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A HERD IS A LARGE GROUP OF ANIMALS wItH RELAtIVELY LIttLE StRUCtURE. tHERE MAY BE ONE OR FEw ANIMALS tHAt tEND tO BE IMI-tAtED BY tHE RESt OF tHE HERD MORE tHAN OtHERS.
wORk IS tHE MENtAL OR PHYSICAL EFFORtDONE IN ORDER tO ACHIEVE A PURPOSEOR RESULt.
PARSONS AAS GRAPHIC DESIGN WORK 2007:VOLUME 1
tHE LAtIN wORD PORt MEANS tO MOVE. tHE LAtINwORD FOLIO MEANS PAPER OR ARtIFACtS. tHUS A PORtFOLIO IS A MOVEABLE COLLE- CtION OF PAPERS,OR SAMPLES.
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StU-DE-Nt wORk: 2-007
Gre-eenWhe-els,cor-por-ate iden-tityandpac-kagingfor a car dea-ler-ship spe-cial-izin-g in thesaleof envi-ron-men-tallyfrie-ndlycars
Al-phatoOme-ga: A Sur-veyof Fam-ous Phy-sicsEqu-at-ions, inte-rior
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previous degree(s) bachelor of arts in economics, cornell university
work experience junior designer, clarins; cake decorator, baskin robbins; intern, global business dialogue;
intern, south american explorers
languages spoken english, hebrew
what is your favorite adhesive? rubber cement
who would you choose to play you in a movie? wonder woman
what is the last book you read? the alchemist, ben jonson
what typefaces make you cringe? comic sans (especially for office communication)
[email protected] <dana berman>
A K-iddand hisjac-kets: an exh-ibit, pos-ter
40
LeCor-bus-ier, co-ver
Spri-ngTreeMap-le S-yrup, pac-kaging
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previous degree(s) bachelor of arts in english and humanistic studies, mcgill university
work experience designer, draft FCB; intern, teen vogue
languages spoken english, french, italian, latin—no seriously it’s not a dead language
what is your favorite adhesive? studio tac
who would you choose to play you in a movie? reese witherspoon as a brunette
what is the last book you read? blink, malcolm gladwell
what typefaces make you cringe? comic sans
what is in your right pocket? metro pass, bank card and an extra hair elastic
[email protected] <christine boake>
Jac-k o’Lan-tern, po-ster
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Ell-endo n’t be l-ate, co-verandint-er-ior
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previous degree(s) bachelor of arts in art history, oberlin college; bachelor of music in viola performance,
oberlin conservatory
work experience designer, american museum of natural history; assistent designer, tomoko miho inc.
languages spoken besides english? sadly, none
who would you choose to play you in a movie? meg tilly
what is the last book you read? reinventing comics, scott mccloud
what is in your right pocket? post-it of where i’m supposed to go and what i’m supposed to do
website www.buttersdesign.com
[email protected] <ellen butters>
Moder-nist Mal-ice, pub-lica-tion inte-rior
But-ters des-ign, cor-por-ateiden-tity
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Bla- ck Mar- ket Ca- tal- og- ue, int-er-ior
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The AK-47 (shortened from Russian: 1947 Avtomat Kalashnikova) is a gas-operated assault rifle that was used in many Eastern bloc nations during the Cold War. Compared with the auto-loading rifles used in World War II, the StG-44 aside, the AK-47 was generally more com-pact, with a shorter range, a smaller 7.62 × 39 mm cartridge, and was capable of selective fire. It is one of the first true assault rifles and remains the most widely used.
#385414-BQ*
each $2,500€1,400
AK-47
#K-2540*Amphetamines
#L-2541*Amyl Nitrite
#L-2542*Barbiturates and Methaqualone
.
#L-2543* Butyl NitriteRush, Bolt, Bullet, Locker Room or Climax.
#K-2544* Cocaine and Crack Cocaine
#L-2545* Date Drugs
#L-2546*Diet PillsA
#K-2547*Ecstasy
#K-2548*Heroin, Opium and Fentanyl
#K-2549* Hashish and Hashish Oil
#L-2550*Human Growth Hormones
#K-2551*Lysergic Acid Diethylamide
#K-2552*Marijuana
#K-2553* Mescaline and Peyote
#K-2554* Methamphetamines
#K-2555*Morphine and Opium
#L-2556* Narcotics and Painkillers
#K-2557* Phencyclidine
#K-2558* Psilocybin
.
#L-2559* Steroids
#L-2560*Stimulants
#L-2561*Tranquilizers
*
Choose any combination: mixed (boy/girl combos) or two-of-the same (boy/boy or girl/girl combos). **2 for 1 price includes a total of one pair of twins and is subject to availability.
Per child €
2 FOR 1**
*see page 40 for terms & conditions
#882119-EB*Baby Twins
Oil on canvas. 5X3 feet. From 1778. The painting was stolen near Scranton, Pennsylvania, while being transported from Ohio’s Toledo Museum of Art, which acquired the work in 1959, to the Solomon R. Guggenheim Museum in New York. The work was to be displayed at a Guggenheim exhibition,
“Spanish Painting from El Greco to Picasso: Time, Truth and History.” Also featured on FBI’s “Top Ten Art Thefts” list.
#385409*
price €
Franciso de Goya, Children with Cart
*see page 16 for terms & conditions
>
previous degree(s) bachelor degree in communication, pace university
work experience intern, doyle partners; director of events, the swedish-american chamber of commerce of
new york; account executive, luxury marketing group; intern, fleishmann-hillard
languages spoken swedish, italian, spanish, english & some german
what is your favorite adhesive? i can’t believe it’s not butter
who would you choose to play you in a movie? molly shannon
what is the last book you read? what to expect when you are expecting
what typefaces make you cringe? apple chancery makes me nervous
[email protected] <ingrid carozzi>
Bla- ck Mar- ket Ca- tal- og- ue, 88pa-ges, co- ver
46
Milo- s Es- tiar- io Fish Re- stau- rant, web-site
Life-St-yle Co-ndo-ms, pac- kag-ing
49
<ingrid carozzi>
No- bod- y’s Per- fec- t, zi- ne, silk -scr-eenco- ver andinte-rior
48
Saggy Bosom“Just two cups to lift sag. Theultimate in bosom loveliness.”
1960
When life gives you lemons, make lemonade.
t
See-ingBey-ond, inte-rior
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previous degree(s) bachelors of music in viola performance, oberlin conservatory
work experience designer, bella muse, Inc.
languages spoken chinese, english
what is your favorite adhesive? gluestick
who would you choose to play you in a movie? some pixels
what is the last book you read? catch-22, joseph heller
what typefaces make you cringe? papyrus
what is in your right pocket? my metrocard and $5
[email protected] <laura cline>
See-ingbey-ond, co-ver
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V isfor Ve-gas, silk-scr-eenpo-ster
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Zan-gysci-sso-rs, cor-por-ateide-nt-ity andpac-kag-ing
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<laura cline>
De-cad-esofourliv-es, int-erior
73
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THE HOSPITAL SCENE is a must in any daytime soap opera. As
early as 1956, soaps have used the hospital scene as a dramatic
point in an otherwise long-winded storyline. Once a character falls
in love, falls in love again, and is ready to confess, a catastrophic
event lands our lead character in the hospital. Deaths on soap
operas are usually short-lived. It usually doesn’t take too long for
a character to return from the dead. If all else fails, an evil twin
sibling arrives in town to shake things up even more.
previous degree(s) bachelor of arts in international development studies, mcgill university
work experience intern, martha stewart living; intern, loomstate; intern, domino magazine
languages spoken english, turkish, french
what is your favorite adhesive? glue tape and studio tac
who would you choose to play you in a movie? betty cooper
what is the last book you read? naked, david sedaris
what typefaces make you cringe? bauhaus
what is in your right pocket? magic
[email protected] <yasemin sara emory>
De-cad-es of our Liv-es, silk-scr-een co-ver
72
How We See, 145 pa-ges, co-verand inte-rior
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<yasemin sara emory>
I hoisted the bucket slowly to the edge of the well and set it
there—happy, tired as I was, over my achievement. The song of the
pulley was still in my ears, and I could see the sunlight shimmer in
the still trembling water.
“I am thirsty for this water,” said the little prince. “Give me some
of it to drink…”
And I understood what he had been looking for.
I raised the bucket to his lips. He drank, his eyes closed. It was as
sweet as some special festival treat. This water was indeed a different
thing from ordinary nourishment. Its sweetness was born of the
walk under the stars, the song of the pulley, the effort of my arms.
It was good for the heart, like a present. When I was a little boy,
the lights of the Christmas tree, the music of the Midnight Mass,
the tenderness of smiling faces, used to make up, so, the radiance
of the gifts I received.
“The men where you live,” said the little prince, “raise five
thousand roses in the same garden—and they do not find in it
what they are looking for.”
501 622 755
“men,” said the little prince, “set out on their way in express trains,
but they do not know what they are looking for. Then they rush
about, and get excited, and turn round and round…”
And he added:
“It is not worth the trouble…”
The well that we had come to was not like the wells of the
Sahara. The wells of the Sahara are mere holes dug in the sand. This
one was like a well in a village. But there was no village here, and
I thought I must be dreaming…
“It is strange,” I said to the little prince. “Everything is ready for
use: the pulley, the bucket, the rope…”
He laughed, touched the rope, and set the pulley to working.
And the pulley moaned, like an old weathervane which the wind
has long since forgotten.
“Do you hear?” said the little prince. “We have wakened the well,
and it is singing…”
I did not want him to tire himself with the rope.
“Leave it to me,” I said. “It is too heavy for you.”
Swi-tch Off, pos-terser-iespro-mot-inglig-ht pol-lut-ion awa-ren-ess
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switch-off.com
The number ofbirds killed afterbeing attracted to the lights of tall towers rangefrom four to fivemillion a year.
LAN-GU-AGE-S SP-O-kENARA-BIC ANDEN-GLISH
barbara
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>
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Kyo-to Tem-ples, silk-scr-een po-ster
previous degree(s) bachelor of arts in art history, duke university
work experience intern, smart design; intern, cleary gottlieb hamilton and steen; intern, los angeles county
museum of art
languages spoken english, spanish
what is the last book you read? the trial, franz kafka
what typefaces make you cringe? the default one
what is in your right pocket? lint, a dime, a ticket stub for the international contemporary furniture fair
website www.amandahuber.com
[email protected] <amanda huber>
TheWor-k ofRayandCha-rles Ea-mes, bo-okand CDpac-kaging
88
<amanda huber>
The wor-k of Ped-ro Alm-odovar, pos-ter se-ries
9190
Lig-hts, int-er-ior
99
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previous degree(s) rochester institute of technology
work experience freelance designer, martha stewart living; intern, the newschool communications and
external affairs office
[email protected] <jeffrey kurtz>
Lig-hts, 140pa-ges,co-ver
98
Re-le-ase, po-etrypub-lilc-at-ion, inte-rior
125
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work experience art director, neferart inc.; designer, project Q design office; advertising intern, SWO co. ltd.
languages spoken japanese, english
what is your favorite adhesive? studio tac
who would you choose to play you in a movie? johnny depp
what is the last book you read? black jack, osamu tezuka
what typefaces make you cringe? arial and optima
what is in your right pocket? appreciation
website www.mokur.com
[email protected] <masakazu okura>
Re-le-ase, po-etrypub-lilc-at-ion, co-ver
124
TheDyi-ngSta-rs, silk-scr-eenpo-ster
105
previous degree(s) bachelor of science in commerce, mcintire school of commerce, university of virginia
languages spoken english
previous work experience intern, laird + partners; associate merchant, abercrombie & fitch
what is your favorite adhesive? rubber cement
who would you choose to play you in a movie? tom hanks
what is the last book you read? way of the peaceful warrior, dan millman
what typefaces make you cringe? courier
what is in your right pocket? chapstick
[email protected] <sean lauer>
Dex-ter, pro-mot-ion-alpo-ster
104
><masakazu okura>
Art for $ Sake,mo-tiongrap-hic
D+PPub-lish-ing, cor-por-ate iden-tity
127
Con-cre-teIsl-and,J.G.Bal-lard, bo-ok co-ver
126
FAV-0R-ItE ADH-ES-IVEELM-ER’S GLUE
mitch
137
<judith rytz>
RytzKon-fec-tion,pho-to-cop-iedinte-rior
145
RytzKon-fec-tion,lett-erp-res-sedco-ver
144
>
Ea-sy Pic-ki-ns, silk-scr-een CDpac-kag-ing, int-er-ior
139
previous degree(s) masters of business administration, university of tennessee; bachelor of business
administration, university of tennessee
work experience designer, archer>malmo; designer, windup design
what is your favorite adhesive? super 77
who would you choose to play you in a movie? i don’t know, i’m sure it would need to be a silent film
what is the last book you read? the kite runner, khaled hosseini
what typefaces make you cringe? no particular one, just when they are misused
what is in your right pocket? luck
[email protected] <jeff perky>
Ea-sy Pic-ki-ns, silk-scr-een CDpac-kag-ing, co-ver
138
<jeff perky>
Mot-her-lessBr-ook-lyn,Jon-ath-anLet-ham, bo-ookco-ver
141
IOU,po-sterus-ing pho-to-lith-ogra-phy
BoxCarCr-ushNo. 00-429, silk-scr-eenand rub-ber st-ampco-ver
140
Lea-fpopgum, adv-erti-sem-ent
147
previous degree(s) bachelor of architecture, the cooper union
languages spoken english
previous work experience humanscale, tru design
what is your favorite adhesive? super 77
what is the last book you read? on beauty, zadie smith
what typefaces make you cringe? comic sans
what is in your right pocket? my mini sketch book
website www.sciandradesign.com
[email protected] <francesca sciandra>
The Atl-an-tic, pu-blic-at-ion,inte-rior
146
Mot-her-lessBro-ok-lyn,Jon-ath-anLeth-em,bo-ok co-ver
HalfTh-ere,aco-rdia-n b-ook
155
previous degree(s) ontario college of art & design, AOCAD sculpture/installation
work experience designer, the office of gilbert li; designer, toronto life; designer, chatelaine; intern,
visionaire; assistant curator, doris mccarthy gallery, university of toronto; managing editor, prefix photo
magazine, prefix institute of contemporary art
who would you choose to play you in a movie? cynthia nixon
what is the last book you read? the colony of unrequited dreams, wayne johnston
what typefaces make you cringe? felt tip
website www.laurenwickware.com
[email protected] <lauren wickware>
Dr-opout,cov-er andins-idede-tail
154
>
AN ANIMAL tAkING ON tHE ROLE OF tHE LEADER IS CALLED A
“CONtROL ANIMAL,” SINCE ItS BEHAVIOUR wILL PREDICt tHAt OF tHE ENtIRE HERD.
161
FEA-tURE-D F-ACU-LtY MEM-BERWILL-IAMVANRO-DEN
165
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william van roden art director, martha stewart; illustrator; professor, aas graphic design, type 2 and portfolio & process
Res-ume with only com-pany list-ings and clie-nts. Des-crip-tions were pur-pos-ely omit-ted sinc-e all jobs were art dir-ect-ion or were self-exp-lan-ato-ry. Type-set in 24 poi-nt Col-lis. Font des-ign-ed by Chris-toph Noo-rdzij.
166
Pho-toboo-th por-trait, Orly Air-port, Fra-nce. May 1994.
167
<william van roden>
168
Var-ious pho-tob-ooth por-trai-ts. New Yor-k,Los Ang-eles Pitt-sbu-rgh, Lon-don, Par-is. Fro-m 1991 - pres-ent.
169
Sam-ple spr-eads fro-m Metro-po-lis mag-az-ine’sfir-stpho-tog-rap-hy iss-ue. All edi-tor-ial spa-ce we-nt to art pho-tog-rap-herswho we-re ass-ign-ed a the-me. Wit-h that the-me, a new persp-ec-tive of arc-hit-ect-ure and our sur-rou-nd-ings was des-ign-ed into spe-cial is-sue.
181
<william van roden>
Var-ious Met-rop-olis mag-a-zine cov-ers.
180
Pro-po-sal for M3, a mag-az-ine by MTV.
185
<william van roden>
184
Brin-ins-tool + Lyn-ch: Bui-ld-ing on Mod-ern-ism bo-ok des-ign for Edi-zi-oni Pre-ss.
183
<william van roden>
Des-ign pro-po-sal for Mod-ern-ism mag-a-zine wh-ere the logo and bar-code flu-ctu-ate pla-ce-ment on the co-ver of a gra-phic im-age.
182
Mar-tha Ste-wa-rt’s Hom-eke-epi-ng Handbo-ok, 2006. 744 pag-es, two col-or, with ace-tate jac-ket.
171
<william van roden>
HOW DO YOU get a student to learn design as well as aspire to be a creative director? I give them an abstract concept like “sound” or “light” to brainstorm. With their chosen focus, they articulate a mission statement and springboard the information into graphic design through re-search, through exploration, by taking art direction from me, and by learning to direct themselves. Along with humor, passion, and some show-n-tell, I am always amazed by the professional and unique work.
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The two col-ors were pan-to-nes of light blueand inst-ead of the sta-nd-ard bl-ack, a de-ep dark br-own. Fon-ts u-sed: Got-ham Caps, Knoc-kout, Swift, and Arch-er (cus-tom). Num-ber one New York Ti-mes best-se-ller.
173
<william van roden>
172
Eve-ryDayFo-od.Ba-sed on the mag-az-ine, pop-ular rec-ipes and their ph-oto-gra-phs tra-nsf-orms intoa bo-ok. Fo-nts used: Got-ham Caps, Kno-ck-out, andPro-fo-rma.Num-ber one New York Ti-mes best-se-ller.
175
<william van roden>
174
FEA-tUR-EDALU-MNAJEN-NI-FERDE-KLA-VER
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I RECEIVED A business degree from the university of Washington. After school I worked in corporate special events before becoming a flight attendant. Having grown up overseas, I was facinated by the great masters of art and ar-chitecture. I wanted to formalize my degree in design and be part of the best school. My experience at Parsons was incredible. The instructors, enviroment and class-mates taught me the nuances of type, the importance of a con-cept, and that true passion must infuse all you create. After school,
jennifer de klaver creative director, target aas graphic design alumni 2005
192
Joh-n-son, Phil-lip exh-ibi-tionpo-ster
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<jennifer de klaver>
194
projects came knocking at my door through the career center and job fairs. I began working alongside Colette Malouf and the Chelsea Art Museum. Target saw my portfolio and contacted me. I began to work as a senior art director with one of the most innovative corporations in the de-sign and advertising world. I have been involved in catalogs, adver-tisements, packaging and in store signage. The experience has been amazing and Parsons has been a huge part of my success.
