27
Rhetoric, Beauty, and the Sublime

Rhetoric, Beauty, and the Sublime. Opening questions

Embed Size (px)

Citation preview

Page 1: Rhetoric, Beauty, and the Sublime. Opening questions

Rhetoric, Beauty, and the Sublime

Page 2: Rhetoric, Beauty, and the Sublime. Opening questions

Opening questions

Page 3: Rhetoric, Beauty, and the Sublime. Opening questions

Opening questions

• What is beauty?

Page 4: Rhetoric, Beauty, and the Sublime. Opening questions

Opening questions

• What is beauty?• Where is it?

Page 5: Rhetoric, Beauty, and the Sublime. Opening questions

Opening questions

• What is beauty?• Where is it?• What connects beauty and rhetoric?

Page 6: Rhetoric, Beauty, and the Sublime. Opening questions

Rhetoric and aesthetics

Page 7: Rhetoric, Beauty, and the Sublime. Opening questions

“…one of rhetoric’s functions is to celebrate the what there is an imagine what has yet to be” (Poulakos, 94)

Page 8: Rhetoric, Beauty, and the Sublime. Opening questions

Rhetoric and aesthetics

• Aesthetics is concerned with how perception affects feeling, mood, attitude (and from there, sometimes, action).

Page 9: Rhetoric, Beauty, and the Sublime. Opening questions

Rhetoric and aesthetics

• Aesthetics is concerned with how perception affects feeling, mood, attitude (and from there, sometimes, action).

• Rhetoricians can use aesthetic principles to shape experience

Page 10: Rhetoric, Beauty, and the Sublime. Opening questions

Rhetoric and aesthetics

• Aesthetics is concerned with how perception affects feeling, mood, attitude (and from there, sometimes, action).

• Rhetoricians can use aesthetic principles to shape experience

• And public discourse can, itself, be a kind of art

Page 11: Rhetoric, Beauty, and the Sublime. Opening questions

A tension between rhetoric and aesthetics

• According to some, art is concerned with producing aesthetic arrest: a moment of meditative stillness where you are simply in awe of the radiance of the thing

Page 12: Rhetoric, Beauty, and the Sublime. Opening questions

A tension between rhetoric and aesthetics

• According to some, art is concerned with producing aesthetic arrest: a moment of meditative stillness where you are simply in awe of the radiance of the thing

• Rhetoric, by contrast, is concerned not with stillness but with action.

Page 13: Rhetoric, Beauty, and the Sublime. Opening questions

Two aesthetic modes

Page 14: Rhetoric, Beauty, and the Sublime. Opening questions

Two aesthetic modes

Beauty:

Page 15: Rhetoric, Beauty, and the Sublime. Opening questions

Two aesthetic modes

Beauty: pleasure by one’s perception of the wholeness, harmony, and radiance of an encountered thing; beauty comes from fitness, proportion, grace

Page 16: Rhetoric, Beauty, and the Sublime. Opening questions

Two aesthetic modes

Beauty: pleasure by one’s perception of the wholeness, harmony, and radiance of an encountered thing; beauty comes from fitness, proportion, grace

Sublime: pleasure taken in the face of the overwhelming and threatening; that which cannot be contained.

Page 17: Rhetoric, Beauty, and the Sublime. Opening questions
Page 18: Rhetoric, Beauty, and the Sublime. Opening questions
Page 19: Rhetoric, Beauty, and the Sublime. Opening questions
Page 20: Rhetoric, Beauty, and the Sublime. Opening questions
Page 21: Rhetoric, Beauty, and the Sublime. Opening questions

Rhetoric and aesthetics

Page 22: Rhetoric, Beauty, and the Sublime. Opening questions

Rhetoric and aesthetics

• The authority of rhetoric “issues from the principle of topical preference” (Poulakos, p. 90)

Page 23: Rhetoric, Beauty, and the Sublime. Opening questions

Rhetoric and aesthetics

• The authority of rhetoric “issues from the principle of topical preference” (Poulakos, p. 90)

• “This is rhetoric at its most elemental: highlighting some things and placing other in the shade” (Ibid).

Page 24: Rhetoric, Beauty, and the Sublime. Opening questions

Rhetoric and aesthetics

• The authority of rhetoric “issues from the principle of topical preference” (Poulakos, p. 90)

• “This is rhetoric at its most elemental: highlighting some things and placing other in the shade” (Ibid).

• Rhetoric always says: “This is worthy of attention… it must be put ahead… it has priority” (92)

Page 25: Rhetoric, Beauty, and the Sublime. Opening questions

Rhetoric and aesthetics

Page 26: Rhetoric, Beauty, and the Sublime. Opening questions

Rhetoric and aesthetics

• Note how beauty “calls” and then compels the witness to speak

Page 27: Rhetoric, Beauty, and the Sublime. Opening questions

Rhetoric and aesthetics

• Note how beauty “calls” and then compels the witness to speak

• Rhetoric that acknowledges beauty “in the midst of it all” affirms the capacity to “articulate visions of perfection” and “to communicate subjective feeling as if they were objective truths”