Recommended Reading for Students and Young Lawyers

Compiled by Richard J. Greenstone and Panelists from the yearly Forum on

the Entertainment and Sports Industries Annual Meeting Program “Law Stu-

dent and Young Lawyer Orientation to Entertainment and Sports Law: Your

Questions Answered” General Readings Appleton, Dina; Yankelevits, Daniel. Hollywood Dealmaking-Negotiating Talent Agreements. New York, NY: Allworth Press, 2002. $19.95 Biederman, Silfen, Berry, Peirson, Glasser, Law and Business of the Entertainment In-dustries, Greenwood Publishing Group, (4th Edition, 2001). Burr, Sherri L., Entertainment Law in a Nutshell, Thomson West (2004). Catherine A. MacKinnon & Andrea Dworkin, In Harm’s Way: The Pornography Civil Rights Hearings, Harvard University Press (1998). JAMES A. DURHAM & DEBORAH MCMURRAY, The Lawyer’s Guide To Marketing Your

Practice (American Bar Association 2d ed. 2004). Farber, Donald C. Entertainment Industry Contracts. New York, NY: Matthew Bender & Company, 1986-2003. 10-Volume set, updated quarterly, $1,068 for first year, $891 per year thereafter; Internet $891 per year in PDF format. (1-800-223-1940) Freund, James C., A Realistic Approach to Legal Practice (Law Journal Seminars Press). Howard Siegel (ed.), Entertainment Law (2d ed. N.Y. State Bar Ass’n.) (1996). Jacqueline Susann, Valley of the Dolls (1961). James P. Quirk & Rodney D. Fort, Hard Ball, Princeton University Press (1999). Jay G. Foonberg, How To Start and Build a Law Practice (4th ed. ABA) (1999). Gary Greenberg, How to Build and Manage an Entertainment Law Practice (ABA) (2001). Jeffrey M. Smith and Ronald E. Mallen, Preventing Legal Malpractice, West Publishing Company (2d Ed., 1996). John F. Wharton, Life Among the Playwrights. John T. Molloy’s New Dress for Success (Warner Books) (1988). Julia Phillips, You’ll Never Eat Lunch in this Town Again, Signet (1992). K.A. Walton, Guerrilla Tactics for Getting the Legal Job of Your Dreams (Harcourt Brace) (1995).

Recommended Reading for Students and Young Lawyers—Page 2

Linda Buzzell, How to Make It In Hollywood (2nd ed. Harper Collins) (1996). Lindey, Alexander. Lindey on Entertainment, Publishing and the Arts. Deerfield, IL: Thompson Legal Publishing, 1963-2003, 6 Binder Set, forms on CD-Rom, updated once per year. Lynda Rosen Obst, Hello, He Lied: And Other Truths From the Hollywood Trenches, Broadway Books (1997). M.C. Donaldson & M. Donaldson, Negotiating for Dummies (IDG) (1996). McKee, Robert, Story, Harper Collins (1997). McPherson, Brian. Get It In Writing. Milwaukee, WI: Rockpress Publishing Company, 1999. $29.95 (www.halleonard.com) Nancy Griffin and Kim Masters, Hit and Run: How Jon Peters and Peter Guber Took Sony for a Ride in Hollywood. Nev. Film Office, Nev. Comm’n on Economic Dev., The Nevada Production Directory (2001). Rachel Abramowitz, Is That a Gun In Your Pocket?: Women’s Experience of Power in Hollywood, Random House (2000). Richard K. Sherwin, When Law Goes Pop: The Vanishing Line Between Law and Popu-lar Culture, University of Chicago Press (2000). Russell Simmons, Life of Def. Simensky, Melvin, Defining Entertainment Law, 4 Entertainment and Sports Lawyer Number 3 (Winter/Spring 1986): 13–15, 22. Thomas D. Selz, Melvin Simersky, Parricia N. Acton and Robert C. Ling, Entertainment Law (3d Ed.) Thomson/West (2006). Singer, Gerald M., How to Go Directly into Solo Law Practice (Without Missing a Meal), Lawyers Cooperative Publishing (1976). Steve Greenfield & Guy Osborn, Contract and Control in the Entertainment Industry: Dancing On the Edge of Heaven (Studies in Media Law and Policy), Dartmouth Publish-ing Co. (1998). Steven Bach, Final Cut: Art, Money and Ego in the Making of Heaven’s Gate, The Film That Sank United Artists. Susan Roane, How to Work a Room (Warner Books) (1988). Theda C. Snyder, Running a Law Practice on a Shoestring (ABA) (1997). William Goldman, Adventures in the Screen Trade.

Recommended Reading for Students and Young Lawyers—Page 3

William Goldman, Storming the Magic kingdom: Wall Street, the Raiders and the Battle for Disney. William Goldman, The Season. Wilson, Lee. Make it Legal. New York, NY: Allworth Press, 1990. (Advertising Law) $25.00 (1-800-247-6553) Xavier M. Frascogna and H. Lee Hetherington, This Business of Artist Management, Watson-Guptill Publications (1997). Ross A. Dannenberg, Steve Mortinger, Roxanne Christ, Chrissie Scelsi, Farnaz Alemi, Computer Games and Virtual Worlds: A New Frontier in Intellectual Property Law, American Bar Association (2011). Antitrust Brett, Barry J., and Michael D. Friedman, A Fresh Look At The Paramount Decrees, 9 Entertainment and Sports Lawyer Number 3 (Fall 1991): 1–4, 21–28. Phillips, Gerald F., The Recent Acquisition of Theatre Circuits by Major Distributors, 5 Entertainment and Sports Lawyer Number 3 (Winter 1987): 1–2, 10–23. Phillips, Gerald F., Block Booking: Perhaps Forgotten, Perhaps Misunderstood, but Still Illegal, 6 Entertainment and Sports Lawyer Number 1 (Summer 1987): 3–7. Book Publishing Bagdikian, Ben – The Media Monopoly, Beacon Press (2000). Bailey, Herbert - The Art and Science of Book Publishing, Ohio University Press (1990). Baker, John - Literary Agents, Macmillan (1999). Cardoza, Avery – The Complete Guide to Successful Publishing, Cardoza (2000). Curtis, Richard - This Business of Publishing: An Insider’s View of Current Trends and Tactics, Allworth Press (1998). E. Gabriel Perle and John Taylor Williams, The Publishing Law Handbook, Aspen Law and Business (2000). Epstein, Jason - Book Business: Publishing, Past, Present and Future, W.W. Norton (2000). Greenfield, Howard – Books: From Writer to Reader, Crown (1989). Jonathan Kirsch, Kirsch’s Guide to the Book Contract: For Authors, Publishers, Editors & Agents, Acrobat Books (1998). Jonathan Kirsch, Kirsch’s Handbook of Publishing Law, Acrobat Books (1995). Norwick & Chasen, ACLU - The Rights of Authors, Artists, and Other Creative People, Southern Illinois University Press (1992).

Recommended Reading for Students and Young Lawyers—Page 4

Petroski, Henry – The Book on the Bookshelf, Vintage (1999). Rosenborg, Victoria – ePublishing for Dummies, IDG Books (2001). Schiffirn, Andre – The Business of Books, Verso (2000). Wharton, Brooke A. The Writer Got Screwed (but didn’t have to). New York, NY: Har-per Collins, 1997. $13.00 www.harpercollins.com Wharton, Brooke – The Writer Got Screwed: A Guide to the Legal and Business Practic-es of Writing for the Entertainment Industry, Harper Collins (1996). Woll, Thomas – Publishing for Profit, Fisher Books (1998). Woll, Thomas – Selling Subsidiary Rights, Fisher Books (2000). Writer’s Digest Books (2000). X.M. Frascogna, Jr., Shawnassey B. Howell and H. Lee Hetherington, Entertainment Law for the General Practitioner, American Bar Association (2011). Copyright 17 United States Code Annotated and 2003 Supplementary Pamphlet Copyright Law. St. Paul, MN: West Publishing, Co., 1977 (1-800-328-4880) Abrams, Howard B., The Law of Copyright, Thomson West (2006) Bernstein, Robert J., The ‘300 Words’: A Case Study of Copyrightability and Infringe-ment, 5 Entertainment and Sports Lawyer Number 2 (fall 1986): 8–12. Deutsch, Alvin, The Buffalo Shuffle, 4 Entertainment and Sports Lawyer Number 3 (Win-ter/Spring 1986): 7–12, 19–20. Donaldson, Michael C. Clearance & Copyright. Beverly Hills, CA: Silman James Press, 2003. $26.95 Goldstein, Paul. International Copyright. New York, NY: Oxford University Press, 2001. www.oup.com Goldstein, Paul, Goldstein on Copyright, Aspen Law & Press (2005). Melville Nimmer and David Nimmer, Nimmer on Copyright (Matthew Bender) (2009). Ulla Vad Lane-Rowley, Using Design Protection in the Fashion Industry, John Wiley & Sons (1997). Entertainment Litigation Feller, Richard L. “Let Me Count the Ways: Dispute Resolution in the Entertainment In-dustry.” 4 Entertainment and Sports Lawyer Number 2 (Fall 1985): 1, 12–17.

Recommended Reading for Students and Young Lawyers—Page 5

Lauerstein, Henry W., Pay or Play or Pay and Pay? Right of an Artist to Recover Conse-quential Damages in a Breach of Contract Action, 8 Entertainment and Sports Lawyer Number 4 (Winter 1991): 1–2, 29–32. Markus, Mark J., Crossing the Line: Television Entertainers and Intentional Infliction of Emotional Distress 8 Entertainment and Sports Lawyer Number 2 (Summer 1990): 1–2, 14–24. Robert Fremlin, Entertainment Law, Clark Boardman Callaghan (1990). Peter Herbert, Entertainment Litigation. Ethics McPherson, Edwin F., Conflicts in the Entertainment Industry?...Not!, 10 Entertainment and Sports Lawyer Number 4 (winter 1993): 5–7. Guilds www.dga.org www.wga.org www.sag.org www.producersguild.org www.aftra.org Internet and New Media Isenberg, Doug. The GigaLaw Guide to Internet Law. New York, NY: Random House Trade Paperbacks, 2002. www.atrandom.com James Talbott, New Media: Intellectual Property, Entertainment and Technology Law, Clark Boardman Callaghan (1999) Mark A. Lemley et al., Software and Internet Law, Aspen Publishers (2000). Nina Schuyler, The Business of Multimedia. Litigation Ross, Terence P. Intellectual Property Law: Damages and Remedies, Law Journal Press (2002-regular updates). Soocher, Stan, They Fought the Law, ?? Media Eastland, Terry, editor. Freedom of Expression in the Supreme Court: The Defining Cas-es. Lanham, Md.: Rowman & Littlefield Publishers, 2000. Epstein, Richard A. "Privacy, Publication, and the First Amendment: The Dangers of First Amendment Exceptionalism." Stan. L. Rev. 52, no. 5 (May 2000): 1003-47.

Recommended Reading for Students and Young Lawyers—Page 6

Fox, Richard L. Tabloid Justice: Criminal Justice in the Age of Media Frenzy. Boulder, Colo.: L. Rienner, 2001. Garzaniti, L.J.H.F. Telecommunications, Broadcasting, and the Internet: E.U. Competi-tion Law and Regulation. London: Sweet and Maxwell, 2000. Hemmer, Joseph J. Communication Law: The Supreme Court and the First Amendment. Lanham, MD: University Press of America, 2000. Hukill, Mark, Ryota Ono and Vallath Chandrasekhar. Electronic Communication Con-vergence: Policy Challenges in Asia. Thousand Oaks, Calif.: Sage Publications, 2000. Kelley, Brian A. "U.S. West, Inc. v. FCC: Exposing the Deficiencies in Government At-tempts to Protect Customer Privacy." Admin. L. Rev. 52, no. 3 (Summer 2000): 1055-73. Linneman, J. Robert. "Freedom of Speech…But Watch What You Say! The Question of Civil Liability for Negligence in the Mass Media." N. Ky. L. Rev. 27, no. 1 (Winter 2000): 163-200. Lomickey, Carol S. "Analysis of High School Newspaper Editorials Before and After Hazelwood School District v. Kuhlmeier: A Content Analysis Case Study. J.L. & Educ. 29, no. 4 (October 2000): 463-76. Malloy, S. Elizabeth Wilborn. "Taming Terrorists But Not "Natural Born Killers." N. Ky. L. Rev. 27, no. 1 (Winter 2000): 81-111. Middleton, Kent, Robert Trager and Bill F. Chamberlin. The Law of Public Communica-tion. 5

th ed. New York: Longman, 2000.

Peck, Robert, Libraries, the First Amendment and Cyberspace. Chicago, American Li-brary Association, 2000. Sangchompuphen, Tommy and Aklilu Dunlap. "Testing the Limits: When Aggressive Newsgathering Becomes Illegal Conduct." Bench & B. Minn. 57, no. 7 (August 2000): 23-5. Schulz, David A. Newsgathering and Libel Litigation 2000: Litigating Newsgathering Claims. New York: Practising Law Institute, 2000. Smolla, Rodney A. "Should Brandenburg v. Ohio Incitement Test Apply to Media Vio-lence Tort Cases?" N. Ky. L. Rev. 27, no. 1 (Winter 2000): 1-46. Steenson, Mike. "Defamation Per Se: Defamation by Mistake?" Wm. Mitchell L. Rev. 27, no. 2 (December 2000): 779-809. Stern, Nat. "Private Concerns of Private Plaintiffs: Revisiting a Problematic Defamation Category." Mo. L. Rev. 65, no. 3 (Summer 2000): 597-54. Weeks, Janet. "Critical Domains: Going Up Against the Suck.coms." Cal. Law. 20, no. 10 (October 2000): 21.

Recommended Reading for Students and Young Lawyers—Page 7

Wood, L. Lin and Corey F. Hirowkawa. "Shot by the Messenger: Rethinking Media Lia-bility for Violence Induced by Extremely Violent Publications and Broadcast." N. Ky. L. Rev. 27, no. 1 (Winter 2000): 47-67. Worley, Dianna M. "Shulman v. Group W. Productions: Invasion of Privacy by Publica-tion of Private Facts: Where Does California Draw the Line Between Newsworthy Infor-mation and Morbid Curiosity?" W. St. U. L. Rev. 27 (Annual 1999): 535-72. Motion Pictures and Television Breimer, Stephen F. The Screenwriter’s Legal Guide, 2nd Edition. New York, NY: Allworth Press, 1999. $19.95 Charles Fleming, High Concept: Don Simpson and the Hollywood Culture of Excess, Doubleday (1998). CROWELL, THOMAS A., The Pocket Lawyer For Filmmakers (Elsevier Inc. 2d ed.2011). David Alan Black, Law in Film: Resonance and Representation, University of Illinois Press (1999). David McClintick, Indecent Exposure: A True Story of Hollywood and Wall Street (Dell) (1982). David Puttnam et al., Movies and Money, Knopf (1998). Dennis McDougal, The Last Mogul: Lew Wasserman, MCA and the Hidden History of Hollywood, HarperCollins (2001). Erickson, Gunnar; Tulchin, Harris and Halloran, Mark. The Independent Film Produc-er’s Survival Guide – A Business and Legal Sourcebook. Chester, NY: Schirmer Trade Books, 2002. $34.95 (1-800-431-7187) H.J. Blumenthal & O.R. Goodenough, This Business of Television (Billboard Books) (1991). Honthaner, Eve Light. The Complete Film Production Handbook. (with CD Rom includ-ed) Woburn, MA: Focal Press, 2001. $54.99 (1-781-904-2500) Howard, David and Mabley, Edward, The Tools of Screenwriting: A Writer’s Guide to the Craft and Elements of a Screenplay, St. Martin’s Press (1993). Jason Squire, Movie Business Book: Second Edition, Fireside (1992). John W. Cones, The Feature Film Distribution Deal. Joshua Gamson, Freaks Talk Back: Tabloid Talk Shows and Sexual Non-Conformity, University of Chicago Press (1998). Julie Salamon, The Devil’s Candy: The Bonfire of the Vanities Goes to Hollywood (Del-ta) (1991). Ken Auletta, Three Blind Mice: How the TV Networks Lost Their Way (Vintage) (1991).

Recommended Reading for Students and Young Lawyers—Page 8

Kim Masters, The Keys to the Kingdom: How Michael Eisner Lost His Grip, William Morrow & Co. (2000). Lee, John. The Producer’s Business Handbook. (with CD Rom included) Woburn, MA: Focal Press, 2000. $49.95 (1-781-904-2500) Levison, Louise. Filmmakers and Financing. Woburn, MA: Focal Press, 2001. $39.99 (1-781-904-2500). Litwak, Mark. Dealmaking in the Film & Television Industry (2nd Edition-Expanded and Updated). Los Angeles, CA: Silman-James Press, 2002. $28.95 Mark Litwak, Contracts for the Entertainment and Television Industry, Silman-James Press (1999). Mark Litwak, Reel Power: The Struggle for Influence and Success in the New Hollywood (Silman-James Press) (1986). N. Griffin & K. Masters, Hit & Run: How Jon Peters and Peter Guber Took Sony For a Ride in Hollywood (Touchstone) (1996). Nochimson, David, and Leon Brachman, Contingent Compensation for Theatrical Mo-tion Pictures, 5 Entertainment and Sports Lawyer Number 1 (Summer 1986): 3–6, 14–18. Olswang, Simon M., The Last Emperor and Co–Producing in China: The Impossible -Made Easy and the Easy Made Impossible, 6 Entertainment and Sports Lawyer Number 2 (Fall 1987): 3–4, 9. Paul A. Baumgarten, Donald C. Farber, Mark Fleischer, Producing, Financing and Dis-tributing Film. Pierce O’Donnell & Dennis McDougal, Fatal Subtraction: The Inside Story of Buchwald v. Paramount (Dove) (1992). Rachel Crauford Smith, Broadcasting Law and Fundamental Rights, Clarendon Press (1997). Renee Harmon, The Beginning Filmmaker’s Business Guide. Resnik, Gail and Trost, Scott. All You Need To Know About the Movie and TV Business. New York, NY: Simon & Schuster, 1996. $13.00 Moore, Schuyler M., The Bi (3rd Edition), Silman-James Press, 2007. Simens Dov S-S. From Reel to Deal. New York, NY: Warner Books, Inc., 2003. $17.95 (1-800-759-0190) Wiese, Michael. The Independent Film and Videomaker’s Guide, 2nd Edition. Studio City, CA: Michael Wiese Productions, 1998. $29.95

Recommended Reading for Students and Young Lawyers—Page 9

Michael Donaldson and Lisa Callif, ABA’s Legal Guide to Independent Filmmaking, American Bar Association (2011). Michael Donaldson, Clearance & Copyright: Everything You Need to Know for Film and Television, Silman-James Press (2008). Jon Garon, The Independent Filmmaker’s Law & Business Guide to Financing, Shooting and Distribution Independent and Digital Films, Chicago Review Press (2009). Music Baskerville, David, Ph.D. Music Business Handbook And Career Guide, (6

th Ed.).

Thousand Oaks, California: Sage Publications, Inc., 1995. Bette Midler v. Ford Motor Company, 849 F.2d 460 (9th Cir. 1988). Borg, Bobby. The Musician’s Handbook (A Practical Guide to Understanding the Music Business). New York, NY: Billboard Books, 2003. $19.95. (1-800-278-8477) Croce v. Kurnit, 565 F. Supp. 884 (2d Cir. 1982). David Naggar, The Music Business (Explained in Plain English): What Every Artist & Songwriter Should Know to Avoid Getting Ripped Off!, DaJe Publishing (2d ed. 2000). Daylle Deanna Schwartz, The Real Deal: How to Get Signed to a Record Label from A to Z, Watson-Guptill Publications (1997). Erickson, J. Gunnar, Hearn, Edward R. and Halloran, Mark. Musician’s Guide To Copy-right. New York: Charles Scribner’s Sons, 1983. Fred Goodman, The Mansion on the Hill: Dylan, Young, Geffen, Springsteen, and the Head-On Collision of Rock and Commerce, Vintage Books (1998). Fredric Dannen, Hit Men: Power Brokers And Fast Money Inside The Music Business, Times Books (1990). Fredric Dannen, Hit Men: Power Brokers and Fast Money Inside the Music Industry (Random House) (1990). Goldstein, Jeri. How To Be Your Own Booking Agent: The Musician’s & Performing Artist’s Guide to Successful Touring, New Music Times, Inc. (2008). Grand Upright Music Limited v. Warner Brothers Records, 780 F. Supp. 182 (S.D.N.Y. 1991). Hall, Tom T. The Songwriter’s Handbook, (Rev. Ed.). Nashville, Tennessee: Rutledge Hill Press, 1987. Halloran, Mark. The Musician's Business & Legal Guide (3rd Edition). Englewood Cliffs, NJ: Prentice Hall, 2001. $37.00 (1-800-947-7700) Hustwit, Gary. Releasing An Independent Record, (5

th Ed.). San Diego, California:

Rockpress Publishing Co., 1995.

Recommended Reading for Students and Young Lawyers—Page 10

Jeff Brabec and Todd Brabec, Music, Money and Success, 6th Edition (2008). Kashif and Gary Greenberg, Everything You’d Better Know About the Music Business, Brooklyn Boy Books (1996) Kimpel, Dan. Networking In The Music Business. Cincinnati, Ohio: Writer’s Digest Books, 1993. Kohn, Al and Kohn, Bob. Kohn on Music Licensing with CD-Rom. Frederick, MD: As-pen Law & Business, 2009. $170.00 (1-800-901-9074) Krasilovsky, M. William and Shemel, Sidney, More About This Business of Music, Vari-ous Editions, Edition, Billboard Books. Krasilovsky, M. William and Shemel, Sidney. This Business of Music, 9th Ed. New York, NY: Billboard Books, 2003. $29.95 (1-800-247-2160) Larry A. Wacholtz, How the Music Business Works, Thumbs Up Publishing (2002) Moser, David. Music Copyright For the New Millennium. Vallejo, CA: ProMusic Press, 2002. $39.98 (1-707-554-1935) Passman, Donald S. All You Need to Know About the Music Business, Free Press, 2009. $30.00 (1-800-223-2336) Peter Biskind, Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock ’n’ Roll Genera-tion Saved Hollywood, Simon & Schuster (1999). Peter Guaralnick, Last Train to Memphis: the Rise of Elvis Presley, Little, Brown & Co. (1994). Pettigrew, James, Jr. The Billboard Guide To Music Publicity. New York: Billboard Books/Watson-Guptill Publications, 1989. Poe, Randy. Music Publishing. Cincinatti, OH: Writer's Digest Books, 1997. $18.99 (1-513-531-2222) Rapaport, Diane Sward. How To Make & Sell Your Own Recording. Upper Saddle Riv-er, NJ: Prentice Hall, 1999. $33.00 Rapaport, Diane. A Music Business Primer. Upper Saddle River, NJ: Prentice Hall, 2002. $28.00 Richard A. Schulenberg, Living in the Material World (A Music Industry Woodchuck Manual) (27th ed. 1996) (1979). Satorius, Daniel M. (Editor), The Practical Musician, A Legal Guidebook to the Music Industry, Minnesota Continuing Legal Education (1993). Schulenberg, Richard. Legal Aspects of the Music Industry, An Insider’s View of the Le-gal and Practical Aspects of the Music Business, Broadway, NY: Billboard Books, 1999. $29.95

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Siegel, Alan H., Breaking in to the Music Business, Simon & Schuster/Fireside (1990). Stan Cornyn and Paul Scanlon, Exploding: The Highs, Hits, Hype, Heroes, and Hustlers of the Warner Music Group, HarperEntertainment (2002). Stim, Richard. Music Law: How To Run Your Band's Business. Berkeley, CA: Nolo Press, 2003. $39.99 (1-800-955-4775) Stone, Al, Jingles: How to Write, Produce & Sell Commercial Music, Writers Digest Books, (1990). Thall, Peter M., What They’ll Never Tell You About the Music Business: The Myths, the Secrets, the Lies (& a Few Truths), Watson-Guptill Publications (2002). Tom King, The Operator: David Geffen Builds, Buys, and Sells the New Hollywood, Broadway Books (2001). Wadhams, Wayne. Sound Advice: The Musicians Guide To The Record Industry. New York: Schirmer Books, 1990. Tom Waits v. Frito-Lay, Inc., 978 F.2d 1093 (9th Cir. 1992). Warner, Jay. How To Have Your Hit Song Published, (Rev. Ed.). Milwaukee, Wiscon-sin: Hal Leonard Publishing Corp., 1988. Whitsett, Tim. Music Publishing: The Real Road To Music Business Success. Em-eryville, CA: Mix Books, 2000. $49.95 (510-653-3307) Weissman, Dick. Music Business. New York: Crown: Publishers, 1990. William Knoedelseder, Stiffed: A True Story of MCA, the Music Business, and the Mafia (Harper Collins) (1993). DARREN WILSEY & DAYLLE DEANNA SCHWARTZ, The Musician's Guide to Licensing

Music: How to Get Your Music into Film, TV, Advertising, Digital Media & Beyond

(Billboard Books 2010). The IMF Handbook 2000: A Guide to Professional Band Management (International Managers Forum) (2000). Kathleen Conkey, Elissa D. Hecker, and Pamela C. Jones, eds., Counseling Content Pro-viders in the Digital Age: A Handbook for Lawyers. Eric Beall, Making Music Make Money: An Insiders Guide to Becoming Your Own Music Publisher, Berklee Press (2003). Ariel Hyatt and Carla Lynne Hall, Musician’s Roadmap to Facebook and Twitter- A Complete Guide to Getting Liked, Followed, and Heard, Ariel Publicity (2011). Ariel Hyatt, Music Success in Nine Weeks, Ariel Publicity (2009).

Recommended Reading for Students and Young Lawyers—Page 12

Sports Gary A. Uberstine, ed., Law of Professional and Amateur Sports, (Clark Boardman Cal-laghan) (1997). Thomas J. Arkell, Agent Interference with College Athletics: What AgentsCan and Can-not Do and What Institutions Should Do in Response, The Sports Lawyers Journal (Spring 1997). Peter A. Carfagna, Representing The Professional Athlete (West 2009). John Salmas, Professional Athletes Taxed to Death? Even They Can Strike Out!!!, The Sports Lawyers Journal (Spring 1997). Philip R. Hochberg, Sports Law, Anyone?, (Sports Inc.). Richard E. Green, The Taxing Profession of Major League Baseball: A Comparative Analysis of Nonresident Taxation, The Sports Lawyers Journal (Spring 1998), The NCAA News, published weekly during the academic year and biweekly during the summer months by the National Collegiate Athletic Association Katherine A. Kinser, co-author R. Scott Downing, Family Law Issues That Impact the Professional Athlete, 23rd Annual Sports Lawyers Conference Orlando, FL May 29-31, 1997. Kohn, Gary P., Sports Agents Representing Professional Athletes: Being Certified Means Never Having to Say You’re Qualified, 6 Entertainment and Sports Lawyer Number 3 (Winter 1988): 1–2, 7–19. Roger I. Abrams, Legal Bases: Baseball and the Law, Temple University Press (1998). Roger I. Abrams, Sports Justice: The Law and the Business of Sports, Northeastern

(2010). Timothy Davis et al., eds., Sports & the Law: A Modern Anthology, Carolina Academic Press (1999). Kenneth L. Shropshire & Kellen Winslow, In Black and White: Race and Sports in Amer-ica, New York University Press (1996). Paul C. Weiler, Leveling the Playing Field: How the Law Can Make Sports Better for Fans, Harvard University Press (2000). Carter, David M., You Can’t Play the Game if You Don’t Know the Rules: Career Oppor-tunities in Sports Management, Impact Publications (1994). Isenberg, Marc, Money Players, A-Game Publishing.

Weiler and Roberts, Sports and the Law, Thomson West.

Jane Leavy, Sandy Koufax: A Lefty’s Legacy, HarperCollins (2002)

Recommended Reading for Students and Young Lawyers—Page 13

Theatrical Donald C. Farber, From Option to Opening: A Guide to Producing Plays Off-Broadway. Trademarks J. Thomas McCarthy, McCarthy on Trademarks and Unfair Competition (3d ed. Clark Boardman Callaghan) (2009). Siegrun D. Kane, Trademark Law: A Practitioner’s Guide, 4th Ed., Practising Law Insti-tute (2002). Visual Arts and Graphic Design Caplin, Lee. The Business of Art (3rd Edition). Englewood Cliffs, NJ: Prentice Hall, 1998. $19.95. (1-800-282-0693) Crawford, Tad. Business and Legal Forms for Fine Artists with CD-Rom. New York, NY: Allworth Press, 1999. $19.95 (1-800-247-6553) Crawford, Tad. Legal Guide for the Visual Artist. New York, NY: Allworth Press, 1999. $19.95 (1-800-247-6553) Darraby, Jessica L., Pre–Columbian Artifacts: Whose Property Is Cultural Property? 8 Entertainment and Sports Lawyer Number 1 (Spring 1990): 3–6, 7–23. Grant, Daniel. The Business of Being an Artist (3rd Edition). New York, NY: Allworth Press, 2000. $19.95 (1-800-247-6553). Graphics Artists Guild. Graphic Artists Guild Handbook: Pricing & Ethical Guidelines, 10th Edition. Cincinnati, OH: North Light Books, 2001. $34.95 (1-800-289-0963). Gregory Victoroff, ed., The Visual Artist’s Business and Legal Guide (Prentice Hall). Jessica L. Darraby, Art, Artifact & Architecture Law, Thomson West (2009). Roy S. Kaufman, ed., Art Law, Aspen Law & Business (2000). Leland, Caryn R. Licensing Art & Design. New York, NY: Allworth Press, 1995. $16.95 (1-800-247-6553) Palmer, Charles., Stolen Art and the Struggle for Good Title: An Examination of the Is-sues of Greek Orthodox Church v. Goldberg and Feldman Fine Arts 7 Entertainment and Sports Lawyer Number 4 (Winter 1990): 1, 8–17. Ralph E. Lerner and Judith Bresler, Art Law (3d Ed.) (Practising Law Institute) (2005). Publications Billboard Daily and Weekly Variety Entertainment and Sports Lawyer

Recommended Reading for Students and Young Lawyers—Page 14

Entertainment Law Digest Entertainment Law & Finance Hits Hollywood Reporter MusicBIZ Pollstar Publishers Weekly Rolling Stone Sports Business Daily Sports Business Journal The Entertainment Law Reporter Theatrical Index Urban Network Webnoize Wired Wired News Websites ASCAP.com BMI.com Hitquarters.com Hollywoodreporter.com Ifcome.com Indiewire.com Law.com Muchmusic.com SESAC.com Urbannetwork.com www.adlawbyrequest.com www.cminteractive.com www.futureofmusic.org www.jurisnotes.com www.mi2n.com www.imdb.com www.copyright.gov www.findlaw.com www.intelproplaw.com http://ispgroupinc.com/contracts/contract_samples.htm http://www.uspto.gov/ www.sportslitigationalert.com www.nationalfootballpost.com www.sportsbusinessdaily.com www.sportsbusinessjournal.com www.teamworkonline.com United Copyright Office, www.copyright.gov Harry Fox Agency, www.harryfox.com Sound Exchange, www.soundexchange.com www.variety.com www.documentary.org Blogs

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The Business of Fashion Blog: http://www.businessoffashion.com/ The TTABlog: http://www.thettablog.blogspot.com/ http://sports-law.blogspot.com/ http://thelegalblitz.com/blog/page/2/ http://www.hollywoodreporter.com/blogs/thr-esq Miscellaneous References “Daily Variety.” $279 Annual Subscription. To order (1-800-552-3632) or 5700 Wil-shire Blvd., Suite 120, Los Angeles, CA 90036. “Entertainment and Sports Lawyer.” Chicago, IL: Forum on the Entertainment and Sports Industries of the American Bar Association, ABA Press, $60.00 published quarterly. (1-312-988-5522) “Entertainment Law Reporter.” Santa Monica, CA: Entertainment Law Reporter Pub-lishing Company, published monthly, $225, 2118 Wilshire Blvd. Suite 311, Santa Mon-ica, CA 90403 (310-829-9335) “Hollywood Reporter.” $229 Annual Subscription. To order (1-213-525-2000) or 5055 Wilshire Blvd., Los Angeles, CA 90036-4396 “Music Connection.” $45.00 Annual Subscription. To order (1-818-755-0101) "American Artist" magazine often publishes articles concerning art law. "Billboard Magazine" $299 Annual Subscription. To order (1-800-745-8922) or P. O. Box 2011, Marion OH 43305. Copyright Kit for Attorneys - Order from Copyright Forms Hotline (1-202-707-9100) "Entertainment Law & Finance." New York, NY: Leader Publications, published monthly, $229 for introductory subscription, $299 for renewals. (1-800-888-8300 ext. 6170). N.Y. St. B.A. Ent., Art & Sport L.J. (New York State Bar Association) (2012). Networking Opportunities Black Entertainment & Sports Lawyers Association Annual Conference www.besla.org CMJ Music Marathon - College Music Journal. Mid-October in Great Neck, NY (1-516-466-6000) 11 Middleneck, Suite 400, Great Neck, NY 11021 Cutting Edge Music Business Conference - Music Business Institute. Late August in New Orleans, LA (1-504-827-5700) 710 S. Broad, New Orleans, LA 70119 Emerging Artists & Talent in Music (EAT’M). Las Vegas, NV (1-702-837-3636) (www.EAT-M.com) 2341-A Renaissance Drive, Las Vegas, NV 89119 MIDEM & MIDEMNET- International conference for record publishing and licensing. Mid-January in Cannes, France. (1-212-689-4220) (www.midem.com) 475 Park Avenue South, 9th Floor, New York, NY 10016-6901

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New Orleans Film and Video Festival - New Orleans Film and Video Society. Mid-October in New Orleans, LA. (1-504-523-3818) 225 Baronne, 12th Floor, New Orleans, LA 70112 Sundance Film Festival - Sundance Institute. Mid-January in Park City, UT. (1-801-328-3456) SXSW - South by Southwest (Music, Film and Multimedia) Mid-March in Austin, Texas. (1-512-467-7979) (www.SXSW.com) P.O. Box 4999, Austin, TX 78765 Sports Lawyers Association annual conference, mid-May, www.sportslaw.org