Saviour #001

8/8/2019 Saviour #001

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Saviour, Issue #1: UNKNOWN ORIGINS, PT 1: A VALLEY WITHOUT HEROESJ. Christopher Baggett - Page 1

PAGE 1 (4 Panels)

PANEL 1. A busy street in a town which appears similar to New York. The shot is high and wide

so that we can see the horizon clearly, looking down at the hundreds of citizens as they shuffleabout their daily routines. In the distance, a faint yellow glow is seen rising, as if the sun were

rising and sickly.

CAP/VINCENT:It's the same every time.

PANEL 2. Same as above, though a few people have stopped and are pointing up to the sky. Theglow has grown significantly larger.

CAP/VINCENT:It's a typical day, but there's something happening in the background.

PANEL 3. The glow grows larger, beginning to dwarf the city. All those on the street below have

noticed. Some are pointing and looking at those around them. Others are fleeing, trying to find arefuge. Cars have stopped. Traffic is haphazardly aligned. The world has, for all intents and

purposes, ground to a halt.

CAP/VINCENT:We realize too late what's happened. Some opportunistic fool has made his move, and there's

nothing we can do about it.

PANEL 4. The glow engulfs the street, a wave of terror and death washing over the citizensbelow, as those nearest go first. For those closest to the blast, flesh is peeled away from bones,

skeletons falling to the ground as they recoil in terror. For those progressively farther back, theprocess begins to take effect, up to those farthest from the blast, scrambling desperately to

escape both this wave of terror and the mutilated monstrosities before them.

CAP/VINCENT:The world has come to an end. There's no one left to save us.

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PAGE 2 (4 Panels)

PANEL 1. A wide panel. Running the length of the panel is VINCENT, laying on a psychiatrist's

couch. His legs are crossed at the ankles, his hands clasped on his chest. His eyes are closed, hisbrow furrowed as if he is recalling a painful memory.

VINCENT:

Then I wake up, covered in sweat. It's been the same thing every night this week.

PANEL 2. The reverse of Panel 1. To the side, sitting in a large leather chair, we see aPSYCHIATRIST, looking at Vincent out of the corner of his eyes as he scrawls notes on the lastfew pages of a legal pad.

PSYCHIATRIST:Vincent, why do you think you keep having this dream?

VINCENT:

I think...I think it's not just a dream.

PANEL 3. The psychiatrist stops writing and looks up over his paper at Vincent, who is holding hishands over his eyes.

PSYCHIATRIST:

Oh?

VINCENT:It just feels...real. Like it's going to happen...like...

PANEL 4. Same shot as Page 1, Panel 4, colored in a washed out, almost water colored tone. A

unique style, which will be used consistently to represent things which occur within Vincent's

mind.

CAP/VINCENT:

Like maybe it's already happened.

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PAGE 3 (5 Panels)

PANEL 1. Vincent begins to sit up on the chair. The psychiatrist is jotting down more notes.

PSYCHIATRIST:

Well, Vincent...I'm hard pressed to admit that it doesn't seem-

VINCENT:Like much has changed, right? Sorry to disappoint.

PSYCHIATRIST:Nonsense!

PANEL 2. The Psychiatrist looks up over his notes, pointing at Vincent with his pen.

PSYCHIATRIST:You've been in the program for years. And we insist on helping you through your situation. We're

not looking to kick you out, but we do want to make strides towards your rehabilitation.

PANEL 3. Cut back to Vincent, now sitting upright on the chair, his hands awkwardly folded intohis lap, staring awkwardly at the floor.

PSYCHIATRIST:

Tell me...do you remember anything? Anything at all?

VINCENT:No. None of it. The past five years are still just a blank spot.

PANEL 4. The psychiatrist rises to open the door. Vincent follows behind him.

PSYCHIATRIST:Do you seriously believe you could be seeing flashes of your memories? That this dream couldhave actually happened already?

VINCENT:

Maybe, but even then...how do I tell the difference between a bad dream and a lost memory?

PSYCHIATRIST:

Hm...you do have a point there.

PANEL 5. The psychiatrist opens the door. Vincent stands at the door and shakes the

psychiatrist's hand.

PSYCHIATRIST:Unfortunately, we seem to be out of time...

VINCENT:

Hey, we've got nothing but time, right? Thanks for everything.

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PAGE 4 (5 Panels)

PANEL 1. Vincent, his head down and his hands in his pockets, walks out of the office. The

psychiatrist watches as he walks through the main office.

PANEL 2. Vincent exits the clear glass door of the psychiatrist's office, entering a street not toodifferent from the one in his dream.

CAP/VINCENT:

Another session, another failure. The program has helped me out a lot, though. Helping me find

an apartment and giving me a monthly stipend to live off of on account of my mental health. Orlack thereof. Whatever.

PANEL 3. A wide panel. Vincent walks down the street, hands in his pocket, looking up atbuildings as he passes them.

CAP/VINCENT:

My name is Vincent Drake. I woke up one day and realized I couldn't remember anything from

the past five years. Five years, just a complete blank.

PANEL 4. Vincent passes a wrecked building, flags and golden plaques placed around it.

CAP/VINCENT:

My family insisted there wasn't much to forget. I was a student at a local community college,studying to be an electrician.

PANEL 5. Vincent walks up and brushes his hand up against one of the plaques.

CAP/VINCENT:

The only thing my mother says she regrets me forgetting is seeing the end of heroes. She said I

had watched every news item, every clipping religiously.

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PAGE 5 (3 Panels)

PANEL 1. Vincent lowers his head and walks away, his fingers lingering along the edge of the

golden plaque.

CAP/VINCENT:But then...they left. Almost as suddenly as the heroes had appeared decades ago, the war came

to a violent, screeching halt.

PANEL 2. Vincent passes the building, several posters with Anti-Hero propaganda and graffiti on

the side of it.

CAP/VINCENT:

One of the villains in the battle created a device that he said would enslave all humanity. And inthe ensuing battle, large numbers of villains were killed, as were large numbers of heroes.

Finally, after decades of violence, the government decided it was time for regulations. The few

villains who were surviving were captured and executed, ending the vicious cycle of psychopaths

being released on mental incompetence pleas.

PANEL 3. A close-up of one of the posters, showcasing a group of heroes. One of the visible

heroes in the front row, displayed prominently is SAVIOUR. Beside Saviour is SICCARIO, hisformer sidekick. Also featured is MAGI, a man wearing an ornate costume and wielding a katana,

he appears to be a magician of some sort. Other heroes of varying appearance are in this shot.

CAP/VINCENT:But more importantly, the heroes in the final battle were either killed in violent combat or

disappeared silently afterward, feeling they had failed the people they swore to protect.

Heroes like Saviour, Sicarii and others were never heard from again...

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PAGE 6 (6 Panels)

PANEL 1. Vincent turns into an alley, facing a side entrance door of an abandoned hotel, one hand

digging around in his pocket.

CAP/VINCENT:We've all wondered where they went. A lot of us even hate them. We're living in broken down

slums, all that's left after their final battles and they couldn't even come out of hiding and help usrebuild.

PANEL 2. Vincent steps into the hotel. There are a few rows of doors along either side of thebuilding, and flights of stairs leading to higher up doors. Opposite Vincent a lobby is evident, but

is run down and has not been used in some time. Vincent turns to one of the doors near the

center and pushes the key in.

CAP/VINCENT:The age of heroes ended with them being no better to us than the villains were.

PANEL 3. Vincent closes the door behind him. The room is very empty. There are a few basicamenities: a couch, an old TV, a tray sitting beside the couch, and a closet with no door in thebackground. There is a kitchen to the side with a sink full of dirty dishes and a stove covered with

pots and pans. A small, very old refrigerator finishes off the kitchen. Amidst all the dirt andgrime, in the center of the living room is an almost pristine electric guitar and amp.

CAP/VINCENT:

I've tried my best not to hate them, but shortly after I was found amnesiac, the final wave of theircrisis kicked in. My mother and sister were both killed. They were just trying to get some fresh

bandages for the wounds on my head.

PANEL 4. Vincent wraps his hand around the neck of the guitar slowly, deliberately.

CAP/VINCENT:I suppose I could blame myself just as easily...but they had all left. The only hero left was

Saviour's partner, Sicarii. He came to visit me afterward, but could only offer his condolences.

PANEL 5. Vincent picks up the guitar, his fingers near the strings and preparing to play it, when a

knock comes at the door.

CAP/VINCENT:The heroes ran away and my family paid the price.

AISLAN/O.P.:Hello? Vincent?

PANEL 6. Vincent, still holding the guitar, his head down, speaks softly without turning towards

the door.

VINCENT:Yes?

AISLAN/O.P.:

Vincent...could you come give me a hand?

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PAGE 7 (3 Panels)

PANEL 1. A close up of the guitar, Vincent's fingers wrapped around the neck as he sits it back on

the stand.

VINCENT/O.P.:Is everything OK?

AISLAN/O.P.:

Uh, it's this damn pipe! Its leaking again, do you mind?

PANEL 2. Vincent has now opened the door and is talking to Aislan who stands outside. The

guitar is the main focus in the foreground. On the strings are bits of what appears to be dried

blood.

VINCENT:Seriously? I can't believe its still leaking.

AISLAN:Yeah, well, what can we do? They already don't like us living out here, they're certainly not goingto send us any help.

VINCENT:

Alright. Lets go see what we can do.

PANEL 3. Vincent shuts the door behind him. The apartment goes dark.

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PAGE 8 (4 Panels)

PANEL 1. AISLAN is sitting in kitchen chair, sipping on a cup of coffee. Only Vincent's legs are

visible as he works on a pipe underneath the sink.

AISLAN:How bad does it look?

VINCENT:

Ah, not too bad. I think I can...

SFX.:

KLANG!

VINCENT:

Ah, crap.

PANEL 2. Vincent's legs begin to kick under the sink. Aislan puts the coffee down and begins to

move towards him.

SFX.:

WHOOSH!

VINCENT:Gah! Glub...bah...*gasp!*

AISLAN:

Vincent!?

VINCENT:

Ahhhh! OK, OK...I think I've got it now.

PANEL 3. Vincent sits up outside the sink, his head and the top of his shirt soaking wet.

VINCENT:

Alright, I taped it up enough now that..

AISLAN:

*snicker*

VINCENT:

...Its not funny.

PANEL 4. Aislan reaches for another cup on the table.

AISLAN:Alright, alright....thank you. Have some coffee? You can at least keep me company while you're

drying.

VINCENT:Thanks.

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PAGE 9 (4 Panels)

PANEL 1. Vincent takes a seat at the table, holding the cup of coffee between his hands.

VINCENT:

Where's Stephen at?

AISLAN:Eh, you know him. If he's not at work, he's off with Ray trying to stir up more Anti-Hero

sentiment. They both really think they're going to make a return one day soon.

PANEL 2. Vincent holds the coffee up to his lips.

VINCENT:Ray? You didn't let him take Katherine did you?

AISLAN:

Lord no, she's asleep in her room. Ray's only been out of jail for a few months, I'm not going to

let Stephen screw up and let that monster prey on his daughter again. I'm already think itsinsane for Stephen to be so forgiving.

PANEL 3. Aislan swirls at the coffee with a spoon.

AISLAN:I don't know, it just...something doesn't feel right about it. I'm terrified that something is going

to happen.

VINCENT:So take Katherine and leave. I don't think anyone would blame you.

AISLAN:Stephen and I aren't legally married, remember? I do that, I'll be charged with kidnapping. Thenshe won't have anyone to protect her. And besides, I do still love him.

VINCENT:

Hrmph.

PANEL 4. Aislan looks up from her coffee at Vincent, who appears to be angry.

AISLAN:

What?

VINCENT:

Oh, come on Aislan! I'm as fed up with all this as you are, but you're putting up with way toomuch.

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PAGE 10 (4 Panels)

PANEL 1. Aislan looks down at her coffee, almost defeated.

AISLAN:

I really don't know how to explain it to you.

VINCENT:I know. I just wish you'd come to your senses.

PANEL 2. A close up of Vincent.

VINCENT:

Aislan, he's bad news. Something about him is really off.

PANEL 3. The two sit in silence. Vincent stares at Aislan, who still has her head lowered.

PANEL 4. Vincent lowers his head too, staring at the coffee mug.

VINCENT:I worry about you and Katherine, ya know?

AISLAN:

We're fine. Honest. Stephen's rough...but he loves us.

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PAGE 11 (4 Panels)

PANEL 1. Vincent rises from the table.

VINCENT:

Maybe I should get going?

AISLAN:Vincent...

PANEL 2. Vincent rubs the back of his head, turning to face Aislan.

VINCENT:

Look, you know how I feel about the whole situation. One of you is going to get hurt, or...

PANEL 3. Aislan hugs Vincent.

AISLAN:

Shh, now. I'm a big girl, I can take care of myself.

PANEL 4. Vincent opens the door and begins to step out. Aislan stands behind him.

AISLAN:

Thank you for fixing the sink Vincent. I'll see you soon?

VINCENT:Yeah...you know where I'm at if you need anything else.

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PAGE 12. (5 Panels)

PANEL 1. Vincent stands outside the shut door in the hallway for a moment, staring at the floor.

PANEL 2. Back inside, Aislan also stands at the door, one hand absentmindedly against it, the

back of her other hand held against her mouth.

KATHERINE (O.P.)Ms. Aislan?

PANEL 3. KATHERINE, 8 years old, stands in the door frame leading into a quaint, messy livingroom.

KATHERINEMs. Aislan, is everything OK?

AISLAN

Why, of course it is. Are you thirsty? Mr. Vincent fixed the sink for us again.

PANEL 4. Katherine walks over to the sink, as Aislan grabs an old, pink cup from a cupboard.

KATHERINEDid Mr. Vincent leave already?

AISLAN

Yes...he had to go take care of some work around his house.

KATHERINEAww...I miss Mr. Vincent...

PANEL 5. A wide shot, encompassing the alleyway, Vincent's hand visible as he slips into hisapartment, moving over into the kitchen where Katherine is drinking water from her cup. Aislan isabsentmindedly looking over in the direction of Vincent's apartment.

AISLAN

Well...Mr. Vincent misses you too. I'm sure he'll come see us again soon.

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PAGE 13. (5 Panels)

PANEL 1. Vincent stands beside the couch, the guitar hanging on a strap around his back, his

eyes closed. Though he is not playing it, he is holding it as if he is ready to start.

CAP/VINCENTMy mother gave me this shortly after the accident. She told me I played like the devil, and that

maybe it would help me remember. I can still remember how to play...I just don't rememberlearning.

PANEL 2. Move in closer on Vincent, his eye brows furrowed.

CAP/VINCENT

I've been trying hard, but I get nothing. The last thing I remember is a press conference, of theheroes before the crisis began.

PANEL 3. A flashback panel, the colors washed out in sepia. A close up of a TV screen, a news

broadcast. The Saviour is on the TV. In the upper left corner are the words Pre-Recorded.

CAP/VINCENTThe Saviour, warning the citizens to flee to safety. I remember thinking about how awkward...how

forced it sounded. And I remember a feeling of deep worry, wondering if everyone would make itout in time.

PANEL 4. Vincent's eyes are now open, as he holds the guitar closer.

CAP/VINCENT

But I can't help but wonder where he was when my parents were trapped underneath the rubbleof their house. When my mother was breathing in the clouds of dust from debris. When my sister

lay alone with a rebar jammed into her gut.

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PAGE 14. (4 panels)

PANEL 1. Occupies the majority of the page. Vincent, guitar held up, begins to play, his eyes

closed again and his head tilted back. The music seems to stream out and infect the world.

CAP/VINCENTWhere were the heroes when I needed them??

PANEL 2. Placed to the side of Vincent. Aislan, standing at the sink washing dishes, looks toward

Vincent's apartment. Music notes begin to creep in.

PANEL 3. Placed below panel 2. A shot of the street outside. Several people walking by plug

their ears in response to the loud music. The music notes become larger and bolder.

PANEL 4. Placed below Panel 3. Katherine stands in her living room, jumping and acting like

she's playing a guitar. The music has now infected everything. Aislan is watching Katherinedance, smiling.

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PAGE 15. (4 Panels)

PANEL 1. All black. The music infects this panel also, but is growing dimmer.

CAP/VINCENT

I do as I do every night. I play until blood drips from my fingertips and all I can hear is a lowpitched whinny.

PANEL 2. Again, all black. The music fades out completely.

CAP/VINCENTThe night ends. I pass out on the couch. I still don't remember.

PANEL 3. Vincent's dream from before. The world is engulfed with a bright, apocalyptic glow.

CAP/VINCENTI see the dream again. I know...I know its not a nightmare. But what is it? Am I remembering?

Am I seeing the future?

The night drags on, and everything in my sleep is normal.

PANEL 4. Vincent's eyes suddenly wake up. A man is heard screaming in the distance.

CAP/VINCENTBut the morning is anything but normal.

STEPHEN/O.P.

WHAT DO YOU THINK YOU KNOW!?

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PAGE 16. (5 Panels)

PANEL 1. Vincent sits up on the couch, his clothes soaked in sweat, his hair a disheveled mess.

The guitar leans against the wall beside the couch.

STEPHEN/O.P.You really think you know what's best for my little girl??

AISLAN/O.P.

Stephen, PLEASE!

PANEL 2. Vincent pulls aside the curtain in his room. STEPHEN, a large, bald man wearing a

flannel shirt is standing in the alleyway, holding Katherine by the arm. He appears furious.

Katherine is pulling away, as if Stephen is holding her arm too tight. Aislan is leaned against thedoor way, half her face obscured in shadow.

CAP/VINCENT

I've heard Stephen yelling...but I've never seen it quite this bad.

STEPHENWho do you think you are, woman!?

PANEL 2. Vincent throws open the door and is running out.

CAP/VINCENT

As usual, all the neighbors have holed up in their rooms. While Katherine is just standing there,crying and screaming her head off.

Goddammit, someone here has to help.

PANEL 3. Vincent stands in the alleyway, across from Stephen.

KATHERINE

Mr. Vincent!!

VINCENT

Hey! What do you think you're doing?

AISLANVincent!

PANEL 4. Aislan turns her head, catching the light. The hidden side of her face is a bruised mess,blood dripping from her nose and down to her chin. Her lip is busted open, and blood stains the

collar of her shirt.

CAP/VINCENTThat's when I see Aislan's face. That's when it starts to sink in.

PANEL 5. Wide panel. Vincent charges across the alleyway at Stephen.

VINCENT

Let her go, NOW!

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PAGE 17. (5 Panels)

PANEL 1. With his empty hand, Stephen grabs Vincent by the shirt.

STEPHEN

What was that, boy!?

PANEL 2. Vincent is slammed into the wall.

VINCENT

Guh!

STEPHEN

You got something you want to say to me??

PANEL 3. A close up of Stephen's face, clearly furious, veins bulging. His eyes are wide, hispupils are dilated. His teeth show early signs of rot.

CAP/VINCENTHe leans in, and I get a whiff of tooth rot. His pupils are tiny, dilated dots. Christ, its so damnobvious. Why didn't I realize it earlier?

PANEL 4. A close up of Vincent, squirming.

CAP/VINCENT

The love of her life is nothing but a lousy meth addict.

PANEL 5. A wide panel. Stephen throws Vincent into the opposite wall.

STEPHEN

Damn kid, you making moves on my woman?!

AISLAN

Stephen, stop!

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PAGE 18. (6 Panels)

PANEL 1. A shot of Stephen from Vincent's perspective on the ground. Stephen is raising his foot

to kick Vincent.

STEPHENLet me show you what happens when you cross me, $&@#!!

PANEL 2. All black.

CAP/VINCENTIt doesn't take much of a kick from an angry, meth addicted trucker to render me unconscious,

as it turns out.

PANEL 3. It is now sometime later. An ambulance has pulled up, and an EMT (Who will eventually

be revealed to be ROSS) is patching up Vincent.

CAP/VINCENT

They come and patch us up. They take statements from Aislan. They swear they'll findKatherine. Amber alerts are issued, stations are notified.

PANEL 4. A close up of Vincent's face, a large bandage on his forehead.

CAP/VINCENTThe neighbors...the goddamn neighbors. They finally come out of hiding to get on the news and

tell how scary it was, to tell the reporters how they knew he was bad news.

PANEL 5. Aislan looks at Vincent as a police officer is taking her statement.

CAP/VINCENT

Where were they when an 8 year old girl was being kidnapped?

PANEL 6. Vincent looks away, defeated, from Aislan's stare.

CAP/VINCENT

I keep forgetting...we live in a world without heroes. If there were heroes, Katherine would be

safe. But even I wasn't strong enough to stop him.

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PAGE 19. (3 Panels)

Panel 1. A wide shot of Vincent's apartment. The guitar has been moved back to its stand.

Vincent sits on the couch.

CAP/VINCENTThe police come and go. We don't hear anything for one hour. Two hours.

PANEL 2. Another wide shot. Vincent remains on the couch, now wearing a different shirt.

CAP/VINCENTTwo days pass, and I sleep for roughly two hours through them. I don't see the dream of the

apocalypse, instead I see the dream of Katherine, her body cold and limp as Stephen drags her

around, laughing.

PANEL 3. Vincent is now standing by the guitar, his fists clenched.

CAP/VINCENT

I haven't been able to sleep, eat...anything.

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PAGE 20. (3 Panels)

PANEL 1. A wide shot of Aislan in her apartment. A gun sits in the middle of the table. She

stares at it.

CAP/VINCENTAislan has sat alone over there. I don't know what she's doing. She won't come to the door, she

won't answer calls.

PANEL 2. Same as Panel 1.

CAP/VINCENT

Its been two days since I last saw her. Her face bloodied, bruised. I keep telling myself that if I

don't hear from her tomorrow, I'll kick in the door and make sure she's still alive.

PANEL 3. Same as Panel 1.

CAP/VINCENT

But that's usually right after I tell myself that its just as much my fault that Katherine's gone.

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PAGE 21. (4 Panels)

PANEL 1. Vincent has the neck of the guitar in his hand. He is standing near the guitar stand,

staring towards the closet, which has only a few garments hanging in it.

CAP/VINCENTEverything pisses me off. I've broken a dozen plates and shattered the bathroom mirror.

PANEL 2. Vincent's hand grows tighter around the guitar neck.

CAP/VINCENTIts gotten to the point that I've been standing here...staring at this closet.

PANEL 3. A close up of Vincent's face.

CAP/VINCENTAnd part of me realizes that its pure insanity. After all...its a wall.

PANEL 4. Vincent lifts the guitar up.

CAP/VINCENT

Its just a goddamn wall, in an empty closet.

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PAGE 22. (3 Panels)

PANEL 1. Vincent lifts the guitar up higher.

CAP/VINCENT

And all I'm holding in my hand is a $600 guitar, the last remnant of my family.

PANEL 2. Vincent holds the guitar over his head.

CAP/VINCENT

But it still drives deeper into my skull, until finally I ask myself how much damage I can do withthis guitar...

PANEL 3. Vincent stands there for a second, holding the guitar over his head like some kind of madman.

CAP/VINCENT

And I try to stop myself. Really, I do. But I'm just so angry. Just so frustrated. Just so tired.

And finally I decide...

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PAGE 23. (3 Panels)

PANEL 1. A 2/3 page shot of Vincent, hurling the guitar at the closet

CAP/VINCENT

I just want to break something.

VINCENTAAAAAAAAAAAAAAAH!

PANEL 2A reverse shot of Vincent, as if the camera is in the closet. Vincent's head is down, he's breathing

heavily.

CAP/VINCENT

I don't feel any better. All I have now, is a broken...

PANEL 3. Vincent looks up at the closet, a quizzical look on his face.

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PAGE 24. (4 Panels)

PANEL 1. Vincent runs towards the closet. The damage is obscured by his body.

CAP/VINCENT

Oh God. That can't be...

PANEL 2. Vincent begins to furiously punch at the wall, pulling out boards.

CAP/VINCENT

Fake boards, placed in the closet years ago. Why didn't I notice this before?

PANEL 3. Vincent's face grows more and more shocked as he pulls the boards out of the closet.

Tears are welling up in the corners of his eyes

CAP/VINCENTEven as I see it, bit by bit, I start to remember. Not everything, but fragments...glimpses.

PANEL 4. Vincent reaches towards the camera, his face in shock, tears streaming down his eyes.

CAP/VINCENT

Oh, God. Katherine, I'm so sorry. I'm so sorry that I forgot...

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PAGE 25. (1 Panel)

PANEL 1. A full page shot. Vincent is on his knees, his head in his hands, in front of the now

exposed closet. Hidden for years behind a fake wall, hanging up on a series of pegs in the wall, isthe uniform of SAVIOUR

CAP/VINCENT

...that I was supposed to be your Saviour.

The credits will go on this page, including the title

SAVIOUR

UNKNOWN ORIGIN, PART 1: A VALLEY WITHOUT HEROES

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Saviour #001