Portfolio linda bonde landskabsarkitekt

Portfoliolinda Bonde, landskabsarkitekt MDl

Speciale, KU

i samarbejde med:

Vejleder: Jan luxhøj Støvring (KU)Ekstern vejleder: rikke Hedegaard Jeppesen (rambøll)

Sted: Bagsværd

Beskrivelse: Specialet undersøger hvordan lAr (lokal afledning af regnvand) kan styrke det gode byliv i forstaden. Baseret på en casestudy i Bagsværd bliver en ny strategi udviklet. Strategien består i at inddrage beboernes private haver, som en integreret del af den samlede løsning. Dette vil resultere i billigere, mere æstetiske og effektive løsninger, både i forhold til forbedring af bylivet og håndtering af regnvandet.

Bedømmelse: 10

lAnDSKABSArKitEKt MED SPEciAlE i KliMAtilPASning og ByliV

SUDS in tHE SUBUrBS - iMProVing city lifE

A nEw StrAtEgy

Godthåbsvej 62D, 2.tv2000 Frederiksberg

[email protected]+45 61 67 91 88

Jeg er uddannet landskabsarkitekt fra Københavns Universitet, 2015. Som landskabsarkitekt kan jeg godt lide at bevæge mig i spændfeltet mellem æstetiske overvejelser og tekniske parametre. Jeg brænder for klimatilpasning og har under uddannelsen, studiejob og specialeforløb opbygget en solid viden om regnvandshåndtering og byøkologi. Jeg motiveres af samspillet mellem menneske, natur og arkitektur.

linDA BonDE

SUDS in tHE SUBUrBS - iMProVing city lifE A nEw StrAtEgy(september 2014 - marts 2015)

Se hele specialet her: https://www.dropbox.com/s/582cso8t48p8q3y/SUDS_in_the_suburbs_Speciale_LindaBonde_jnx824.compressed%20%281%29.pdf?dl=0

lAnDSKABSArKitEKt MED SPEciAlE i KliMAtilPASning og ByliV

Koncept diagrammer der illustrerer den nye strategi.En ny fælles tilgang vil have positiv effekt på vejens rumlige oplevelse, mængden af regnvand der kan håndteres lokalt og fællesskabsfølelsen blandt beboerne.

Stormwater is managed separately, on respectively private property and public street.

The current way of managing stormwater relies on public areas. It is up to the individual if they want to contribute, and unfortunately not everyone consider the floods as a common problem.

Stormwater from the private properties and public street is managed together.

The new design strategy relies on shared responsibility. That as many as possible want to take part in the task of stormwater managing.

SEPArAtED StorMwAtEr StrAtEgy

Acting inDiViDUAlly Act togEtHEr

coMMon StorMwAtEr StrAtEgy

cUrrEnt SitUAtion concEPt

The current division between private and public space in Gedvad. Reflecting the spatial division in most suburban areas.

More perceived public and semiprivate space will occur with the new design strategy.

The spatial experience is limited to the streets.

The spatial experience is expanded, creating a visible connection between the street and the gardens.

cUrrEnt SitUAtion concEPt

Private Private

Sem

i-Private 10 %

Public15 % 25 %85 % 65 %

Public

liMitED SPAtiAl ExPEriEncE ExPAnDED SPAtiAl ExPEriEncE

Strict DiViSion gEntlE trAnSition

concEPt

portFoLio - LinDa BonDe, canD. hort. arch. SiDe 3

CROSSING HOENDIEPGroup 6: Linda Bonde, Sidsel Genee, Julie Lysemose and Simon Kallenbach Rasmussen

existing connections dedicated areas concept

CONCEPT DIAGRAMS

The Sugar Factory

railway

HET SUIKERPLEIN

THE PROMENADETHE PARK PATH

wetlands

lake

bicycle path

post-industrial landscape


Hoendiep Canal

Energiepweg

HOENDIEP-PARK

In the city of Groningen, in the northern Netherlands, remains from an old Sugar Factory are left in an area located approximately 1.2 km from the city center. Except for two buildings and a chimney the site is almost completely empty consisting of approximately 12 ha of paved post-industrial landscape. The municipality of Groningen is interested in facilitating new uses for the area and has been granted funds to build a new pedestrian and bicycling bridge to connect the area to the rest of the city. At the moment the municipality has other sites in the city that are ready for housing development, leaving the Sugar Factory Site in a limbo between its post-industrial state and its future purpose. The design proposal consists of few but deliberate and permanent interventions. The design concept is inspired by the unique landscape features of the Sugar Factory Site. While walking through the site, its story reveals itself through the remaining fundaments and fl oors of the demolished buildings. Where once were walls, willow and reeds break through the gravel, creating enclosures in the vast, rough landscape.

N

Masterplan 1:1500

Today: Wetlands Today: Remaining fundaments and fl oors of demolished buildings Today: Pillar halls of The Sugar Factory

Het Suikerplein, multifunctional square for various cultaral events

C

c

b

B

a

A

POST-INDUSTRIAL LANDSCAPE FEATURES


The Axes

Main bicycle routes New connections

1000 m

The design proposal consists of few but deliberate and permanent interventions. The main structuring element is formed by two axes connecting the site with the city and the wetlands. Together with the factory buildings and the bridge these axes defi ne a dedicated area, in which hubs of creativity (‘Het Suikerplein’) and recreation (‘Hoendiep-Park’) are created.The two axes manifest as “The Promenade” and the “Park Path” function as bicycle and pedestrian paths. The Promenade stretches along the Hoendiep canal providing a space for leisure with a view of the site and the water. The Park Path connects the dedicated area with the wetlands.

The site is connected to the surrounding areas with two bridges for bicycles and pedestrians, one being the already planned bridge and the other one being the new connection provided under the viaduct in the eastern part of the site. To the south and west, new bicycle paths are provided for further connectivity for green commuting. Cars can access the area from the road under the viaduct to the east.

Section Cc 1:200

Section Bb 1:200

Section Aa 1:200

The Promenade

The Promenade ends by the lake, where it functions as a bathing jettyThe Park Path runs through the wetlands and ends up as a vantage point

vantage point


wooden deck

Park Path

The Promenade

The Promenade

HOOGKERKINNER CITY

Peizerweg

STADSPARK

Paterswoldsew

eg

AwegHoendiep


Skoleprojekt, KUKursus: landscape planning

i samarbejde med: Sidsel genee, Julie Lysemose og Simon Kallenbach rasmussen.

Sted: gronningen, Holland

Beskrivelse: transformation af postindustriel grund, en tidligere sukkerfabrik i Gronningen.Forslaget er baseret på få men stærke designinitiativer, som forbedrer adgangsforhold, styrker grundens identitet og mulighed for senere byudvikling.

Se publication der beskriver projektforslag (s. 28-29) her: http://issuu.com/landscapeplanning2014/docs/landscape_arch_plan_net

Bedømmelse: 12 (individuel bedømmelse)

Het Suikerplein The main attraction is Het Suikerplein, a square providing space for various cultural activities. It consists of diff erent typologies that contrast the surrounding landscape, thereby framing the factory buildings and uplifting them to industrial monuments. The main building is opened up at ground level, replacing the walls with an open glass facade on two sides. The glass allows for visual contact with the inner architectural construction - an immense pillar hall. The pattern of the pillars is repeated outside, shaping also the spatial ex-perience of the square. Pillars are used as light poles and markings in the pavement, creating a grid throughout the square. The deliberate design interventions emphasize the rough aesthetics of the post-industrial landscape.

D

d

D d

Section Dd 1:500

Plan 1:500

Hoendiep Canal


bicycle path

pillars

scene

light pillarsbrick tiles

concrete

corten steel

Malus domestica

Malus and Prunus mix

uplights

chimney

gravel

bridge

fountain

wooden deck


GROVE

SQUARE

PROMENADE

MARKETPLACE

THE SUGAR FACTORY

ARTISTS QUARTERS

HERB GARDEN

ATRIUM

Het Suikerplein, Herbgarden

IN 10 YEARS: “CLEARING IN A FOREST”The surrounding post-industrial landscape has been left for natural succession and developed into a forest

IN 25 YEARS: POSSIBLE SCENARIO The site has developed into a new housing area, keeping some post-industrial landscape features and there is a train station.

IN 5 YEARS: PROJECT COMPLETED First design initiatives crossing Hoendiep Canal as a catalyst for urban developement

N

Hoendiep-Park Hoendiep Canal

Promenade

atriumscenelight pillars pillar hallfountain Salix post-industrial notch Prunus and Malus mixSalix PrunusQuercus

Het Suikerplein

GroveSquare The Sugar Factory (Restaurant and exhibition hall)

E e

Hoendiep-Park

Section Ee 1:500

Plan 1:500

Lythrum salicaria Butomus umbellatus Typha latifolia Epilobium hirsutum

Hoendiep-Park

E

e

N

Hoendiep-Park is connecting the site with the wetlands, marking a transition from the paved post-industrial landscape to the untouched nature park. Hoendiep-Park slopes slightly down-wards allowing the water to shape the park. Hereby the vegetation changes gradually from the water edge up towards the maintained lawn.Paths of concrete and fl owering trees are repeated design elements from Het Suikerplein, making Hoendiep-Park a link between the cultivated landscape and the wetlands. This green space is designed for recreation and with its placement on the sunny side of the canal, it is perfect for picnics, sunbathing and sports.

WATER TOLERANT PERENNIALS

Hoendiep Canal Hoendiep-Park

Park Path

Prunus and Malus mixSalix Perennials QuercusSalix

Bridge

Hoendiep Canal

bridge

PARK PATHMalus and Prunus mix

Malus and Prunus mix

water tolerant perennials

high grass

lawnSalix

Salix

Quercus

jetty

path

croSSing HoEnDiEP(april 2014 - juni 2014)


Skoleprojekt, KUKursus: theories and Methods in landscape Architecture

Sted: DtU, Lyngby

Beskrivelse: Artikel der beskriver DtU campus’ rumlige kvaliteter, men udgangspunkt i fænomenet “tærskler”.

Bedømmelse: 10

tHrESHolDS - An oVErlooKED PHEnoMEnon rEVEAling tHE HiDDEn SPAtiAl qUAlitiES At DtU cAMPUS (februar 2014 - april 2014)

tHreSHOlDS - aN OverlOOKeD PHeNOmeNON

tHreSHOlDS - an overlooked phenomenon, linda bonde, jnx824, [email protected] - 4 april 2014

Revealing the hidden spatial qualities at DTU campus

T h e o r i e s & M e T h o d s 2 0 1 4 • pa g e 1u n i v e r s i t y o f c o p e n h a g e n

Summary: In the current and future expansion of DTU campus, some architectonical elements are thought as important to preserve while others are overlooked. This paper investigates the spatial phenomenon thresholds, whose qualities gives a new point of view to the development happening at DTU right now.

DTU campus - fascination of thresholdsWhen visiting DTU (Denmark’s Technical University) it was with some prejudices about its architecture and spatial environment. Knowing that the campus were build in the 1970s, without really knowing much of the 1970s way of planning, I had an assumption that DTU campus would be boring monotonous architecture. A place with few qualities and preservation values. Instead, I were fascinated by the contrasting experiences when moving from large open spaces to smaller enclosed gardens (fig. 2).

as: “...a transitional interval beyond which some new action or different state of affairs is likely to begin or occur” (Thesaurus Dictionary, 2005). With this fascination and definition of thresholds we analysed the spatial concept, using this research question as a starting point: What is the significance of thresholds at DTU?

A horizontal landscape - the challenge of organising The campus in Lyngby is planed and constructed in the period 1960-78, officially inaugurated in 1974 (Lokalplan 228, 2011). Post WWII ideal were a society based on the welfare system. Building a welfare city meant providing the greatest happiness

for most people. So providing spatial equity with standardised buildings became the goal to reach (Riesto, 2014). Simultaneously the abolition of vertical hierarchy was achieved by a number of architects, considering it as a dangerous reminder of totalitarian powers. The horizontal architecture was spreading (Lægring, 2014).

DTU appears today as a vast archipelago made of flat buildings. In this huge area, 106 hectares (DTU, 2014), there are no meaningful landmarks standing out, no architectural reference organizing the whole by dominating the others. But a system were thought of. The coordinate system. Dividing campus into four quadrants. The x-axis along Anker Engelunds Vej and y-axis creating a long parking avenue (fig. 3). Each building has a number according to its location in the coordinate system (Ahnfeldt-Mollerup, 2004). The system is only visible from a top view. In the spatial environment the coordinate system it is not that obvious. How did the architects then organize the relationship between the many spatial elements? In order to organize space on a human scale this article claims that the architects gave a particular attention to the in-betweens of the spatial elements.

Today DTU needs to expand and wants to profile itself as a worldwide university with architecture on a high

Fig. 1. Model (1:100) showing opening in wall and a man crossing the interval between two spaces (Model: Group.8)

Fig. 2. Model (1:1000) illustrates same wall with opening as on fig. 1. A threshold between an intimate enclosed garden and a parking lot, a vast open space.(Model: Group 8)

Fig. 3. The coordinate system dividing campus into four quadrants. (Lokalplan 228, 2011)

ENCLOSED GARDEN

VAST OPEN PARKING LOT

level. The coordinate system and the four quadrants are going to be preserved (Lokalplan 228, 2011). But is this top-view system actually the important one to protect? Thresholds are worthy to investigate in order to know more about their actual importance , qualities and possible preservation values.

Theories and methods Different theories concerning the space in-between, have been made as a reaction to the post-war, large scaled, modernist architecture. DTU is built at a time where these thoughts were taken into consideration.

From the 1950s Aldo van Eyck, a Dutch architect, member of the CIAM (International Congress of Modern Architecture) and then Team 10, raised

“In a very simple and aesthetic way, the opening indicated a threshold to a new space and emphasized the experience of going from one space to another ”

1

teknisk universitet, der fungerer på interna-tionalt niveau. Undervisning, forskning, inno-vation og myndighedsbehandling varetages af ca. 4.500 ansatte og et stort antal tilknyt-tede gæstelærere, censorer m.v. Desuden huser DTU både kollegie- og gæsteboliger. Der planlægges med en betydelig fremtidig vækst i antal af både studerende og ansatte på Lyngby Campus i de kommende ti år.

Eksisterende forholdLangt den største del af anlægget på Lund-toftesletten er etableret i perioden 1960-78, og den officielle indvielse fandt sted i 1974. Anlægget er tegnet af Eva og Nils Koppel, som var danske arkitekter forankret i den funktio-nalistiske tradition. De opførte i efterkrigsti-den en lang række offentlige byggerier bl.a. Panum Instituttet, H.C. Ørsted Instituttet og Danmarks Tekniske Universitet i Lyngby. Grunden er disponeret i 4 kvadranter, der de-fineres af en nord-sydgående parkeringsallé og af den øst-vestgående Anker Engelunds Vej.

Siden 1974 er der opført en del nybygninger og tilbygninger, således at det samlede an-tal etagemeter i dag udgør ca. 300.000 m² (ekskl. kælder). Med et samlet grundareal på ca. 100 ha er den aktuelle bebyggelsespro-

Baggrund for lokalplan

Danmarks Tekniske UniversitetDanmarks Tekniske Universitet (DTU) er i dag lokaliseret med fast forskningsbemanding på 13 lokaliteter i Danmark. Det er universitetets mål at samlokalisere faciliteterne, således at DTU i fremtiden vil bestå af 2 hovedcampus-ser; Campus Lyngby og Campus Risø samt et mindre antal decentrale lokaliteter betinget af særlige omstændigheder. Baggrunden for denne lokalplan er at sikre, at en samlokali-sering af en række aktiviteter til DTU Campus Lyngby kan igangsættes og udføres således, at den unikke placering og arkitektur bibehol-des og styrkes.

Danmarks Tekniske Universitet (DTU) dæk-ker de fleste ingeniørfaglige discipliner og uddanner ingeniører på bachelor-, master- og ph.d.-niveau. Hertil hører et omfattende efteruddannelsesprogram. Universitetet har i 2011 ca. 7.000 bachelor og masterstude-rende heraf ca. 600 ph.d.-studerende og ca. 1200 udenlandske studerende på engelsk-sprogede uddannelser. DTU er et moderne

Ill. 1: Ortofoto af DTU, 2010.

Ill. 2: De fire kvadranter på DTU.

12

43

Nordvej

Anker Engelunds Vej

Akademivej© lyngby-taarbæk Kommune

anker engelunds vej

Especially one continuous element intrigued us (Note: “Us” is group 8 - Lærke Sophie Keil, Antoine Magnon and I). This element were an opening in a yellow brick stone wall (fig. 1 and fig. 16). The effect this opening had impressed us. In a very simple and aesthetic way, the opening indicated a threshold to a new space and emphasized the experience of going from one space to another. The term threshold can be understood both temporal and spatial

tHreSHOlDS - aN OverlOOKeD PHeNOmeNON



Fig. 5. Building 101. The glass facade both marks a physical limit and a transition between indoor and outdoor space and merges them together in a continuous space. (Photo:Bonde, 12.03.2014)

Fig. 6. Porch entrance of buidling 423. (Photo: Magnon, 12.03.2014)

an awareness about the importance of thresholds as a place where contrasted values join. For “things to meet and unite” (van Eyck, 1962).

Gordon Cullen, english architect and illustrator, claims that the speed of change in post-war constructions prevents the environment from containing a human scale. In 1961 he wrote the book “Townscape” (Later editions “The Concise Townscape”) with “the old town” as a role model. Cullen describes the art of manipulating elements of the town so that an impacts on humans emotion is achieved. With keywords as motion, position and content, Cullen suggest some aesthetical principles which are helpful in order to know how people perceive space (Cullen, 1971).

Van Eyck and Cullen both considers the relationship between spaces important. Their theories form the background for this article’s conceptual idea of spatial perception, descreibed in following section. After describing the conceptual idea, an analysis of DTUs thresholds, based on observation and experiences, are made. The analysis results in a catalogue (appendix p.5-6) dividing thresholds into different typologies. The evolving of the different thresholds are described and discussed, which leads to a new point of view regarding the role of spatial heritage in the current and future changes at DTU.

Edward Soja, an American geographer and urban planner, has evolved a spatial model. The spatial model include: “The measurable space” - things and phenomenons. “The conceived space” - ideas and imagination people have about a space. “The lived space” - when human interactions influence space. A space consist of all three understandings of space (Soja, 1989,1999). These understandings are taken into consideration when analysing thresholds at DTU. But first some conceptual ideas about spatial perception and the role of thresholds.

Conceptual idea - spatial perception Motion and position is essential for the spatial perception. Model on fig. 4 is illustrating this. Each box represents a space with its inside and outside. The string symbolizes the act of passing, a person moving. Pulling the string suddenly closes/opens one of the boxes and redefines the overall situation of in and out. Thresholds are important in the term of position. They create a “here” and a “there”. Thresholds help you navigate and now “where am I? - in, out, in the middle?” The human being needs to be constantly aware of his position in the environment, and this is coupled with an awareness of elsewhere (Cullen, 1971).

The art of spatial relationships happens in the combination of several constructions. DTU campus is structured as a combination of

Fig. 4. The concept model embodies the relationship between in and out. Each box represents a space with its inside and outside. The string symbolizes the movement of a person. Pulling the string suddenly closes a box and redefines the in and out. (Model: Magnon. Photo: Bonde, 2014)

contrasting spaces, for example open/enclosed space (fig. 2). According to Cullen do the human mind react to contrasts, he writes: “... when two pictures (the street and the courtyard) are in the mind at the same time, a vivid contrast is felt and the town becomes visible in a deeper sense. It comes alive through the drama of juxtaposition” (Cullen, 1971: 9).

As well as Cullen, do van Eyck think that humans need to identify with their environment. Van Eyck explaining that “the relation of interior space and exterior space, between individual and common space, inside and outside, between the open and the closed could be the built mirror of human nature so that man can identify with it“ (van Eyck, 1956). Thresholds enable the space to “breathe in and out”. Van Eyck called it the “twin-phenomena” when creating a dynamic of complementarities between polarities (Strauven, 2007).

The significance of thresholdsIn the following part, five different thresholds from DTU campus are analysed.

Glass facades As fig. 5 shows a courtyard is placed inside a building surrounded by walls of glass. On one hand the wall marks a physical limit between the hall and the courtyard while on the other hand, the transparent material merges the two spaces together in a continuous space. The examples illustrates the notion of threshold as a boundary (the wall) and a continuity (the glass).

EntrancesWith more than 100 buildings (DTU, 2014), DTU offers many doorsills to cross. The architectural monotony could however have made their locations difficult. But for many buildings entrances is actually easy to find. As fig. 6 shows, the doorsill stretches out into a veritable porch




Fig. 9. The opening orchestrates a scenographic transition between the two spaces, from enclosed to open, shadow to light, and from in to out.(Photo: Keil, 12.03.2014)

Fig. 8. The glass corridors on the campus are performing several transitions and are at the same time spaces in themselves. (Photo: Bonde, 12.03.2014)

Fig. 7. Model (1:1000). Shows how the glass corridors mediate buildings, oak belt and gardens. (Model: Group 8)

GLASS CORRIDOR

GLASS CORRIDOR

GLASS CORRIDOR (FIG. 8)

OAK BELT

GARDEN

composed of sheltered stairs and a ramp. In addition with the given building number, the entrance becomes an obvious point of reference one can head towards, as well as a place to take a break. This porch facilitates the transition between in and out and also establishes a time in between.

Glass corridorsGlass corridors are frequently used as connecting devices at DTU. Fig. 8 shows one of them, connecting two buildings. The passing from one building to another is not instantaneous and meanwhile, one is also walking on the dividing line of two outdoor spaces. On one side the open oak belt and the other side an enclosed garden (fig.7). The corridor is therefore performing several transitions.

OpeningsWalls are very present in the vocabulary of DTU as a retaining and also architectural element shaping the overall space. Fig. 1, fig. 2 and fig. 16 present a wall erected between two buildings. A small opening in the wall operates the shift from one space to the other. Going through only takes half a second but it is very meaningful concerning where we are. This high wall just magnifies the threshold, elaborates an aesthetical transition between the two spaces. Another example is a stair cutting through a retaining wall (fig. 9). The narrowness of the stairs emphasizes the experience of going from one level to another.

PlacesFrom the sky, a regular green strip of oak belts (25-30m width) isolates the campus from its surroundings. The oak belt (fig.17) operates the spatial transition between the outside of the campus and the inside of the campus and acts as a buffer between DTU and its surroundings. This statement is only valid at a large scale in our understanding of DTU as the place

beyond the forest. Because this in-between is large enough to become, at a smaller scale, a space in itself with its own characteristics and uses. For instance, the running track enables sport activities. Suddenly DTU is not the inside anymore but another outside.

The evolution of thresholdsAn evolving of thresholds has happened during the development of campus. (See catalogue, p. 6)

Blurry spatial distinctionNew buildings at DTU are easy to distinguish from the original dense, yellow brick, black-framed buildings. The glass facade building seen on fig.10 (inside) and fig. 12 (outside) is a clear example. On this new building, glass is used from the bottom to the top of the facade, divided by white frames. This transparent element, originally characteristic for the glass corridors and the inner courtyards (fig. 8 and fig. 5 and fig. 13), is now characteristic for the whole building. Only a thin transparent width of glass divides the indoor and outdoor spaces. The distinction between inside and outside becomes blurry. This blurry distinction is emphasized when trees, a typical element from the outdoor, have been imported indoor. This layout of elements influences the perception of the space as homogenous and fluid.

The original buildings with inner or related courtyards, follows the vision of the 1960s garden genre. The idea of the garden, being an outer room as much a part of the building as any of the other rooms (Hauxner, 2003). The design intention of the new building

could be interpret as a continuation of the thought from the 1960s. To create an outdoor space as a continuing of the indoor space. According to the local plan (Lokalplan 228, 2011) this fluid distinction between inside and outside, is going to be a continuing element in future planning. The outdoor environment will indeed become smaller when more buildings are constructed. Therefore are outdoor spaces going to interact with indoor spaces, in order to reduce the feeling of lost outdoor space.

Unnoticeable entrances A renovation of the porch entrances is right now happening as seen on fig. 14. The entrance become less obvious and do no longer establish a time in between indoor and outdoor space. Van Eyck would have been disappointed to see this evolving of an entrance, since he believed that a door should be a domain, a place, not receiving people coming and going abruptly but by leading the trail gradually. He thinks that doors, thresholds, should be noticeable in order to make human conscious of entry and departure. Van Eyck said about unnoticeable doors: “Everytime we pass through a door like that, we have split in two” (van Eyck, 1962:28).

“The campus is a whole, and thresholds are linking and joining the whole into a significant pattern of contrasting spaces”

Thresholds - essential elementsThe examples show that thresholds are a combination of physical materials and mental perceptions. Thresholds offer an alternative to classical barriers, creating limits that are also transitions. They influence our perceptions of spaces and bring aesthetical values to the site. Finally, they mediate different spaces, exist at different scales and differ in size. Referring to Edward Soja s work, thresholds belong to the measurable and lived space as well as the conceived space (Soja, 1989,1999). On the basis of these five examples a catalogue is developed (see appendix p. 5-6). Even though the notion of thresholds remains highly complex, five typologies that support different functions and qualities are elaborated. Underneath each picture are bars trying to illustrate the mixture of typologies the different thresholds contain. It should be underlined that these assessments are subjective and based on personal experience.

Thresholds are important elements in the spatial morphology of DTU. The campus is a whole, and thresholds are linking and joining the whole into a significant pattern of contrasting spaces. A pattern of indoor and outdoor spaces, high and low terrain levels and open and enclosed spaces.



Fig. 10. New building at DTU. The transparent glass facade makes the limit between inside and outside almost invisible. Trees have been put inside which increases the blurry distinction between inside and outside. (Photo: Bonde 12.03.2014)

Fig. 11. New “floating” glass corridor. Visually linking the old DTU with the new DTU. (Photo: Keil, 12.03.2014)

ReferencesBooks:Ahnfeldt-Mollerup, M. (2004) En rigtig campus in: DTU campus 1829-2029, Denmark, Forfatterne og Fonden til udgivelse af Arkitekturudskrift.

Hauxner, M. (2003) Open to the Sky, Denmark, The Danish Architectural Press.

Cullen, G. (1971) The Concise Townscape, Great Britain, Architectural Press

Articles & Essays:Albertsen, N & Diken, B (2004) Welfare and the City, Nord-isk Arkitekturforskning

Soja, E. (1989, 1999) “the trialectics of spatiality” by developing the work of The French Theorist Henri Lefebvre in: Cresswell, Tim (2004) Place, a short introduction, Black Publishing Ltd. p.38.

Strauven, F.(2007) Aldo van Eyck – Shaping the New Reality From the In-between to the Aesthetic of Number, Canadian Centre for Architecure.

Thesaurus Dictionary in: Ramaswamy, D. (2005) Thresholds and Transitions – In Between the Public and Private Realm, Master Thesis, Virginia Polytechnic Institute and State University.

van Eyck, A. (1956) Over Binnen – En Buitenruimte in: Jaschke, K. (2009) “City Is House and House Is City”, Inti-mate Metropolis, New York, Routledge. p. 176

van Eyck, A. (1962) in Forum in: Strauven, F.(2007) Aldo van Eyck – Shaping the New Reality From the In-between to the Aesthetic of Number, Canadian Centre for Architecture. p. 16.

Local plan:Lokalplan 228, (2011) Danmarks Tekniske Universitet, Campus Lyngby - Lyngby-Taarbæk Municipality Technical Management in cooperation with Denmarks Tech-nical University and Juul/Frost Architects - 22.02.2011

Websites:DTU (2012) (http://www.dtu.dk/english/About/facts-and-figues/Education) and (http://www.dtu.dk/english/About/facts-and-figues/Human_resources) date visited 17.03.2014DTU (2014) (http://www.dtu.dk/english/Education/Interna-tional-Student-Guide/Student-Life/DTU-Lyngby-Campus) date visited 17.03.2014

Lectures:Lægring, K (2014)PhD, architecture - Monumentality and Modernism - 25.02.2014Riesto,S (2014) Post.doc researcher, art historian - Course presentation - 03.02.2014Tietjen, A. (2014) Assistant professor, PhD - Postwar Welfare Urbanism in Denmark – 19.02.2014

Diagrams: Blurry spatial distinction, made by group 8Typologies, made by group 8

Preservation and innovationIn the recent constructions at DTU, glass corridors are no longer on the ground but has been elevated (fig. 11) or spans between two floors (fig. 15). The choice of reusing an original element indicates the success of a spatial system of thresholds, in which every space is dependent and interrelated.

The evolving of glass corridors is a good example on how architectonical heritage can be transformed and fit into a new context.

Less emphasized experienceTogether with the new glass building a new open stair are leading you from one level to another (fig. 12). Compared with the original stairs cutting through the retaining wall (fig. 9), the experience of going from one level to another is reduced. The new stairs have almost become a part of the lower or higher plateau and do not work as the space in between. The moving experience becomes less exciting.

Not only a thresholdOriginally the thought behind the oak belt were to have a vegetative border surrounding campus, which highlighted the entrance, the threshold to campus. The growth of the trees and a later established running track have developed the oak belt to, besides being a border and threshold, also become a place in itself

During a evolution some of the qualities of thresholds are kept, others are not. Entrances have become less significant which indicates that the need of having them as spatial references is changing. Other qualities are reused, as for example the use of transparent materials. The oak belt has even become more distinctive as a threshold during the years. The use of emphasizing thresholds are reduced, which minimize the spatial experience.

Current and future planning -a new point of viewPost-war architecture has preservation value. DTU campus is an example on how architecture from this time period are not boring and monotonous but has a lot of hidden qualities. Qualities worthy of preservation. Exciting environments do not only exist in old towns with buildings representing different time periods and having odd street angles. Simple, horizontal and rectangular architecture do actually offer spatial experiences on a human scale. This is important because 80 percentage of the built environment in Denmark were achieved between 1945 and 1989. The need of identifying what is worth saving or redevelop is very relevant (Tietjen, 2014).

The architects (Eva and Nils Koppel), and landscape architects (Edith and Ole Nørgaard) intension with the original campus plan, where to create a flexible frame, adaptable for future changes (Ahnfeldt-Mollerup, 2004). This forward-thinking is now made of use when DTU needs to expand. To spare the outdoor areas, the idea is to build high-rises. In this way do campus move away from the original thought of a horizontal

landscape. Vertical landmarks will make it easier for people to orientate them self. With the use of new form and materials, DTU campus will attain a new identify with buildings that differs from each other and from the existing buildings (Lokalplan 228, 2011). The thought of architecture reflecting social equity will gradually disappear. Today a more liberal welfare city is becoming the norm and this tendency of individualism already is and will be further reflected in the new architecture (Albertsen & Diken, 2004).

The idea of creating buildings with different identities do in some way fit to the concept of content which Cullen descries in the art of townscape (Cullen, 1971). Focusing only on buildings and not on the spatial environment, you could argue that a more diverse environment will be present. But the new buildings are not focussing on shaping a townscape, as in combination with other buildings, creating spaces and streets. The buildings are thought as central focal points (see fig. 12). With these unique central placed buildings, the importance of thresholds as navigation points maybe becomes less necessary, but it is important to have in mind that

Fig. 12. Background: New white glass facade building and stairs. Foreground: Open homogeneous space. (Photo: Bonde, 12.03.2014)

vertical landmarks do not necessary contribute with the same spatial qualities as thresholds do.

The analysed qualities of thresholds challenge the current planning at DTU. In the municipality atlas 2000 the four quadrants and the axes are, because of the clear and simple principle (each quadrant representing each sector of DTU) described as being of special architectonical value. Today there are a lot more than four engineering directions. DTU wants to keep this structure even though the thought behind the four quadrants is outdated. The plan is to keep the architectural character of the four quadrants and that each quadrant should have its own strengthened identity (Lokalplan 228, 2011). In my opinion the system of thresholds is just as important to preserve as the coordinate system. From a top view the axis of the coordinate system is clear and strong, but unnoticeable in the lived space. In the spatial lived space do the system of threshold exist. These unnoticed spatial qualities of thresholds should be considered in the current and future development at DTU.



APPENDIX TYPOLOGIES ELEMENTS

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Fig. 13. Atrium courtyard surrounded by glass walls.(Photo: Keil, 18.02.14)

Fig. 15. Two-level glass corridor. (Photo: Magnon, 12.03.14).

Fig. 14. Newly renovated entrance made of concrete and cobbled stones.(Photo: Magnon, 12.03.14)

Fig. 16. Opening in yellow brick wall. Same as fig. 1 and fig. 2.(Photo: Bonde, 12.03.14)

GLASS FACADES

ENTRANCES

GLASS CORRIDORS

OPENINGS

PLACES

Fig. 17. Oak belt with running track.(Photo: Bonde, 12.03.2014)

Fig. 13

Fig. 14

Fig. 15

Fig. 12Fig. 10

Fig. 5

Fig. 6

Fig. 8

Fig. 16

Fig. 11

Fig. 9

Fig. 17

CATALOGUE OF THRESHOLDS



EVOLUTION

Original building- atrium courtyard with glass walls

Porch entrance- highlighted

One-level corridor

Wall with opening- stairs cutting through retaining wall

Young oak belt- generating a simple threshold

two-level corridor

New building- with glass facades

renovated entrances- unnoticeable

Floating corridor

Open space- Stairs going from one level to another

Grown oak belt- running track makes it possible to stay in the space in between

LIMIT - Thresholds can create a physical limit but at the same time generate a visible transition.

Glass facades used in atrium courtyards (fig.5 and fig.13) and as buildings facades (fig. 12).

The idea of the atrium courtyard, being an outer room as much a part of the building as any of the other rooms has evolved. Today the transparent element is used as the whole facade of a new building. Courtyards and outdoors merge into a homog-enous and fluid space, with no clear distinction between inside and outside.

PASS THROUGH - To pass through is the most obvious threshold character.

All thresholds contain this typology. Simple entrances to buildings are choosen as a representative element, as they very obvious generates the possibility to pass through.

The entrances by the original buildings are marked with a porch (fig.6). Renovation are happening and some of the porches are replaed by simple cobbled stones ramps (fig. 14). The transition between indoor and outdoor becomes more abruptly. A loss of the “in-between” space has happened.

MEDIATE - Thresholds performing several transition.

Glass corridors, connecting diffierent buildings and mediat-ing between indoor and outdoor space.

Glass corridors do also occur in the new constructions. In that way the old DTU is visually linked with the new DTU. The concept of the glass corridors are rethought and made as either two-level corridors or floating corridors.

EMPHASIZES - Thresholds elaborates a transition between two spaces and emphasizes the experience.

Openings. Openings occurs both in retaining walls (fig.9) and walls shaping the overall space (fig. 16).

The emphasized effect is lost in the new constructions. Here the spatial structure are more open and fluid (12).

STAY - this typology fits for thresholds that not only works as a transition between two places, it is also a place in itself.

The oak belt is the most obvious example, but other thresholds as for example the glass corridors and the porch entrance do also contain the function for people to stay.

Originally the thought behind the oak belt were to have a veg-etative border surrounding campus. Later on a running track were established and today initiative are done in order to in-crease biodiversity. The oak belt as a place in itself is strength-ened.

TYPOLOGY:

ELEMENTS:

EVOLUTION:

TYPOLOGY:

ELEMENTS:

EVOLUTION:

TYPOLOGY:

ELEMENTS:

EVOLUTION:

TYPOLOGY:

ELEMENTS:

EVOLUTION:

TYPOLOGY:

ELEMENTS:

EVOLUTION:

BLURRY SPATIAL DISTINCTION

UNNOTICEABLE ENTRANCES

LESS EMPHASIZED EXPERIENCE

NOT ONLY A THRESHOLD

PRESERVATION AND INNOVATION

CATALOGUE OF THRESHOLDSmOvemeNt

“in”“Out”in between


THE NEW PARK AT KALVEBOD BRYGGE- A n a l y s e s t h a t l e a d t o a d e s i g n p r o p o s a l

bonde, l inda - jnx824 Petersen, Signe Hvergel - cvj333Faculty of Science - u niversity of c openhagen - april 2013

0 1,5 30,75 Kilometers 0 280 560140 meters

in c openhagen a new park is planned at Kalvebod brygge. according to the local plan the park is planned in the old railway area near Dybbølsbro Station.

t he area is a part of a green belt, which is planned from the Seb-bank crossing the State achieves and t ivoli c ongress c enter down to theplanned park. t he green belt includes new office-buildings and arailway building.

When plannig a park it is important thatit is designed to fit into the specific area.

t he aim of this study is to analyse the area of the planned park and its surroundings. by taking the qualities and challenges into consideration, the park can be planned in the most optimal and well argued way.

AIM

New Park

Polluted Soil

© GSt 2011

© c OWi 2012 © c OWi 2012

New Park

elevation

High : 31,61

l ow : -1,22

New Park

Green belt

SOIL POLLUTION

0 100 20050 meters

t he area is a part of an old railway terrain andthe whole area is therefore soil contaminated.

in order that the area can be used as a park without being harmful to the visitors, the area should be covered by a layer of pure soil. it could also be agood idea to plant certain kind of vegetation that has a cleansing effect.

SURFACE MODELt he current terrain is approximately 8 meters lowerthan Dybbølsbro. t o get an easier access to the park,it is natural to raise the terrain to the same levelas the bridge.

© GSt 20110 100 20050 meters

0 100 20050 meters 0 1 20,5 Kilometers

FLOW CHART

c5 Fisketorvet

Future Station

Dybbølsbro Station

Københavns Hovedbanegård

New Park

c5 Fisketorvet

I2 Stations

area use

industrial area

mainly business area

r ecreational area

r esidential area© c OWi 2012, ai S 2011

0 300 600150 meters

AREA USEt he use of the surroundings is important when planning theentries to the park. t he area northwest of the park is used forresidential, while the southern area is less populated becauseit is mainly used for business, industry and recreational purpose.

c lose to the park is the big shopping center "Fisketorvet" situated. it attracts many people to the park, not only from thelocal area but also people living further away.

another rather important factor is the stations close to the new park. Dybbølsbro is situated just next to the park and a new metro station is under construction.

´

© c OWi 2012, GSt 2010, Danmarks Statistik

DEMOGRAPHICSmost of the people living within a walking distance to the park live on vesterbro. in average there live 1,9 person per household. With our knowlegde a lot of families with small children live at vesterbro.t here is also Fisketorvet where a lot of young people are hanging out. t he planned office buildings will bring buisness people to the area.

t he potential usergroup of the park is broad, so in the park there should be activities for both small children and their parents, young people and buisness people taking a break.

buildings within a walking distance

0 - 499 m

500 - 999 m

1000 - 1500 m

New Park

r oads

© c OWi 2012, miljøstyrelsen 2008

TRAFFIC NOISEt he noise from the railways and roads are measured in 1,5 m heightin day-time.

t here is a high level of noise in the southeastern part of the future park. it would be a good idea not to place activities that requires silence here and if necessary create shelterto minimize the noise.

© c OWi 2012, ai S 2013

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Noise interval

0 - 1

1 - 2

2 - 3

3 - 4

4 - 5

interval 1 - 6 = >75 - 50 db

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DESIGN CONCEPTSt aking the analyses into consideration leads to an idea of how to plan the newpark at Kalvebod b rygge.

Knowing how the surrounded area is used and where possible visitorsare coming from, provides a hint of where it wouldbe smart to placethe main entrances.

t he user group inspire for which kind of activities that could beattractive to have in the park.

r eference: l ocalplan no. 485

Seb- bank

State achieves

t ivoli c ongress c enter

Planned office-buildings

Planned railway-building

Quantity

Walking distance from the park

t raffic noise are heavy from the road, therefore it would be a good idea to make shelters along it. Shelters could be created out of vegetation and by modelling the terrain for example by making berms.

vegetation can very effectively clean the polluted soil. t his could for example be poplar, willow and pennycress.

another solution to the soil pollution is to fill the area with clean soil. t his will also fulfill the need for easy access from the bridge.

t he cross section gives an example onhow to fill the area with clean soil in a way where it reaches the bridge and create spaces for differents activities.

´

´ ´

´

´

´

aa

Skoleprojekt, KUKurserne: terrain and technology og GiS

i samarbejde med: Signe Hvergel Petersen (giS)Gitte adler, pauline de Gorostarzu og Georgia papadopoulou (terrain and technology)

Sted: Kalvebod Brygge, København

Beskrivelse: Københavns kommune ønsker en hævet park med forskellige funktioner ved det gamle jernbaneområde i nærheden af Dybbølsbro station. Samtidig skal adgangsforholdende og lokal regnvandshåndtering forbedres. Desuden er der krav om at to ventilations spots til den kommende metro skal indarbejdes, 70% af parkens flader skal være grøn og113.000 m3 ren jord skal påfyldes ovenpå den forurenede jord.

nedenfor ses en poster med analyser af området lavet i GiS.

projektforslaget ses på de følgende sider og er primært udarbejdet i autocaD civil3D.

Bedømmelse: 10 (individuel bedømmelse i begge kurser)

tHE tErrAcED PArK(september 2012 - november 2012 og februar 2013 - april 2013)


The Terraced Park

The project area is an old railway area near the waterfront at Kalvebod Brygge in Copenhagen.

The municipality of Copenhagen want to create an elevated green park belt with various green spaces.

The park should:- Improve the connection between the inner city and the waterfront- Handle the rainwater on site- Handle two spot ventilations from the metro- Have min 70% green areas without hard surfaces- Contain 128.000m3 (113.00 m3) of clean soil

The Terraced Park is:- An elevated terraced park- A taste of wild nature in an urban area- A refuge from the wind and traffic noise - A park were function follows the terrain - A spacious link between all types of users

There is traffic noise from Ingerslevsgade, Kalvebod Brygge, Dybbølsbro, the railways and the future Carsten Nieburhs gade. But the proposed buildings will minimise the noice coming from the bridge.

Terrain and Technology 2012 - Project 3 - Linda Bonde jnx8241

UsersExisting conditions ConceptPRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

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Vesterbro

Fisketorvet

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Proposed

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Terraces in different heights

Mainpath Te

rraces in different heights

The parksite is placed in an area where different kind of people lives, works and are near by.

Terraces that can keep different kind of functions for the area different kind of users.Mainpath improving the connection to the inner city and waterfront. Gives shelter from the wind and noise.


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TTrendy people from Vesterbro and Islands Brygge Shoppers from

Fisketorvet

People working in the officebuilding

Tourists

Families from Vesterbro

Young people hanging out at Fisketorvet

"The park is a

sort of anti-stress zone

for me, after I have spent

way too much money at

Fisketorvet!"

‘Because of the cool cable line! And the

free Wi-

‘We just hang out here…

and sometimes we challenge each other

on the climbing wall’

‘I like to give my kids many nature

experiences such as fire making, hill climbing and jumping

around in hundreds of wild flowers despite of they are

growing up in the

‘We go to the Terraced Park because

it’s almost as having our own garden’

‘I use to meet my friends for a beer in

the Terraced Park, because it has a hip urban character and

various intimate spaces with good shelter!’

‘When the weather is good

we eat lunch outside between the buildings’

‘When I need inspiration in my work

I sometimes go for a small walk in the forest and the meadow – the feeling of wild nature clears my

thoughts.’

‘The Terraced Park gives one of the best views for taking photos of Copenhagen

skyline’


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Site Plan

Woodland

Family gardens

Dry terrace (railway atmosphere)

Dry terrace (railway atmosphere)

Cable line

Playing area

Concrete area

Flooding terrace

Flooding terrace

ViewpointGrillplace

Fireplace

Bridge/Raft

Orchard

Wild Flower meadow

Wild Flower meadow

Raised path

Slope for climbing and sliding

Secondary Path

Concrete area

Secondary Path

Swale

Functions

Vegetation

Terrain

1:1000

Surface Elevation Plan (fill: 116.000 m3)Each terrace has a specific elevation, which depends on the existing conditions, the function and the terrace next to it. For example should the terraces meet the metroventilation and the terrace by the bridge should have the level of 8. A sloping terrace is made for the playing area with cableline and climing walls, the terrave with the viewpoint should have a high elevation, the flooding terrace a low, and some of the terraces should meet the mainpath, in that way there are directly acces from the path to the terraces (this is shown on the Surface Elevation Plan on last page). The terraces do also have a gentle slope that leads the water down to the swale, which is underneath the mainpath. There is a high difference between each terrace on 0,5m, 1m, 1,5m or 2m, because it should be possible to go from one terrace to another with small ramps or stairs.

We didn't reach the fill of 128.000 m3 soil, but some of the terraces could be raised eventhough their is an important relation between all the terraces, some of them are possible to adjust in the hight. I will explain this more thoroughly on the last page, where we lowered some of the terraces to reach the fill of 113.000 m3 soil.

1:1000

Sections of the mainpath


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1:500

Aaa

The sections shows the meeting between the terraces and the mainpath. Gabionwalls are used to connect the different levels. Sometimes the terraces are higher than the path and the path "cuts" its way through the terraces (Aa). Other places the terraces are lower than the path, and the path works as a bridge (Ee and Gg). When the terraces are 2m (or more) than the path a railing is needed (Bb). Some places the terraces almost have the same level as the mainpath (Cc, Dd and Ff), here there are directly acces from the path to the terraces. Sometimes it is different at each side of the path (Bb and Dd). Underneath the path (section A-E) is the swale. The swale changes in hight depending on the elevation on the terraces and the mainpath. The water can run through the gabionwalls and maybe a drainage also is needed.


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Waterdrop analysis

Storm water calculations:Total area: 40.000 m2Buildings: 4000 m2Mainpath: 1000 m2

Run-off coefficients:Buildings and main path: 0,8 (City center, no vegetation, dense settlement)Rest of the area: 0,15 (Green areas) Reduced area: 5000m2*0,8 + 35000m2*0,15 = 9250 m2

Calculation (ex. 1/139 rainevent and 5 min rain duration)5 min * 503 l/s/ha (from regnrækken table) * 60 s/min = 150900 l/ha150900 l/ha / 10000000 = 0,01509 m3/m2 * 1,3 (climate factor) =0,019617 m3/m2

9250 m2 * 0,019617 m3/m2 = 181 m3

The swales max volumen is 970 m3 and the bluemarkt numbers shows which rain events and duration it can handle. The north flooding terrace can keep 1200 m3 water and the south flooding terrace can keep 500 m3, so the Terraced Park can easily handle the areas stormwater.

The gabion walls

The wall that follows Carsten Niebuhrs gade follows the elevation of the terraces (+ 1m for safety). To the right is a section of the wall (where it is highest), to show the princip for the building structure. The bevel of 15% will make the wall look less overwhelming for the passings.

"Vertical forest" - Paris (mur de clöture du parc des expositions) Landscape architects : Agence Péna

The terraces are designed to slope towards the swale so the water can slope down and into the swale.In case of a big rain event there are two terraces that can be flooded and keep the water. The northen "flooding terrace" is natural connected to the swale, but the southern "flooding terrace" will need a drainage pipe to lead the water. The water terraces will increase the nature feeling in the urban park and give the visitors an extraordinary experience.

To retain the big amount of soil and the different levels of the terraces, path and swale we use gabions. Gabions can contribute the park with nice green planted walls as you can see on the reference photos to the right.

Stormwater

Kalvebod

Brygge

Principle sections and perspective drawings


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Carsten Niebuhrs

gade7 m

8,5 m 10 m

4,5 m 5,5 m

(highest here)

The terraces on the southeast side, slopes down to the existing ground with a constant gradient. The slopes gradient is different for each terrace because of their different elevations, but the princip is the same for all. We choose to make the gabionwalls follow the slope to emphasize the terraced concept.

There are two principle for the sloping. One where the slope goes straight down (both modelview and the drawing above) and one were the slope has an angle(drawing below).If the slope go downwards with an angle, the gap between each gabion gets smaller.

Backfill

Topsoil

Foundation

Pipe

Carsten Niebuhr Gade

Gabions


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The walls meeting with the surrounding terrain

Kalvebod Brygge

3D view from Kalvebod Brygge

0,5m9,5

9,5

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3D view from Carsten Niebuhrs gade Section 1:200

22,7%

5,5727,4%

9,51,5m

9,5

Skoleprojekt, KU

i samarbejde med: Høje taastrup kommune Vejleder: cecil Konijnendijk van den Bosch (KU)

Sted: Hedehusene

Beskrivelse: Bachelorprojektet tog udgangspunkt i Hedehusenes områdefornyelse. Projektet mundede ud i et idekatalog til udvikling af hedehusenes Bypark, baseret på byens værdifulde kulturarv og med fokus på, at synliggøre parken og at styrke dens identitet.

Bedømmelse: 7


Se slides fra min præsentation til styrregruppemødet om hedehusene Bypark her (28.01.2013):http://www2.htk.dk/Fritid_og_kultur/Boligsocialt/omraadefornyelse/Styregruppem%c3%B8de_121112%20bilag.pdf

UDViKling Af HEDEHUSEnE ByPArK - SynliggørElSE, KUltUr og iDEntitEt(februar 2012 - juni 2012)

At SættE HEDEHUSEnE På lAnDKortEt - iDEoPlæg til MiDlErtiDigE ProJEKtEr På DEn gAMlE BEtonfABriKgrUnD i HEDEHUSEnE(marts 2012)

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UDVIKLING AF HEDEHUSENES BYPARK - SYNLIGGØRELSE, KULTUR OG IDENTITET

DEVELOPMENT OF HEDEHUSENES URBAN PARK - VISIBILITY, CULTURE AND IDENTITY

Navn: Linda BondeStudienummer: jnx824Fakultet: Det Biovidenskabelige Fakultet - LIFEPraktiksted: Høje Taastrup kommune - DriftsbyenVejleder: Cecil Cornelis Konijnendijk

Bachelorprojekt23. maj 2012

Praktikprojekt, Høje taastrup kommune

i samarbejde med: Signe lilleskov nielsen

Sted: Hedehusene

Beskrivelse: ideoplæg til midlertidige projekter på den gamle Spæncom grund.

POTENTIALERVIND- Lægger op til vindaktiviteter - Kunst- og teknologioplevelser

FRI UDFOLDELSE- Plads til arealkrævende og støjende aktiviteter - Frit udsyn

CENTRAL BELIGGENHED- Ligger op til stationen

BEPLANTNING FRA BETONFABRIKKENS GRØNNE OMRÅDE- Hyggekrog med mulighed for restauration- Giver mulighed for mindre events- Intimt rum der danner en base for hele området

FREMTIDIG VISION- Udnytte visionen for Gammelsø og give initiativerne en mere fremadrettet vinkel

Re

BEPLANTNING

VINDBÆREDYGTIG VISION

FRI UDFOLDELSE!

CENTRAL BELIGGENHED

FORORDOMRÅDEBESKRIVELSEHvor den tidligere Spæncom betonfabrik lå, ligger i dag en øde grund. Området er stort(ca. 10 ha.) og åbent, kun i den nordvestlige del er der en begrænset mængde beplantning, der danner få mindre rum på pladsen. Beplantningen kan danne ramme om tiltag, der kræver mere intime rum. Underlaget er primært grus med større betonstykker. Grunden ligger centralt i He-dehusene, tæt på stationen, men med en vis afstand til de nærmeste naboer. Det store åbne areal giver mulighed for store armbevægelser i forhold til pladskrævende og støjende aktiviteter samt events. Des-uden medfører et åbent område at der er stærkere vindforhold, som kan lægge op til bestemte aktiviteter.

VISION GAMMELSØ Det er planlagt at arealet i fremtiden skal bebygges og en ny bydel skabes - Vision Gammelsø. Denne nye bydel skal udvikles efter bæredygtige principper, som prototype for fremtidens bæredygtige og CO2-neutrale byer.

Det vil være oplagt, at de midlertidige aktiv-iteter på grunden bygger på energineutrale tiltag, der bl.a. kunne udnytte grundens potentialer i stærkere vindforhold. Udover at skabe kendskab til området, kan aktiv-iteterne give en forsmag på Vision Gam-melsøs bæredygtige identitet.

URBANE AKTIVITETERHedehusene by mangler generelt aktiviteter til unge mellem 15-25 år, derfor vil det være oplagt at supplere med nogle urbane aktiv-iteter, der henvender sig til denne gruppe og som ikke allerede eksisterer i Hedehusenes fritidsområde, Hedeland. Beliggenheden tæt på Charlottekvarteret lægger desuden op til, at især unge herfra kan benytte aktiv-iteterne.

2

Resterende beplantning

Åben og forladt grund

Grusunderlag


HVORFOR BÆREDYGTIG AKTIVITET?

Forsmag på GAMMELSØSpændende og SJOV måde at være på forkant med FREMTIDEN

HVORFOR “VINDEVENTS”?

UNIK mulighed for at udnytte det åbne rum og pladsens afsides placering - INGEN STØJGENERDer sker noget NYT i HedehuseneRummet gøres LEVENDE og FORANDERLIGT

HVORFOR VINDAKTIVITETER?

Oplagt måde at udnytte grundens potentialer AKTIVITET for alle aldreKræver ingen fysiske ændringerBlæsende dag - SPONTAN aktivitet

HVORFOR URBANE AKTIVITETER?

Nye aktiviteter for UNGE i HedehuseneFRIRUMPlads til FRI UDFOLDELSE uafhængigt af vind

HVORFOR AFSLAPNING OG SAMVÆR?

Alle folk elsker en GRØN OASEEn PAUSE fra aktiviteter og eventsUDESEVERING skaber SAMVÆR og god stemning

HVORFOR?

HVORFOR LANDMARK?

Konstant MARKERING af HedehuseneBrænder fast i BEVIDSTHEDENHele året, ALLE ÅRSTIDER, i alt slags vejr

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“Vindbil”

Kreativ workshop

PROPELLER

FJER

VINDBIL

FLYVE

BALLONER

KITESURFING

WORKSHOPS

BLADE

LAV DIN EGENDRAGE

BLAFRE

FALDSKÆRM

LETHED

VINDTOLERANTBEPLANTNING

SVÆVENDE LØV

SPONTAN

Kiteskateninghttp://www.kiteskating.com/

Kiteskatinghttp://www.kiteskating.com/

VINDAKTIVITETERVindaktiviteter er spændende og anderledes aktiviteter, som udnytter grundens vind-forhold og gode plads. Aktiviteterne kan for eksempel være at flyve med almindelig drage eller kiteskating, hvor man på skate-board, rulleskøjter eller lignende bliver truk-ket af en større drage. På samme måde er der blokarting, hvor man bliver trukket af en drage, mens man sidder i en 3-hjulet gokart.

Oplagt vil det være at lave drageworkshop, hvor børn kan komme og lave deres egen drage, eller man kunne arrangere en fælles “flyve med drage dag”.

Vindaktiviteter kan også være kreative aktiviteter, hvor for eksempel børn maler på lagner og hænger dem op så de blæser farvestrålende i vinden. Sådanne aktiviteter skaber farver og liv på pladsen.

11

Hedehusene by eksisterer ikke i mange folks bevidsthed. De ved ikke hvor byen ligger eller hvad den har at byde på, selvom He-dehusene kun ligger 23 km fra København og er let tilgængelig med regionale tog. Et “vartegn”, et såkaldt landmark ville kunne markerer Hedehusene og gøre opmærksom på, at byen har noget spændende at byde på, både nu og i fremtiden.

Et landmark kunne være en stor installation, som kan ses fra jernbanen, således at folk der passerer Hedehusene med tog, ser den, og dermed bliver nysgerige. Udover at det bliver en oplevelse på vejen, vil folk måske stå af på stationen og få et større kendskab til Hede-husene.

Landmarkinstallationen kan evt. skabes i samarbejde med Teknologisk Institut, DTU,

LANDMARK

Future flower af Tonkin Liuhttp://www.youtube.com/watch?v=kqT5IywdKWw

Singing Ringing Tree af Tonkin Liuhttp://www.youtube.com/watch?v=LxKWcAPOHU0

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UNIKT

KUNST

MARKERINGLANDMARK

MARKERINGSYNLIG

SYMBOL

DRAGENDE

EN OPLEVELSEPÅ VEJEN

TEKNOLOGI

ÆSTETISK

STORSLÅET

BEVIDSTHED

FORSMAG PÅGAMMELSØ

OPLEVELSECENTRAL

SKABE NYSGERRIGHED

BYEN HEDEHUSENE

ALLE ÅRSTIDER Future flower af Tonkin Liuhttp://www.youtube.com/watch?v=kqT5IywdKWw

arkitekter eller kunstnere, således at man kan få et landmark der udstråler moderne teknologi, flot æstetik og bæredygtighed.

Til inspiration er der værkerne “Singing Ringing Tree” og “Future flower”, tegnet af to engelske arkitekter Tonkin og Liu. Singing Ringing Tree er et træ formgivet af metalrør, som afgiver lyd når vinden blæser. Lyden varierer efter vindstyrke og vindret-ningFuture flower, er en stor metalblomst der udstråler forskellige farver lys alt efter vind-styrke.

For byens borgere vil landmarket være et symbol for grunden, samt den fremtidige bydel Gammelsø.

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Farverige vindmøller

Hundeafføringscontainer der producerer el til lygtepæl af Mathew Mazzotta

http://www.huffingtonpost.com/2010/09/22/matthew-mazzottas-park-sp_n_734515.html

Pixlpark, Roskilde kommune http://www.pixlpark.dk

LÆRERIGT

ENERGI

SJOV

OPLYSENDE

SKRAMMELLEGEPLADS

BIOGAS

LYS

LYD

VISION GAMMELSØ

SANSENDE

SELVFORSYNENDEAKTIVITET

GENBRUG

SOLCELLER

NY TEKNOLOGI

EVIGHEDSMASKNIE

VIDENSKABS-LEGEPLADS

MULTIFUNKTIONEL

FYTOREMEDIERING

FREMTIDEN

ALTERNATIV

BÆREDYGTIG AKTIVITETVisionen for byudviklingsprojektet Gam-melsø er, at det skal være en moderne og CO2-neutral bydel. Grunden kan give en forsmag på hvad borgerne kan forvente af den kommende bydel.

Området kan byde på elementer, som har mulighed for at genbruges i Gammelsø. Disse elementer må gerne være multifunk-tionelle, altså både virke oplysende omkring miljømæssig bæredygtighed og samtidig indbyde til aktiviteter eller oplevelser.

De bæredygtige elementer kunne for eksem-pel være solcelleanlæg eller mindre vind-møller, som samler energi til gokarts eller belysning.

Cykler som når man cykler på dem, generer lys og lyd, eller gynger som genererer energi.Man kunne desuden overveje at lave et reg-nvandsbassin, der kan fungere som aktivitet-sområde, når det står tomt.

Der er rigelig plads til bæredygtig udfoldelse!

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VINDAKTIVITETER

LANDMARK

BÆREDYGTIG AKTIVITET

IDÉKATALOG TIL OMRÅDEFORNYELSEN I HEDEHUSENE- FEM BYRUM I EN RØD TRÅD

fEM ByrUM i En røD tråD (juni 2012)

Praktikprojekt, Høje taastrup kommune

i samarbejde med: Signe lilleskov nielsen

Sted: Hedehusene

Beskrivelse: ideoplæg til områdefornyelsen i hedehusene, som skaber en forbindelse mellem stationsområdet, byparken og sportshallen.


KVALITETER OG PROBLEMSTILLINGER I DE TRE STRATEGISKE BYRUM

STATIONSOMRÅDET

KVALITETER:

- Butiksliv- Transportknudepunkt

PROBLEMSTILLINGER:

- Bagside til bylivet- Transitzone- Åbent og diffust rum

BYPARKEN

KVALITETER:

- Æstetisk- Kontrast til byen- Bynær natur- Hedehuset

PROBLEMSTILLINGER:

- Stort set kun brugt til passage og hundeluftning- Usynlig i bybilledet- Interagere ikke med Hedehuset

HEDEHUSHALLEN

KVALITETER:

- Aktiverende - Mødested- Skaber fællesskab

PROBLEMSTILLINGER:

- Monoton bygning- Området omkring indbyder “ikke til noget”

STATIONSOMRÅDETBYPARKEN

HEDEHUSHALLEN

BINDELED MELLEM OMRÅDEFORNYELSENS TRE STRATEGISKE BYRUM

SAMMENHÆNG OG SYNLIGHED

I områdefornylsen fokuseres på tre strategiske byrum: stationsområdet, Byparken og Hedehushallen. Disse skal udgøre et samlet og synligt centrum for Hedehusene.

I dag er der ikke sammenhæng mellem de tre byrum, derfor foreslår vi en rød tråd som forbindelse. Den røde tråd skabes ved at fremhæve og forbedre de tre rums funktioner. I stationsområdet er funktionen handel og transport. I Byparken er funktionen fritid og sammen med det planlagte bibliotek/mediehus kan parken også indeholde mediefunktioner. I Hedehushallen er funktionen sportsaktiviteter.

Foruden at forbedre de tre strategiske byrum bør der tilføjes to nye byrum. Et byrum der åbner op og skaber bedre sammenhæng til Hovedgaden samt et byrum der skaber en bedre forbindelse mellem byen og Charlottekvarteret.

En rød tråd mellem de fem byrum kan være kirsebærtræsbeplanting, som allerede ses som en smuk allé i Byparken. Denne beplantning kan fortsætte ind i de andre byrum både som allébeplantning, men også som en rammedan-nende beplantning eller klyngebeplantning og være et varemærke for Hedehusenes centrum.

Disse tiltag vil skabe synlighed og bedre sam-menhæng mellen byen og dens centrumsfunk-tioner.

HOVEDGADEN

CHARLOTTEKVARTERET


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Biblioteks- og medieaktiviterer føres ud i parken, den nyeste teknologi benyttes.

Trådløst og gratis internet gør brugen af smart-phones, iPads og bærbare computer mulige at benytte og behagelige siddemøbler gør det mere oplagt at opholde sig i Byparken. Biblioteket/mediehuset kan stå for udlejning af høretelefoner med podcasts med f.eks. byvandring i Hedehusene eller en lydbog som der kan lyttes til i parken. I sommeraftenerne kan der være udendørs biograf. Byparken bliver en moderne bibliotekspark.

- EN NY MODERNE MEDIEPARKFRA PASSAGE TIL MØDESTED

MEDIEAKTIVITETER

OPHOLDSMULIGHEDER

STATIONSOMRÅDETKIRKEGÅRD

Udendørs biograf

Lydbøger

Månedens bog

iPad

Smartphone

Bærbar computer

Podcast med byvandring

Udendørs bibliotek

Bogbytte

Loungemøbler

Musik

Udendørs foredrag

Biograf

Gratis Wi-Fi

- EN NY MODERNE MEDIEPARK

iPad i det fri

Udendørs bibliotek

Udendørs bibliotek

Skilt

Opholdspladser hvor der læses i bøger og på iPads Udendørs biograf

- NY FORPLADS TIL HEDEHUSHALLEN

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En ny forplads til Hedehushallen synliggør hallen og dens funktion.Samtidig kan området blive bindeled for Charlot-tekvarteret og Byparken.

Parkeringpladsen foran Hedehushallen omdannes til en plads med sportaktiviteter.Der kan informeres om en løbe/opvarmningrute med start fra pladsen, igennem Byparken og Charlottekvarteret.

Hallen kan “beklædes” med klatrevæg, basket-kurve, ribber o.lign.

Man kan også flytte aktiviteterne op på en over-dækket parkering (a la NL Architects basketbar ved Utrecht University. Se næste side hvor der er kombineret boghandel og cafe under baskebane).

FRA PARKERING TIL MOTIONSOMRÅDE

SPORTSAKTIVITETER

LØBERUTE

KLATREVÆG PÅ HALLENOMLAGT CYKELSTI

CHARLOTTEKVARTERERT

KIRKEGÅRD

BYPARKEN

Hedehushallen bliver synligFunktionssynlighed

Bindeled mellem Byparken og Charlottekvarteret

Attraktiv forplads

Udendørs sportsaktiviteter

Bordtennis

“Polstre” hallenind med aktiviteter

Opvarmningsrute

Hockey

Basket

Forhindringsbane

Klatrevæg på Hallen

Motionselementer

- NY FORPLADS TIL HEDEHUSHALLEN

Neighborhoodsquare i Dordrecht af NL Architects

Neighborhoodsquare i Dordrecht af NL Architects.I midten er der plads til traditionelle sportsaktiviteter, den orange ring kan bruges som løbe- og cykelbane kombineret med legeplads og sidepladser.

Klatrevæg“Basketbar” af NL Architects

Forhindringsbane

Løberute

Sprinterrute

Das Net i Berlin. Aktivitetsnet med parkering under.

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- ALLE TILTAGOVERSIGTSKORT


SKoVKilE KirKEgårD(oktober 2011 - januar 2012)

Skoleprojekt, KU Kursus: Planter og teknologi i landskabsarkitektur

i samarbejde med: louise Bjerre, Pi Maria ganderup, Signe hvergel petersen, Sandra Søgård Stark og Kristine grue Understrup

Sted: fælleskrematoriet i ringsted

Beskrivelse: en skovkirkegård med store kontraster mellem skovmassiver og åbne lysninger. Dette giver varierende, spændende og intensive naturoplevelser, samt storslåede synskiler som ender ud i unikke monumenter.

Bedømmelse: 10 (individuel bedømmelse)

monomenet og gravstedstyper

Skovkile kirkegård byder på forskellige gravstedstyper: - individuelle grave - Kollektive grave - anonym fællesgrav(Se gravdiagram s. 9)

Hovedmonumentet “livets træ” er et træ lavet af rustfrit stål. Det symboliserer det forgængelige i et uforgængeligt materiale. “livets træ” er placeeret for enden af kirkegårdens hovedsynskile, ved kirkegårdens anonyme gravplads. monumentet vil blive et sted hvor de pårørende vil lægge blomster og mindes. Skovkile kirkegårdens andet monument “mindemuren” er lavet af granit og står i kirkegårdens anden synskile. De afdøde kan blive begravet i “Søjleskoven” og blive skrevet på mindemuren. i hækrummene er der mulighed for at få et individuelt gravsted, hvor pårørende kan sætte deres eget præg. De resterende gravsteder i lysningerne er kollektive grave, som er pålagt servitutter og derved har et smukt ensartet udtryk. i “lærkeskoven” kan de afdøde blive begravet og få et skilt med navn hængt rundt om et af lærketræerne, kaldet familietræ. i “lysskoven” er der også individulle gravsteder hvor de pårørende kan sætte deres eget præg, men ikke i samme grad som ved hækrummene. i ‘lysskoven’ er det vigtigt, at der bliver valgt en natursten som gravsten og at der ikke fjernes bundvegetation.

SøSøens stringente form passer godt til kirkegårdens resterende skarpe formsprog. Der hvor hovedsynskilen strækker sig hen over søen, er vandet så dybt at der dannes vandspejl og området holdes fri for beplantning.

terrænmurterrænmuren indrammer kirkegården og er lavet af råkløvet granitsten. Dette giver muren et flot og rustikt udseende. terrænmuren danner et lille græsdige som ses inde fra kirkegården og giver en pæn afslutning. ude fra vejen vil den lave mur, sammen med trækronerne skabe et flot kig ind på kirkegården og sam-tidig skabe en ramme om kirkegården.

referencebilleder

5

regnvandsbassin, albertslund

træ lavet af rusfrit stål, madison Squre Park, San Francisco

råkløvet granitmur

mindernes mur, Kastellet






referencebilleder

5










referencebilleder

5





Mindemur

Sø

terrænmur

Mindernes mur, Kastellet

Regnvansbassin, Albertslund

Råkløvet granitmur

Gravpladser i græs

Madison Square

Park, San Francisco

livets træ

rEfErEncEBillEDEr

SitUAtionSPlAn

SkovmassiverSkovmassiverne har forskellige karakterer. Første skovmassiv “Prydskoven”, består af fuglekirsebær og dunbirk. Denne beplantning har et fint, enkelt og præsentabel udtryk som passer godt til kirkegårdens indgangsparti. anden skovmassiv “lysskoven” består hovedsagligt af eg og rødel. imellem disse er plantet småbladet lind, dunbirk, avnbøg og spidsløn med et mellemlag af hassel. Denne skov giver med tiden en intim skov med tætbeplantning og lys fra oven. tredje skovmassiv “lærkeskoven” er en monokultur bestående af lærk. Dette skovmassiv kommer til at skille sig meget ud fra de andre massiver og giver dermed en unik, intens oplevelse.Sidste skovmassiv “Søjleskoven” er en bøgeskov supleret med eg, ahorn, fuglekirsebær og sølvløn. Dette skovmassiv kommer med tiden til at være en skov med et tæt bryn. inde i selve skoven består rummet af træer, hvor man når skoven er veletableret vil kunne bevæge sig rundt i en søjlehal. bøgens skyggefulde kroner virker omsluttende foroven.(Se beplantningsudvikling s. 6-8)

lysningerlysningerne skaber kontrast til de markante skovmassiver og intensiverer dermed skov- og lysningseoplevelsen. lysningerne består af samme formgivende elementer, men de har hver sin karakter. “blomsterlysningen” består af gravplader, som ligger på lin-jer i græs. Paradisæbler og blommebladet tjørn står placeret som sollitærtræer, der om foråret tilfører blomster og hen på efteråretbær til den grønne flade. “mønsterlysningen” består af bøgehække plantet på linjer. Disse fungerer, som bagvæg for gravplader, der ligger i græsset på begge sider af bøgehækkene. Syd for søen består lysningen af bøgehække som danner rammen for gravrum, hvis skillevægge består af andre arter; buksbom, sargentæble, fjeldribs, bærmispel, røn og thuja. i “mønsterlysningen” består den spredte solitærtræbeplantning af tretorn og pagodetræ, som med deres fler-finnede blade tilfører rummet kroner med lette løvmønstrer.“Hjertelysningen” gravplader liggende i linjer omgivet af dværgmispel bunddække. Hjertetræ og duetræ pryder her lysningen med deres karakteristiske hjerteformede blade.i “mindelysningen” står “livets træ” som er kirkegårdens hovedmonument. “livets træ” står omgivet af tulipantræer som ændre sig gradvist til en blanding af kejsertræer og tulipantræer. træernes udtryk vil med tiden blive storslåede pga. deres karakter og højde.

referencebilleder

4

monokultur bestående af lærk

bøgeskov

Paradisæbler

Gravplader i græs

Hjerteformede blade


beplantningsudvikling for skovmassiverne

“lærkeskoven”:massivet består af en monokultur af lærketræer. Dette giver et meget enkelt udtryk. Gennem årene udtyndes der jævnt. med tiden vil lærketræerne få et naturligt højstammet udtryk. ved udtynding skal der fortsat være en kontinuerlig afstand mellem træerne.Samlet set vil der efter 50 år være fældet 40% af den oprindelige plantning.

“Prydskoven” efter 50 år“Prydskoven”:Dette massiv har et lyst udtryk, da både fuglekirsebær og dunbirk har forholdsvis lette kroner.udviklingen for massivet bliver, at dunbirken primært skal være den blivende art. Det vil sige, at der gennem årene udtyndes flere fuglekirsebær ens dunbirk. bundbeplantningen består af mosebunke og fjerbregner som vil give et skovbundslignende udtryk. Samlet set vil der efter 50 år være fældet 50% af den oprindelige plantning.

6

“lærkeskoven” efter 50 år

beplantningsudvikling for skovmassiverne

“lærkeskoven”:massivet består af en monokultur af lærketræer. Dette giver et meget enkelt udtryk. Gennem årene udtyndes der jævnt. med tiden vil lærketræerne få et naturligt højstammet udtryk. ved udtynding skal der fortsat være en kontinuerlig afstand mellem træerne.Samlet set vil der efter 50 år være fældet 40% af den oprindelige plantning.

“Prydskoven” efter 50 år“Prydskoven”:Dette massiv har et lyst udtryk, da både fuglekirsebær og dunbirk har forholdsvis lette kroner.udviklingen for massivet bliver, at dunbirken primært skal være den blivende art. Det vil sige, at der gennem årene udtyndes flere fuglekirsebær ens dunbirk. bundbeplantningen består af mosebunke og fjerbregner som vil give et skovbundslignende udtryk. Samlet set vil der efter 50 år være fældet 50% af den oprindelige plantning.

6

“lærkeskoven” efter 50 år

efter ca. 10 år plantes alm. hassel i massivet, som er med til at skabe volumen og samtidig skalaformidle.

i løbet af årene, er der tyndet ud i Haslen hvor størstedelen af de som står ved skovkanten forbliver og er med til at danne et skovbryn.Samlet set vil der efter 50 år være fældet 50 % af den oprindelige plantning.

“lysskoven”:Her er massivets udtryk en blandning af lys- og skyggetræer. Der er en rig artsdiversitet.

eg skal være den primære art og rødel skal overvejende fungere som ammetræ. efter 20 år vil kun de flotteste rødel stå tilbage. Lind, dunbirk, avnbøg og spidsløn holdes nede i højden ved beskæring for at få egetræerne til at danne overskov, hvor de resterende arter vil danne underskov.

“lysskoven” efter 10 år



7

“Søjleskoven”:massivet vil få et skyggefuldt udtryk da den primære art er bøg, med en forholdsvis mørk underskov bestående af eg, ahorn, fuglekirsebær og sølvløn. Den blivende randplantning for mas-sivet er bøg som med tiden vil danne et tæt skovbryn.efter 10 år plantes alm. hassel for at skabe volumen i massivet samt skalaformidling.med dette skovpræg, vil den naturlige proces danne et urtelag.Samlet set vil der efter 50 år være fældet 40% af den oprindelige plantning.

“Søjleskoven” efter 50 år

8

BEPlAntningSUDViKling for SKoVMASSiVErnE

BEPlAntningSPlAn

rEfErEncEBillEDErSkovmassiverSkovmassiverne har forskellige karakterer. Første skovmassiv “Prydskoven”, består af fuglekirsebær og dunbirk. Denne beplantning har et fint, enkelt og præsentabel udtryk som passer godt til kirkegårdens indgangsparti. anden skovmassiv “lysskoven” består hovedsagligt af eg og rødel. imellem disse er plantet småbladet lind, dunbirk, avnbøg og spidsløn med et mellemlag af hassel. Denne skov giver med tiden en intim skov med tætbeplantning og lys fra oven. tredje skovmassiv “lærkeskoven” er en monokultur bestående af lærk. Dette skovmassiv kommer til at skille sig meget ud fra de andre massiver og giver dermed en unik, intens oplevelse.Sidste skovmassiv “Søjleskoven” er en bøgeskov supleret med eg, ahorn, fuglekirsebær og sølvløn. Dette skovmassiv kommer med tiden til at være en skov med et tæt bryn. inde i selve skoven består rummet af træer, hvor man når skoven er veletableret vil kunne bevæge sig rundt i en søjlehal. bøgens skyggefulde kroner virker omsluttende foroven.(Se beplantningsudvikling s. 6-8)


referencebilleder

4


bøgeskov

Paradisæbler

Gravplader i græs

Hjerteformede blade

SkovmassiverSkovmassiverne har forskellige karakterer. Første skovmassiv “Prydskoven”, består af fuglekirsebær og dunbirk. Denne beplantning har et fint, enkelt og præsentabel udtryk som passer godt til kirkegårdens indgangsparti. anden skovmassiv “lysskoven” består hovedsagligt af eg og rødel. imellem disse er plantet småbladet lind, dunbirk, avnbøg og spidsløn med et mellemlag af hassel. Denne skov giver med tiden en intim skov med tætbeplantning og lys fra oven. tredje skovmassiv “lærkeskoven” er en monokultur bestående af lærk. Dette skovmassiv kommer til at skille sig meget ud fra de andre massiver og giver dermed en unik, intens oplevelse.Sidste skovmassiv “Søjleskoven” er en bøgeskov supleret med eg, ahorn, fuglekirsebær og sølvløn. Dette skovmassiv kommer med tiden til at være en skov med et tæt bryn. inde i selve skoven består rummet af træer, hvor man når skoven er veletableret vil kunne bevæge sig rundt i en søjlehal. bøgens skyggefulde kroner virker omsluttende foroven.(Se beplantningsudvikling s. 6-8)


referencebilleder

4


bøgeskov

Paradisæbler

Gravplader i græs

Hjerteformede blade


SCIENCE består af 12 institutter og derfor består logoet af 12 bløde trekanter, som tilsammen udgør en helhed.

Helheden kan give accosiationer til en vindmølle eller en blomst. Begge symboler representerer fakultetets studenteraktiviteter, som bl.a. er, at lære hvordan man skal forholde sig til udfordringerne, der er med det øgede pres på naturressourcer og demarkante klimaforandringer.

Farven grøn er håbets, det levende og vækstens farve. Den afspejler mangestudenteraktiviteter på Det Natur- og Biovidenskabelige fakultet, som har med natur og miljø at gøre, og er generel en positiv farve.

SCIENCEradet

logo til SciEncEråDEt(april 2013)

Studenterkonkurrence, KU

Beskrivelse: Science består af 12 institutter og derfor består logoet af 12 bløde trekanter, som tilsammen udgør en helhed.

helheden kan give accosiationer til en vindmølle eller en blomst. Begge symboler repræsenterer fakultetets studenteraktiviteter, som bl.a. er, at lære at forholde sig til udfordringerne med det øgede pres på naturressourcer samt de markante klimaforandringer.

Farven grøn er håbets, det levende og vækstens farve. Den afspejler mange studenteraktiviteter på Det natur- og Biovidenskabelige fakultet, som har med natur og miljø at gøre, og er generel en positiv farve.

Bedømmelse: 1. præmie

HVor DEr Er liV Er DEr DøD (marts 2013)

nordisk studenterkonkurrence om fremtidens kirkegårde

i samarbejde med: Signe Hvergel Petersen og Kristine grue Understrup

Sted: De nordiske lande

Beskrivelse: ritualerne omkring døden har udviklet sig igennem tiden. Fra at være en del af hverdagen er døden i dag tabubelagt. Dette ideoplæg gør op med distanceringen til døden. Døden er en uundgåelig og naturlig del af livet, og det skal anerkendes ikke fortrænges. idéen er at placere gravpladser i landskabet på en sådan måde, at de smelter sammen med omgivelserne, både i form og materiale.idet gravpladsen ikke længere udgør en isoleret del af samfundet bliver døden noget, man møder i sin daglige færd, både i byen og naturen.

Se hele oplægget her:http://1krf9t2oymxj2xrsn23fc5wbjvx.wpengine.netdna-cdn.com/wp-content/uploads/2012/11/hvor_der_er_liv_er_der_d%c3%B8d5.pdf

Bedømmelse: ingen placering


KIRKEGÅRDEN - ET SPEJL AF TIDEN

MIDDELALDER OLDTIDEN OPLYSNINGSTID ROMANTIKKEN

Gravpladsen

Mennesker med forskellige religiøse over-bevisninger bliver begravet ved siden af hinanden.

Gravpladsernes knyttes til kirken. De rige begraves i kirken, mens de fattige begraves omkring kirken.

De rige bliver nu også begravet på kirke-gården og monumenter afspejler det sociale hieraki. Træk fra tidens landska-belige haver ses på kirkegården, samtidig med at døden bliver mere romantisk og mystificeret.

Den græsklædte kirkegård Kirkegården med monumenter- uafhængig af kirken - overladt til tilfældigheder - mindekultur

DET 20. ÅRHUNDREDE195019301900

Den regulerede kirkegård

System indføres på kirkegården. Ten-densen er dobbeltrækker med grave på hver sin side af en sti. Systemet dannes af hække.

Der skabes en overensstemmelse mel-lem det enkelte gravsted og kirkegårdens helhed. Den enkelte gravs betydning bliver mindre - alle stilles lige i døden.

Flere bliver begravet i urner og i ano-nyme fællesgrave med fælles mindes-mærker. Samtidig åbner kirkegården op mod naturen og landskabet.2

Den arkitektoniske kirkegård De anonyme fællesgrave- hensigtmæssig indretning - gravstederne danner en helhed - åbner op mod natur og landskab

98

GRAVPLADSER I DAG

I dag ligger størstedelen af gravstederne stadigvæk omkring kirken, indenfor en ramme og i strukturerede mønstre.

Vores koncept vil bryde denne indrammende struktur.

Kirke

Ramme

Struktur

11

GRAVPLADSEN I ÉT MED LANDSKABET

Gravpladser i landskabet

Landskabet

Gravsteder

13

FJELDET

17

reFerencer SiDe 20

i er velkomne til at kontakte:

rikke hedegaard Jeppesen, landskabsarkitekt og min vejleder hos rambøll, på tlf. nr. 40 97 98 87

christian nyerup nielsen, afdelingsleder hos rambøll, på tlf. nr. 51 61 62 77.

UDtaLeLSe SiDe 21

Udtalelse vedr. Linda Bonde

Til Hvem det måtte vedrøre.

Linda har været tilknyttet Rambøll, afdeling for Klimatilpasning og Spildevandsplanlægning i efteråret 2014 som specialestuderende og studentermedhjælper.

Linda har skrevet speciale i forlængelse af projektet Gedvad Klimatilpasningsstrategi, som omhandler klimatilpasning på private villaveje i Gladsaxe Kommune.

Linda har et stærkt fagligt drive. Hun undersøger nysgerrigt og kritisk projektets muligheder, og er ikke bange for at tage spændende og overraskende beslutninger i sit greb.

Linda er stærk analytisk og har en god teoretisk forståelse for det som går bag om analysen.

Som studentermedhjælper arbejder Linda hurtigt, selvstændigt og præcist og er opmærksom på de processer der foregår omkring hende.

Linda har en behagelig og lun omgangstone, og det har været en fornøjelse at arbejde sammen med hende.

Jeg ønsker Linda alt det bedste fremover.

Med Venlig Hilsen

Rikke Hedegaard Jeppesen, Arkitekt MAA

UDtaLeLSe SiDe 22

UDtaLeLSe SiDe 23

linda Bonde landskabsarkitekt MDl

[email protected]

+45 61 67 91 88

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