HvtKl"^-{d10, I fi(u<t B< {uvg {

You Can't llury LodeI DorI Cdrc A tnottI Canhot Beliere h's Tt aD. You K ou, Do Ydt Catu?Ir Don\ Mattar ' lo Me

Don\ Lct llin Stcal Yout Hearl Audl

Wbr Cat't II wdit "Iit Momi s

3

12I520

2732J8

You Can't Hurry Looe

ll,ii rllll ilill l,i; t l t i r i l i l l l

r i -

3

\v, nL u,l Mstr br FDDIE HoLLAND.

^MONT ] ]OZIEP "Nd

BPI{N HOLLANN

\! LI

i:{ti l;]i i[+1 ffi:itllr;iir

i sn,rol S,v. rod i3r.c

r'A'+

-fr]r,

'"4,*, I r -r,- ------

I

l^,'olo

A,\lir

ttr=

: : r Lr*

I

a-a-------"'-I {----i-T.-J n'i,"r ft - '-

9. t ,DA

9-6l. l

t:';j t+ )Lf

'i: N T-'l,u

d^: ' i t ,)t '

/

/ . . . "\,)b. lF-: ]

- I I

- r l

- -1 F-" t ,

- : F- :

- )- . : ' ; -1-' i t

- '1 ra- "1

;b 4r, r i A'6 Eb -

EV

i

.+: ..

-

Brr , ! r i t r l tA(Lo!rLlotr r .o t lxr Y I

cii

nd' Mv! b wr ' - she ! t rd. lovtdon t lo iN cN v.

I Don't Care AnwnorewoiL, ed Msic by PHILTP COLTINS

tel l ev- ' ry-one I 'mtllk Lng lo the p€o-pLe

- den-ber all tbe tlneg

. dan- dis - srace_thrt you callyoui f.lend6

I trt€d- so hard-

D.ag mY- @me al lmetherejsa

laughed tn ny lace 'cos you

o - ver lheplace, I don't l,r ) c!re an v more.

h€ld al l th€crds. I don t l

. .s xLl I {xnt of

{^ ' ,

J

t

play lhesnnrcpl'yed by rhesane fuLes

dL. l be l ieeevou much

I sot bet te.rh nastn !n s i rh my

t l

(You l is te i ing?) I dotr ' r

11

'Cos ev - 'ry

1nr- t l

dayHey

I 'm feel - ingI ' t l do at -

my self .my - 8el f .

f ine withright lrY

D.'{ . ar+ coDA

Repeat and lade$cou

t2 I Cannot Believe lt's TrueWords and Music by PHILIP COLLINS

Guitar chods used in thk compGitionl

##H#r##gfu"f f i#Ef iH##E+Hff i

o-Dened v@ let- ler. , peo:ple I rn ta lk- ing to dmrl un-

It ruf!!A@!!!4L N \They donr l s€em

rcos I jve al - i€ad - yThey're- l is- len - ing

Em?

have slipped your-dind-cru - € l to be kind.-

Bui I re _mem-ber

An-y k i .d of feel- ine

C Dm7€) Copyrisht 1982 by EFFECTSOUND LTD./HIT & RUN MUSIC (PUBLISnINC) LTD.

FmajT En? Dm?

,;.J

13

I gave i t to you- Now Ih l iv- iDg on bo!- towed r ine-

Ffm?-5

do-ing the rhings- you

v iFl

O-ver and o- ver I keep- tel l - ing my-sel I - O-ver and o-ver r hope-

nolh- ing thal I - can

deibg th€ rhings-you do. -

15

IIt

F/Eb

INev-et meani i t to show-

A' IE' B2IF

hap-pen- ing, thar 's al l

16 Do You Know, Do You Care?

Guitarchords urod in this compoijtion:

P..-cnFB,Fhcn

f f i f f i f f i f f i f f i f f i f f i

Words and Music by PHILIP COLLINS

Moderately

and II d id, I should-nrt

wan -na know why-mag- ic wi l l So-

And donrt @ke noI l hap-pened once be-fore. YourU

F/CCtn1

bet- ter ex-plain-take i t a -way-

donl know what the u6ethen come back for more.

fhor I

O Copyrigni 1982 by EFFECTSOUND LTD./HIT & RUN MUSIC (PUBLISHINC) LID.

\7

why- did

Irm try- ing

you 1ie? -@uld,you could-nrt ,nowwerentt, }ouhard io be hard but

I sDonrt

F/C F/C

macle it look sotoo late for yourdown in-s ide I 'm

You did i t ,Yourre ty - ing,

ger r ,

F/C Cm7 Cm

IrmI ' l l

FIC Cm7

Laugh-ingall the

r r r r

and do you care?-

Bb tc

(Wel l ) do you know-

Rb/c RblF Rb tEb Ftc

t,

ro t coDA

I9

D.tt d +

CODA+(Well)do you

Rb IC

F/c cm?

Repeat tilt fad€

20 It Don't Matter To Me

Guitarchordr ussd In this composition:

c06AncEmD,,+{+ c-444! *-.-4 ..# 9,-44+

-4,-Hf f i f f i f f i f f i f f i f f i

Word6 and Music by PHILIP COLLINS

CIG C/G

w.l l )That)

D/G ctG D/G D/G CIG D/G

A"d)wel )

r ' don,t matter 1o me-what )ou,re do-

D/G CIG D/G

O Copyright 1982 by ETFECTSOUND LTD./HrT & RUN MUSIC (PUBLISHINC) LTD,

D/G D/C

27

lve heard it all soto me it's b€€n too

iimes- be-fofe -you- for too long

r ' (

what ,ou're say-ingSo yourd bet-ter

hear it all-fa l l and hurt-

r rr( r

pride- your pr ide-Donrt wan-na hear i t no more-

Yourre gon-na hurt -your Pr ide-

cos therek( no way l lhat(no-wfF}e,

r r

vou can run- { : :"-- . }

I 'm gon -na f ind- you

r rD

((

CID Em/D

7- t tlt t !r r t . r?T

rl

Em/D clD Em/D

And therers( no-bo - dyl thattno prace )

CID

you can ( turn- to-I stay-cos-

Ir l t be be_hind_ you

C/D Em/ D CID Em/D

r t r ?ir-I r

r rtl

TTll

Am/G

CIG

23

- wel l , donrt mat - ter to Irm talk- ing to You talk- ing to You

CIG

Well , i t don' t mat- t€r to Wel l r t donrt ma1- ' ter to ne-

r

Repeat and lade

f.24 Like ChinaGuitarchor& used In thls compostrton:

You get me go- tng justlookingI know yourbroth-er-thinks thd I,m

Words and Music by pHILrp COLLINS

# f f i#f f i f f i##f f i#f f i

dad dyboth say Idad dont tike- me And they i

cr^-zy totelL meeve-ry t ime-

in fat- u -at -eda - rcund- ro see you

you- Know,- we gotwny- cos l r rways

: - th ins Bpe cial nev-er fe l t be-ghten mt tte and comb my

And the feeling'E not hardWimp from the oth-er

lo rec-og-nlsasosLde- of town-

Al- l ighl l 'L l .omeoul- in the o-penwlrh t r , wLl lI knoq he s gol-meurong bec&set m real- ly nor l ike that , I ' lL

@ Copt{igbt 1982 by EFFECTSOUND LTD./HIT & RUN MUSIC (PUBLISIIING) LTD.

25

c'"{i$i!}n"tt*' er"L r'""- Tel l me do you feel the same- way'-

WeLII ' lLshowyou I 'm not l lke 'cos I know who I

6i lk- and yoqreyes- i ikef i rst t ime- I heLd- Your

last time you-were

E6/G

l

But I go canrt go on- th ink- lng you- donrt- feel th€

same way a3 I do. so- carsful I'll ltold you ltko cht- na. Irupromke not to

hurt you.I'L I ho ld you Uke chl- na. Youwoif t feel noth-lng,- t^

ca D/rl

t6ll €v- '!y bo-dy.

- Lt 'syour f t r6t- t ime.-

lnd oow- I -$ant- tbemal l - lo see,-

Thru These lYallsGuitar chords used in thir composition:

. Bd7 En D csus Asus c? B. rl. j'7 c En7

# f f i f f i f f i f f i f f i f f imff i f f i f f i f f iModeraLety

c/D Bm7

27

Wo.ds and Music by PHILIP COLLINS

5<>e) at=----o'--------,f I ' r

r al{ .2.

II

I can hear l t when they'redows I can see lhe

fool- in ' a-round.-girls and the boys.-

can hear thrir' Lhese walls-can see lhru' mY win-

II

YiFr

and I h€ar ' ry s ign, - ev- ' rY sou!d.-im _ a-.- gine the noise,-

Bm7

O copyndt 1982 by EFFECTSOUND LTD /HtT & RUN MUSIC (PUBLISHTNC) LTD

28

can hear thrut the6e walls -can seethrut mY wln- dow.

in the dark wtlh theI can see lhem_

shade8 pul leddown.-play-ing with toys-

trf

that they say-I t won't end-

D/F+

Ev-'ryohr hope -

t

I

L

ro$cooe

TT r

prom - lsecom - ingju6l be friend.-

they feelE my

fav-rr i te mo- mentls so lone- ly

put-tlng the glass-I don' tget high-

\

29

- offnexl to the wal l .just be - ing me.

Im-?-ain-4-

r l rL. nra-ranr l - ing

Tho, I see noth- ingWant- ing to Louch- them,

I hear itwanL- ing lo

Put-ttng my sign-It's on - ly norm-

Do not dis-turb- mejCreep-ing be -hind- you

speak or shout-nowdon t shout-

in - side out -I ^^r

l f ra , l - . ldhf-

'oh mlnd my clothes, lheyrre el l -They keep lhe win - dows locked*

Laidand

out.-the door-

Ffi"lcl

30

I 'm feeL-lng

--1!-1 r r

locked in No

31

D. ' ( . at+coDA

I can feel i t a l l a - round- me.-

D /Fil

$cooe

Ah- yeah- 61r_ yeah_

Ah_ yeah,_

,/

32 Don't LetGulurchod! ur€d in this comporition:

Him Steal Your Heart AwayWorft and Music b!, pHILIp COLLI\

G7 C/G

f f i f f i f f i##d$dn+e#ff iModeratety

G Gmaj?

,f

GmajT

You were Lone-ly andYou can Look al him the

need- ed a fr terd-way you did me-

he was there- at lhe right-hold him close- Bayyodre

andand

GmajT

r

ro+ coDA

nm€ with-_ er let-

Lhe rightrlng

Jusl aBulan-y

shoul-der bofool can

C/G G

O Copynghl 1982 by EFFECTSOUND LTD /IllT & RUN MUSIC (PUBLISHING) LTD

Gmajz

Some-onefool - ing ain,t foot-

to te l t - you I t - ' i i a l l - al -your-sel f- But You-

Don't let him steal-

q-3

No,- don' t-

r'

let him sLeal-- your heart-

csus/G

34

Don't let him steal- your heaft-

ti-

donrt

c/G

lE &s

lel him steal-your heart-

D/G

Xz

And don't pack

pic tures of f_ al . ' ,s twal l_LyourJ

And donil take

35

I ' t l be back.-oh, did You bear me? Don't lei him change a thing-

U. ' r

- mole Chance.- t , l l I 'm I 'm r lghL.-

36

roos I've been think-ing ad Ihers gon - na Lry to make iL

leav - ing you lone- Iy ButMake you think- your wholefor you-

hop - ingl i fe 'B been

you- could betead- ing to

t?- Tel l mestrong bul could youBut what -

what etse_Think a bout

I was wrong?-by his kis6-

can I do but

don,t let htm st€al_ youx hear!

n

( n.,-1,^-, 'I Please -.1 "" ' ' let him steaL_ your heart a - way.-

D/G caddAc/G

t- al+ coDA

(

Some-one lo 3ay-Dontt You

it- ' l l a l l - But he's no for

GmajT

Repeat and fade

lead - ing tofo6led by hts

make you ihink-Your whoteThlnk a-boul me.- oh and

l i fe '3don' t

-i 38 The lYest Side

Guitar chods used in thkcomposition;

Music by PHILIP COLLINS

D?sw c_ - Dn

-A-- f.*^ ch? oAm?

BlnaiT c? g, cll Dnll

f f i#f f i f f i f f imff imff i f t+Hff i f f iModerately

O copyrighi 1982 by EFFECTSOUND LTD,/HIT & RUN MUSIC (PUBLISHING) LTD

39

rI

-3-

T

-.i -

a) ^ a-

-.3 - -3-

=1Y

i,

.. 3:. -

-3 ---:

Cm7 BtlrlajT Gm7

1.Ir;-- Z- ,.)^7*- ' t r t r'--[r

-J-

f..Y

C7 DmGrnT

40

1 l ; .

eat and fade

47

Why Can't It Wait'Til Morning

Guitar chords Lsed in this composition:

| ,-E- "- i, -e- -i. Gn''o

1f f iwf f i f f i f f i *df f i f f i f f imff i f f i

Words and Music by PHILIP COLLINS

Slow ly

Why canrt- i l

G/B

a_bout - i1 then. rcos i 've-had a dr ink icD ma-ny

fI

i

Ii.

i

G/B

O Copyrieht l98l by DFIECTSOUNL] LTD rHIT & RIIN MLTSiC (Pllll-ISHING) LTD

42

And my I tou bles,wel l whywhv

,r i l, r i l

Bm7

day- l ighr ?

I 'nr l i red-ancl my eyes e wed yyouf ;Lm. a-rcmd-me Y^'rrra o^ ino

ly ing here wi th mencwherc with-oui me

Am/G

ro +coDA

43

And T donrt !!ad-na Lrndr-{lry $c Co5 J tust \ "n nr hol . l - \ou 50

D.x.r+

and T wan ra s ieeP-so-

Gmaj9