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Romanticism (1800- 1900)

Romanticism (1800-1900)

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Romanticism (1800-1900). Philosophical Roots of Romantic Thought . Enlightenment Emphasis on the worth of the individual “I am not like anyone I have ever met; I even venture to believe that I am not made like anyone now alive.” – Rousseau (1765). Romantic Art. - PowerPoint PPT Presentation

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Page 1: Romanticism (1800-1900)

Romanticism (1800-1900)

Page 2: Romanticism (1800-1900)

Philosophical Roots of Romantic Thought

EnlightenmentEmphasis on the worth of the individual“I am not like anyone I have ever met; I

even venture to believe that I am not made like anyone now alive.” – Rousseau (1765)

Page 3: Romanticism (1800-1900)

Romantic ArtStresses the uniqueness of the

individual

The Goal- emotional expression

Page 4: Romanticism (1800-1900)

Themes in Romantic Art

Love!

Page 5: Romanticism (1800-1900)

Themes in Romantic ArtDeath

Theodore Gericault, The Raft of the “Medusa”1818

Page 6: Romanticism (1800-1900)

Themes in Romantic ArtWar/patriotism

Delacroix, Liberty Leading the People (1830)

Page 7: Romanticism (1800-1900)

Themes in Romantic Art:Heroes

Jacques-Louis DavidNapoleon Crossing the Great Saint Bernard Pass1800

Page 8: Romanticism (1800-1900)

Themes in Romantic ArtReligion and the supernatural

Nightmare, Henry Fuseli

Page 9: Romanticism (1800-1900)

A Storm in the Rocky Mountains - Mount RosaBierstadt, 1866

Themes in Romantic ArtNature

Page 10: Romanticism (1800-1900)

Albert Bierstadt Rocky Mountains, 'Lander's Peak', 1863

Page 11: Romanticism (1800-1900)

Romanticism in musicRomantic expressiveness relies on,

frustrating, blurring, and overloading the Classic form and style.

“Voice” behind the work

Page 12: Romanticism (1800-1900)

Ludwig van Beethoven (1770-1827)

1. Period of Imitation (1792-1801)- Classical style

2. Heroic Period (1802-1814)- Begins to go deaf- Heiligenstadt Testament- Forward struggle in the face of

adversity 3. Period of Reflection (1815-1827)

Page 13: Romanticism (1800-1900)

Part 1 Part 2Section 1

Section 2

Section 3

Section 4

P S(T, t)

(K, k) “Fantasy”

P (T, t) S (K, k)

• •

• •

• •

I V V Modulatory

I Ii III III Modulato

ryi i

or i I I

Romantic expressiveness relies on frustration, blurring, and overloading of

Classic form and style.

Page 14: Romanticism (1800-1900)

Franz Schubert (1797-1828)

Page 15: Romanticism (1800-1900)

Schubert and LiederComposer and poet have = roles in

determining the emotional experience of the song

Emotion through motion. Example:“Erlkönig” (1815)

Page 16: Romanticism (1800-1900)

Die schöne Müllerin, 1823Song cycle- set of

songs, often unified by a story line

Romantic themes in Die schöne Müllerin:

Love and lost love

NatureDeath