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da Stama, Snjeka Kneevi, kolska knj iga, Zagreb, 1986.

Gallagher Catharine, Greenblatt Stephen, Practicing New

Historicism, The University of Chicago Press, Chicago &

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Slob odan V ladui

The Novel and the Death of Story-tel ling

-

B raw l o f G enres in A n dr i 's W ork The D amned Yard

Summ ary

T he tex t deal s w i th th e relat i on betw een oral narr at i on and w r i t ten

narration 'm The Damned Yard. Unlike recent explorations of this topic, in

this paper the author emphasizes the very tension between these two kinds

of narration in the novel. This tension arises from Andric's logocentrism.

Consequently, the oral narration in his novel is given advantage over the

written one, in spite of the fact that this advantage depends on the text.

Yet, the novel itself deconstructs the deconstruction of A ndri's novel .

Namely, the opening scene symbolizes the condition of pantextualism,

anticipated by Derrida 's deconstruction. Moreover, the attr ibutes of the

oral narration of f ra-Petar describe the endless story. In this symbolic

way, oral narration in Andri's The Damned Yard opposes itself to the

death of the narrator/story in the modern novel, but it also anticipates

thepostmodern kind of never-ending

" bookJreading or, moreprecisely,

The Book of Sand written by Jorge Louis Borges, and Pavi's Dictionary

of the Khazar .

1 70