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The perception of digital nationalism as a hostile new form of nationalism,

capable of encouraging the rise of fundamentalism through technological

mediation (fundamentalist long distance nationalism)

Vs

The popular opinion about the progressive characteristics of new media

technologies as tools for change (new media as liberation technologies).

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Figures of Indonesian (post-)modernity who imaginethemselves as having the ability to program theprogress of the country as a particular techno-nationstate.

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Techno-nationalistic figures who possess a desire toengineer the shape of the Indonesian archipelagowith their engineered visions.

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Radio: Dutch colonial, Japanese occupation, and theNew Order regime.

Film: Dutch colonial, Japanese occupation, and the

New Order regime. Television: The New Order regime.

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The ideas that there is a causal relationship betweentechnological development and the progress ofhumanity.

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Centralizeduses oftechnologies

Entangledwith certainmodel of statepolitics

Nationalisticengineers

Peer-to-peer

commonsmodel ofusingtechnologies

Outside ofofficial statepolitics

Nationalisticprogrammers

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Nusantara

Idealized

Playful

Immersivesetting

Open-ended

Programmed

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A dialectic process between a games narrativeallegory and its algorithm.

Alexander Galloway:

Videogames dont attempt to hide informaticcontrol; they flaunt itTo play the game means toplay the code of the gameAnd thus to interpret agame means to interpret its algorithm (to discover

its parallel allegorithm) (Gaming: Essays onAlgorithmic Culture, 2006: 90-91).

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Ian Bogost:

Elements of procedural expression that privilegediscrete yet interlocking actions over deterministic,progressive systems of expressive meaning (UnitOperations: An Approach to Videogame Criticism,2006).

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Narratological view= Games should be understood asnovel forms of narrative (Janet Murrays Hamlet on theHolodeck).

Ludological position = Games should be understoodon their on terms as ludic practices. Focus on themechanics of the game play (EspenAarsethsCybertext and Markku EskelinensThe GamingSituation).

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Unit operation

Unitoperation

Unit operation

Unitoperation

Unit operation

Unitoperation

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Historicaltrajectory

Idealization of

Nusantara

Game engine(Angel)

Realisticmodeling ofthe game world

Players spatialrelationship tothe game wolrd

Upper levelnationalisticprogrammers

Game genre(MMORPG)

Collaborative

programmingof Nusantara

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Majapahit

Pajajaran

Srivijaya

Historicalsettings

Warriors (Makadga, Astadipati)

Priests (Janggan)

Archers (Mamanah)

Magicians (Walyan)

Characters(V. 0)

Warriors (Makadga, Astadipati, Mahidara, Aseta)

Priests (Janggan)

Archers (Danurwenda)

Magicians (Walyan)

Characters(V. 1)

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High physical abilities

Above average staminaHitam (black)

Above average agility

High level of vigilance

Master of maritime skills

Sawo matang (darkbrown)

Understanding of elements of nature

High wisdomMerah (red)

Steadfast

Accomplished in seizing opportunities Sharp analytical skillsKuning-mongoloid(yellow)

The most proportional race in terms of physique and brain

Always prepared for the most difficult situation

Strong and smart human

Putih-kaukasian(white)

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http://www.youtube.com/watch?v=43xXDNQV_QY http://www.youtube.com/watch?v=GAFu2hWiB7k

http://www.youtube.com/watch?v=43xXDNQV_QYhttp://www.youtube.com/watch?v=GAFu2hWiB7khttp://www.youtube.com/watch?v=GAFu2hWiB7khttp://www.youtube.com/watch?v=43xXDNQV_QY

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