: 1) to produce a flow of good monographs relating to California artists; and 2) to help in every possible way to secure a better product by retraining the workers. Five editors were assigned to Gene Hailey. Two would continue work on the essays covering the well-known artists; another was to work on the monographs discussing the younger artists; and two would assist with general editorial duties. A research director was responsible for the material collected by the researchers and interviewers, and the business manager, Fred S. McFarland, handled all statistical data. A librarian supervised the clerical staff in the typing and filing of the supporting documentation.

Whether this organization differed significantly from that under Junius Cravens cannot be determined; however, the tone of the memo suggests that difficulties had been caused both by methods of collecting information and by a lack of discrimination in selecting pertinent data. AH researchers were to desist from copying articles "in toto"; they were to be assigned specific tasks, and they were to follow a simple outline to help procure only the essential information. Project workers were instructed to be as objective as possible and to pass neither moral judgement upon the lives of the artists nor aesthetic judgement upon then* work.All critical reviews used in the monographs would be selected by the research director. Gene Hailey, who had been supervising editor for only a few weeks, was expected to develop "a definite production program very soon." With the above organization Dr. Sharp felt that "a flow of monographs will be produced for general distribution." The staff apparently adjusted successfully to this new arrangement, for the first volumes began to appear in a few months.

While the precise dates of publication are unknown, the issue dates stamped on copies examined for this microfiche edition indicate that some volumes of Gr/z/brMM Art Research were released as early as December of 1936 and others as late as October of 1937. The original budget had provided for only one set of biographies, but in February of 1937 an additional $600 was allocated to cover the cost of one hundred copies of each biography. Although work on the Project was officially completed July 22, 1937, the Works Progress Administration saw to the final production details and distribution.^ The status of the monographs on August 3, 1937, as documented in "Report of Completed or Discontinued Project" was as follows:29 completed, mimeographed and distributed; 27 completed, mimeographed but not assembled or distributed;5 completed and stencilled; 17 typed and edited; 7 typed only. The City and County of San Francisco

H ISTO R IC A L ESSAY 0010viii

offered in August of 1937 to supply additional funds to complete the volumes, but the final accounting of the Project's costs (to May 31, 1938: $46,402.90) shows no record of any outside contributions.

In its final form Ca/t/orMM Art was published in twenty volumes with Volume 20 in two parts, to total nearly 3,000 pages. Each volume is bound in green paper and bears the words "California Art Research" and other identifying information stencilled on the front cover. A similar green sheet with the artist's name and dates and a photograph of a representative work serves as a cover to each biography. Variant cover designs have been noted: some have an outlined figure of an artist painting the title across the top; others show no evidence that a photograph was ever pasted to the green paper covers.

Other than copies retained for the Project files and those used for publicity, only sixty-six complete sets were distributed. The recipients, listed at the end1. The definitive study of California's contributions to WPA arts programs is the catalogue New Dea/ Art Ca/i/brwia, prepared by Lydia Modi Vitale for the exhibition at the de Saisset Art Gallery and Museum, University of Santa Clara, Santa Clara, from January 17 to June 15, 1976.

Steven M. Gelber's essay, "The New Deal and Public Art in California," is essential reading for those researching this period. Essays by Francis V. O'Connor, Charles Shere and Paul Hoffman survey the works produced for New Deal arts programs.

Information about nearly all of the Ca/i/ornia Art Research artists who worked on WPA projects will be found in this publication. Dr. Gelber compiled two useful guides to New Deal art in California: the "Community Guide" lists the artists and number of murals produced in 122 California cities, and the "Artist Guide" notes works produced by nearly 300 individuals working on WPA projects. For each piece, the "Artist Guide" gives the medium (covers painting, sculpture, murals, mosaic, and stained glass), title, location, sponsoring federal agency, date executed, and current status (extant or destroyed).

This 172-page catalogue includes a bibliography, checklist (288 exhibits), and numerous black-and-white illustrations.

Videotape documentation of New Deal art in California, including photographs of sites, works of art, and interviews with WPA artists, is available for scholarly reference at the de Saisset Art Gallery and Museum.

A later article by Steven M. Gelber, "Working to Prosperity: California's New Deal Murals" (Ca/i/ornia Histoiy, Vol. 58, no. 2, Summer, 1979, pp. 98-127) is an illustrated and extensively documented survey focusing on the mural projects.

Work relief programs administered by California's Division of Beaches and Parks are discussed in W.R.A. Artwork in the Ca/i/omia Rtate Rarh System, prepared by the Interpretive Services Section, Interpretive Collections Management Group, California State Department of Parks and Recreation (1979). Although none of the artists profiled in Ca/i/ornia Art Research were employed on these projects, this document is nevertheless an interesting study of a specific WPA program with useful information on procedures and personnel. Biographies and bibliographies are included for participating artists.

The "Bicentennial Souvenir Edition" of City o/Saw Francisco, "When Art Was Fun & Fabulous" (Vol. 10, no. 30, February 4, 1976), features essays on WPA arts projects in San Francisco with several splendid color reproductions of significant art works.

Masha Zakheim Jewett, daughter of Bernard Baruch Zakheim, discusses a prominent San Francisco landmark of the 1930s in

of Volume 20, Part 2, were all museum, public and university libraries. A second printing of the "First Series" of Ca/z/brMM Art Research, as the twenty volumes were identified, was considered, along with a "Second Series" of additional biographies, but neither was ever carried out7 The proposed volumes covering the history of art collecting in San Francisco and economic conditions pertaining to Bay Area artists also were never published, although data compiled for the latter study was in manuscript form in 1937.

Nevertheless, the publication of twenty volumes devoted to California art history was a considerable accomplishment, a fact noted in the laudatory reviews of the work appearing in the local press.^ Today, despite varying degrees of quality among the essays that make up Ca/t/brnia Art Rârtrb, it still stands as a monumental and largely successful effort to explore the history of Northern California art through the biographies of its significant artists.^

her book Coir Tower, San Francisco. /ts History ami Art (San Francisco: Volcano Press, 1983). Biographies of several Ca/i/ornia Art Research artists are included in an appendix.2. Only one other federally sponsored art historical research project of this period is known to the editor: New Or/eans Artists, compiled by the Delgado Art Museum Project of the WPA.3. Details about the California Art Research Project are from the following sources: 1) interviews over the telephone and by letter with artists and others who recalled the Project's history;2) Ca/i/ornia Art Research, "Prefatory Note" and "Introduction," by Gene Hailey (Volume 1, pp. 1-12); "Note on Personnel," by Gene Hailey (Volume 1, pp. 104-5); "Acknowledgment" and "Distribution Agencies" (last three pages of Volume 20, Part 2);3) records of Official Project 65-03-3632, Work Project 2874, examined on approximately ninety frames of microfilm from the National Archives and Records Service, General Services Administration, Washington, D.C.

Francis V. O'Connor's "A Guide to New Deal Art Project Documentation" (in Federa/ Rapport /or the Visaa/ Arts. The New Dea/ and Now. A Report on the New Dea/ Art Projects in New Vorh City and State with Recommendations /or Present- Day Federa/ Rapport /or the Visaai Arts to the Nationai Endowment/or the Arts, Washington, D C., October, 196#, Greenwich, Connecticut, New York Graphic Society, 1969, pp. 128-73) should be examined for its careful description of the holdings of the National Archives. Records for California projects are noted under the "Inventory of the Records of the WPA Federal Art Project by State" (pp. 144-5).

A more recent publication, Richaxe and Pencil Re/erences /or the Rtady o / the WPA, compiled by Marguerite D. Bloxom (Washington, D.C.: Library of Congress, 1982), is an annotated bibliography covering all the WPA arts projects. Of particular interest are references to the whereabouts of WPA records and to post-1943 studies of regional arts projects.4. Information about Junius Cravens is from the following sources: Art Digest. Vol. 10, No. 19 (August 1, 1936), p. 7;Eos Angeles Ratarday Night. Vol. 43, No. 44 (July 25, 1936), p. 2; New Yorh Times. July 6, 1936, p. ll;R an Francisco Chronicle- August 6, 1927, p. 7 (photograph); October 16,1929, p. 10; January 14, 1932, p. 8; July 4, 1936, p. 11; July 5, 1936, pp. 1+ (photograph); July 6, 1936, pp. 1+; July 7, 1936, p. 3; July 8, 1936, p. 3; July 9, 1936, p. 3; July 10, 1936, p. 3; Ran Francisco News. July 6, 1936, pp. 1+ (photograph); July 7, 1936, pp. 6, 14; July 8, 1936, p. 5; July 9, 1936, p. 3; July 10, 1936, pp. 5, 20.5. Information about Genevieve Hailey Clewe is from the

oou H ISTO R IC A L ESSAY ix

foHowing sources: New Ycr& FZw:es. August 4, 1929, Section 8, p. 7; Saw Francisco CErowZc/e. April 1, 1917, p. 15 (photograph); December 23, 1917, p. S2 (photograph); December 16, 1923, p. S6; November 10, 1939, p. 18; Saw Francisco Fxawiwer.October 24, 1915, p. 21 (photograph); May 6, 1928, p. SI (photograph).6. Continued by Work Project No. 6343-7346.7. In his memo of August, 1936, outlining the Project's reorganization, Dr. Sharp mentions research on John Gutzon Borglum. Gene Hailey in her "Introduction" makes note of work on the Moran family.8. On August 22, 1937 (p. D4), Alfred Frankenstein reported the publication of the first nine volumes in his regular column for the Saw Frawcisco C6rowic/c and lamented, as we do today, the anonymity of the biographical essays. The writers and rewrite editors noted in the "Acknowledgment" at the end of Volume 20, Part 2, are: Doris Adams, Dean Beshlich, Norman Bode, Florence Bradley, Gretchen Clark. Dorothy Ellis, Matthew Gately, Charles Hooker, Isabelle John, Lucille Larme, Marjorie Lee, Diane O'Connell, John Ruiz, Eddie Shimano, and Grant Wallace (died 1954). Only a few of these individuals can be linked to specific biographies. Ruth Cravath recalls that Isabelle John interviewed her; Robert Boardman Howard may have been interviewed by John Ruiz. The biographies of Theodore Wores and Maynard Dixon were written by Grant Wallace.

Other reviews of Ca/i/orwia Art Research appeared in the Saw Frawcisco CErowZc/e on March 14, 1937 (p. D6) and in Harry Noyes Pratt's column in the Sacrawtcwfo Fee on June 12, 1937 (p. 13).9. For general histories of California art, researchers will benefit from the informative interpretations and additional references contained in the following publications:

Thomas Albright. Art iw f6e Saw Frawcisco Bay Area, 1945- /9#0. Aw ///wsfrafed F/isfoiy. Berkeley: University of California Press, 1985. 349 pp.; b&w and color ills. The first chapter, "Before the Storm: The Modernist Foundation," mentions many of the Ca/i/orwia Arf Research artists and is an excellent discussion of pre-World War II art developments in the Bay Area. Nearly 700 concise biographies of Northern California artists active in the twentieth century form a useful appendix.

Fhc Art o / Ca/i/orwia. Selected H'orFs /row: tBe Coi/ectiow o / FBe Oa^/awd AfMsewwi. Edited and with an introduction by Christina Orr-Cahall. Oakland: The Oakland Museum Art Department and Chronicle Books, San Francisco, 1984. 199 pp.; b&w and color ills. Representative works by significant California artists in the collection are illustrated in approximate chronological order. Brief biographical information and selected references are given for each artist. Introductory essays covering the history of California painting, sculpture, printmaking, photography, and drawing, as well as an extensive bibliography of basic California art reference sources, supplement the biographical entries and are a useful introduction to the topic.

Joseph Armstrong Baird Jr., editor. FBe Deve/opiwewf o / Afodorw Art iw NorfE^rw Ca/i/orwZa, Fart F FFcodor? Wores awd tBe BfgZwwZwgs o//wferwafZowa/Zsw: iw NorfEerw Ca/i/orwZa FaZwfZwg, /B74-/9/5. Davis: Library Associates, University of California, University Library, 1978. 42 pp.; color ill. Information about many of the Ca/i/orwZa Art Research artists is provided in essays by graduate students in a seminar on American art, Department of Art, University of California, Davis. Covers such topics as Impressionism, Pictorialism and Art Nouveau in California,Native American subjects in California art, the Panama-Pacific International Exposition and the Armory Show of 1913, and California artists who studied and worked abroad and in New York City. Includes bibliographies.

Joseph Armstrong Baird, Jr., editor. FEe Deve/opwfewf o / Afod^rw Arf iw NorfBerw Ca/i/orwia, Fart /F Froiw ExposZfZow to Fxposifiow: Progressive awd Cowservative NorfBerw Ca/i/orwia Paiwfiwg, 19/5-/939. Sacramento: Crocker Art Museum, 1981.

88 pp.; b&w ills. Catalogue for an exhibition held at the Crocker Art Museum, September 5 to October 11, 1981. Essays by students in a graduate seminar on American art, Department of Art, University of California, Davis, refer to many of the Ca/i- /orwia Arf Research artists. Covers such topics as patronage, Surrealism, Bay Area art schools, WPA murals, and the Panama- Pacific and Golden Gate International Expositions. Includes bibliographies and checklist (70 exhibits).

Joseph Armstrong Baird, Jr., and Ellen Schwartz. NorfEerw Ca/Z/orwZa Art. Aw /wfcrprefive BZE/ZograpEy fo Z9Z5. Davis: Library Associates, University of California, University Library, 1977. 42 pp. References to 424 monographs, periodical articles, and exhibition and collection catalogues that focus on California art. Cites sources for American, Western and Northern California art, California history, collectors and collections, exhibitions, and art dealers.

Edan Milton Hughes. ArfZsfs Zw Ca/Z/orwZa, / 7<56-/940. San Francisco: Hughes Publishing Company, 1986. 53 3 pp. All but two (John Galen Howard and Arthur Charles Nahl) of the Ca/i/orw/a Arf R^searcB artists are included in this recently published biographical dictionary.

FaZwfZwg awd Scw/pfwre Zw Ca/Z/orwZa. FBf Mod^rw Era. San Francisco: San Francisco Museum of Modern Art, 1977. 272 pp.; b&w and color ills. Catalogue for an exhibition held at the San Francisco Museum of Modern Art, September 3 to November 21, 1976, and at the National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., May 20 to September 11, 1977.A comprehensive survey of painting and sculpture in California from the 1890s to the 1970s. Many of the Ca/i/orwia Arf Research artists are discussed in sections on the development of modern art in the Bay Area, California's art institutions and schools, and collectors. Concise biographies and an extensive annotated bibliography provide further documentation.

0012KEY TO BIBLIOGRAPHIES

The following examples are drawn from the bibliography for William Keith in microfiche card 1, volume 2 (frames 0237, 0240, 0244, and 0245).

First Ewtn^s/row Ongwa/ (p. 64, frame 0237)

incomplete periodical title Overland, March 1924

incomplete book citation American Arts

untraceable citation John Zeile Collection

First Fi?r<? Standardize Entries/row IDENTIFICATION OF ORIGINAL SOURCES (frame 0240)

1 OVERLAND MONTHLY AND OUT WEST MAGAZINE ULS

2Jackman, Rilla Evelyn. AMERICAN ARTS. Chicago: Rand, McNally, 1928. Karpel F43

3 [Private collection of John Zeile]1. Correct periodical title with source (see Handi?oo^, "Identification of Original Sources!" p. xiii)2. Full book citation with source (see Hawdi?oo^, "Frequently Cited Sources," p. xvi, item 40)3. Untraceable citation shown in brackets

SawpA? Entries /row SUPPLEMENTARY BIBLIOGRAPHY (frames 0244, 0245)(Includes older works not cited in original bibliographies and those published after 1937)

1 WILLIAM KEITH

b. November 21, 1838 Old Meldrum, Aberdeenshire, Scotland d. April 13, 1911 Berkeley, California

Ârkelian, M. THE KAHN COLLECTION.111.: KINGS RIVER CANYON, 1878 (color)

3 Cornelius, Brother Fidelis. KEITH: OLD MASTER OF CALIFORNIA.Vol. 1. New York: G. P. Putnam, 1942. Vol. 2. Fresno, California: Academy Library Guild, 1956, cl957.

4AAA 1909-1910; 1911, obituary1. Full name and dates with places (verified to extent possible)2. Abbreviated entry for general work described in full in "Frequently Cited Sources"

(see F%27?d(7oo%, p. xii, item 2)3. Complete entry for monograph on the artist4. Highly abbreviated entry (see "Key to Abbreviations") for work described in full in

"Frequently Cited Sources" (see p. xiv, item 21)

o o i , - ;

GUIDE TO THE SUPPLEMENTS

In this microfiche edition two separate features have been added to clarify and update the bibliographies prepared for the 1936/37 edition of Ca/z/braza Art P s?arcZz. The examples shown on the facing page and the explanation that follows will help the reader make the fullest use of the new material.

1. Following each original bibliography is a section headed IDENTIFICATION OF ORIGINAL SOURCES. A concise citation (standardized where possible) has been supplied for all sources in the original bibliographies that could be identified.

2. The SUPPLEMENTARY BIBLIOGRAPHY which completes each monograph includes verified birth and death dates, items published since 1936/37, and prior works not cited by the WPA writers.

Although not intended to be the definitive bibliographies for these artists, it is hoped that researchers will find them useful both in identifying the more elusive references from the original publication and in suggesting the types of sources one should consult for further information.

IDENTIFICATION OF ORIGINAL SOURCESAlthough the great number of citations prevented their individual verification and transcription, nearly all of the original sources have been identified. Identified sources are listed in the order in which they appear in the original Ca/z/oraza Art Pârc/z bibliography (see example on the facing page). The reader will find a full bibliographic citation for most monographs. For general and art reference works, newspapers, and periodicals, author and title are noted as applicable; for additional bibliographic information, reference is made to at least one of the seven publications listed below.

Users should be aware that the precise information consulted by the WPA compiler may be difficult to locate. The methods of bibliographic citation vary in quality and accuracy from volume to volume.Even though the source may in this edition be correctly identified, the page reference or edition statement in the original bibliography may be incorrect or missing. Sometimes the bibliographic information cited at the end of the essay is repeated in the text. A comparison of both citations will often clarify or further identify the reference.

Bracketed sources could not be identified for any of several reasons: the original citation is inaccurate or incomplete; the source is archival in nature and now unretrievable; or, quite simply, the reference is a bibliographic mystery awaiting another researcher's solution.

The seven publications used to identify selected monographs and reference books, newspapers, and periodicals, and upon which the standardized references are based, will provide a fuller bibliographic description of the work, its scope, and, in some cases, a list of libraries owning copies of the work.

Aaz^rzcaa N^wspap^rs, 7 <527-1926. A L/azoa List opFz/os Auaz/ab/o za t/zo Uazt^b States aab Caaaba, edited by Winifred Gregory under the auspices of the Bibliographical Society of America (1937.Reprint edition. New York: Kraus, 1967). Identifies newspapers.

Abbreviation: GregoryArts z'a Aaz^rzca. A Btb/zograp/zy, edited by Bernard Karpel, 4 vols. (Washington, D.C.: Smithsonian Institution Press, 1979). Identifies monographic and periodical sources pertaining specifically to American art. Also cited without entry numbers in "Supplementary Bibliographies" (see "Frequently Cited Sources," no. 40).

Abbreviation: Karpel [Entry number]Ca/z/orzzza Lora/ Hzstozy. A Pzb/zograp/zy aazf Uazoa List op Lzbrazy /Vo/z/zags, edited by Margaret Miller Rocq for the California Library Association, Second edition, revised and enlarged (Stanford: Stanford University Press, 1970). Identifies sources pertaining to California history.

Abbreviation: Rocq [Entry number]Ca/zporaz'a Loca/ FFzstozy.- A Ozb/zograpby aab Uaz'oa List op Library /Lo/bzags, Sappzbazoat to t/zc Socoab Fbztz'oa Cotwzag Worbs Pa/z/z'sb^b 1967 F/zroagb 1970, edited by Margaret Miller Rocq for the California Library Association (Stanford: Stanford University Press, 1976).

Abbreviation: Rocq [S + Entry number]

G UIDE TO TH E SUPPLEM ENTS 0014xii

GzzzZ fo Boo^s, compiled by Eugene P. Sheehy with the assistance of Rita G. Keckeissenand Eileen Mcllvaine, Ninth edition (Chicago: American Library Association, 1976). identifies general reference sources.

Abbreviation: Sheehy [Entry number]GzzzJ to fBo LiforafMro o/Arf Lfzstozy, by Etta Arntzen and Robert Rainwater (Chicago: American Library Association; London: The Art Book Company, 1980). identifies art reference sources, including periodicals.

Abbreviation: Arntzen and Rainwater [Entry number]Gzzzozz List o/Soria/s zw Li^rarios o / tLo UzzzL z/ Statos aw Caytatia, Third edition, edited by Edna Brown Titus, 5 vols. (New York: H.W. Wilson, 1965). Identifies periodicals.

Abbreviation: ULS

SUPPLEMENTARY BIBLIOGRAPHIESBzrfB awti DoatL Datos. Whenever possible birth and death dates have been verified using vital statistics records and obituaries. In some cases information has been obtained directly from the artist or the artist's family.In others, the present editor has relied on accurate biographies. When the available information was not sufficiently well documented, or the facts as known were contradictory, a plausible choice appears in brackets, and the variants are noted with sources.A&/ziz'o?za/ Cz'Lzfzows. Works published after 1936/37 and earlier works not cited by the WPA writers are arranged by category. Fifty-seven publications central to California art research listed in "Frequently Cited Sources, with Abbreviations" (immediately following this introduction) have also been checked for references to each of the Ca/z/brwM Art artists. Additional documentation will be found in cited workswhich themselves are noted as containing bibliographies; their entries have not necessarily been included in this compilation. All citations have been verified and are ordered as follows:

Wor&s a?zzf Ora/ Lfzstows. Works written or illustrated by the artist, and oral history interviews. Arranged chronologically.

Mo7zogfnpLzc Sozzrcfs. Monographs and pamphlets about the artist, as well as biographical articles and reproductions of works by the artist in monographs, collection catalogues, and pamphlets. Arranged in alphabetical order by author or title, as applicable.

Pfrzoz/zM/ Sozzrcps. Articles about the artist and reproductions of works by the artist in newspapers and periodicals. Arranged by title of the publication, and then chronologically.

ExLzLztzoMs ExBzPztzow CaLz/ogws. Exhibitions featuring the artist's work, including significant group shows. Arranged by location of the exhibition, and then chronologically. Citation includes the location of the exhibition, title, and dates. If a catalogue was issued, the number of pages, types of illustrations and total number of works exhibited by the artist are given. Notes describe and indicate the presence of biographical and bibliographical sections, and checklists.

Bz'ogrzzpLz'ca/ Dzrpcforz^s. Art and general reference works containing biographical and bibliographical information about the artist. Arranged by author or title, as applicable.

BzMzograpBy. Karpel, Arts z'zz AzM r'ca. A BzNzograpBy (item 40 below), cited for individual artists only when it contains references not already included in the other bibliographies in this work.

/zz^cx^s. Indexes to periodical articles, monographs, and exhibition catalogues that contain references to the artist or reproductions of his work. Arranged in alphabetical order by author or title, as applicable.If sources noted in the eleven indexes listed in "Frequently Cited Sources, with Abbreviations" have been cited directly, then that index is not listed for the artist.

Arc/zzvzz/ Sozzrc s. Selected Northern California institutions containing archival materials relevant to the artist's life and career. Arranged alphabetically by the name of the institution or archive.

PAGINATIONPlease see "Publisher's Note" (p. iv) for description of the pagination and other special characteristics of this edition.

0015FREQUENTLY CITED SOURCES, WITH ABBREVIATIONS

MONOGRAPHIC SOURCES1. American Prints in the Library o/Congress. A Catalog o/the Collection. Compiled by Karen F. Beall

and the staff of the Prints and Photographs Division of the Library of Congress. Introduction by Alan Fern. Foreword by Carl Zigrosser. Baltimore: Johns Hopkins Press, for the Library of Congress, 1970. 568 pp.; b&w ill. Brief biographies and checklists.

Abbreviation: American Prints2. Arkelian, Marjorie. Fbe Kahn Collection o/Mneteenth-Centary Paintings hy Artists it! Caii/ornia.

Oakland: The Oakland Museum, Art Department, 1975. 63 pp.; b&w and color ills. Biographies and bibliographies (46 artists), selected general bibliography, and checklist.

Abbreviation: Arkelian, M. The Kahn Collection3. Art iw Federal Bniitlings. At! illastratetl Recortl o / the Treasury Department s A'ew Program it! Painting

anti BcniptMre. Voinme L Alnrai Desrgns, 19J4-19J6. Text by Edward Bruce and Forbes Watson. Washington, D.C.: Art in Federal Buildings, 1936. 309 pp.; b&w ills. Includes reproductions and schematic drawings of approved mural designs, showing floor plans and wall elevations. Biographies (125 artists).

Abbreviation: Art in Federal Buildings4. Caii/ornia Design 1910. Edited by Timothy J. Andersen, Eudorah M. Moore, and Robert W. Winter.

Santa Barbara: Peregrine Smith, 1980. 144 pp.; b&w ills. Reprint of a catalogue for an exhibition held at the Pasadena Center, October 15-December 1, 1974. Discusses the Arts and Crafts Movement in California, covering painting, sculpture, architecture, decorative arts, printing, and literature. Brief biographies.

Abbreviation: California Design 19105. Crocher Art Alnsenm. hlantibooh o/Paintings. Edited by Richard Vincent West. Sacramento: Crocker

Art Museum, 1979. 202 pp.; b&w and color ills. "From an Introduction for a Proposed Handbook," by Alfred Neumeyer. "The Crockers and Their Collection: A Brief History," by Richard V. West. "Judge Crocker's 'Art Gallery'," by Joseph A. Baird, Jr. For major artists includes a concise biography, bibliography, provenance, and exhibition history for works. Checklist of paintings in the Crocker Art Museum.

Abbreviation: Crocker Art Museum: Handbook of Paintings6. Harmsen, Dorothy. Harmsen's Western Americana. A Collection o/One Hantlretl Western Paintings

with Biographies o/the Artists. Foreword by Robert Rockwell. Revised edition. Denver: Harmsen Publishing Company, 1978. 213 pp.; color ills. See Number 7

Abbreviation: Harmsen 17. Harmsen, Dorothy. American Western Art. A Collection o/ One Nan^lretl Fwenty-Five Western Paintings

anti Scaiptare with Biographies o/the Artists. Foreword by Bill Harmsen. Denver: Harmsen Publishing Company, 1977. 256 pp.; color ills. Works by Western artists in the collection of Bill and Dorothy Harmsen. Biographies and reproductions (Harmsen 1: 100 artists; Harmsen 2: 125 artists), and general selected bibl.

Abbreviation: Harmsen 28. Schnier, Jacques. Bcalptare in Modern America. Berkeley: University of California Press, 1948. 224 pp.;

b&w ills. Critical discussion of modern sculpture.Abbreviation: Schnier, J. Sculpture in Modern America

8a. Snipper, Martin. A Bttrpey o/Art Worh in the City anti Coanty o/San Francisco. Additions by Joyce Konigsberg; edited and prepared for publication by Joan Ellison. New edition. San Francisco: Art Commission, City & County of San Francisco, 1975. [122]pp. Description and location of original works of art on public display. Brief biographies (168 artists).

Abbreviation: Snipper9. Thiel, Yvonne Greer. Artists anti People. New York: Philosophical Library, 1959. 327 pp.; b&w ills.

Biographies of twenty-eight artists of the San Francisco Bay Area.Abbreviation: Thiel, Y.G. Artists and People

10. Van Nostrand, Jeanne. The First Hantlreti Years o/Painting in Caii/ornia, 1 775-1B75, with Biographical in/brmation anti Re/erences Relating to the Artists. Foreword by Alfred Frankenstein. San Francisco: John Howell—Books, 1980. 135 pp.; b&w and color ills. Text surveys one hundred years of California art. Biographies and bibliographies (81 artists).

Abbreviation: Van Nostrand, J. The First Hundred Years11. Van Nostrand, Jeanne. Ban Francisco, IB06-1906, in Contemporary Paintings, Drawings anti Watercoiors. Introduction by Joseph A. Baird, Jr. San Francisco: The Book Club of California, 1975. 22 pp. and 53 pis.; b&w and color ills. Brief review of San Francisco history, 1806-1906. Description of each reproduction.

Abbreviation: Van Nostrand, J. San Francisco, 1806-1906

FR E Q U EN TL Y C ITED SOURCES o o mxiv

EXHIBITION CATALOGUES12. Berkeley, California; San Francisco, California. Judah L. Magnes Museum; Temple Emanu-El Museum. T/zc Creative Frozztzer. A Jozzzt Fx/zz/zztzozz o/Fz've Ca/z/brzzz'a /euzz's/z Artists, /F50-/92B, zzz Hozzor o/t6e 125t/z Azzzzz'versazy o/Cozzgr^gzrfzoM Fzzzazzzz-F/. January 19-February 25, 1975; January 21-April 4, 1975. 12 pp.; b&w ills. Biographies (5 artists) and checklists.

Abbreviation: Berkeley and San Francisco, California. The Creative Frontier13. Davis, California. University of California, Art Department. Frew Frozztzer to Fzre. Ca/z/orzzza Paizztizzg /row M M to 190(5. May 22-June 2, 1964. 24 pp. Catalogue edited by Joseph A. Baird, Jr. Biographies and bibliographies (21 artists), and checklists.

Abbreviation: Davis, California. From Frontier to Fire14. Davis, California. University of California, Art Department. Fz/teezz azzo! Fz/'ty.- Cg/z/brMM Paizztizzg at t/ze 19M Pazzazzza-Paci/zc /zzterzzatzozza/ Fxposztzozz, Fazz Fwzzczsco, ozz /ts Fz/tiet/z Azzzziversary. May 10- June 1, 1965. 34 pp. Rocq S2448. Catalogue edited by Joseph A. Baird, Jr. Biographies and bibliographies (21 artists), and checklists.

Abbreviation: Davis, California. Fifteen and Fifty15. Davis, California. University of California, Art Department. Franco azz<% Ca/z/orzzia. T/ze /zzzpaet o/ French ArtazzJ Czz/tzzre on Ca/z/ornza /rozzz t/ze Voyages o/'Disco vezy to t/ze Beginning o / t/ze Tvzezztzet/z Cezztzzzy. May 29-June 12, 1967. 61 pp. Rocq S2449. Catalogue edited by Joseph A. Baird, Jr. Essays on history and culture, architecture, painting, graphic arts, costume, and the decorative arts. Biographies and bibliographies (8 artists), checklists, and brief information on other artists.

Abbreviation: Davis, California. France and California16. Fullerton, California. Muckenthaler Cultural Center. T/ze Wozzzazz Artist izz t/ze Azzzerz'eazz West, M60- 1960. April 2-May 31, 1976. 59 pp.; b&w and color ills. Biographies (56 artists) by Phil Kovinick.

Abbreviation: Fullerton, California. The Woman Artist in the American West17. Laguna Beach, California. Laguna Beach Museum of Art. Bozztlzez'zz Ca/z/btzzza Artists, M90-1940.July 10-August 28, 1979. 216 pp.; b&w and color ills. "History," by Carl S. Dentzel, discusses art in Laguna Beach area. Biographies and bibliographies (100 artists) by Nancy Moure.

Abbreviation: Laguna Beach, California. Southern California Artists, 1890-194018. Oakland, California. The Oakland Museum. Tropica/; Fropica/ Fcezzes /zy t/ze /Pt/z Cezztzzry Paizzters o/Ca/z/brzzz'a. October 5-November 14, 1971. 50 pp.; b&w and color ills. 40 exhibits. Biographies (19 artists) by Marjorie Arkelian, and checklists. Traveling exhibition.

Abbreviation: Oakland, California. Tropical19. Oakland, California. The Oakland Museum Art Department. /7ZTprcssio7zisr7z, t/zc Ca/z/orzzia Vievz; Faizztizzgs, M90-19J0. September 23-November 8, 1981. 104 pp.; b&w and color ills. 103 exhibits. "Impressionism, The California View," by Harvey L. Jones. "California Impressionism: A Critical Essay," by John Caldwell. "California Impressionism After 1915," by Terry St. John. "Artists' Biographies" and "Selected Bibliography," by Barbara Bowman. Checklist. Traveling exhibition.

Abbreviation: Oakland, California. Impressionism, the California View20. San Francisco, California. M.H. de Young Memorial Museum and The California Palace of the Legion of Honor. T/zc Co/or o/MoozT' Azzzerz'eazz Tozza/z'szzz, M B0-/9/0. January 22-April 2, 1972. 46 pp.; b&w and color ills. 95 exhibits. Essay by Wanda Corn. Biographies and bibliographies (32 artists), and checklist.

Abbreviation: San Francisco, California. The Color of Mood

BIOGRAPHICAL DIRECTORIES21. Azzzcz-zczzzz Art Azzzzzza/. Vols. 1-30. New York: American Federation of Arts, 1898-1933. Biographical directories for American painters and sculptors appeared in the following years:

1898 (Vol. 1) 1913 (Vol. 10) 1925 (Vol. 22)1900-1901 (Vol. 3) 1915 (Vol. 12) 1927 (Vol. 24)1903-1904 (Vol. 4) 1917 (Vol. 14) 1928 (Vol. 25: Necrology, 1897-1927)1905-1906 (Vol. 5) 1919 (Vol. 16) 1929 (Vol. 26)1907-1908 (Vol. 6) 1921 (Vol. 18) 1931 (Vol. 28)1909-1910 (Vol. 7) 1923-1924 (Vol. 20) 1933 (Vol. 30)

The issue cited is the last year in which an entry appeared for the artist. Users should work backwards

0017 F R E Q U EN TL Y C ITED SOURCES xv

through the volumes containing the biographical directories, for there are occasionally changes in the artist's entry. Continued by WBo's WBo in American Art (Number 37). The biographical information from editions of the v4fMnc<27? Art Annaa/ and WBo's WBo in American Art for the years 1898 through 1947 has been cumulated and reprinted in WBo Was WBo in American A rt..., edited by Peter Hastings Falk (Madison, Connecticut: Sound View Press, 1985).

Abbreviation: AAA [Year]22. 77?? Bay o/Ban Francisco, tBe Mctropo/zs o/tBe Pacz/ic Coast am/ Fs BaBarBan Cities. A History.2 vols. Chicago: Lewis Publishing Company, 1892. Rocq 7957. A history of San Francisco, with biographies.

Abbreviation: Bay of San Francisco23. Benezit, Emmanuel. Dictionnaire critayae et z/ocamentaire </es peintres, sca/ptcars, Jessinatears ct gravears. Revised and enlarged edition. 10 vols. Paris: Librairie Griind, 1976.

Abbreviation: Benezit24. Dawdy, Doris Ostrander. Artists o/tBe American West, Vo/ame F- A BiograpBica/ Dictionary. Chicago: Swallow Press, Sage Books, 1974.

Abbreviation: Dawdy 125. Dawdy, Doris Ostrander. Artists o/tBe American West, Vo/ame // A BiograpBica/ Dictionary. Athens, Ohio: Ohio University Press, Sage/Swallow Press Books, 1981.

Abbreviation: Dawdy 226. Dictionary o / American BiograpBy. Under the auspices of the American Council of Learned Studies. Edited by Allen Johnson and Dumas Malone. 20 vols., index, and six supplements to 1960. New York: Charles Scribner's Sons, 1928-1980.

Abbreviation: Dictionary of American Biography27. Fielding, Mantle. Dictionary o/American Painters, Bca/ptors anF Engravers, tvitB an AFFenFam Containing Corrections ana! AFFitiona/ Materia/ on tBe Orzgina/ Entries. Compiled by James F. Carr. New York: James F. Carr, 1965.

Abbreviation: Fielding28. Groce, George Cuthbert, Jr., and Wallace, David H. Fire /Vetv-YorB Historica/ Society's Dictionary o/ Artists in America, f 564-/B60. New Haven: Yale University Press, 1957.

Abbreviation: Groce and Wallace29. Mallett, Daniel Trowbridge. Afa/Zett s /nFex o/Artists.- /nternationai-BiograpBica/, inc/aFing Painters, Bca/ptors, F/astrators, Engravers anF EtcBers o/ tBe Past anF tBe Present. 1935. Reprint edition. New York: Peter Smith, 1948

Abbreviation: Mallett30. Mallett, Daniel Trowbridge. Bapp/ement to Afa/iett's /nFex of Artists- /nternationaZ-BiograpBica/, /nc/ac/ing Painters, Bca/ptors, F/astrators, Engravers anF Etc/rers o/tBe Past anF tire Present not in tire /PB5 Edition. 1940. Reprint edition. New York: Peter Smith, 1948.

Abbreviation: Mallett Supplement31. Michigan, State Library. BiograpBica/ BBetcBes o/American Artists. Compiled by Helen L. Earle.Fifth edition, revised and enlarged, 1924. Reprint edition. Charleston, South Carolina: Gamier, 1972.

Abbreviation: Earle32. Moure, Nancy Dustin Wall. Dictionary o/Art anF Artists in BoatBern Ca/i/ornia Before 1970. Research assistance by Lyn Wall Smith. Introduction by Carl Schaefer Dentzel. Los Angeles: Privately printed, 1975.

Abbreviation: Moure33. Samuels, Peggy, and Samuels, Harold. EBe F/astrateF BiograpBica/ Encyc/opeFia o/Artists o/tBe American West. Garden City, New York: Doubleday, 1976.

Abbreviation: Samuels34. Smith, Ralph Clifton. A BiograpBica/ /nFex o/American Artists. 1930. Reprint edition. Detroit:Gale Research Company, 1976.

Abbreviation: Smith35. Thieme, Ulrich, and Becker, Felix. A//gemeines EexiBon Fer Bi/FenFen Eanst/er von Fer AntiBe Bis zar Gegenivart. 37 vols. 1907-50. Reprint edition. Leipzig: E.A. Seemann, 1964.

Abbreviation: Thieme-Becker36. Vollmer, Hans. A/igemeines EexiBon Fer Bi/FenFen Xiinst/er Fes XX. /aBrBanFerts. 6 vols. Leipzig:E.A. Seemann, 1953-62.

Abbreviation: Vollmer

XVI FR EQ U EN TLY CITED SOURCES 001857. Wbo's Wbo zzz Azzz rzcazz Art. A Bzograpbzoa/ Dzroctozy. New York: R.R. Bowker, 1936/57- . issued for the years: 1936-1937, 1938-1939, 1940-1941, 1947, 1953, 1956, 1959, 1962, 1966, 1970,1973, 1976, 1978, 1980, 1982, 1984. The issue cited is the last year in which an entry appeared for the artist. Users shouid work backwards through the volumes containing the biographical directories, for there are occasionally changes in the artist's entry. Formerly published as part of Azzzorz'cazz Art Azzzzzza/ (Number 21). The biographical information from editions of the Azzzorz'razz Art Azzzzzza/ and Wbo's Wbo zzz Azzzprzcazz Art for the years 1898 through 1947 has been cumulated and reprinted in Wbo Was Wbo zzz A fr ic a n A rt.. ., edited by Peter Hastings Falk (Madison, Connecticut: Sound View Press, 1985).

Abbreviation: WWAA [Year]38. Wbo's Wbo zzz Ca/z/brzzz'a.- A Bzograpbzca/ Directory, /92B-/929, Bozzzg a Hzstozy o / Cab/onzM as ///astrat^b zzz tbc Lz'zz s o/tb^ Baz/bcrs azzb De-/ zzb rs o / tbc Btat^, azzb o / tb^ Alozz azzb Wozzzozz Wbo Ar^ Dozzzg tbcWorb azzb Alo/bzzzg tb^ Tboagbt o/tb? Pr s^zzt Fzzzz . Edited by Justice B. Detwiler and a staff of selected writers. San Francisco: Who's Who Publishing Company, 1929. Rocq 17236.

Abbreviation: WWC 1928-192939. Wbo's Wbo zzz Ca/z/oraza. A Bzograpbzca/ Rc/crczzcc Worb o/Notab/c LzFzzzg Alczz azzb Wozzzczz o /Ca/z/orzzz'a. Vol. 1: Two Years 1942-1943. Edited by Russell Holmes Fletcher. Los Angeles: Who's Who Publications Company, 1941. Rocq 17238

Abbreviation: WWC 1942-1943

BIBLIOGRAPHY40. Arts zzz Azzzcrz'ca.- A Bzb/zograpby, edited by Bernard Karpel. 4 vols. Washington, D.C.: Smithsonian Institution Press, 1979. Identifies monographic and periodical sources pertaining specifically to American art. Cited as a source for individual artists only when it contains references not already included in the other bibliographies in this work. Karpel's entry numbers are not listed for individual artists because there frequently are many citations.

Abbreviation: Karpel [No entry number]

INDEXES41. Art/wbex. Vol. 1, 1929- . New York: H.W. Wilson, 1930- . Volumes 1 through 33 (January, 1929, through October, 1985) were checked. If references have not been cited directly, then the volumes of Art Zzzbcx containing relevant citations have been noted.

Abbreviation: Art Index [Volume number]42. Art/ozTzw, 1962-/96& A Cazzza/atzzzc /zzbex to tbc First Szx Vo/zzzzzcs. Edited by Laurence McGilvery.La Jolla, California: [Laurence McGilvery], 1970.

Abbreviation: Artforum43. Artuzcob /zzbox, Cazzza/atzw, Vo/zzzzzos 1-7 (1970-1976).- Azz /zzbex o/Artists azzb Sab/octs, trztb ///astratzozzs, Not Zzzc/zzbzzzg /tczzzs zzz tbc Ca/czzbar Soctzczz. Compiled by Marvin Spohn and Jim Kantor. Oakland, California: Artweek, 1978.

Abbreviation: Artweek44. Catalog o / tbc Lz'brazy o/fbc Afascazzz o/Moborzz Art. 14 vols. Boston: G.K. Hall, 1976.

Abbreviation: Museum of Modern Art45. Clapp, Jane. Sczbptzzrc Zzzbcx. 2 vols. in 3. Metuchen, New Jersey: Scarecrow Press, 1970. Artist and subject index to illustrations of works of sculpture.

Abbreviation: Clapp46. /zzbex to Art Porzobzca/s. Compiled in the Ryerson Library, the Art Institute of Chicago. 11 vols.Boston: G.K. Hall, 1962. Bapp/czzzczzt. Boston: G.K. Hall, 1974.

Abbreviation: Chicago Art Institute47. Monro, Isabel Stevenson, and Monro, Kate M. Zzzbcx to Rcprobzzctzozzs o/Azzzcrzcazz Pazzztzzzgs. A Gzzibo to Pzctzzrcs Oooarrizzg izz Afore tbazz Fzgbt Hzzzzbreb Boobs. New York: H.W. Wilson, 1948.

Abbreviation: Monro and Monro48. Monro, Isabel Stevenson, and Monro, Kate M. Zzzbex to Reprobzzctzozzs o/Azzzorzoazz Pazzztzzzgs, First Szzpp/ezzzezzt. A Gzzzbo to Pzctzzros OccarrzzzgzzzAfore tbazz FoarP/azzbreb Worbs. New York: H.W. Wilson, 1964.

Abbreviation: Monro and Monro Supplement

00 i n FR E Q U EN TL Y C ITED SOURCES XVM

49. Park, Esther Ailleen. At Mm/ P%i7zf m m Aw^mcM, Part /. A P/ogmpMcM/ /wz/ x. Pittsburg, Kansas:Kansas State Teachers College, 1949. Indexes articles and reproductions in books and periodicals.

Abbreviation: Park50. Schwartz, Ellen. MMm^wfP-C^wfMTy S%72 Francisco Art FxP:P:7zon Cata/ogMCs. A Descriptive CPecPizst ant/ 7nt/ex. Davis: Library Associates, University of California, University Library, 1981. Describes and indexes seventy catalogues for exhibitions, auctions, and private collections held in San Francisco before 1900.

Abbreviation: Schwartz51. Smith, Lyn Wall, and Moure, Nancy Dustin Wall, /nt/ex to Reprot/ncfions o/American Paintings Appearing in Mom tPan 400 Poops, Most/y PnP/isPet/ Since I960. Metuchen, New Jersey: Scarecrow Press, 1977.

Abbreviation: Smith and Moure

ARCHIVAL SOURCES52. Archives of American Art. Smithsonian Institution, Washington, D.C. 20560. West Coast Area Center:M.H. de Young Museum, Golden Gate Park, San Francisco, California 94118. Founded in 1954 to preserve and make available research materials to the interested scholar, the Archives contains such items as the personal papers of artists and those affiliated with the arts, as well as the institutional records of museums and art organizations. The central deposit is the Smithsonian Institution in Washington, D.C., with four regional centers across the United States: Boston, Detroit, New York City, and San Francisco. Each has identical microfilm libraries of the original sources, some lent to the Archives, some permanently deposited in Washington. All materials that have been microfilmed are available on interlibrary loan.

The following guides to the collections of the Archives of American Art have been published. Those marked with an asterisk have been checked for references to Ca/i/ornia Am ResearcP artists and are cited in the "Supplementary Bibliographies."

McCoy, Garnett. ArcPives o/American Am. A Directory o/P^soMm^s. New York: R.R. Bowker,1972. Brief description of 555 collections.

*ArcPives o/American Am, SmitPsonian ZnstitMtion. A CPecP/ist o/tPe Co//^ctio7?. Second edition, revised. Washington, D C.: Smithsonian Institution, 1977. Sapp/ement. 1978. Lists all collections larger than ten items, as well as interviews. In chart format, notes quantity, inclusive dates, types of documents (letters, photographs, slides, diaries, memoirs, scrapbooks, drawings, business records, etc.), status (gift or loan), and the roll number if the collection has been microfilmed. Also includes citations to collections described in greater detail in the quarterly ArcPives o/American Am Jonma/.FPe ArcPives o/American Am. Coi/ection o/FxPiPition Cata/ogs. Boston: G.K. Hall, 1979. Reproduction of the Archives card catalogue of exhibition catalogues, with access by artist's name or exhibiting institution.

*77?? Cart/ Cata/og o / tPe Mannscript Co/iectzons o/ tPe ArcPives o/American Art. 10 vols. Wilmington, Delaware: Scholarly Resources, 1980. Reproduction of the Archives card catalogue housed at each of the regional centers. Over 40,000 cards list such information as the quantity, dates, and types of materials, together with notes on the people, projects, institutions, and events covered by the collection.

Abbreviation: Archives of American Art53. The Bancroft Library. University of California, Berkeley, Berkeley, California 94720. The Bancroft Library has one of the largest collections of books, newspapers, periodicals, and manuscript materials relating to Western American studies, including California art. The cards from the Library's author, title, and subject catalogues were reproduced in 1964 by G.K. Hall in 22 volumes, with three multi-volume supplements of subsequent additions to the collection, the latest dated 1979. An in-house card index to The Bancroft Library's manuscript collections provides a listing of individuals, institutions, and subjects. This Manuscript Catalog will refer the user to registers detailing collections that may contain a single letter from an artist, to more extensive gatherings of correspondence, scrapbooks, photographs, and works of art. C%///bm2M Am PesearcP artists indexed in The Bancroft Library's Manuscript Catalog are cited in the "Supplementary Bibliographies."

Abbreviation: Bancroft Library54. California Historical Society. 2090 Jackson Street, San Francisco, California 94109. Library: 2099 Pacific Avenue. The Northern California headquarters of the California Historical Society is housed in the Whittier mansion, where many examples of California art are on permanent display. The Library's holdings

xviii FR EQ U EN TLY C ITED SOURCES 00^0include books, newspapers, periodicals, photographs, and manuscripts. These collections are indexed by in-house card catalogues and registers. Pt /zzz?tzz%ty Listing o / S a n Francisco AJzzzzzzxcz-zpf Co/^cfzozzs in

FzTzz-zzzy o/C%/t/oz-zzza Hzstonca/ Society, by Diana Lachatanere (San Francisco: California Historical Society, 1980), provides concise, thorough descriptions of 266 manuscript collections, many of which pertain to San Francisco art topics. Significant collections of archival materials in the collections of the California Historical Society relating to Cg/z/bz-zzza AzT Research artists are cited in the "Supplementary Bibliographies."

Abbreviation: California Historical Society55. California State Library, California Section. Library-Courts Building, P.O. Box 2037, Sacramento,California 95809. The California collection of the State Library contains published and archival source materials relating to all periods and aspects of the state's history. In addition to extensive book, periodical, and newspaper holdings, the California Section preserves photographs, works of art, reproductions, maps, ephemera, and manuscript materials. GMtJp to 5ozzz-c?s/bz- G^zz^z/ogy zzz Ca/z/oz-zzM R cfzozz,Gz/z/oz-zzza Lz^razy describes many of these resources and also the useful in-house indexes compiled by the California Section staff. Of special interest to art researchers are the biographical cards, dating backto the early 1900s, almost always completed by the individual. Biographical cards for Ca/z/brzzza Azt R^sMzr^ artists are cited in the "Supplementary Bibliographies."

Abbreviations: California State LibraryCSL [Date: City] =Artist's biographical card filled out in [Date] at which time

the artist was living in [City]56. Oakland Museum, Archives of California Art. Art Department Library, 1000 Oak Street, Oakland, California 94607. A comprehensive collection of books, periodicals, and exhibition catalogues relating to California painters, sculptors, graphic artists, craftspeople, and photographers is supplemented by individual artist's files containing newspaper and periodical clippings, bibliographic citations, correspondence, research notes, reproductions and photographs, exhibition catalogues and announcements. Materials cover both nineteenth- and twentieth-century artists, with the Index of Contemporary Artists documenting more than 5,000 artists currently at work in California. Almost every Ca/z/brzzM Azt RfSMz-r/z artist is represented by an individual artist's file; however, only collections of unique archival materials have been noted in the "Supplementary Bibliographies." Although researchers may expect to locate cited material in the Archives of California Art Library, the Museum's collections of California art and the accompanying files are also useful.

Abbreviation: Oakland Museum]n addition to the five institutions hoiding archival material relating to the Cah/brtzM Art Research artists cited in the "Supplementary Bibliographies" (Nos. 52 through 56), the following libraries have reference files for many of the artists, as well as extensive holdings relating to California art in general:

Baird Archive of California Art. Department of Special Collections, University Library, University of California, Davis, California 95616. Assembled over many years by the noted art historian Dr. Joseph Armstrong Baird, Jr., the collection contains files covering all aspects of nineteenth- and early twentieth-century art in California with an emphasis on the arts (painting, sculpture, graphics, photography, and architecture) in Northern California. Sources include Dr. Baird's research notes and correspondence, exhibition catalogues, monographs, newspaper and journal clippings, photographs, and bibliographic citations. The research collection of Dr. Elliott Evans, particularly rich in early exhibition catalogues, bibliographic information, and photographs, has been integrated with the Baird materials. The GzzzWe to t/ze Bazrt? Archive o/Gt/z/brwM Art (1979) gives a summary of the Archive's organization and a list of the individual files found in each of the following major sections: Artists; Art Collections and Art Organizations; Exhibition Catalogues; Architecture; Reference.

San Francisco Art Institute. Anne Bremer Memorial Library and Archives. 800 Chestnut Street, San Francisco, California 94133. The library collection focuses on inter

national documentary art and is designed to support the curriculum of this prestigious art school. Contains books, exhibition catalogues, and periodicals, supplemented by an extensive media department with slides, photographs, films, and tapes. The archives of the San Francisco Art Institute preserves material relating to its predecessor, the San Francisco Art Association, with its teaching division, the California School of Design, later named the California School of Fine Arts. The minutes of the Board of Trustees and College Committees, by-laws, as well as membership, enrollment, and financial ledgers, document the history of this institution from the 1870s to date. The Archives of American Art has filmed a portion of these records. Individual artist and subject files contain correspondence, official reports, exhibition catalogues and announcements, newspaper and periodical clippings, reproductions, photographs, and assorted ephemera concerning the San Francisco Art Institute and Bay Area art activities.

San Francisco Museum of Modern Art. Louise Sloss Ackerman Fine Arts Library. McAllister at Van Ness, San Francisco, California 94102. Although the special strength of the library is contemporary art, worldwide, it is a rich source for California artists, particularly those of the Bay Area during the 1920s and 1930s. Individual artist and subject files contain research notes, clippings, bibliographic citations, correspondence, exhibition catalogues and announcements, reproductions, and photographs. A fine book and periodicals collection supplements these archival materials.




A MICROFICHE EDITIONaw Mazy <z%< ^'Miogntpîoz/ iwprowwz^wts ^y

Ellen Schwartz


Handbook Volume 1

Table of contents Prefatory note Introduction The Nahl Family Charles Christian Heinrich Nahl

"Rape of the Sabines""Rape of the Sabines""Rape of the Sabines"

Hugo Wilhelm Arthur Nahl Virgil Theodore Nahl Perham Wilhelm Nahl Arthur Charles Nahl Margery NahlTabulated information on the Nahl Family Newly added material on the Nahl Family Note on personnel

Volume 2Table of contents William Keith

"Autumn oaks and sycamores"Newly added material

Thomas Hill"Driving the last spike"Newly added material

Albert Bierstadt"Mt. Corcoran"Newly added material

004500590092

01730240-0245

02460278-0281

0003-00380039-0168

0041-004400460047-00580060-00660066-0104

0105-01220123-01250126-013101320133-01400141-01510152-01660167-0168

0169-03180171-01720173-0245

0246-0281

0282-031802820315-0318

Newly added material copyright @ 1987 by Ellen Halteman SchwartzISBN 0-910938-88-1




A MICROFICHE EDITIONa?? P r s fc n c a / <272 2772p7*ow772^72fs

Ellen Schwartz


Volume 3Table of contents 0322-0323Toby Edward Rosenthal 0324-0351

"The Cardinal" 0324Newly added material 0348-0351

Domenico Tojetti 0352-0373"The battle of the centaurs" 0352Newly added material 0371-0373

Virgil Tojetti 0367Newly added material 0374

Edward Tojetti 0368Newly added material 0375

Thaddeus Welch 0376-0410"Mt. Tamalpais" 0376Newly added material 0408-0410

Charles Dormon Robinson 0411-0437"Donner Lake" 0411Newly added material 0435-0437

Volume 4Table of contents 0440-0443Jules Tavernier 0444-0477

"Hostelerie des trois barbeaux" 0444Newly added material 0474-0477

Soren Emil Carlsen 0478-0519"Still-life" 0478Newly added material 0516-0519

Amedee Joullin 0520-0549"Landscape" 0520Newly added material 0547-0549

Christian August Jorgensen 0550-0576"Yosemite Valley" 0550Newly added material 0574-0576

Julian Walbridge Rix 0577-0604"Landscape" 0577Newly added material 0602-0604

Virgil Macey Williams 0605-0628"Colonel Woodward" 0605Newly added material 0626-0628


0319-0437

0438-0628

002;iCalifornia Art Research

Edited by Gene Hailey


1936-1937


Ellen Schwartz


Volume 5Table of contents 0632-0634Evelyn Almond Withrow 0635-0653

"Keith Wakeman" 0635Newly added material 0651-0653

Mary Curtis Richardson 0654-0674"Stephen Leach" 0654Newly added material 0671-0674

Joseph M. Raphael 0675-0690"In the orchard" 0675Newly added material 0687-0690

Charles Henry Grant 0691-0713"Off Wilson's Promontory" 0691Newly added material 0712-0713

Henry Joseph Breuer 0714-0749"Santa Inez" 0714Newly added material 0747-0749

William Arthur Atkins 0750-0770"Basin St. Cloud" 0750Newly added material 0769-0770

Volume 6Table of contents 0773-0775Arthur Putnam 0776-0841

"Puma examining footprints" 0776Newly added material 0836-0841

Robert Ingersoll Aitken 0842-0883"Robert Burns" 0842Newly added material 0878-0883

Douglas Tilden 0884-0906"Baseball player" 0884Newly added material 0904-0906

Melvin Earl Cummings 0907-0929"Neptune's daughter" 0907Newly added material 0926-0929


0629-0770

0771-0929

0024



1936-1937

A MICROFICHE EDITIONaw ^'ston'ca/ ^ssny #7%/ MMograpMca/ bMprovf

Ellen Schwartz


Volume 7Table of contents 0933-0935Arthur Frank Mathews 0936-0970

"Youth" 0936Newly added material 0967-0970

Gottardo Fidele Ponziano Piazzoni 0971-1033"Decoration for over the mantel" 0971Newly added material 1029-1033

Anne Milly Bremer 1034-1078"The sentinels" 1034Newly added material 1076-1078

Volume 8Table of contents 1081Lafayette Maynard Dixon 1082-1191

"No place to go" 1082"Earth knower" 1168Newly added material 1187-1191

Frank Joseph Van Sloun 1192-1219"War through the ages" 1192Newly added material 1217-1219

Newly added materia) copyright @ 1987 by Ellen Halteman SchwartzISBN 0-910938-88-1

0930-1078

1079-1219

0025



1936-1937


Ellen Schwartz


Volume 9Table of contents Ray Scepter Boynton

"Flight of Helen"Newly added material

Ernest Clifford Peixotto "The long range"Newly added material

Francis John McComas "Navajo gateway"Newly added material

Hermann Wendelborg Hansen "Stage coach"Newly added material

Armin Carl Hansen"Before the wind"Newly added material

Volume 10Table of contents Charles John Dickman

"Cypress Point"Newly added material

Xavier Martinez "The road"Newly added material

Charles Rollo Peters"Mission San Juan Capistrano" Newly added material

Theodore Wores"The light of Asia"Newly added material

12261255-1258

12591292-1295

12961322-1324

13251341-1343

13441374-1377

1222-12251226-1258

1259-1295

1296-1324

1325-1343

1344-1377

13821416-1417

14181445-1446

14471478-1481

14821540-1544

1379-13811382-1417

1418-1446

1447-1481

1482-1544


1220-1377

1378-1544

002H



1936-1937

A MICROFICHE EDITIONaw îsronca/ essay awa* iwprovewewts ^y

Ellen Schwartz


Volume 11Table of contents 1548-1550Giuseppe Leone Cadenasso 1551-1587

"Eucalyptus trees" 1551Newly added material 1585-1587

Horatio Nelson Poole 1588-1618"Mural decoration" 1588Newly added material 1616-1618

Rinaldo Cuneo 1619-1663"Mural decoration" 1619Newly added material 1660-1663

Will Sparks 1664-1707"October day" 1664Newly added material 1704-1707

Volume 12Table of contents 1710-1712Rowena Fischer Meeks Abdy 1713-1735

"The north tower of Mission Santa Barbara" 1713Newly added material 1732-1735

Geneve Rixford Sargeant 1736-1775"Portrait of a girl in blue" 1736Newly added material 1772-1775

Euphemia Charlton Fortune 1776-1802"Santa Barbara" 1776Newly added material 1800-1802

Clark Hobart 1803-1833"Portrait of Piazzoni" 1803Newly added material 1831-1833


1545-1707

1708-1833

0027



1936-1937

A MICROFICHE EDITIONaw essay awJ itHpropeweMts &y

Ellen Schwartz


Volume 13Table of contents 1837-1839Matteo Sandona 1840-1895

"Mrs. Weaver and son Peter" 1840Newly added material 1891-1895

The Ilyin Family 1896-1952Peter Alexander Ilyin

"Mr. Herbert A. Schmidt" 1928Newly added material 1941-1942

Gleb Alexander Ilyin"Miss Myra May Hall" 1896Newly added material 1948-1949

Nadine A. Komov Ilyin"Gardenias" 1904Newly added material 1951-1952

Jose Moya del Pino 1953-1997"Mail and travel by stage coach" 1953Newly added material 1995-1997

Volume 14Table of contents 2000-2002Ralph Ward Stackpole 2003-2071

"Man and his inventions" 2003Newly added material 2066-2071

Joseph Jacinto Mora 2072-2106"Cervantes" 2072Newly added material 2102-2106

Beniamino Benvenuto Bufano 2107-2158"Head of Sun Yat Sen" 2107Newly added material 2155-2158


1834-1997

1998-2158

002a



1936-1937

A MICROFICHE EDITIONaw ^ssay aw ^^/zograpMca/

Ellen Schwartz


Volume 15 2159-2302Table of contents 2162-2164Lee Fritz Randolph 2165-2198

"Figure" 2165Newly added material 2196-2198

Gertrude Partington Albright 2199-2225"Glen Ellen" 2199Newly added material 2224-2225

Hermann Oliver Albright 2226-2244"Bay Bridge" 2226Newly added material 2242-2244

Eric Spencer Macky 2245-2277"David Starr Jordan" 2245Newly added material 2275-2277

Constance Lillian Jenkins Macky 2278-2302"Spanish dancer" 2278Newly added material 2300-2302

Volume 16 2303-2478Table of contents 2305-2308Margaret Bruton 2309-2343

"Portrait of my father" 2309Newly added material 2341-2343

Ann Esther Bruton 2344-2366"Fiesta" 2344Newly added material 2364-2366

Helen Bell Bruton 2367-2389"Decoration in tile mosaic" 2367Newly added material 2385-2387

The Bruton Sisters: Supplementary bibliography Helen Katharine Forbes

2388-23892390-2422

"Study for mural" 2390Newly added material 2418-2422

Edith Anne Hamlin 2423-2446"Mural decoration" 2423Newly added material 2444-2446

Ruth Cravath 2447-2478"Mother and infant" 2447Newly added material 2476-2478


0020



1936-1937


Ellen Schwartz


Volume 17Table of contents The Howard Family John Galen Howard

Supplementary bibliography Robert Boardman Howard

"Mural decoration"Newly added material

Charles Houghton Howard "Abstract"Newly added material

John Langley Howard "Penitentes"Newly added material

Adaline Dutton Kent"Terra cotta head—Jane Berlandina" Newly added material

Jane Clara Berlandina"Old bar in Mokelumne"Newly added material"

Volume 18Table of contents Ray Bethers

"Tahitian church"Newly added material

Julius John Pommer"Grant Avenue and Washington Street" Newly added material

William Alexander Gaw "Still life"Newly added material

Joseph Marsh Sheridan"Black and red conde drawing"Newly added material

2479-26602482-24842485-24882489-2502

2501-25022503-2534

25032531-2534

2535-255225352550-2552

2553-259525532593-2595

2596-261725962614-2617

2618-266026182658-2660

2661-27762663-26652666-2689

26662687-2689

2690-271126902710-2711

2712-274727122744-2747

2748-277627482775-2776


O O d U



1936-1937

A MICROFICHE EDITIONwit/? aw iu'stonca/ awt/ iwprov^TM^Mts /?y

Ellen Schwartz


Volume 19Table of contents Lucien Adolph Labaudt

"W 2"Newly added material

Otis William Oldfield "Telegraph Hill"Newly added material

Matthew Rackham Barnes "Twilight"Newly added material

Volume 20, part 1 Table of contents Introduction to young moderns George Booth Post

"Oakland estuary"Newly added material

William Jurgen Hesthal "Holy night"Newly added material

Dong M. Kingman"Fisherman's Wharf boathouse" Newly added material

2777-29082779-27802781-2813

27812810-2813

2814-286328142860-2863

2864-290828642906-2908

2909-31012910-29132914-29152916-2927

29162925-2927

2928-293829282936-2938

2939-295529392954-2955

Jacques Preston Schnier "Ladies head"Newly added material

Sergey John Scherbakoff "The Japanese temple"Newly added material

Dorothy Wagner Puccinelli Cravath & Raymond W. Puccinelli

"Moraga and the naming of the Merced River" (Dorothy)

Newly added material Yoshida Sekido

"At work"Newly added material

Victor Mikhail Arnautoff "Mother and child"Newly added material

Franz Walther Bergmann "The mails"Newly added material

2956-298229562978-2982

2983-300429833003-3004

3005-3018

30053013-3018

3019-305130193050-3051

3052-307430523072-3074

3075-310130753099-3101


0031



1936-1937


Ellen Schwartz

MICROFICHE CARD 11 CONTENTS

Volume 20, part 2Table of contents Maxine Albro

"Mosaic"Newly added material

Chee Chin"Wharf and bridge"Newly added material

Bernard Baruch Zakheim"History of medicine in California" Newly added material

Andree Rexroth "Marine view"Supplementary bibliography

Chiura Z. Obata "Spring mist"Newly added material"

Acknowledgment Distribution agencies

3102-32903105-31073108-3126

31083124-3126

3127-314531273144-3145

3146-323231463229-3232

3233-324032333240

3241-328732413283-3287

3288-32893290



Edited by Gene Hailey


1936-1937


Ellen Schwartz

ILLUSTRATIONS

The illustrations on this final microfiche have been reproduced at a reduction of 24x from the original photographs mounted in Ca/z/brwM Art R ârc6 . The same pictures appear in their proper locations in the text, but those are reproduced from less accurate copy photographs. The original location of each picture is supplied at the top of the frame. The artists' name on the original sheets vary considerably, in some cases, from the more authoritative forms provided in this table of contents and elsewhere in this work.

Rowena Fischer Meeks Abdy 3293Robert Ingersoll Aitken 3294Gertrude Partington Albright 3295Hermann Oliver Albright 3296Maxine Albro 3297Victor Mikhail Arnautoff 3298William Arthur Atkins 3299Matthew Rackham Barnes 3300Franz WaltherBergmann 3301Jane Clara Berlandina 3302Ray Bethers 3303Albert Bierstadt 3304Ray Scepter Boynton 3305Anne Milly Bremer 3306Henry Joseph Breuer 3307Ann Esther Bruton 3308Helen Bell Bruton 3309Margaret Bruton 3310Beniamino Benvenuto Bufano 3311Giuseppe Leone Cadenasso 3312Soren Emil Carlsen 3313CheeChin 3314Dorothy Wagner Puccinelli Cravath 3315RuthCravath 3316Melvin Earl Cummings 3317RinaldoCuneo 3318

Charles John Dickman 3319Lafayette Maynard Dixon 3320Lafayette Maynard Dixon 3321Helen Katharine Forbes 3322Euphemia Charlton Fortune 3323William Alexander Gaw 3324Charles Henry Grant 3325Edith Anne Hamlin 3326Armin Carl Hansen 3327Hermann Wendelborg Hansen 3328William Jurgen Hesthal 3329Thomas Hill 3330Clark Hobart 3331Charles Houghton Howard 3332John Langley Howard 3333Robert Boardman Howard 3334Gleb Alexander Ilyin 3335Nadine A. Komov Ilyin 3336Peter Alexander Ilyin 3337Christian August Jorgensen 3338Amedee Joullin 3339William Keith 3 340Adaline Dutton Kent 3341Dong M. Kingman 3342Lucien Adolph Labaudt 3343Francis John McComas 3344

Newly added materia! copyright @ 1987 by EHen Hatteman SchwartzISBN 0-910938-88-1

003ci CONTENTS: MICROFtCHE 12 xxxt

Constance Lillian Jenkins Macky 3345Eric Spencer Macky 3346Xavier Martinez 3347Arthur Frank Mathews 3348J oseph J acinto Mora 3349J ose Moya del Pino 3350Charles Christian Heinrich Nahl 3351Charles Christian Heinrich Nahl 3352Charles Christian Heinrich Nahl 335 3Chiura Z. Obata 3354Otis William Oldfield 3355Ernest Clifford Peixotto 3356Charles Rollo Peters 3357Gottardo Fidele Ponziano Piazzoni 3358Julius J ohn Pommer 3359Horatio Nelson Poole 3360George Booth Post 3361Arthur Putnam 3 362Lee Fritz Randolph 3363Joseph M. Raphael 3364Andree Rexroth 3365

Mary Curtis Richardson 3366Julian Walbridge Rix 3 367Charles Dormon Robinson 3368Toby Edward Rosenthal 3369Matteo Sandona 3370Geneve Rixford Sargeant 3371Sergey John Scherbakoff 3372Jacques Preston Schnier 3373Yoshida Sekido 3374Joseph Marsh Sheridan 3375Will Sparks 3376Ralph Ward Stackpole 3377Jules Tavernier 3378Douglas Tilden 3379Domenico Tojetti 3380Frank Joseph Van Sloun 3381Thaddeus Welch 3382Virgil Macey Williams 3383Evelyn Almond Withrow 3384Theodore Wores 3385Bernard Baruch Zakheim 3386

0034THE HUNDRED ARTISTS

ofCa/i/orMM Arf Research

The following list of artists profiled in Ca/zybfMM Art Rcsârc^ includes birth and death dates obtained from standard references, public records, the artists and their families, and other sources. When the available information was not sufficiently well documented, or the facts as known were contradictory, a plausible choice appears in brackets. The variant dates, with sources, as well as additional biographical information are noted in the "Supplementary Bibliographies" following each of the biographical essays on the microfiche. A question mark indicates that the artist's current whereabouts or date of death is not known. No final date means that the artist was alive as of 1 January 1987.

microfiche card:voi. framesRowena Fischer Meeks Abdy 6:12 1713-1735

Aprii 24, 1887-August 18, 1943 Robert Ingersott Aitken 3:6 0842-0883

May 8, 1878-January 3, 1949 Gertrude Partington Albright 8:15 2199-2225

September 11, [1874]-September 3, :1959Hermann Oliver Albright 8:15 2226-2244

January 29, 1876-September 21, 1944Maxine Aibro ll:2 0 p t2 3108-3126

[January 20, 1895]-Ju!y 19, 1966 Victor Mikhail Arnautoff 10:20ptl 3052-3074

November 11, 1896-March 22, 1979 William Arthur Atkins 3:5 0750-0770

November 3, [1873]-January 8, 1899 Matthew Rackham Barnes 10:19 2864-2908

November 26, [1880]-April 24, 1951 Franz Walther Bergmann 10:20ptl 3075-3101

August 6, 1898-January 19, 1977 Jane Clara Berlandina 9:17 2618-2660

March 15, 1896-September 25, 1970 Ray Bethers 9:18 2666-2689

April 25, 1902-? Albert Bierstadt 1:2 0282-0318

January 7, 1830-February 18, 1902 Ray Scepter Boynton 5:9 1226-1258

January 14, 1883-September 25, 195 1Anne Milly Bremer 4:7 1034-1078

May 21, [1868]-October 26, 1923 Henry Joseph Breuer 3:5 0714-0749

August 16, 1860-February 19, 1932 Ann Esther Bruton 8:16 2344-2366

October 18, 1896 Helen Bell Bruton 8:16 2367-2389

February 7, 1898 Margaret Bruton 8:16 2309-2343

February 20, 1894-August 29, 1983 Beniamino Benvenuto Bufano 7:14 2107-2158

October 14, [1890]-August 18, 1970 Giuseppe Leone Cadenasso 6:11 1551-1587

January 2, [1854]-February 11, 1918 Soren Emil Carlsen 2:4 0478-0519

October 19, 1853-January 2, 1932

microfiche card:voi. framesChee Chin ll:2 0 p t2 3127-3145

May 4, 1896-?Dorothy Wagner Puccineiii Cravath 10:20ptl 3005-3018

December 19, 1901-May 24, 1974 Ruth Cravath 8:16 2447-2478

January 23, 1902-December 1, 1986 Meivin Ear] Cummings 3:6 0907-0929

August 13, 1876-Ju]y 21, 1936 Rinatdo Cuneo 6:11 1619-1663

Juty 2, [1876]-December 26, 1939 Charles John Dickman 5:10 1382-1417

May 14, 1863-October 24, 1943 Lafayette Maynard Dixon 4:8 1082-1191

January 24, 1875-November 14, 1946Heten Katharine Forbes 8:16 2390-2422

February 3, 1891-May 27, 1945 Euphemia Chartton Fortune 6:12 1776-1802

January 15, 1885-May 15, 1969 Wittiam Aiexander Gaw 9:18 2712-2747

November 26, 1891-February 2, 1973Chartes Henry Grant 3:5 0691-0713

February 6, 1866-January 21, 1939 Edith Anne Hamtin 8:16 2423-2446

June 23, 1902 Armin Cart Hansen 5:9 1344-1377

October [23],1886-Apri] 23, 1957 Hermann Wendelborg Hansen 5:9 1325-1343

June 22, [1854]-Apri] 2, 1924 Wittiam Jurgen Hesthat 10:20ptl 2928-2938

August 24, 1908 Thomas Hitt 1:2 0246-0281

September 11, 1829-June 30, 1908 Ctark Hobart 6:12 1803-1833

[1870]-February 23, 1948 Chartes Houghton Howard 9:17 2535-2552

January 2, 1899-November 11, 1978 John Gaten Howard 9:17 2489-2502

May 8, 1864-Juty 18, 1931 John Langtey Howard 9:17 2553-2595

February 5, 1902 Robert Boardman Howard 9:17 2503-2534

September 20, 1896-February 18, 1983

0035 INDEX OF ARTISTS xxxiii

microfiche card:vot. frames microfiche card:voi. framesGieb Alexander Uyin 7:13 1896-1952 George Booth Post 10:20ptl 2916-2927

June [4],1889-October 14, 1968 September 29, 1906Nadine A. Komov Uyin 7:13 1896-1952 Raymond W. PuccineHi 10:20ptl 3005-3018

October [25, 1894]-January 31, 1977 May 5, 1904Peter Alexander Ilyin 7:13 1896-1952 Arthur Putnam 3:6 0776-0841

[June] 19, 1887-June 28, 1950 September 6, 1873-May 27, 1930Christian August Jorgensen 2:4 0550-0576 Lee Fritz Randotph 8:15 2165-2198

October [4, 1860]-June 24, 1935 June 3, 1880-September 3, 1956Amedee Joullin 2:4 0520-0549 Joseph M. Raphael 3:5 0675-0690

June 13, 1862-February 4, 1917 June 2, 1869-December 11, 1950William Keith 1:2 0173-0245 Andree Rexroth ll:2 0 p t2 3233-3240

November 21, 1838-April 13, 1911 October 14, 1902-October 17, 1940Adaline Dutton Kent 9:17 2596-2617 Mary Curtis Richardson 3:5 0654-0674

August 7, 1900-March 24, 1957 April 9, 1848-November 1, 1931Dong M. Kingman 10:20ptl 2939-2955 Julian Walbridge Rix 2:4 0577-0604

[March 31], 1911 December 30, [1850]-November 24, 1903Lucien Adolph Labaudt 10:19 2781-2813 Charles Dormon Robinson 2:3 0411-0437

May 14, 1880-December 12, 1943 July 17, [1847]-May 8, 1933Francis John McComas 5:9 1296-1324 Toby Edward Rosenthal 2:3 0324-0351

October 1, [1874]-December 27, 1938 March 15, 1848-December 23, 1917Constance Lillian Jenkins Macky 8:15 2278-2302 Matteo Sandona 7:13 1840-1895

June 29, 1883-November 17, 1961 April 15, [1881]-November 7, 1964Eric Spencer Macky 8:15 2245-2277 Geneve Rixford Sargeant 6:12 1736-1775

November 16, 1880-May 5, 1958 July 14, 1868-August 10, 1957Xavier Martinez 5:10 1418-1446 Sergey John Scherbakoff 10:20ptl 2983-3004

February 7, 1869-January 13, 1943 July [7], 1894-January 24, 1967Arthur Frank Mathews 4:7 0936-0970 Jacques Preston Schnier 10:20ptl 2956-2982

October 1, 1860-February 19, 1945 December 25, 1898Joseph Jacinto Mora 7:14 2072-2106 Yoshida Sekido 10:20ptl 3019-3051

October 22, 1876-October 10, 1947 January 21, 1894-?Jose Moya del Pino 7:13 1953-1977 Joseph Marsh Sheridan 9:18 2748-2776

March 3, 1891-March 7, 1969 March 11, 1897-March 3, 1971Arthur Charles Nahl 1:1 0132 Will Sparks 6:11 1664-1707

[1878]-November 17, 1938 February 7, [1862]-March 30, 1937Charles Christian Heinrich Nahl 1:1 0066-0104 Ralph Ward Stackpole 7:14 2003-2071

October 18, 1818-March 1, 1878 May 1, 1885-December 10, 1973Hugo Wilhelm Arthur Nahl 1:1 0105-0122 Jules Tavernier 2:4 0444-0477

September 1, 1833-April 1, 1889 April, 1844-May 18, 1889Margery Nahl 1:1 0133-0140 Douglas Tilden 3:6 0884-0906

1908 May 1, 1860-August6, 1935Perham Wilhelm Nahl 1:1 0126-0131 Domenico Tojetti 2:3 0352-0373

January 11, 1869-April 9, 1935 [1806]-March 28, 1892Virgil Theodore Nahl 1:1 0123-0125 Edward Tojetti 2:3 0368

August 20, 1876-February 9, 1930 March 15, [1851]-November 27, 1930Chiura Z. Obata ll:2 0 p t2 3241-3287 Virgil Tojetti 2:3 0367

November 18, [1884]-October 6, 1975 [February 10, 1850]-March 26, 1901Otis William Oldfield 10:19 2814-2863 Frank Joseph Van Sloun 4:8 1192-1219

July 3, 1890-May 18, 1969 November [6, 1877]-August 27, 1938Ernest Clifford Peixotto 5:9 1259-1295 Thaddeus Welch 2:3 0376-0410

October 15, 1869-December 6, 1940 July 14, 1844-December 18, 1919Charles Rollo Peters 5:10 1447-1481 Virgil Macey Williams 2:4 0605-0628

April [10], 1862-March 1, 1928 October [29], 1830-December 18, 1886Gottardo Fidele Ponziano Piazzoni 4:7 0971-1033 Evelyn Almond Withrow 3:5 0635-065 3

April 14, 1872-August 1, 1945 December 19, [1859]-June 19, 1928Julius John Pommer 9:18 2690-2711 Theodore Wores 5:10 1482-1544

February 22, 1895-October 14, 1945 August 1, [1861]-September 11, 1939Horatio Nelson Poole 6:11 1588-1618 Bernard Baruch Zakheim ll:2 0 p t2 3146-3232

January 16, [1884]-July 4, 1949 April 4, 1896-November 28, 1985

KEY TO ABBREVIATIONS

Number refers to entry in "Frequently Cited Sources, with Abbreviations" (see pp. xiii-xviii).

AAA [Year] See No. 21AMERICAN PRINTS See No. 1Archives of American Art See No. 52Arkelian, M. THE KAHN COLLECTION See No. 2Arntzen and Rainwater [Number]: Entry in Etta Arntzen and Robert Rainwater, GaLfe to tLe Literature

o/Art History (Chicago: American Library Association; London: The Art Book Company, 1980)ART IN FEDERAL BUILDINGS So? No. 3ART INDEX [Volume Number] See No. 41ARTFORUM So? No. 42ARTWEEK See No. 43Bancroft Library See No. 53BAY OF SAN FRANCISCO Sc? No. 22Benezit See No. 23Berkeley and San Francisco, California. THE CREATIVE FRONTIER See No. 12Biblio.: Bibliographic referencesBio. info.: Biographical informationCALIFORNIA DESIGN 1910 See No. 4California Historical Society See No. 54California State Library See No. 55CAR: Ca/i/orwia Art ResearchChecklist: List of works on exhibitChicago Art Institute See No. 46CL: Saw Francisco CLrowic/e, Ca/zporwia Lining, magazine feature section appearing in the Sunday editionClapp See No. 45Color: Illustration is in colorCROCKER ART MUSEUM: HANDBOOK OF PAINTINGS See No. 5 CSL See No. 55Davis, California. FIFTEEN AND FIFTY See No. 14 Davis, California. FRANCE AND CALIFORNIA See No. 15 Davis, California. FROM FRONTIER TO FIRE See No. 13 Dawdy 1 See No. 24 Dawdy 2 See No. 25de Young: M.H. de Young Memorial Museum, San Francisco, CaliforniaDICTIONARY OF AMERICAN BIOGRAPHY See No. 26Dwg.: DrawingEarle See No. 31Eng.: EngravingExh.: Exhibit, exhibition, exhibited Exh. rev.: Exhibition review Fielding See No. 27Fullerton, California. THE WOMAN ARTIST IN THE AMERICAN WEST See No. 16 GGIE: Golden Gate International Exposition, held in San Francisco, California, in 1939-1940 Gregory: Entry in Awerieaw Newspapers, IS2F I9 J6 . A Uwzow List op Fi/es Avaz7aL/e iw tLe UwiteJ States

aw<7 Cawaâ, edited by Winifred Gregory under the auspices of the Bibliographical Society of America (1937. Reprint edition. New York: Kraus, 1967)

Groce and Wallace See No. 28 Harmsen 1 See No. 6 Harmsen 2 See No. 7 111.: Illustration, illustrated [Initials]: Initials of the artistKarpel [Number]: Entry in Arts iw Awterzea. A RzF/iograpLy, edited by Bernard Karpel, 4 vols.

(Washington, D.C.: Smithsonian Institution Press, 1979) Seea/so No. 40

0036

0037 XXX V ABBREVIA TIONS

Laguna Beach, California. SOUTHERN CALIFORNIA ARTISTS, 1890-1940. Sc? No. 17Legion: California Palace of the Legion of Honor, San Francisco, CaliforniaMallett 5cc No. 29Mallett SUPPLEMENT 5cc No. 30MO A: Museum of ArtMonro and Monro 5cc No. 47Monro and Monro SUPPLEMENT 5cc No. 48Moure 5cc No. 32Museum of Modern Art Sc? No. 44Oakland, California. IMPRESSIONISM, THE CALIFORNIA VIEW See No. 19Oakland, California. TROPICAL See No. 18Oakland Museum See No. 56Park See No. 49Photo.: Photograph of the artistPPIE: Panama-Pacific International Exposition, held in San Francisco, California, 1915PS: Saw Frzzwczsco CProwzcJc, Pz'ctorz'%/ Section, illustrated supplement appearing in the Sunday editionPtg.: PaintingRev.: Review, reviewedRocq [Number]: Entry in Ca/z/bryzM Poca/ F(zsfc?y. A BzNz'ograppy tzzzb Uzzzozz List o/PzPrayy (PoMzwgs,

edited by Margaret Miller Rocq for the California Library Association, Second edition, revised and enlarged (Stanford: Stanford University Press, 1970)

Rocq [S + Number]: Entry in CgJz/brMM Poca/ (Pzstory. A BzB/z'ograpBy azzzf Uyzzozz Pzst o/Pz'PmzyPfo/bmgs, 5zzpp/?wczzr to tP? 5ccoyzb Pbzrzow, Covcrzyzg Wor^sPMp/zsPcb (961 PProMgP (970, edited by Margaret Miller Rocq for the California Library Association (Stanford: Stanford Univ. Press, 1976)

RP: Saw Fr%72czsco CProzzzc/c, PofogntvMr? Pzctonb/ 5cctzow, illustrated feature supplement appearing in the Sunday edition

Samuels 5cc No. 33San Francisco, California. THE COLOR OF MOOD Sc? No. 20 Sc.: SculptureSchnier, J. SCULPTURE IN MODERN AMERICA 5cc No. 8Schwartz 5cc No. 50SFAA: San Francisco Art AssociationSFMOA: San Francisco Museum of Art, now the San Francisco Museum of Modern Art Sheehy [Number]: Entry in Gzzz'bc to Pc/crczzcc Boo&s, compiled and edited by Eugene P. Sheehy, with

the assistance of Rita G. Keckeissen and Eileen Mcllvaine, Ninth edition (Chicago: American Library Association, 1976)

Smith 5c? No. 34Smith and Moure 5cc No. 51Snipper 5cc No. 8aThiel, Y.G. ARTISTS AND PEOPLE 5cc No. 9 Thieme-Becker 5cc No. 35TW: 5ttzz FmMczsco CProTzzc/c, FBzs WorM, news and arts magazine appearing in the Sunday edition ULS: Entry in Uwz'oM Pz'sf o/5crza/s z'zz PzPmrzcs o / tP? Uzzztcb 5fatcs ttzzJ Czzzzaba, Third edition, edited

by Edna Brown Titus, 5 vols. (New York: H.W. Wilson, 1965)Van Nostrand, J. THE FIRST HUNDRED YEARS Sc? No. 10 Van Nostrand, J. SAN FRANCISCO, 1806-1906 5cc No. 11 Vollmer 5cc No. 36VS: California Death Index, issued by the State Registrar of Vital Statistics, Calif. Dept, of Health Services WC: WatercolorWPA: Works Progress Administration WWAA [Year] 5cc No. 37 WWC 1928-1929 5cc No. 38 WWC 1942-1943 5cc No. 39

0 0 3K

OTHER WORKS BY ELLEN SCHWARTZ

Gazbe to the Fairzl Archive o/ CaZi/ornia Aft, University library, University o/CaZz/brnia, Davis. Davis: Department of Speciai Collections and Library Associates of the University Library, University of California, 1979.

Nznetee n th- Ce n ta ry San Francisco Art Exhibition GataZognes. A Descriptive CbechZist anti IntZex. Davis: Library Associates, University Library, University of California, 1981

San Francisco Fay Area Art Fxhzhztzon CataZogaes, 1##2-1915. A Descriptive ChechZist o/CataZogaes anb an Inbex. To be published 1987

Saw Francisco Art Association Exhibitions, 1#72-1915. A Descriptive ChechZist o/CataZogaes anb an Inbex. Forthcoming

W)TH DR. JOSEPH ARMSTRONG BA)RD, JR.

Northern CaZi/brnia Art.- An interpretive FibZiograpby to 1915. By Joseph Armstrong Baird, Jr., with additions and bibliographical research by EHed Schwartz. Davis: Library Associates, University Library, University of California, 1977

A Dictionary o/Artists Active in Northern Ca/z/ornza Fe/bre 1915. By Joseph Armstrong Baird, Jr., and Ellen Schwartz. Work in progress

Documents

Schwartz, Ellen (1987). Historical Essay