[NO] VACANCY - Anthony Sharples

142

Master of Landscape ArchitectureAppropriate Durable Record

RMIT School of Architecture & Design 2012

Anthony Paul Sharples

Catalyst Spaces

[No] Vacancy

4

Cover Artwork:Spontaneous Artwork from the Former Yorkshire Brewery, 1-‐21 Robert Street Collingwood, Melbourne, Australia:

Photograph taken on September 2nd 2012By: Anthony Sharples

Acknowledgements

Supervisors:

Charles AndersonCraig DouglasJock GilbertNatasha MorganLiz Herbert

Thank you for overseeing this project.

A special thank you to:

Andy Miller

Marieluise Jonas

Alistair KirkpatrickEmmaline BowmanSarah HicksAdrian KeeneBlaise Macdonald Anthony Sharples

Last but not least:

Thank you Bryce McCoy and my family for helping me throughout this project.

5

“Do not become

bottle”Marcelo Stamm

This quote represents an approach and analogy towards design research.

Meaning do not become trapped within the

When faced with an unfamiliar problem, change your

project.

Photograph: 1-‐21 Robert Street Collingwood, VICPhotograph Taken October 14th 2012 By Anthony Sharples

7

Catalyst Spaces

[No] Vacancy

Collingwood the small inner city suburb of Melbourne, is under increasing pressure due

2 of open space per resident

This research project attempts to identify and re-interpret what an open space opportunity is / could be within the suburb of Collingwood, which could potentially be used

urban landscapes, this research project is an attempt to design new types of public space which

project aims to encourage spontaneous use by opportunistic people rather than targeting the

Q

8

9

Research Question + AbstractGlossary of TermsIntroductionAppropriating Space

Introduction to SiteCollingwood

Mapping Collingwood

Inspirational Projects

Creating a Dialogue

In between

Testing Phase Two

ConclusionProject Methodology

Potential Design Process for Council

CONTENTS

7 11

171827

72

124

10

11

Alternative:

Appropriation

Dialogue:

Evocative Potential:

Limit:

Original Condition:

Over Programmed:

Potential Change (to site):

Potential Behaviour (within site):

Resulted Program: ‘Resulted Program’ refers to a design gesture which potentially results in a program upon

Terrain Vague:

Glossary of Terms

Fig.21-‐21 Robert Street Collingwood, VICPhotograph Taken July 10th 2012 By Anthony Sharples

13

Introduction

captured my attention for a number of years, and perhaps it is the potential of these

14

15

Appropriating Space

this project was the appropriation of a space through a piece of clothing, which acted as a

16

01 02

04 05 06

07 08 09

10 11 12

14 15

17

Terrain Vague

wanderings through limitless space that, in our position external to the urban system, to

1

18

The Former Yorkshire Brewery

Photograph Taken October 14th 2012By Anthony Sharples

1919F

21

and documented in an attempt to understand how the site is operating in

of limitless freedom on the site which does suggest that this site is meeting

one example of the potential of these spaces coming to fruition but does not

counter space to that of a programmed public space, is the site still a terrain

Table 2: Plant Species

22

April 10th 2012

July 18th 2012

October 14th 2012

23

April 10 2012

July 18th 2012

April 10th 2012

July 18th 2012

24

connection that the sub-cultural street and public

25

26

the Former Yorkshire Brewery by both Council and Heritage Victoria.The 70 Million Dollar development is proposed By SMA Projects.

Former Yorkshire Brewery current state

27

Although there is a deep respect and infatuation with these spaces, it is the introduction

This also leads to a different dilemma in relation to the use of these spaces

Violent Transformation

28

Background Image:Spontaneous Artwork from the Former Yorkshire Brewery, Robert Street Collingwood, Melbourne, Australia: Taken on June 11th 2012Photo taken by: Anthony Sharples

2929

An Introduction to Site

30

MELBOURNE53 %38

62 % 36

average age

average age

MELBOURNE

<44

<44

74 % 31

average age

<44

VICTORIA

N

COLLINGWOOD

below the age of

below the age of

below the age of

31

Collingwood was originally home

infrastructure of Collingwood is increasingly

dwellings, although the open space is not

for new open spaces for Collingwood was

had to go out of the suburb for recreation

age of residents according to the Australian

Collingwood also boasts extremely wide streets up to 20 meters in width, as well as a

boasts many narrow laneways which attract

Collingwood

commercial

social housing

predominantly industrial

32

2

2 of

2

Yarra Open Space Strategy

33

many other moments within the urban tissue of Collingwood which could be utilised within

2

1M2

2

2021

2021

2021

2061

2061

2061

2101

2101

2101

585.6m2

2,925m2

5,267.7m2

1,952m2

9,751m2 17,559m2

55,241m2 2

444,242m2

2001 = 5,0762006 = 5,4912011 = 6,467

2021 = 8,4192061 = 16,2182101 = 24,026

increase 2006-‐2011 from Australian Bureau of

3434

35

The current open spaces in

analysis there is only one of the four

also attempts to demonstrate the municipal

Current Open Spaces

Cambridge Street Reserve, Collingwood

36

HIGH

MED

LOW

PLANT DIVERSITY

GRAFFITI

ACCESSIBILITY

PERCEIVED USE

NON -‐ LEGITIMISED ARTADVERTISING

Seating

Table

Lamp

Alexander Street Reserve

N

37

HIGH

MED

LOW

Seating

Table

Lamp

Playground

PLANT DIVERSITY

GRAFFITI

ACCESSIBILITY

PERCEIVED USE


Cambridge Street Reserve

N

38

HIGH

MED

LOW

Seating

Lamp

Lighting

PLANT DIVERSITY

GRAFFITI

ACCESSIBILITY

PERCEIVED USE


Peel Street Park

N

39

HIGH

MED

LOW

McNamara Reserve

Seating

Lamp

Playground

PLANT DIVERSITY

GRAFFITI

ACCESSIBILITY

PERCEIVED USE


N

40

HIGH

MED

LOW

Corner Otter Street + Smith Street

Seating

PLANT DIVERSITY

GRAFFITI

ACCESSIBILITY

PERCEIVED USE


N

41

HIGH

MED

LOW

Corner Stanley Street + Smith Street

Seating

PLANT DIVERSITY

GRAFFITI

ACCESSIBILITY

PERCEIVED USE


N

42

43

Analysis Outcome

4444

45

Mapping Collingwood

project is to identify and re-interpret what an open space opportunity is / could be

space opportunities within Collingwood has

which are new additions to the suburb

identifying opportunistic moments within

46

Address

Size: 2

Access Points: 2

Walls: 2

Fence:

Approximate time ‘vacant’:

FENCE

FENCE

ACCESS POINT 1

ACCESS POINT 2

Image Taken April 20 2012

1 : 500

N

Image Taken October 10th 2012

1

NON -‐ LEGITIMISED ART

ADVERTISING

PLANT DIVERSITY

GRAFFITI

ACCESSIBILITY

PERCEIVED ACTIVITY

47


ADVERTISING

PLANT DIVERSITY

GRAFFITI

ACCESSIBILITY

PERCEIVED ACTIVITY

Address:

Size: 480m2

Access Points: 1

Walls: 2

Fence:


1 : 500

N



ACCESS POINT

FENCE

FENCE 2

48

HIGH MED LOW

Address:

Size 2

Access Points: 2

Walls: 2

Fence:


Image Taken June 14th 2012

* A fence installed in June 2012 stops the informal car park.

1 : 500

N

ACCESS POINT 1

ACCESS POINT 2


3


ADVERTISING

PLANT DIVERSITY

GRAFFITI

ACCESSIBILITY

PERCEIVED ACTIVITY

49

HIGH MED LOW

1 : 500

N

ACCESS POINT FENCE

Address:

Size 2

Access Points: 1

Walls: 2

Fence:




4


ADVERTISING

PLANT DIVERSITY

GRAFFITI

ACCESSIBILITY

PERCEIVED ACTIVITY

50

HIGH MED LOW

1 : 500

N

Address:

Size 2

Access Points: 1

Walls: 1

Fence:




ACCESS POINT

FENCE

5


ADVERTISING

PLANT DIVERSITY

GRAFFITI

ACCESSIBILITY

PERCEIVED ACTIVITY

51

HIGH MED LOW

Address:

Size 2

Access Points: 2

Walls: 2 Fence:


Image Taken October 2nd 2012


FENCE

FENCE

ACCESS POINT

ACCESS POINT 61 : 500

N


ADVERTISING

PLANT DIVERSITY

GRAFFITI

ACCESSIBILITY

PERCEIVED ACTIVITY

52

HIGH MED LOW

1 : 500

N

Address: 170 Smith Street, Collingwood

Size 2

Access Points: 0

Walls:

Fence:



FENCE

FENCE

7


ADVERTISING

PLANT DIVERSITY

GRAFFITI

ACCESSIBILITY

PERCEIVED ACTIVITY

53

de-‐constructed

vacated

abandoned

re-‐built

agricultural landscape

public temporary space

FORMAL

vacated landscape

Temporal Carpark

Space

No temporal Program

Informal Car Park

This information matrix aims to show

trying to understanding the condition of

No temporal Program

54

55

CAR PARK

Analysis Outcome

56

Inspirational Projects / Sites

Technology:

What If Projects: England

Staring at Goats: Portland

DUNE 4.2 Studio Roosegaarde

inspirational precedents drawn upon within

57

The Curve by What if.

Gasworks Park, Richard Haag

Highline, James Corner

Sites:

The Former Yorkshire Brewery, Collingwood

Chairbombing, Do TankParkmobiles, CMG LA

Parallel Park, Vancouver

Space Buster -‐ Raumlabor

58

The follie experiments operated as a way of identifying interests in the

perception of the object, at what point

abstract experiments they operated as small manifestations and moments of the research

spaces, all themes which correlate with the

design further expanded on the interests

The Follie

59

60

An Introduction to The Limit

TERMS:

Over Programmed:

Resulted Program: refers to a design gesture which potentially

Limit:

Alternative:

Potential Change (to site):

Potential Behaviour (within site):

Original Condition:

municipal design open space into a resulted program or use for the site, which no longer

used throughout the design iterations to help clarify my perception of the potential of the

61

OVER PROGRAMMED

RESULTED PROGRAM

LIMIT

ALTERNATIVE

POTENTIAL CHANGE

POTENTIAL BEHAVIOUR

ORIGINAL CONDITION

OP

RP

L

A

PC

PB

OC

This bar represents where the

the ‘LIMIT’

62

63

Creating a Dialogue

Although I did not realise at the time, this iteration operated as a design scenario

embodiment of my desire for the sites, rather than empowering others to create their own

which correlates with the ambition of this

realisation of this design iteration became

rather how to empower others through designing new types of public space which

intentionally try and create dialogue between

More precisely this iteration attempts to create a dialogue between the digital landscape

which we as contemporary people engage with and the physical landscapes which we

64

Site:

Implied Design:

Two permanent projectors are set up on the surrounding buildings

OP

RP

L

A

PC

PB

OC

65

66

Digital Chillout Space

Keele St Site

Easey St Site

No Car Zone

Car Zone

A

A

B

C

D

DC B

detail 1

OP

RP

L

A

PC

PB

OC

675 14.5 2.5

2.5 17 2.5

Site

Implied Design:

Key Moment:

This iteration ignited a new interest in terms of the open space

detail 1

68

Site: 170 Smith Street, Collingwood

Implied Design:

Key Moment:

E

E

OP

RP

L

A

PC

PB

OC

69

70

Site: 1-21 Robert Street, Collingwood

Implied Design:

This design attempted to use the existing Silos as a screen for

F

F

71

OP

RP

L

A

PC

PB

OC

72

In-between

period between the initial ambition and the

do these spaces function and what role does

the true ambition of this research project aims to create new types of designed public spaces which aim to encourage

what and how I could do what I was

of public space which aim to encourage

countless design exercises in which I did

my true ambition was not yet fully realised

document attempt to show the misguided

73

Research Question Evolution

Void UrbanVoid urban spaces and public art

Urban TearThe vacant condition

[NO] VacancyTemporary uses for void urban spaces

Re-CLAIMThe “void” typology and temporal use

Spatial EmergenceMoments of opportunity in the dense urban fabric

for new urban strategies concerning population rise, density and public space

74

the street + increasing open space as population

1 2

754

76

777

78

Lamp -‐ Alexander Street Reserve, Collingwood

Vague Furniture-‐ Peel St Park, Collingwood

79

Developing a Tool Kit

79

80

Alexan

der St

reet

Reser

ve

Seating

Table

Lamp

Cambrid

ge Stre

et Res

erve

Seating

Table

Lamp

Playground

Peel S

treet

Park

Seating

Lamp

Lighting

McN

amara

Res

erve

Seating

Lamp

Playground

Collingwood O

pen Sp

aces

Table

BBQ

Playground

Lighting

HIG

HM

EDLO

W

PLAN

T DIVE

RSITY

ACCESSIBILITY

ADVE

RTISING

PLAN

T DIVE

RSITY

GRAF

FITI

ACCESSIBILITY

PERC

EIVE

D USE

NON-‐LEG

ITIM

ISED

ART

ADVE

RTISING

PLAN

T DIVE

RSITY

ACCESSIBILITY

ADVE

RTISING

PLAN

T DIVE

RSITY

ACCESSIBILITY

ADVE

RTISING

GRAF

FITI

PERC

EIVE

D USE

NON-‐LEG

ITIM

ISED

ART

GRAF

FITI

PERC

EIVE

D USE

GRAF

FITI

PERC

EIVE

D USE

NON-‐LEG

ITIM

ISED

ART

NON-‐LEG

ITIM

ISED

ART

Am

eniti

es

81

Seating

Testing Palette

Corner

Otte

r + Sm

ith St

reet

Corner

Stan

ley +

Smith

Stre

et

Seating FORMWATER

LIGHTINGFORMFORMFORMFORM

LIGHTING

A Stolen ToolkitPLAN

T DIVE

RSITY

ACCESSIBILITY

ADVE

RTISING

PLAN

T DIVE

RSITY

ACCESSIBILITY

ADVE

RTISING

project came in the form of a municipal design palette which followed an analysis of the current

small and precise palette of which water, form and lighting were the main catalysts within current open

this is councils language for the design of open

GRAF

FITI

PERC

EIVE

D USE

NON-‐LEG

ITIM

ISED

ART

GRAF

FITI

PERC

EIVE

D USE

NON-‐LEG

ITIM

ISED

ART

821

83

Testing Phase One

84

Site:

Temporal Program

Surface:

WATER

85

In this scenario, it is thought that the placement

The three iterations below try to speculate on the way pathways may from when the placement of

In this scenario, it is thought that the placement of a tap on the edge of a site may result in

PLACEMENT OPTION ON EDGE PLACEMENT OPTION WITHIN SITE

INVITATION INTO SITE

POTENTIAL PATHWAYS FOLLOWING PLACEMENT OF TAP

OP

RP

L

A

PC

PB

OC

OP

RP

L

A

PC

PB

OC

86

Queens Parade Community Garden, Westgarth

Luscombe Community Garden, Brunswick

in a different form of inhabitation/

implemented on site using the next

Another interesting use of water is in the Queens Parade Community Garden in which large plastic bottles are sitting within the site in the hope

iteration speculates that neighbours / people within Collingwood may start to plant out the site, and the resulting effect could potentially be a change in

Insertion point

The addition of planter beds as well

a more direct approach to how you

could potentially become a community

food production and temporal inhabitation could potentially be a

OP

RP

L

A

PC

PB

OC

OP

RP

L

A

PC

PB

OC

87

A tap placed on the edge of a car

tap may be more inclined towards

tap closer into the site creates an

boundary and also the way in which

Insertion point

perceived boundary

Insertion point

Insertion point

Insertion point

Insertion point

INVITATION INTO SITE

Site:

Temporal Program:

Surface: Closed- Mixture of bitumen,

H

H

G

G

I

I

OP

RP

L

A

PC

PB

OC

88

Insertion point

A tap within a temporal

using the tap who also use the

only this, due to easy access

their dogs or passersby may

Due to the ground plane of

formation of a pathway is

Collingwood is also a poten-tial short term use of the tap as seen at Alexander Street

residents may become appar-

OP

RP

L

A

PC

PB

OC

OP

RP

L

A

PC

PB

OC

89

potential route

Insertion point

actual boundaryactual boundary actual boundary

potential route

A tap within a fenced off tem-

their cars to also use the tap, rather than the tap functioning as a way to bring people into the site, it is the fence which functions as a literal and

additional tap on the perimeter

to use the facility, but does not

I

I

OP

RP

L

A

PC

PB

OC

90

A tap on the street could potentially function similarly to a tap which sits on the edge of a temporal

their dogs and others may use

inhabitation one tap on the street

OP

RP

L

A

PC

PB

OC

91

Site: Keele Street, Collingwood

Program: Pathway

Surface:

92

streetlight


Temporal Program:

Surface:

Initial ideas relating to lighting came in the form of different types of lighting rather than the placement and intensity of the

speculated on the placement of a light within a site, and the areas of temporal inhabitation which could follow as a result

-

LIGHTING

93

dark area between lights

OP

RP

L

A

PC

PB

OC

94

OP

RP

L

A

PC

PB

OC

OP

RP

L

A

PC

PB

OC

95

J

J

K

K

L

L

M

M

N

N

OP

RP

L

A

PC

PB

OC

OP

RP

L

A

PC

PB

OC

Site:Collingwood

Temporal Program

Surface: Closed- Mixture of

Lighting reacts differently in a site which

about the form of the lighting, for example colourful in ground lighting, or the placement

along a wall similarly to a lamp on an open

-tial, as it is both the lighting and the ring

other as it is night time whilst the cars are

OP

RP

L

A

PC

PB

OC

OP

RP

L

A

PC

PB

OC

OP

RP

L

A

PC

PB

OC

97

upon the site, potentially eliminating temporal inhabitation and creating a

O

O

P

P

Q

Q

R

R

S

S

OP

RP

L

A

PC

PB

OC

OP

RP

L

A

PC

PB

OC

OP

RP

L

A

PC

PB

OC

98

Site:

Collingwood

Program: Pathway / Road

Surface: It seems as though lighting along a street does not create new designed public spaces aimed at

This is because the street

if the lighting came in the form of in ground coloured

that people would appropriate

lighting comes in the form

has speculated on lighting

iteration also speculated on

secondary phase of testing, how can the introduction of

99

OP

RP

L

A

PC

PB

OC

OP

RP

L

A

PC

PB

OC

OP

RP

L

A

PC

PB

OC

100

the forms which I speculate on are:

VAGUE FURNITURE / FORM

SUBJECT

OBJECT / LANDSCAPE /MEDIATOR

SITE / SPACE / LANDSCAPE

INHABITATION

101

Paper Modelling -‐ Modular Forms

102

Site

Temporal Program:

Surface:

OP

RP

L

A

PC

PB

OC

103

in the South East Corner, in which a completely cut off

creates a pathway on the site and / or creates a temporal

104

speculates on moments of

and also the formation of

Shown right, the bottom right images speculates on

this may occur due to the fact that access to the site is cut off on both sides and

may create an inhabitable T

T

U

U

V

V

W

W

105

OP

RP

L

A

PC

PB

OC

OP

RP

L

A

PC

PB

OC

106

speculates that a form within a

Depending on materiality the object may become appropriated by

OP

RP

L

A

PC

PB

OC

OP

RP

L

A

PC

PB

OC

107

Site:Easey Street, Collingwood

Temporal

Surface:

OP

RP

L

A

PC

PB

OC

108

Site:

Temporal Program:

Surface: Closed- Mixture of bitumen,

the placement of a form within a

into the site, and could potentially

OP

RP

L

A

PC

PB

OC

109

Form placed over the edge of the site.

perceived boundary to the site.

110

X

Site: Keele Street, Collingwood

Program: Pathway + Road

Surface:

Installing a wall along a footpath may result in people appropriating the wall with street art, but it would not become a site which would

a form on a street may result in temporal

X

Y

Y

Z

Z

OP

RP

L

A

PC

PB

OC

111

OP

RP

L

A

PC

PB

OC

112

113

speculation on introducing more than one amenity and this will be the focus on the next

reasons that these sites may be able to facilitate this particular type of public space, lies

Findings

1142

115

Testing Phase Two:Multiple Amenities

116


Stage 1:

OP

RP

L

A

PC

PB

OC

117

A

B

118

Stage 2:

temporal inhabitation zones in the East corner of

OP

RP

L

A

PC

PB

OC

119

A

C

120

Stage 3:

OP

RP

L

A

PC

PB

OC

121

Placement of tap

A

C

122

Stage 4:

The site now houses one tap, two lamps, and a form which

OP

RP

L

A

PC

PB

OC

123

A

E

124

OP

RP

L

A

PC

PB

OC

OP

RP

L

A

PC

PB

OC

OP

RP

L

A

PC

PB

OC

125

OP

RP

L

A

PC

PB

OC

OP

RP

L

A

PC

PB

OC

126

Site:

Temporal Program:

Surfaceand pebbles

Stage 1:

Day:

Night:a new type of designed public space which would encourage

OP

RP

L

A

PC

PB

OC

OP

RP

L

A

PC

PB

OC

127

128

Stage 2:

Day: During the day the central lamp would be hazardous for

Night:

OP

RP

L

A

PC

PB

OC

OP

RP

L

A

PC

PB

OC

129

130

Stage 3:

Day:

Night: At night time there is a potential that the site would become

OP

RP

L

A

PC

PB

OC

OP

RP

L

A

PC

PB

OC

131

132

Findings

inhabitation, but it is more about inhabitation of the object rather inhabitation of the space

perhaps suggest that multiple programmed sites could potentially house the amenities tested in a more dynamic manner than that of an open surfaced site with no temporal

OP

RP

L

A

PC

PB

OC

OP

RP

L

A

PC

PB

OC

133

Conclusion

as a way of creating new types of designed public spaces which aim to encourage

attempt to appeal to a larger demographic of people who could potentially appropriate

open these spaces to other opportunistic people, not only the sub-cultural groups

project came in the form of a municipal design palette which followed an analysis of

palette was intentionally chosen, as this is councils language for the design of open

place in public spaces subjected increasingly to the demands of commerce, the ‘terrain

amenities, and it is noted that these act differently upon sites which already house a

134

OP

RP

L

A

PC

PB

OC

Project Methodology:

OVER PROGRAMMED

RESULTED PROGRAM

LIMIT

ALTERNATIVE

POTENTIAL CHANGE

POTENTIAL BEHAVIOUR

ORIGINAL CONDITION

135

136

This research project has opened

This particular way of designing,

a new way of designing council operated

open for interpretation and has the potential to encourage the appropriation of space,

a period of time and then introduce a new catalyst or reduce the impact of the catalyst

on a new design process in which the

simplicity of the amenity coming in the form

way of creating spontaneous public spaces which aim to encourage appropriation,

methodology could be utilised amongst other

What Next?

OP

RP

L

A

PC

PB

OC

OVER PROGRAMMED

RESULTED PROGRAM

LIMIT

ALTERNATIVE

POTENTIAL CHANGE

POTENTIAL BEHAVIOUR

ORIGINAL CONDITION

137

Potential Design Process for Council

138

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London and New York: Routledge.

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Abbotsford Victoria

Lévesque, L 2001, The Terrain Vague as Material, Paysages, Canadian Society of Landscape Architects, Montréal, vol. winter,

Sola Morales, Ignasi de, 1995, Terrain Vague, Anyplace ,Cambridge, MA : The MIT Press

Melbourne

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References

139

London and New York: Routledge.

Beesley, P. 2010, Hylozoic Ground Liminal Responsive Architecture, Edited By Pernilla Ohrstedt and Hayley Isaacs, Riverside Architectural Press 2010

Edited by Lucy Bullivant,Vol 77 No 4, John Wiley & Sons West Essex England, RMIT LIBRARY

Daly.C Ricardo.R, 2011, KIRB 19, Melbourne Books, RMIT Press

Daskalakis.G, Waldheim.C, Young.J, 2001, Stalking Detroit, ACTAR

Reader in Cultural Theory. Edited by Neil Leach. NYC: Routledge.

Gissen. D 2009, Subnature: Architecture’s Other Environments. USA: Princeton Architectural Press.

Abbotsford Victoria

Lévesque, L 2001, The Terrain Vague as Material, Paysages, Canadian Society of Landscape Architects, Montréal, vol. winter,

Sola-‐Morales, Ignasi de, 1995, Terrain Vague, Anyplace ,Cambridge, MA : The MIT Press

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Bibliography

140

IMAGES

2012

2012

Accessed July 9 2012

141

144

Collingwood the small inner city suburb of Melbourne, is under increasing pressure due

2 of open space per resident

This research project attempts to identify and re-interpret what an open space opportunity is / could be within the suburb of Collingwood, which could potentially be used within a larger

urban landscapes, this research project is an attempt to design new types of public space which

to encourage spontaneous use by opportunistic people rather than targeting the sub-cultural

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Documents

[NO] VACANCY - Anthony Sharples