OD KLASIČNOG DO MODERNOG, SLIKANO AKVARELOM FROM … · IN AQUARELLE VALJEVO - SRBIJA maj 2014. INTERNACIONALNI UMETNIČKI STUDIO Radovan Trnavac Mića INTERNATIONAL ART STUDIO

SAVO PAVLOVIĆOD KLASIČNOG DO MODERNOG,

SLIKANO AKVARELOM

FROM CLASSIC TO MODERN,IN AQUARELLE

VALJEVO - SRBIJAmaj 2014.

INTERNACIONALNI UMETNIČKI STUDIORadovan Trnavac Mića

INTERNATIONAL ART STUDIO

Suvoborska 48/1, 14000 Valjevo, Srbijatel/fax: +381 14 225 155

[email protected]

Radno vreme galerije: 11 - 19h

Umetnost, kao najprefinjeniji vid duhovne delatnosti, posredstvom univerzalnog umetničkog jezika, razumljivog na celoj planeti, ima mogućnost da uspostavi komunikaciju sa svim narodima sveta.

U vreme nacionalizma, šovinizma, antisemitizma, terorizma i svih ostalih uzročnika koji razdvajaju narode, danas, više nego ikad ranije, potrebno je uspostaviti tu komunikaciju.

Upravo iz tih razloga, u gradu Valjevu, u srcu Srbije, otvoren je Internacionalni umetnički studio “Radovan Trnavac Mića” koji, poput na stotine sličnih umetničkih institucija širom sveta, želi da svo-jim postojanjem doprinese ideji spajanja naroda, različitih kultura.

As the most popular profound form of spiritual activity, art has the capacity of communicating with the entire world in a universal language. In these times of raging nationalism, chauvinism, racism, anti-semitism, terrorism and other feelings segregating and separating nations, more than ever before, this form of communication is a must.

For those reasons the International Art Studio “Radovan Trnavac Mića” has been founded in Valjevo, a town in the heart of Serbia, to establish this kind of communication. Like hundreds of similar insti-tutions worldwide, the studio wants to nature idea of bringing closer together nations with different cultures.



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REKLI SU O UMETNOSTI SAVE PAVLOVIĆA

RITAM MORSKIH TALASA

“Akvarel je tehnika koja ne trpi ponavljanja, prepravke i dorade, ona je sva u činu neposrednosti. A Savo Pavlović tako i slika: slobodno, direktno, u velikim zamasima i ritmovima, emotivno i krajnje otvoreno. Ovi veliki formati su zbog toga zvučni u koloritu, jedinstveni u kontrastima, harmonični u jedinstvu oblika i pros-tora. Samo format hartije ograničava format slike: inspiracija (u velikom zamahu) inače teče kao reka ili se javlja kao sila morskih talasa, što se uzdižu na horizontu, kao monumentalna metafora nekog drugog sveta, tamnog i tajanstvenog.”

Sreto Bošnjak, istoričar umetnosti

UZBUDLJIV LIKOVNI DOŽIVLJAJ

“Neobično istančanim osećanjem Pavlović je u stanju da uobičajen motiv pretvori u uzbudljiv likovni doživljaj. Doživljaj koji budi u nama zaboravljena arhetipska značenja. Okružen Mediteranom, iskonski opsednut nje-govim suncem i plavetnilom vode, on upravo bira vodenu tehniku da izrazi ono što sama voda, kao suštinska tvorevina ili materia prima u kojoj je stvoren život, upravo jeste. Taj mistični prapočetak u kome je stvorena klica pokreta i relacije. Pavlović živi svoje slike, a svaka od njih odražava posebnost trenutka ispunjenog različitim emocijama nanovo inspirisanim životom. Jer, voda je ne samo izvor života, već i sredstvo ošišćenja i središte obnavljanja. Uroniti u vodu, ne rastvorivši se u njoj, da bi iz nje ponovo izašao, znači vratiti se samom onom koji život daje.”

Lucija Đurašković, istoričar umetnosti

POZIV NA GLEDANJE I NA UŽIVANJE

„Tri tačke Savinog školovanja, Sarajevo-Beograd-Rijeka, a potom studijski boravci Rim- Atina-Pariz, kao da označavaju i svojstvenu mu širinu u kojoj nema mesta ni za kakve ostrašćenosti i podele. Ako pojedinac već nema snage da ih ukine, onda im se može suprostaviti odabirom načina života. Savo je to i učinio. Siguran u svoj izbor i u svoj put, vratio se u Reževiće, u staru roditeljsku kuću zimi, a na Presjeku leti. Tako ribolov traje čitavih 12 meseci – ili u moru ili u akvarelu.

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Pa ipak, na njegovim slikama ostaju tragovi “angažovanosti”, refleks vremena u kojem su svakovrsna zla post-ajala moguća i svakodnevna pojava. Uostalom, zlo je jedna od univerzalnih ljudskih kategorija, ponovljivo u svim vremenima i na svim prostorima. Zato se, dok posmatramo Savine vrše u kojima zarobljena morska bića nemoćno pokušavaju da nadu izlaz, ili se u grču prepliću udovi različitih morskih vrsta – riba, hobotnica i rakova, u surovoj i poslednjoj borbi za život, teško otimamo utisku da Savo, na svoj karakterističan način, saopštava uvek istu, pa i našu balkansku priču.”

Mr Božena Jelušić, profesor književnosti

PESNIK MORA

„Harmonizovanjem realnog i imaginarnog, asocijativnog i apstraktnog, lirskog i strukturalnog u delu Sava Pavlovića koji nije samo vrsni poznavalac zanata, već i samosvojna kreativna ličnost, ponovo su vaskrsle mit-ske slike mediteranskog duha izraženog simbolima moći i snage prirode. Magična tajanstvenost i pritajena misterija nepoznatog našla je odraz u sferama novog Univerzuma izraženog likovnim jezikom “kosmičke” asocijativnosti. Govorom forme, simbolikom, likovnim elementima: bojom, ritmom, linijom, jedinstvom gesta i osećanja on strukturalnim elementima daje novu dimenziju.“

Ljiljana Zeković, istoričar umetnosti

Likovni svet Sava PavlovićaLJUBIČASTO U LJUBIČASTOM

“Zamislite prizor u letnjem danu, kada je nebo visoko i prozračno, a pod njim more kobaltno ili tirkiz plavo, zavisno od njegove dubine. Zamislite priobalni deo mora, tamo gde plaže nisu zagađene otpacima nemarnih turista, providno i čisto da možeš i na nekoliko metara prebrojati svaki oblutak na njegovom dnu ili videti sopstvenu senku dok plivaš, ako ti je sunce za ramenima, a površina mora mirna. I tu, zavisno od kamena koji je na morskom dnu, ti satima, ako imaš strpljenja, možeš istraživati nijanse plavog: plavo kao sedef, kao beonjača, kao plavilo za veš, kao razvodnjena tinta, kao opna kokošijeg želuca, kao hrbat škombra, plavo kao fazanovo perce... i kao čipkani rub na obodu plave svile blješti pod suncem žalo svojom belinom dok makija i divlji šipci načuljeno sa crvenih hridina vire u more svojim zelenim čubastim glavama. Plavo, plavo i plavo, crveno i zeleno i blještavo belo - sve to, pomamno po svojoj žestini, a čedno po nevinoj nagoti kakvu imaju predeli koje nisu prostituisali beton, asfalt i napasni čovek-turista.Čestice svega toga: i boja neba i boja žala, i klješta raka i oklopa školjki, sav taj šaroliki i, s jedne strane zapen-jeni i razigrani svet, a s druge strane skamenjeni život, naišao je na još jedno svoje zaustavljanje - na platnima Save Pavlovića.”

Bosiljka Pušić, književnik

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Aqua kao materia primaUVOD U LIKOVNU POETIKU SAVA PAVLOVIĆA

“Nimalo slučajno, slikanje vodenim bojama jedna je od najstarijih slikarskih tehnika koju su posebno koristili narodi Mediterana, kod kojih je uobličena misao o vodi kao prvom principu bića (u grčkoj mitologiji: Okean kao praotac svih stvari, bogova i ljudi; u filozofiji: voda kao arhe/načelo bića - Tales).Ima opet mišljenja kako je Pavlovićeva likovna struktura utemeljena na, uslovno rečeno, muzičkom odnosu. Ako ovaj odnos donekle slobodno konkretizujemo, on bi mogao odgovarati onome što se podrazumeva pod muzičkim impresionizmom najprisutnijim u muzici Kloda Debisija (recimo simfonijska forma karakterističnog naziva More), a ovo, ne samo kod pitagorejaca, čini suštastvo (ousija) svega bivstvujućeg.”

profesor Dr Siniša Jelušić, profesor književnosti

IGRA

“Spontano, skoro nesvesno, igrajući se, Savo Pavlović stvara dela neposredno, bez plana i shema, bez racionalne proračunatosti, dela visokih likovnih vrednosti, dela koja već imaju značajno mesto u savremenoj crnogorskoj umetnosti.”

Lidija Đurašković, istoričar umetnosti

Savo Pavlović - Mediteranac, kulinar, madioničar, dirigent simfonije ukusa sazdane od spektra svevišnjeg ovozemaljskog vodoplodnog milja, akvarelista... Vrhunski, istančani, i uvek pomalo strastveni ukus za lepo iz već lepog - preneo je na stotine komada hladne papirne mase.Prepoznatljiv kao lovac pokreta, kao fotograf trenutka, stvara akvarel kao dokument nama nikada do kraja otkrivene i sagledive, a uvek izazovne morske baštine.Oštar samo u pogledu svom crnom, crnogorskom, i bistrini svojoj reževićkoj, i pokretu svom sportskom, ribolovačkom - svaki nam put podari po koju raznovrsnu platu, a da se na suncu ne sasuši, zalije crnim vinom crmničkim – njegov je svaki akvarel za jesti, a jelo koje vam spremi samo za gledati.Ili, kako Savo zna da kaže:” Pa, ljudi, ovo je za bogove!“

Vesna Bjelica Ćurčić

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RADOST I MELANHOLIJA

“U tom obilju bojenih vrednosti postoji, dakako, nešto što je odraz životne radosti, ali i odraz nekakve čudesne utihnutosti i melanhonije.”

Sava Stepanov, istoričar umetnosti

Pismo iz ParizaSLIKARSKI ZVUCI IZ TIŠINE

“Ko se još danas bavi akvarelom? Ne samo u kontekstu crnogorskog slikarstva, nego i u kontekstu pariskog i evropskog, akvarel je ostao jedna retka i teška “stilska vežba”, tako da akvarelist, uporan i dosledan u toj up-ornosti, kakav je Savo Pavlović, podseća na, ne baš mnogo srećnog, izabranika među sanjarima. Akvarel je za Pavlovića više nego slikarski izbor, on je zaista više od toga - sudbina! Kao da je za sobom spalio sve tragove, sva iskustva matičnog likovnog realizma, uspavao se na dnu mora, ili se pretvorio u prsten viševekovnih maslina, probudio se zatim i ponudio nam svoje boje, rizikujući da svoj, i naš život, svede na snovno islikane zvuke iz tišine. Jer za Sava Pavlovića akvarel je zaista zvuk, ali onaj iskušenički, onaj najslojevitiji, koji po-tone na dno bića i bude ili njegov udes, ili njegov ulov, ili šifra nad kojom i slikar, i posmatrač, i kritičar, bdiju, tražeći odgonetku.”

Jezdimir Radenović, novinar

RASKOŠNA MODULACIJA BOJA

“Pavlović stvara na najkvalitetnijem akvarelskom papiru koji je veoma čvrst, pun i hrapav. U toku rada, ko-risti akvarelne pigmente u kockicama koje predhodno rastvara vodom u većim posudama. Tako priprem-ljeni supstrat, nanosi širokim četkama na suvi ili ovlaženi papir. Na tretiranoj podlozi, pojavljuju se veoma bogata koloritno - ekspandirajuća pretakanja. Nakon prosušivanja, Pavlović vodom spira višak naslojenog hromatskog supstrata, nakon čega nastavlja da slika i definiše oblike i forme. Istražen kreativno - likovni postupak i izuzetno raskošne oblikovno - hromatske modulacije, čine njegova slikarska ostvarenja veoma karakterističnim i prepoznatljivim.”

Slobodan Slovinić, slikar

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ABOUT SAVA PAVLOVIC’S ART

THE RHYTHM OF THE SEA WAVES

“Aquarelle, as a painting technique, does not support repetition, changes or add-ons. It is an instant act. That is how Savo Pavlović paints: he paints freely, directly, in wide gesture and rich rhythms, emotionally and ex-tremely informally. Therefore, his large format paintings are rich in colours, unique in contrasts and harmoni-ous in unity of shape and space. Only size of the paper limits the painting: the inspiration (spreading widely) flows like a river or appears as the sea wave’s force rising on the horizon, like a monumental metaphor of some other world, dark and mysterious.”

Sreto Bošnjak, historian of art

AN EXCITING ART HAPPENING

“Pavlovic’s delicate feeling turns a usual motif into an exciting art happening. This happening arouses in us forgotten archetypical meanings. Surrounded by the Mediterranean, truly obsessed with the sun and the blue colour of water, he chooses water colour technique to express the fundamental significance of water as materia prima, where life originated. It is the mysterious start when the nucleus of movement and relation-ship began. Pavlović dwells in his paintings: his paintings reflect an individual moment filled with emotion, inspired by life. Thus, the water is not only the source of life, but is a mean to purify and recover. In order to return to the source of life one must immerse in water and return unchanged.”

Lucija Đurašković, historian of art

AN INVITATION TO PERCEIVE AND ENJOY

„The education of Savo Pavlović is represented by three cities: Sarajevo-Belgrade-Rijeka, as well as another three where he went to study after graduation: Rome-Athens- Paris, all of them stand for his vast, broad per-sonality, where there is no place for hatred and divisions. Unable to prevent wickedness, one can oppose it by choosing a different way of life. Savo accomplished this by returning to live in his parent’s home in Reževići during winter, and to Presjeka, in the summer. Thus his interest in fishing lasts year round, either on the sea or by means of aquarelle painting.

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In his paintings one can perceive traces of so-called “involvement”, as a reflection of modern times, where numerous wicked acts have become a part of daily routine. Evil, as one of many universal human failures, con-tinually repeats everywhere. Therefore, while we are looking at Savo’s fish traps with imprisoned sea beings uselessly trying to find the way out, or bodies of different sea species-fishes, octopuses and crabs, interwoven in a trance of the last cruel fight for life, we can hardly remain indifferent to an impression that the painter Savo, in his manner, tells us timeless, and at the same time our own, the Balkan’s Story.“

Božena Jelušić, M.A. professor of literature

THE POET OF THE SEA

„Savo Pavlović is not only an artist but a creative personality as well. In his art the real and imaginative, the associative and abstract, the lyrical and structural are harmonised. Expressed by the symbols of the nature’s strength and power, mythic pictures of Mediterranean spirit resurrect. Magic secrecy and concealed mystery of the unknown have found reflection in the spheres of the new Universe, expressed by the artistic language of cosmic associativeness. Using form, symbols and elements of artistic expression: represented in colour, rhythm, line, unity of gesture and feelings, he gives to the structural elements a new dimension.“

Ljiljana Zeković, historian of art

Paintings of Savo PavlovićPURPLE IN PURPLE

“Imagine a scene on a summer day, when the sky is high and transparent, and, depending on depth, cobalt or turquoise blue sea below. Imagine the sea near the coast not polluted by the negligent tourists, transparent and clean that you can clearly see pebbles on the bottom, or see your own shadow when you swim, if the sun was behind your back, and the surface of the sea calm.There you can, patiently, search the nuances of blue for hours: depending upon the type of the rock on the sea bottom: pearl blue, blue like the white of the eye, like diluted ink, like membrane of the chicken’s stomach, as a mackerel’s spine, blue as a pheasant’s feather ... and a white beach glitters like the lace sown at the edge of the blue silk, while maquis and wild pomegranates peek into the sea with their bushy green heads. Blue, blue, blue, red and green and glimmering white, all frantic in their passion and innocent in nakedness, not perverted by concrete, asphalt and seductive man - a tourist.Traces of the colours of the sky and the beach, crab clutches and mussel shells - colourful, effervescent

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rushing world on one and another, petrified world on the other side, has stopped on the Savo Pavlovic’s paintings.”

Bosiljka Pušić, writer

Aqua as materia primaAN INTRODUCTION TO THE SAVO PAVLOVIĆ’S POETICS

„Watercolour painting is, not by chance, one of the oldest painting techniques . It was used by the people who lived in the Mediterranean basin. They believed that the first principle of all things is water (in Greek mythology: the Ocean as forefather of all things, gods and human beings; in philosophy: water as arche first philosophised by Thales of Melitus). Some critics believe that Pavlovic’s painting structure is based on a music relation. If we try to freely inter-pret this correlation, it could reflect what is considered as impressionism in music, the best presented in the music of Claude Debussy, for example in La Mer, an orchestral work in symphonic form, and all this, not only in Pythagoreans’ philosophy, is the essence, ousia of all individual things or beings.“

professor Dr Siniša Jelušić, professor of literature

A GAME

“Savo Pavlović creates, painting freely, almost unconsciously, without plans or sketches and rational calcula-tion, works of high artistic value, works that already have a significant place in contemporary Montenegrin art.”

Lidija Đurašković, historian of art

Savo Pavlović - a Mediterranean, a cook, a magician, a conductor of the symphony of taste made from the spectrum of earthly fruits of the sea, a water colour painter... He transposed his supreme and extremely refined and always passionate attitude towards the beauty, originating from beauty itself, on hundreds of sheets of the indifferent paper bulk.Recognisable as a seeker for and a photographer of the moment, he paints an aquarelle as proof of always provocative, yet never completely discovered, sea heritage.Brisk in his dark, Montenegrin look, and bright minded, which he inherited from his hometown Reževići, along with his fisherman’s and sportsman’s body movement - whenever he honors us with a plate full of

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versatile food, which is, to avoid its drying in the sun, watered with the best wine from Crmnica - any of his aquarelles is to be eaten, and a dish that he prepares is only to be looked at.Or, as Savo usually says: “Well, folks, this is made for gods!”

Vesna Bjelica Ćurčić

JOY AND MELANCHOLY

“In this splendour of the coloured values one can perceive a reflection of the joy of life, but at the same time a manifestation of a strange silence and melancholy.”

Sava Stepanov, historian of art

A letter from ParisPAINTER’S SOUNDS FROM SILENCE

“Who paints aquarelles today? Not only in Montenegrin painting, but also in the Parisian and European ones as well, aquarelle remains a difficult and rare “style exercise”. That is why an aquarelle painter, as persistent as Savo Pavlović, seems not very happy, but chosen among dreamers. For him an aquarelle is more than a choice, it is a destiny. As if he had burned all tracks of previous life and previous experience of starting real-ism in painting behind him. Than he fell asleep on the bottom of the sea, being transformed into the ring of an ancient olive tree, awakened and offered his colours to us, taking the risk of turning his and our lives into the sounds of silence from a dream. The aquarelle is to Pavlović a multiple layered tempting sound, the one that sinks to the very bottom of the being and be either his fate or his catch, or a mystery over which the painter, observer or the critic stand, sleepless in search for a solution.”

Jezdimir Radenović, journalist

IMMENSE VARIETY OF COLOURS

“Pavlović paints on the highest quality aquarelle paper, which is very strong, thick and coarse on the surface. He uses aquarelle pigments in cubes. Diluted in water, thus ready, colours are applied with wide brushes on dry or wet paper. The rich colour interchanges appear and spread on the treated surface. After drying for a while, Pavlović rinses the surplus of the chromatic substrate, and continues to paint and define shapes and forms. His perfected method of creation in water colour and extremely vast colour tones and shapes make his paintings distinctive and recognisable.”

Slobodan Slovinić, painter

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Savo Pavlović rođen je 1947. u Baru, Crna Gora. Završio je Školu za primenjene umetnosti u Sarajevu, Višu pedagošku školu – likovno vaspitanje u Beogradu i Fakultet za likovno vaspitanje i likovne umetnosti u Rijeci, Hrvatska. Pored stalnog angažmana u ateljeima u svojim kućama u Petrovcu i Reževićima, bavi se i pedagoškim radom.Član je udruženja likovnih umetnika Crne Gore. Učesnik je velikog broja kolektivnih izložbi. Do sada je imao preko dvadeset samostalnih izložbi. Studijski je boravio u Rimu (1976), Atini (1985) i Parizu (1991).Savo Pavlović je dobitnik više nagrada za svoj rad.

Samostalne izložbe

1968. Petrovac na moru1969. Budva, Galerija Santa Marija1987. Sveti Stefan, Art galerija Kotor, Kulturni centar Kastav, Galerija Vincent1988. Beograd, RTV Beograd Centar za istraživanje programa i auditorijuma1992. Pančevo, Mala galerija Centra za kulturu Novi Sad, Galerija Most Vrbas, Galerija doma kulture1993. Senta, KOC, Izložbena sala Eugen1995. Beograd, Galerija ULUS-a1996. Pariz, Kulturni centar Jugoslavije Podgorica, Galerija Most Priština, Galerija kulturnog centra1997. Kragujevac, Mala galerija Narodnog muzeja Sveti Stefan, Art galerija1998. Petrovac na moru, Galerija Marko K. Gregović Moskva, Galerija Expo-881999. Novi Sad, Galerija kulturnog centra2002. Budva, Moderna Galerija2005. Podgorica, Umetnički paviljon ULUCG2006. Igalo, Institut “Simo Milošević” Tivat, Galerija letnjikovac “Buće”2012. Podgorica, Umetnički paviljon ULUCG

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Grupne izložbe

1977. Cetinje, Mladi crnogorski slikari1978. Nikšić, Likovni pedagozi Crne Gore1979. Podgorica, Dom omladine “Budo Tomović”1987. Karlovac, Bijenale akvarela1995. Pariz, Kulturni centar Jugoslavije Zemun, Prvo bijenale akvarela1996. Zrenjanin, Bijenale akvarela1997. Zrenjanin, Bijenale akvarela2005. Sveti Stefan, Art galerija Budva, Moderna galerija Podgorica, Centar savremene umetnosti Crne Gore

Savo Pavlović was born in 1947 in Bar (Montenegro). He graduated at the school for Applied Arts in Sarajevo,Teachers` College – Fine Arts Department in Belgrade (Serbia) and The Faculty of Art – Painters` Department in Rijeka (Croatia). While he continuously paint in his ateliers in Petrovac and Reževići, he is also engaged as a teacher. He is a member of the Association of Painters of Montenegro. Pavlović has taken part in numerous exhibi-tions, and has had over twenty individual exhibitions. After graduation he spent time working and studding in Rome (1976), Athens (1985) and Paris (1991). For his work, Savo Pavlović, received many awards.

Individual Exhibitions

1968. Petrovac-on-Sea1969. Budva, Santa Maria Gallery1987. Sveti Stefan, Art Gallery Kotor, Cultural Centre Kastav, Galerija Vincent1988. Belgrade, RTV Belgrade Program & Auditorium Research Centre1992. Pančevo, Centre for Couture, Small Gallery Novi Sad, The Most Gallery

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Vrbas, The Community Centre Gallery1993. Senta, Cultural-educational Centre, Eugen exhibition Hall1995. Belgrade, Serbian Fine Arts Association’s Gallery1996. Paris, Yugoslav Cultural Centre Podgorica, Most Gallery Priština, Cultural Centre Gallery1997. Kragujevac, The Small Gallery of National Museum Sveti Stefan, Art Gallery1998. Petrovac-on-Sea, Gallery Marko K. Gregović Moskva, Expo-88 Gallery1999. Novi Sad, Cultural Centre Gallery2002. Budva, The Modern Gallery2005. Podgorica, The Art Pavilion2006. Igalo, Health Institute “Simo Milošević” Tivat, Summer House Gallery “Buće”2012. Podgorica, The Art Pavilion

Group Exhibitions

1977. Cetinje, Young Montenegrin painters1978. Nikšić, Montenegrin fine arts pedagogues1979. Podgorica, Youth centre “Budo Tomović”1987. Karlovac, First watercolor biennial1995. Paris, Yugoslav Cultural Centre Zemun, First watercolor biennial1996. Zrenjanin, Watercolor biennial1997. Zrenjanin, Watercolor biennial2005. Sveti Stefan, Art Gallery Budva, The Modern Gallery Podgorica, The Contemporary Art Centre of Montenegro

kontakt/contactadresa/address: Stupovi bb, Petrovac na moru, 85310, Montenegrotel: +382 (33) 468 120; (33) 461 541; (69) 061 663e-mail: [email protected]

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IZ CIKLUSA 2007, аkvаrel nа pаpiru, 75x55 cm

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IZ CIKLUSA 2007, аkvаrel nа pаpiru, 47.5x66.5 cm

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IZ CIKLUSA 2008, аkvаrel nа pаpiru, 55.5x77 cm

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IZ CIKLUSA 2009, аkvаrel nа pаpiru, 75x27cm x2

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IZLOŽBA AKVARELA

SAVO PAVLOVIĆKnjiga

Book 39Izdavač

Publisher


INTERNATIONAL ART STUDIOUrednikEditor

Mirjana Vojić

DizajnDesign by

Slobodan Rajević

PrevodTranslation

Svetlana Redžić

Umetnička dela opremio ateljeArtworks equipped by studio

ŠtampaPrinted by

VALJEVO PRINTTel. 014/238-125

TiražCirculation

500maj 2014.

ISBN 978-86-84653-24-8

Upravni odbor Steering committee

Rаdovаn Trnаvаc Mićа Budo Novović

Slаđаnа Vаsiljević Dejan Bogojević

Mišа Dudić Mr Drаgаn Mаndić Dr Dikosаvа Vujetić

Documents

OD KLASIČNOG DO MODERNOG, SLIKANO AKVARELOM FROM … · IN AQUARELLE VALJEVO - SRBIJA maj 2014. INTERNACIONALNI UMETNIČKI STUDIO Radovan Trnavac Mića INTERNATIONAL ART STUDIO