11
KJOS CONCERT BAND GRADE 1 WB511F $10.00 RYAN NOWLIN City at Dusk Correlated with TRADITION OF EXCELLENCE™ Book 1, Page 20 NEIL A. KJOS MUSIC COMPANY • PUBLISHER TRADITION OF EXCELLENCE™ EXCELLENCE IN PERFORMANCE SAMPLE

RYAN NOWLIN City at Duskkjos.vo.llnwd.net/o28/pdf/WB511F_SP.pdfEb Alto Clarinet Bb Bass Clarinet Bassoon Eb Alto Saxophones Bb Tenor Saxophone Eb Baritone Saxophone Bb Trumpets F Horn

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Page 1: RYAN NOWLIN City at Duskkjos.vo.llnwd.net/o28/pdf/WB511F_SP.pdfEb Alto Clarinet Bb Bass Clarinet Bassoon Eb Alto Saxophones Bb Tenor Saxophone Eb Baritone Saxophone Bb Trumpets F Horn

KJOS CONCERT BANDGRADE 1WB511F

$10.00

RYAN NOWLIN

City at DuskCorrelated with TRADITION OF EXCELLENCE™ Book 1, Page 20

NEIL A. KJOS MUSIC COMPANY • PUBLISHER

TRADITION OF EXCELLENCE™

EXCELLENCE IN PERFORMANCE

SAMPLE

Page 2: RYAN NOWLIN City at Duskkjos.vo.llnwd.net/o28/pdf/WB511F_SP.pdfEb Alto Clarinet Bb Bass Clarinet Bassoon Eb Alto Saxophones Bb Tenor Saxophone Eb Baritone Saxophone Bb Trumpets F Horn

3

WB511

About the ComposerRyan Nowlin (b. 1978), a native of Cleveland, Ohio, holds both his Bachelor of Music and Master of Music degrees from Bowling Green State University (Ohio). He has taught for ten years at the beginning, middle school, high school, and college levels including wind ensemble, jazz ensemble, and marching band direction. Mr. Nowlin was an instructor of conducting and band scoring at BGSU and was recently recognized as one of the university’s Accomplished Graduates.

Mr. Nowlin is an active composer and arranger, and has co-authored with noted author, composer, and educator Bruce Pearson the Tradition of Excellence Comprehensive Band Method, the textbook Teaching Band with Excellence, the Excellence in Theory music theory, history, and ear training workbooks, and

Excellence in Chamber Music. In 2010, Mr. Nowlin joined “The President’s Own” United States Marine Band as staff arranger before being appointed to his current position of Assistant Director in 2014. In this role, Mr. Nowlin regularly conducts the Marine Band and Marine Chamber Orchestra in the Washington D.C. area, at the White House, and across the United States.

Works presented by this publisher have been prepared by Ryan Nowlin in an unofficial capacity and neither “The President’s Own” United States Marine Band, the U.S. Marine Corps nor any other component of the Department of Defense or the U.S. Government have endorsed this material.

About the CompositionThe hustle and bustle of the day is over. The hard work is finshed. The many commitments, activites, and obligations are accomplished. Seated on a park bench on a cloudless, brisk, picturesque autumn evening in the big the city, a person pateintly watches the sun gently set behind the skyscrapers as a distant clock tower chimes. Now at peace, it is time to rest. City at Dusk attempts to capture the serenity, calm, and perhaps relief of this onlooker.

Correlation with TRADITION OF EXCELLENCE™City at Dusk correlates with Tradition of Excellence Book 1, page 20.

Some instruments play a new rhythm. Please consult page 26 in Tradition of Excellence Book 1 to learn about dotted quarter notes.

The 1st Alto Saxophones have two new notes to learn:                  on page 23, and                  on page 26.

The 2nd Alto Saxophones have one note to learn:                   on page 22.

Be sure to review the Concert Etiquette on page 12.

& wG & wA

& wFSAMPLE

Page 3: RYAN NOWLIN City at Duskkjos.vo.llnwd.net/o28/pdf/WB511F_SP.pdfEb Alto Clarinet Bb Bass Clarinet Bassoon Eb Alto Saxophones Bb Tenor Saxophone Eb Baritone Saxophone Bb Trumpets F Horn

4

WB511

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PERCUSSIONASSIGNMENT

CHART

Group: Date:

Student Name

Dates to Remember:

©2011 Kjos Music Press. This page authorized for duplication.

Composition

Bells

Triangle

Claves

Mark Tree

Finger Cymbals

Sus. Cymbal

Shaker

Bass Drum

Timpani

Dates to Remember:

Instrumentation List8 – Flute2 – Oboe4 – 1st B≤ Clarinet4 – 2nd B≤ Clarinet2 – E≤ Alto Clarinet2 – B≤ Bass Clarinet2 – Bassoon4 – 1st E≤ Alto Saxophone4 – 2nd E≤ Alto Saxophone

2 – B≤ Tenor Saxophone2 – E≤ Baritone Saxophone4 – 1st B≤ Trumpet4 – 2nd B≤ Trumpet6 – F Horn8 – Trombone2 – Baritone2 – Baritone TC4 – Tuba

1 – Electric Bass2 – Bells3 – Triangle, Claves, Mark Tree, Finger Cymbals3 – Suspended Cymbal, Shaker, Bass Drum2 – Timpani (2 drums)1 – Rehearsal Piano1 – Full Conductor Score

Additional scores and parts are available.

Approximate Performance Time!2:40

To hear a recording of this or any other Kjos publication, please visit www.kjos.com.

From Teaching Band with Excellence (W74) © 2011 Kjos Music Press. Used with permission.This chart is authorized for reproduction to distribute to percussionists in the performing ensemble.

Percussion Assignment ChartIt is essential that students receive training on all percussion instruments. To ensure a comprehensive experience for each student and to aid in equitable instrument assignment, use a percussion assignment chart, such as the one appearing below. Provide a copy for each percussionist.

SAMPLE

Page 4: RYAN NOWLIN City at Duskkjos.vo.llnwd.net/o28/pdf/WB511F_SP.pdfEb Alto Clarinet Bb Bass Clarinet Bassoon Eb Alto Saxophones Bb Tenor Saxophone Eb Baritone Saxophone Bb Trumpets F Horn

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4

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4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

12

12

Flute

Oboe

Bb Clarinets

Eb AltoClarinet

Bb BassClarinet

Bassoon

Eb AltoSaxophones

Bb TenorSaxophone

Eb BaritoneSaxophone

Bb Trumpets

F Horn

Trombone

Baritone

Tuba

Bells

TriangleClaves

Mark TreeFinger Cymbals

Supended CymbalShaker

Bass Drum

12

Rehearsal Piano

Timpani

~~~~~~~~~~~~~

J

œ ˙

˙ ˙

˙˙

˙˙

˙ ˙

˙ ˙

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œ ˙.œ

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∑˙I Œ œ

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æ

j

œ ˙

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Bb, Eb

P

Andante

Andante

Andante

Andante

subtle

w/hard rubber mallets

B.D.

Triangle

p

p

P

P

P

P

P

P

P

P

P

P

P

ππ

P

P

P

(q = 84)

(q = 84)

(q = 84)

(q = 84)

Œ

œ

œ ˙ œ

œœ

˙˙

œœ

œ ˙ œ

œ ˙ œ

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˙

Œ

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œ œœ œ

œ ˙ œ

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œ ˙ œ

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œ

œ

œ

œ

— ± —

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∑œ ˙ œ

w

æ

œ œœ œ

w

œœ

˙˙

œœ

P

P

Claves

3.œ

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Suspended Cymbals w/soft mallets

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Ó

± iÓ

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www

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F

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6 ∑∑∑∑∑∑∑∑∑

∑∑∑∑∑

O

Ó O∑∑

∑∑

Mark Tree

scrape w/tri. beater

P

p

J

œ ˙

w

w

∑∑∑

w ∑w

∑∑∑∑∑

œ

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± i Ó

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∑∑

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p

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a2

[7]

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Tri.

Finger Cymbals

P

WB511

City at DuskRyan Nowlin

© 2019 Neil A. Kjos Music Company, 4382 Jutland Drive, San Diego, California, 92117. International copyright secured. All rights reserved. Printed in the U. S. A. Warning! The contents of this publication are protected by copyright law. To copy or reproduce them by any method is an infringement

of the copyright law. Anyone who reproduces copyrighted matter is subject to substantial penalties and assessments for each infringement.

Full Conductor Score

Approx. performance time—2:40

SAMPLE

Page 5: RYAN NOWLIN City at Duskkjos.vo.llnwd.net/o28/pdf/WB511F_SP.pdfEb Alto Clarinet Bb Bass Clarinet Bassoon Eb Alto Saxophones Bb Tenor Saxophone Eb Baritone Saxophone Bb Trumpets F Horn

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12

12

Fl.

Ob.

Bb Cls.

Eb A. Cl.

Bb B. Cl.

Bsn.

Eb A. Saxes

Bb T. Sax.

Eb B. Sax.

Bb Tpts.

F Hn.

Trb.

Bar.

Tuba

Bells

Tri.F. Cyms.

Sus. Cym.B.D.

12

Pno.

Timp.

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gently roll w/two soft mallets

πB.D.

15

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div.

6

WB511

SAMPLE

Page 6: RYAN NOWLIN City at Duskkjos.vo.llnwd.net/o28/pdf/WB511F_SP.pdfEb Alto Clarinet Bb Bass Clarinet Bassoon Eb Alto Saxophones Bb Tenor Saxophone Eb Baritone Saxophone Bb Trumpets F Horn

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Sus. Cym.B.D.

12

12

Fl.

Ob.

Bb Cls.

Eb A. Cl.

Bb B. Cl.

Bsn.

Eb A. Saxes

Bb T. Sax.

Eb B. Sax.

Bb Tpts.

F Hn.

Trb.

Bar.

Tuba

Bells

Tri.F. Cyms.

12

Pno.

Timp.

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π

scrape w/tri. beater

P

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17

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a2

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æ

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p

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p

unis.

w/soft mallets

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w

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w

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p

22 w

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a2

7

WB511

SAMPLE

Page 7: RYAN NOWLIN City at Duskkjos.vo.llnwd.net/o28/pdf/WB511F_SP.pdfEb Alto Clarinet Bb Bass Clarinet Bassoon Eb Alto Saxophones Bb Tenor Saxophone Eb Baritone Saxophone Bb Trumpets F Horn

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bbbbbbb

b

bbb

b

bbb

bbbbbbbbb

bbb

bbbbbb

bbb

ShakerB.D.

Tri.Claves

12

12

Fl.

Ob.

Bb Cls.

Eb A. Cl.

Bb B. Cl.

Bsn.

Eb A. Saxes

Bb T. Sax.

Eb B. Sax.

Bb Tpts.

F Hn.

Trb.

Bar.

Tuba

Bells

12

Pno.

Timp.

œ œ œ œœ œ œ œ

œ œ œ œ˙ ˙˙ ˙˙ ˙˙ ˙

œœ œœ œœ œœ˙ ˙˙ ˙

œœ œœ œœ œœ˙ ˙˙ ˙˙ ˙

˙ ˙

∑± i Ó∑œ œ œ œ œ œ œ œ∑

œœ œœ œœ œœ˙̇ ˙̇

P

PPPP

PPP

A Little Faster

A Little Faster

A Little Faster

A Little Faster

[24]

[24]

[24]

[24]

pShaker

(q = 96)

(q = 96)

(q = 96)

(q = 96)

25œ œ ˙œ œ ˙

œ œ ˙˙ œ œ˙ œ œ˙ œ œ˙ œ œ

œœ œœ ˙̇˙ œ œ˙ œ œ

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˙ œ œ˙ œ œ˙ œ œ

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œœ œœ ˙̇∑Œ œ œ œ œ œ œ

‘∑

œœ œœ ˙̇˙̇ œœ œœ

pw/hard mallets

PClaves

26œ œ œ œœ œ œ œ

œ œ œ œ˙ ˙˙ ˙˙ ˙˙ ˙œœ œœ œœ œœ˙ ˙˙ ˙

œœ œœ œœ œœ˙ ˙˙ ˙˙ ˙

˙ ˙

∑∑œ Œ Ó

‘∑

œœ œœ œœ œœ˙̇ ˙̇

p

27 œ œ œ œœ œ œ œ

œ œ œ œ˙ ˙˙ ˙˙ ˙˙ ˙œœ œœ œœ œœ˙ ˙˙ ˙

œœ œœ œœ œœ˙ ˙˙ ˙˙ ˙

˙ ˙

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‘wæ

œœ œœ œœ œœ˙̇ ˙̇

p

p

28 œ œ œ œœ œ œ œ

œ œ œ œœ ˙ œœ ˙ œœ ˙ œœ ˙ œ

œœ œœ œœ œœœ ˙ œœ ˙ œ

œœ œœ œœ œœœ ˙ œœ ˙ œœ ˙ œ

œ ˙ œ

˙̇ Ó∑œ Œ Ó

‘˙i Ó

œœ œœ œœ œœœœ ˙̇ œœ

F

F

FFF

FFFFF

FFF

F

F

F

PP

F

29œ œ œ œœ œ œ œ

œ œ œ œœ ˙ œœ ˙ œœ ˙ œœ ˙ œ

œœ œœ ˙̇œ ˙ œœ ˙ œ

œœ œœ ˙̇

œ ˙ œœ ˙ œœ ˙ œ

œ ˙ œ

œœ œœ ˙̇∑Œ œ œ œ œ œ œ

‘∑

œœ œœ œœ œœœ ˙̇ œœ

p

p

˙ ˙˙ ˙

˙ ˙˙

˙ ˙˙ ˙˙ ˙˙̇ ˙̇˙ ˙˙ ˙

˙̇ ˙̇˙ ˙˙ ˙˙ ˙

˙ ˙

œ œ œ œ∑œ Œ Ó

œ œ œ œ œ œ œ œwæÓ æ̇

˙̇̇ ˙̇̇˙̇ ˙̇

P

F

[30]

[30]

[30]

[30]

a2

B.D.

8

WB511

SAMPLE

Page 8: RYAN NOWLIN City at Duskkjos.vo.llnwd.net/o28/pdf/WB511F_SP.pdfEb Alto Clarinet Bb Bass Clarinet Bassoon Eb Alto Saxophones Bb Tenor Saxophone Eb Baritone Saxophone Bb Trumpets F Horn

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Page 9: RYAN NOWLIN City at Duskkjos.vo.llnwd.net/o28/pdf/WB511F_SP.pdfEb Alto Clarinet Bb Bass Clarinet Bassoon Eb Alto Saxophones Bb Tenor Saxophone Eb Baritone Saxophone Bb Trumpets F Horn

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Page 11: RYAN NOWLIN City at Duskkjos.vo.llnwd.net/o28/pdf/WB511F_SP.pdfEb Alto Clarinet Bb Bass Clarinet Bassoon Eb Alto Saxophones Bb Tenor Saxophone Eb Baritone Saxophone Bb Trumpets F Horn

Kjos Music’s Guide to © CopyrightComposers rely on the income that their compositions generate, and it is the job of the copyright holder to protect the work from infringement. Copyright laws can be pretty tricky to navigate, so here are a few helpful tips to guide you through the process.

Adjudicator CopiesDuring contest and festival season, the majority of the inquiries we receive concern making photocopies of scores to meet specific requirements for the judges at a festival.If you’re performing a concert selection out of one of our method books (Tradition of Excellence, String Basics: Steps to Success, First Place for Jazz, among others), permission may already be given to make the necessary photocopies for judges at these festivals. Please refer to the notices printed in the teacher score on the specific piece.If a student is performing a solo from one of the method books listed above, permission is already given. In addition, a photocopy may be given to the accompanist.Extra scores for our band and string repertoire (Beginning BandWorks, BandWorks, Conservatory Editions, StringTracks, and Steps to Successful Literature, among others) are available for purchase from your favorite music dealer. If you’re performing a work from a series that’s not listed above, please contact us for permission.

Making an Audio or Video RecordingA license is required any time you make an audio or video recording of a copyrighted work. Audio recordings are compulsory, meaning, we can’t deny your request; you just need to apply for the Mechanical License and pay the royalty. The royalty rate is set by the Library of Congress. For current rates, please visit www.copyright.gov.The license to make a video of a performance, known as a Synchronization License, is not compulsory. Permission must be obtained from the copyright holder before distributing any copies, regardless if they are being sold or given away for free.

Arranging for Marching Band or Another EnsembleWe’re pleased to grant licenses to make a marching band (or other) arrangement of one of our concert works. However, permission is required before work can begin, and there are a few works whose composers have indicated that they do not want their compositions to be altered. Please contact us to make sure the piece you’re interested in is available for licensing.If you’re planning to play the original piece without any alterations or additions, then a license isn’t needed. However, for example, if you’re rewriting the brass parts for marching instruments (mellophones, bugles), or adding marching percussion, or making cuts, adding repeats, or creating a medley with another composition, a license is required.

What If I Want To … ?If you’d like to use a composition in any other way, please contact us and we would be glad to advise you.Contest and festival season is a busy time for our Copyright Office. Please contact us at least three weeks before your concert date so that we may help you in time. Please visit www.kjos.com and click on the Licensing tab to find out more information or to submit a license request.We’re so pleased that you’ve chosen to perform one of our pieces! We appreciate your support and we want to make the licensing process as easy as possible for you.

Neil A. Kjos Music Company, Publisher • San Diego, CA • www.kjos.comNN1408K

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WB511F - City at Dusk score

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