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Urban Design Studio - Shivajinagar
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NEGOTIATED CITY | SHIVAJINAGAR
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URBAN DESIGN COLLECTIVE 2014-15
NEGOTIATED CITY | SHIVAJINAGAR
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NEGOTIATED CITY | SHIVAJINAGAR
NEGOTIATED CITY | SHIVAJINAGAR
The Familiar and the Obscure
The UD Journal Collective | 2014
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URBAN DESIGN COLLECTIVE 2014-15
BATCH OF 2011 SECTION A
AADARSH N AILEEN TRIXIE GOVEAS AISHWARYA A SARDA AKHILA ARAKKAL AKSHATA V SHENOY ANIRUDH KABRA ANIRUDH G ANISHA ASHOK NIZAMPURAM ANJANI RAO GANDRA ANKITA SABHARWAL ANUSHA K APAR AGGARWAL ARCHANA R ARJUN RAVI ASHISH BANSAL AYESHA PARVEEN NIDHI B R BHAVNA ACHAR CHIRAG KHAITAN M DEEPTHI GANESH DHANANJAI GOPIKA DIVYA MUNDHRA DIVYANANDA A S DIVYANSH AGARWAL DIVYARANI DYAVANGOUDAR EKTA SINGH ERA MANASA G HARSHINI YOHEE AKSHATHA N HEGDE HUSSAIN FARIDUDDIN PRATIKSHA BELAVADY PANCHAMI S M SNEHIL BABEL
EDITORIAL TEAM ANIRUDH GURUMOORTHYDIVYANSH AGARWAL
PROOF READERS AKHILA ARRAKALANKITA SABHARWALANJANI RAO GSHREY YADAV
STUDIO ADVISORSKAMLESH POHEKARTHOMAS OOMMENAJEETHA RANGANATHANRANJIT RAJAN UD STUDIO(VII SEMSTER) COORDINATORANITHA SUSEELAN
COVER PAGE : GLASS OF SULAIMANI TEA IMAGE SOURCE : FLICKER.COMDIVYANSH AGARWAL MANASA G.
IMAGE ON THE RIGHT ANKITA SABHARWAL
Disclaimer This journal is a student initiative towards understanding and interpreting the various aspects of Shivajinagar and its context. The students would have referred and drawn inspirations and references from various source either directly or indirectly for the contents of this journal. The content has been peer reviewed by the students. While utmost precision to quote the sources and every other detail is strived for, R.V College of Architecture cannot be held responsible for any inaccuracies or subsequent damage or loss arising due to this.
© 2014 R V COLLEGE OF ARCHITECTURE
PRINTED AT
FIRST PUBLISHED IN NOVEMBER 2014
NEGOTIATED CITY | SHIVAJINAGAR
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“Works of art exist as symbolic objects only if they are known and recognised, that is, socially instituted as works of art and received by spectators capable of knowing and recognising them ...”
Bourdieu, Pierre. The Field of Cultural Productions:
Essays on Art and Literature. Randal Johnson(ed.).1993
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ACKNOWLEDGEMENT
Firstly, we would like to start by thanking the people who made this journal possible, or mentors, Mr. Kamlesh Pohekar, Mr. Thomas Ooman, Ms. Ajeetha Ranganathan, Mr. Ranjit Rajan and the Urban design studio co-ordinator Mrs. Anitha Suseelan. Their constant motivation and support made this possible. We are really grateful to be under their guidance. Their everlasting persistence and patience has not only helped us but also taught us skills that could not have been picked up otherwise.
We would like to thank Mrs. Sunanda Bhat, Santanu Chakraborty, Anil Achar and Ranu Ghosh who guided us through the first phase of this studio.
We would like to thank our batch-mates; this journal would not have ben possible without their contribution and continued efforts.
Special and heartfelt thanks to the residents of Shivajinagar who have been cooperative and answered all our questions patiently during all our site visits and studies.
We would like to take this opportunity to thank Dr. Anantha Krishna, the Principal of the school, for providing us with all the necessary facilities and the much-needed encouragement in our endeavors as a part of the studio.
Finally, we would to express our gratitude to each and everyone, who has directly, or indirectly lent a helping hand to the compilation of this journal.
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URBAN DESIGN COLLECTIVE 2014-15
The Studio Preface What makes cities specific? It is compelling to read cities not as mere ac-cumulation of buildings and spaces but as sites which are constantly be-ing conditioned or negotiated by processes of identity and cultural fo rmations lending meaning to built forms and social environments; negoti-ations which are agreed upon or transgressed. However static and utopian conceptualisations of city planning and urban design approaches impose limitations to these processes about the city and its products. The Studio rais-es the critical question as to how we can influence change which explicitly incorporates an acceptance of this continual process of social formation and transformation and evolve new aspirations to engage with lives of those at local stratum.
The Studio DirectionsHow can we bring in more permeability to boundaries of contested or obscure identities and resources? How different technologies of movement and com-munication can shape urban setting differently for different interests?When cities compete for investments and tourism revenues, how cultural pro-duction could be prompted than cultural reception by questioning the issue of whose culture is being marketed to whom and for what purpose.How by being sensitive to architecture (for instance thru innovative design principles, with recycled/reused materials etc.) can we challenge the rapidly increasing resource intensiveurbanism?
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The ContextShivaji Nagar in Bangalore, the context of enquiry, has a rich and complex realm, from the central square to realms that of both public and private. The spaces range from Markets: the Russell market, the beef market etc, to a labyrinth of production areas which include that of tailors, cane weavers etc, and it is identified for services of varied kinds. It has a rich historical past too, with religious institutions from Churches to Temples to Mosques, the City Bus stand and subdued layers of canals. It was in the headlines when part of Russell market was burnt down two years back which was criticised as a po-litical whim. The context thus has the complexities to understand the richness of Indian urbanism.
The UD Journal CollectiveThe UD Journal Collective foregrounds our endeavour to map a critical com-mentary on contemporary urban, cultural and social realities of Bangalore City to understand the nuances of urban setting - simultaneity and human dimension - of Indian urbanism. The Journal, in its production, compiles and illustrates the set of exploratory diagrams, mappings, photo-works and delib-erations developed during a period of 6 weeks since August 2014. The study is intended to inform the program and intent of the proposed urban insert and to examine the role of architecture in the tactics of public space making. Subsequently the design program framework encourages a social dimension to engage with the lives of the minions who are also entrepreneurs in the precinct allowing permeability both spatially and socially.
ANITHA SUSEELANUD STUDIO COORDINATORNovember 2014
PROJEC
T BRIEF
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URBAN DESIGN COLLECTIVE 2014-15
The Studio Clusters
The studio has been clustered under three phases based on the nature of enquiry.
Phase 1- Traces and Trails: A critical commentary on contemporary urban, cultural and social realities Examines questions on what constitutes city and culture by mapping the contested or obscure identities and resources.
The exploration has been celebrated as a visual memory through various mediums like cinema, photography, caricature etc. Also it is intended as a skill development phase through a workshop IN Frame; interactive sessions with invited guest speakers from different professional fields. The probable trails includes: Lively hood trails (for instance Food trails, Flower trails, Living units on wheels etc.), Resource trails (for instance Waste Trails, Water Trails, Materials of endurance e.g. Tarpaulin sheets, flex prints, etc.) Landscape trails (for instance Fruit trees, Animal trails, Land-Water Trails etc.). These trails are expected to take the ‘flaneurs’ to unexpected destinations, communities and labyrinth of urban realities, at times external to the study context even. The production: A three minute documentary movie or An illustrated poster of prescribed size of photographs or caricature with a descriptive note or poem or An album of five photographs with captions
Phase 2: Dimensions of Urban morphology Examines the nuances of urban setting, simultaneity and human dimension of Indian urbanism, by mapping the various dimensions of urban morphology and its generatorsThe traces and trails identified in phase 1 has been used to map the dynamics of urban settings making a qualitative and quantitative analysis of the same. Techniques of mapping of urban setting had been introduced at this stage.The production: The UD Journal Collective
this regard, to facilitate students to meet professionals and also to discuss on public projects. The production: Design portfolio of drawings and exploratory models.
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Phase 3: The Design Insert Examines the role of architecture in the tactics of public space making through explorations of Urban ArchitectureFramework: Group discussions, on the various issues identified and learnt in Phase 2, have been used to evolve a vision plan for the study precinct and a design program for the Urban Insert. A larger design frame work was adopted to develop a hybrid design program involving multiple stake holders. The framework encourages a social dimension to engage with the lives of the minions who are also entrepreneurs in the precinct allowing permeability both spatially and socially. For instance: Building types like Night shelters for the poor, Tenements for the bachelors, Women empowerment centres, Innovative learning centres for children (like a Museum school, Language centres and Book banks) etc The site chosen may connect streets, or a less traversed urban block to a public space. The above primary function should also be able to embellish their livelihood and also encourage a lot of public interface which attracts new movement lines, arrival transit points - pedestrians, bikes, public transit etc.
Façade making, hybrid building typology, tactics of public space making have been taken up as a special study topic at this stage with reference to various case analyses or theoretical reading. A lecture series has been arranged in this regard, to facilitate students to meet professionals and also to discuss on public projects. The production: Design portfolio of drawings and exploratory models, STU
DIO
STRUC
TURE
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IN|F
RA
ME
IN|LINE CARICATURE
IN|FOCUS PHOTOGRAPHY
IN|MOTION VIDEOGRAPHY
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110
60
86HISTORY
AMORPHOUS BOUNDARIES
3
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SPA
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TEXT
ILEOWN
YOUR WASTE 144
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RUSS
ELL
MA
RKET 28
CO
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IN|F
RAM
E“The way people use a place mirrors their expectations.”
Whyte, William. The Social life of Small Urban Spaces. 1970
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IN|Frame A critical commentary on contemporary urban, cul-tural and social realities of Shivaji Nagar Bangalore India.
© Milind Mulick
Narrative frames of cities, captured as films, pho-tographs and illustrations, have infinite capacity to juxtapose the familiar and the obscure urban social realities and negotiations according to the artists’ and technological caprices and convictions.
The work shop IN Frame foregrounds our en-deavour to map a critical commentary on con-temporary urban, cultural and social realities of Bangalore City – called Traces and Trails – B Arch VII Semester @RVCA. It examines ques-tions on the contested or obscure identities and resources in the city. Urban Design must be sensitive to the subtle and yet significant ways in which urban spaces and resources
are conditioned or negotiated in the process.
THE PEOPLE
SUNANDA BHAT Film Maker
SANTANU CHAKRABORTY
Photographer
ANIL ACHAR Architect & Caricaturist
RANU GHOSHFilm Maker (Guest Speaker)
ANITHA SUSEELAN Event Coordinator
IN|FRAME
IN|FRAME
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IN|FRAMEIN Frame THE WORKSHOP AIMS TO CREATE A FORUM TO DISCUSS EXPLORE AND PRODUCE NAR-RATIVES ON CITY
THE DISCUSSION A forum to discuss on the artistic ways to capture one theme or plot from a milieu of complex-ities of the subject and the technical possibilities and limitations of the medium, followed by review of students’ production
THE PRODUCTIONA three minute documentary movieAn illustrated poster of prescribed size with illustrations or photographsAn album of five photographs with captions
WORKSHOP FORMAT
DATE SESSION DETAILS
5th August 2014 Discussions Series - Presentations by various professionals
6th to12th August Creative Production - Students work with the Professionals in Groups
21st August 2014 The productions are screened/displayed for critique 8:30am – 1:30pm
22nd August 2014 The screening/ exhibition of the Production is opened to the public
VENUE R V COLLEGE OF ARCHITECTURE, BANASHANKARI 6TH STAGE, 4TH BLOCK, BANGALORE 62
VENUE R V COLLEGE OF ARCHITECTURE, BANASHANKARI 6TH STAGE, 4TH BLOCK,BANGALORE 62 IN|FRA
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URBAN DESIGN COLLECTIVE 2014-15URBAN DESIGN COLLECTIVE 2014-15
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HISTROY A BRIEF STUDY OF HISTORY OF INSTITUTIONS OF SHIVAJI NAGAR IN CO-RELATION WITH GROWTH OF BANGALORE.
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ISTORY
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MAPPING OFEDUCATIONAL INSTITUTUIONS
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• While the missionary women of the Anglican denomination started a hospital for women and children near the Cantonment Railway Station in 1893. It was established by the Church of England, Zenana Mission, and was called the Zenana Mission Hospital. With the inaugu-ration of the Church of South India in the year 1947, it was renamed Church of South India Hospital, Bangalore. It was only in 1965 that it developed into a General Hospital to cater to both men and women. Over the years it has evolved into a general and multispecialty hospital.
• The Bangalore Medical College, now renamed Bangalore Medical College and Research Institute, was started as a private medical college in 1955 by Mysore Education Society. In 1957, the college was handed over to the then Govern-ment of Mysore and was affiliated to Mysore University and then on to the Bangalore University. In 1996, it got affiliated to the Rajiv Gandhi University of Health Sciences. The college is associated with Victoria Hospital, Minto Hospital, Vanivilas Hospital and Bowring and Lady Curzon hospital. One of the hostels in located in Shivajinagar close to B&LC campus.
• Haji Sir Ismail Sait Ghosha Hospital was set up in 1925 predominantly for the Muslim community of Shiva-jinagar and is now open to all men and women. It works much like any other government hospital.
Growth of Bowring Hospital.3-Bowring Hospital4. Lady curzon hospital
HISTORY OF HOSPITALS
HISTO
RY
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VendorsBusesPrivate VehiclesAnalysis of junction of
Lady Curzon Road and Meenakshi Kovil Street with respect to Traffic
ANALYSIS OF THE JUNCTION
Noise levels around the junction are very high.
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This map shows the land use pattern in and around
ANALYSIS OF BOWRINGHOSPITAL
THE SITE:As shown in the map, it is situated opposite the Shivajinagar bus stand and is a corner.
HISTO
RY
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GOVERNMENT TELUGU HIGH SCHOOL*COLONIAL BUILDING-WOMEN’S CELL DURING THE BRITISH RULE*165 STUDENTS
BBMP HIGHER PRIMARY SCHOOL*CAME UP IN 1965*160 STUDENTS*ENTRY FROM THE BBMP GROUND
BBMP JUNIOR COLLEGE AND HIGH SCHOOL*COLONIAL BUILDING(OFFICE) AND A BUILDING BUILT IN 1985*HIGH SCHOOL-145 STUDENTS COLLEGE-357 STUDENTS
GOVERNMENT PRIMARY SCHOOL*BUILT IN 1929*SCHOOL- SHUT DOWN*LOCATED AT THE CORNER OF A COMMERCIAL EDGE
SITE ANALYSIS
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ISTORY
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IN|FOCUS PHOTOGRAPHY
RUSSELL MARKET
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SURVIVAL AT ITS FITTEST
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SSELL MA
RKET
GENERATIONS GONE BY...
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SSELL MA
RKET
BUILT FROM ITS ASHES
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SSELL MA
RKET
HOPE..
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SSELL MA
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NEW IMPROVED..?
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CAPTURED BY
ANJANI RAOANKITA SABHARWAL
BHAVNA ACHARCHIRAG KHAITANHARSHINI YOHEE
ERA
RUSSELL M
ARK
ET
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RUSSELL MARKET
One of famous and oldest markets in the city , Russel Market epitomises the old world charm of Bangalore.Built in 1927 , it can be best described as a quaint piece of architecture with the St. Mary’s Basilica at one end, and hordesof shops, sell-ing everything from antiques to second hand goods to bustling poultry and meat section at the other end...This study is an attempt to do justice to what can be explained as resilience at its best and how the structure of Russell Market needs to be updated in order to survive through to the future generations
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SHIVAJI NAGAR
Area Of Study:Russell Market and its precinct.Russell Market has been an important public building and a landmark in the city for over a century and has been known as the face of Shivaji nagar.The working of such a structure fascinated us and helped us choose the area for our study.
Objectives Of Study:To understand:1.The history and evolu-tion of Russell Market.2.The functional existence of the market.3.What impact the tempo-rary vendors outside have, on Russell Market4.The factors hampering the functioning of the market.
INTRODUCTION
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St Mary’sBasilica
St Mary’sBasilica junction
Shivaji nagar bus stand Richard Square
Dharamaraja junction
Russell Square
Beef Market
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Methods Of Study:A number of visits to the market helped us in getting acquainted with the area and its users.The architectural characteristics of the market were studied.The vendors inside and outside the market were personally inter-viewed about the transporta-tion and supply of goods,their earnings,customer profiles and working conditions.
RUSSELL MARKET AND ITS PRECINCT
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SSELL MA
RKET
BANGALORE, SHIVAJINAGAR, RUSSELL MARKET... WHAT HAPPENED.
Bangalore has seen tremendous changes since its humble begin-nings as a city of trade - from Kempegowda’s ‘Pettah’ to its identity as a twin city after the growth of the British Cantone-ment, to the Bangalore we know today. The events of the past are what has shaped the growth of Bangalore.
1537Kempegowda, considered to be the founder of Bangalore, builds a mud fort and founds the towns of Balepet, Cottonpet, and Chick-pet. About 30 years later, his son Kempegowda II builds four tow-ers around the fort and Pettah, marking Bangalore’s boundary. The towers are still seen today, in Lalbagh, near Kempambuddhi tank, near Ulsoor lake and near Mekhri Circle.
1809Bangalore cantonement is set up, There are two distinct settle-ments, the city or pettah and the cantonement.Shivajinagar becomes aservice area, to cater to the needs of the British.1850’sWith the Queen’s order, an open market (known then as new market) flourishes where Russell Market stands today.
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Map showing the extent of Kempegowda II’s Ban-galore with the four towers. The area that would later become Shivajinagar lay within this boundary even then.
Plan showing the position of the British troops around the Pettah, March 1791. The area that is now Shivajinagar was an open land with a few water bodies.
c. 180912 - Bowring Civil Hospital13 - New MarketThe place where Russell Market stands today was an open market that catered to the public’s daily needs, mainly the British.
Maps and images sorced from : book Deccan Traverses by Anuradha Mathu 45
NEGOTIATED CITY | SHIVAJINAGARRU
SSELL MA
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(Right) - c. 1935 - Cantonement area continues to grow, becom-ing denser. It can be seen from the map that Bangalore consist-ed of two nuclei, the Pettah and the Cantonement.
Russell Market continuesto cater to east Bangalore and remains centrally located.
1935 - Beef and poultry market is set up at the Russell Market square.
1898 - The plague hits Banga-lore, affecting thousands both in the Pettah and the Cantonement. This called for more developed and hygenic market places.
1921 - (Top, Right) - K.R. Mar-ket is set up to house the exist-ing market in the area between the fort and the Pettah.
1927 - (Left) - Russell Market is set up in the place of the earlier open market, that used to work well in the Indian context.
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POST-INDEPENDENCE - GROWTH OF BANGALORE
1950-1960Bangalore extends up to Vijayanagar in the west, Austin Town inthe south, Cox Town in the east and Sankey Road in the south.
1970-1980Bangalore further extends up to Bapujinagar in the west, Banashan-kari in the south, Indiranagar in the east and Hebbal in the north.
1990-2010Bangalore extends up to Peenya in the west, Kengeri in the south, Byapannahalli in the east and Yelahanka New Town in the north.
Russell Market started out as an open market, which worked well in the Indian context. But with the onset of the plague, a more hygenic and developed market was needed. As the market was to cater to the British largely, it wasn’t designed keeping the Indian community in mind, which prefers a more open, bazaar-like atmosphere. After inde-pendence, the market has seen a gradual deterioration and doesn’t respond well to the Indian context.It is an iconic landmark nevertheless, being at the heart of the city for centuries, and having seen the changes Bangalore has been through
Growth of Bangalore, 1950-1960
Growth of Bangalore, 1970-1980
Growth of Bangalore, 1990-2010
Beef Market, c 1946.
Maps and images sorced from : book Deccan Traverses by Anuradha Mathu 47
NEGOTIATED CITY | SHIVAJINAGARRU
SSELL MA
RKET
commercial
mixedresidential
institutional
15-30 years old
60 years and above30-60 years old
above 60 years and dilapidated
ground
ground+2ground+1
ground+3ground+4
Height of the buildings :30% - G15% - G+140% - G+210% - G+3 5% - G+4
Age of the buildings :15% - 5 to 30 years25% - 30 to 60 years50% - 60 years and above10% - old and dilapidated
Landuse Map:While the commercial spaces occupy the street edges on the ground floor, the residential spaces are found on the upper floors and on the insides.
0 5 10
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URBAN DESIGN COLLECTIVE 2014-15
The important public buildings like the Basilica have been well maintained inspite of being an extremely old one, while the smaller buildings are in a dilapi-dated state.
Shivajinagar is famous for its commercial activity which is well integrated with the residential and the institutional aspects.
Most of the old buildings are one or two storeys high ,but the new ones have risen to heights of four or five floors.
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SSELL MA
RKET
BUILDING ACTIVITIES 0 5 10
bagsfootwear
clothesother accessories
tarpaulin
residentiallodging
cold storageothers
institutional
vegetablesfruits
muttonfish
general storesflowers
poultryeateries
furnitureelectrical appliances
hardwarekitchen appliances
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URBAN DESIGN COLLECTIVE 2014-15
Working Hours Russell Market And Its Precinct
Active Hours Russell Market And Its Precinct
Russell market is known for its fresh wholesale produce which is brought in early morning, making the market more function-al during the first half of the day.The commodities available around Russell market tend to attract people in the evenings, hence reducing the activi-ty inside the market.
0 5 10
6 am to 6 pm6 am to 3 pm
6 am to 9 pm9 am to 6 pm
dilapidated/un-used buildings
9 am to 9 pmstorageresidential
active till 12 pmactive till 2 pmactive till 5 pm
dilapidated/un-used buildings
active till 7 pmactive till 9 pm
residentialstorage
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SSELL MA
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NECESSITIES FOR US, LIVELIHOOD FOR THEM
Russell Market was mainly setup in 1927 in Bangalore, to cater to the growing needs of the cantonment, its clientele at the time being mainly British and coninues to do so by catering to a large section of the society in the present scenario.In addition to this its central location and ease of accessi-bilty credited to the location of the shivaginagar bus stop in its vicinity, the secind largest in the city.
Russell Market is famous for its exotic fruits which come in from China, Thailand and Australia, accounting for apples, kiwi, asparagus.It also has its produce coming in from various parts of India ac-counting for oranges, cauliflower, bittergourd, mutton.Within the state it has its produce brought in by trucks and tempos from various parts of the state which serves to both the retail and the wholesale market.
(Top) Map Of India showing incoming of supply.(Right) Map of Karnataka showing in coming of supply
- Supply coming in from abroad. - Supply coming in from different cities.
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Russell Market consists of retail and wholesale market.The retail market addresses the population in the radius of 2km and its patrons.(Below)
The wholesale market caters to the locations as far as 40kms away from it.The inner radius of 5km is accounted for by autos and small tempos taking round trips everyday which covers places like Toscano, Sunnys’ and army canteens.The outer radius accounts for autos and privately hired vehi-cles IT canteens, hotels and gov-ernment offices and canteens.(Below)
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Pedestrian density:Max -fruit and vegetable street Minimum - Mutton street.First floor of Russell marketfunctional only in the morning as a wholesale market.Accumulation of garbage within the market along the pedestrian path adds to the deterioration of the market.
First floorMorning: 8 am
VENDING ACTIVITIES IN AND AROUND THE MARKET
Ground Floor Morning: 8 am
0 5 10
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A part of the market is being used as storage,hence making that part non-functional.Functional transformation of space from morning to evening.Inspite of russell market being open the whole day,it is active only for a few hours.
Ground Floor Evening: 6 pm
First floor Evening: 6 pm
0 5 10
home decoraccessoriescart vendorstarpaulinresidentialcar parkingtwo-wheeler parkingauto standothersdilapidated/unusedbuildings
retailwholesale
mixedstorage
fishpoultry
pedestrian densitygarbage
cold storageeateries
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SSELL MA
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PEDESTRIAN DENSITY IN AND AROUND RUSSEL MARKET
8 in the Morning.Left: Inside Russel MarketRight: Outside Russel Market
2 in the Afternoon.Left: Inside Russel MarketRight: Outside Russel Market
8 in the Night.Left: Inside Russel MarketRight: Outside Russel Market
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Morning 6 -10 am Russel Mar-ket and the road outside is very heavliy crowded. By afternoon as this crowd reduces Jumma Masjid road and Meenakshi kovil road surrounding Russel Market become more crowded. After sunset Russel Market barely has any crowd, even though the roads immediately around Rus-sel Market still remain crowded.
Meenakshi & Jumma Jn. Church Jn. Russel Sq Dharmaraja & Jumma Jn.
Meenakshi & Jumma Jn. Church Jn. Russel Sq Dharmaraja & Jumma Jn.
Meenakshi & Jumma Jn. Church Jn. Russel Sq Dharmaraja & Jumma Jn.
Cars Autos Two Wheelers Pedestrian
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SSELL MA
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Since russell market has been historically significant,its imperitive to retain its prominence in the area.Russell market fits well into the urban fabric of the area in terms of proportion.However, it doesnt fit into the urban fabric in terms of interaction of russell market with the street.Also,unlike other parts of shivaji nagar,the area around russell market doesn’t offer many pause points for Regular commuters,and acts more like a destination for its users.
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
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OPPURTUNITIES:Development of infrastructure and public facilities.Making the market porous by providing a forefront.Development of the land in front of the market which is currently used for parking.Providing a shaded area for the cart vendors.Renovation.
THREATS: Seasonal influx of people in large numbers.Government(BBMP) against updation and renovation of the market.
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Section through commercial street
Section through Meenakshi koil street
VISION: Bringing about interaction be-tween pedestrian/streets and Russell market by increasing Its porosity in terms of building structure.Altering the pedestrian movement from meenakshi kovil street towards russell market by creating more pause points in and around russell market for the regular commuters and users of the area.
STRENGTHS:Importans landmark of the area.Dominant footprint in Shivaji-nagar fabric.Recognised market.Centrally located.Surrounded by religious institu-itions,residential and commercial localities.Located in close proximity to the Shivajinagar bus stand,easily accessible from all the parts of the city
WEEKNESS:Unhygienic condition.No interaction with the street not user friendly.Poor lighting and ventilationcon-ditions.Management of the market ignored by BBMP.Absence of public facilities such as public toilets.Absence of proper drainage facilities.Traffic congestionoutside the market:pedestrian and vehicular.
Minimal skylights making the place dark.
The barricades at the entrance and the shut windows.
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SSELL MA
RKET
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IN|MOTION VIDEOGRAPHY
OWN YOUR WASTE
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FINDING FORTUNEThere are many hardworking and fascinating people in Shivajinagar.The movie is about one of them named Sampath,a lottery addict.
Opening shot : Sparrows which were once in abundance are a rare sight in the city nowadays.We happened to spot a lot of sparrows in the dumps of Shivajinagar.This shot is of sparrows feeding on the vegetable waste thrown outside Russell Market.Sparrows have finally found thier fortune.
Next scene pans through skyline of Shivajinagar and shows a truck which Sampath drives. Sampath works as a chicken truck driver during the day. His addiction has earned him a prefix title ‘Lottery ticket’ Sampath.
He agreed to show us his lottery collection ,a barrel full of lottey tick-ets and result papers, some of which are over 18 years old .
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Sampath cleans the floor before placing his ‘col-lection’ on it as his son watches on .
Sampath explaining that he provides for his family by being a driver. . His addiction has not come in the way of his duties toward his family.
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With tears in his eyes, Sampath explains the hardships he faced due to lottery. Being a relentless person, even after the 2008 lottery ban in Karnataka, he has been playing lottery in Kerala ,Goa, Mumbai etc.
He humerously puts that there is lottery in each breath that he takes.Eventhough Sampath has not had a lottery win be believes that his per-sistance will pay one day.
OW
N YO
UR W
ASTE
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Gujuri , the place where we met sampath for the first time. “You have to tell my sto-ry”, he exclaimed ... as he saw us with a camera.
Despite being rediculed by people he comes here regularly . Scraping the floor he collects metal pieces left over from dis-mantling of vehichles that happens during the day.
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Sampath, on an average collects 4 kgs of metal scrap which he sells in the ‘raddi’ shops . The money he makes is used in fueling his addiction.
Sampath segregates metal pieces by hand. He recollects instances where glass pieces had pierced his skin.Hopes of winning lottery has kept him going, he says.
OW
N YO
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ASTE
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Lakshmi and her family ,migrants from Haveri work as construction labourers.
They use old wooden packing crates from Rus-sel market as firewood
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Mehaboob Pasha, a bike mechanic, believes that nothing goes as waste. In fact e has constructed his corner shop entirely of waste.
Bonnets being used as walls in Pasha’s shop
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Raju is a BBMP paurakar-mika ( garbage collector) since 30 years
He seggregates and sells recyclable waste to make ends meet.
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Sampath,like the people mentioned,finds fortune everyday.Hope he realises it..
The End
OW
N YO
UR W
ASTE
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OWN YOUR WASTE
“The very notion of what we perceive as waste is questioned in places like Shivajinagar.The concepts of reduce - reuse - recycle are un-knowingly implemented by the people. In fact many lives revolve around waste. Garbage discarded by society can ba livelyhood, happi-ness or hope for another. Taking inspiration from these people we ask...‘Can we own our waste ?’
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A driver by profession , Sampath collects and sells waste(metal pieces from Gujri) to fuel his lottery addiction.
Mehaboob Pasha, a bike me-chanic in Gujri has built his entire shop from metal scrap.
Laxmis family uses wooden crates from Russel market as firewood.
Waste from russels flower market goes in manufacture of perfume
Raju, a garbage collector, segre-gates waste for extra income.
Children cooking a meal using paper as fuel.
Endangered in cities,sparrows feeding on cauliflower waste from the Vegetable Market in Shivajinagar.
Birds feeding on disposed meat waste near the beef market.
WASTE DEPENDENCIESSHIVAJINAGAR
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RADDI SHOPS
LOST SPACES
SPARROW
SCAVENGERS
GOAT/SHEEP
CATTLE
An abandoned shop has become abode of cattle and waste dump.
Goats pegged next to vegetable waste.
Shivajinagar has a large number of ‘Raddi shops’ to collect recy-clable wate.
Waste Dependencies Map
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Selected area-620 sqmtvolume of garbage generat-ed-110 metric tonnesRest of Shivajinagar-2380 sqmtvolume of garbage-80 metric tonnes.
SELECTED AREA FOR STUDY
Where does waste go?-Waste is taken to Mavallipura and dumped on site without any processsing.-Its not seggregated in any form and hence causes health haz-ards.-Mandur,a dumping ground earli-er has turned into a landfill.
Bangalore ,being a major met-ropolitan city in India generates about 4500 tonnes of solid waste daily for a population of 9.4 million people. ie, 0.5-1 kg of waste per person.Meanwhile Shivajinagar, (pop-ulation:70,669) being Banga-lore’s foremost economic hub generates about 8kg of waste per person per day.
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The area selected produces a major part of waste in Sho-vajinagar and moreover it has a variety of waste including plastic,metal,garbage,biomedi-cal waste,biodegradable waste, non-biodegradable waste.
Waste Management process is carried out by BBMP.In Shivajinagar itself there are 192 paurakarmikas(waste collectors),126 push-carts,8 trucks and 2 compressor trucks to carry out waste management.
BBMP truck
Tempo
Trolley
Dumps around nala
Public toilets
Biomedical waste
Permanent dumps
Gujri/metal waste
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Gujri
Residences
Hotels
Shops
Tarpaulin shops
Church
Gujri-also known as St.Stephens Square is a hub for reselling of spare parts.These spare parts are de-rived from dismantling old/damanged vehicles. GUJRI ANALYSIS
Typical characteristics:
-buildings are in a dilapidated condition-residences around are also filled with scrap-health hazards are common-dismantling of vehicles happen on the road causing problems for traffic-roofs,terraces are used for storage purpose
Landuse distribution of parts in Gujri
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Cause of the dump:
-Location : near Rusell market which produces 7-8 metric tonnes of garbage per day-Access : Ease of collection in terms of roadwidth-Low sense of ownership
RUSSELL MARKET DUMP ANALYSIS
Volume of garbage - 8 metric tonnes(Shivajinagar total:120 m.t)32 people working(3 officials,2 truck operators,1 JCB,12 trolley people,14 sweepers)Area covered by dump - 180 sq mArea dilapidated - 350 sq m5 counts of truck collection per week(2 shifts a week during festivals)
recyclable
others
organic
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Nala categorised underwet waste
Dump around russellcategorised undersolid waste.
Taxi stand and areaclose to dargah categorisedunder temporary dumps
Gujri area categorisedunder metal waste
Types of waste: location
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The image shows the wetdsi-posal around the nala,the image conveys that nala has been the dump for the people over manydecade.
The beeef market which is next dargah a decade old picture,shows that people back then also used to dispose thing on street (temporary dump).
Gujri is a strret in shivajinagar,where they dismantle all unsed and old vehicle ,and make use of all de genuine parts.
Russell market,the iconic colonial building,stands tall and serves as a major landmark of the bangalore city,also being used as a dumpyardat one of its side.
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a) Mornings 5am-1pm
Markets opening in the morning creates dumps in the front of markets which are left uncleared throughout the day
c) Late Nights 8pm- 3am
Late night stalls are a major con-tributors of roadside waste and hence waste never stops being generated here
b) Evenings 4pm- 8pm
As the night falls, the roads with restaurants create enough dumps on the roads that they affect pedestrian movement on thefootpath
The waste generated by dumping in the streets by people - at all times TEMPORARY DUMPS
MORNINGS LATE NIGHTS
EVENINGS
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The source of waste generated is the maximim by spaces owned by bbmp, mainly because they are public spaces. The least is by the Religious Institutions be-cause the sense of ownership is high.The Private Buildings are a major contributors of the dumps.
PHYSICAL OWNERSHIP
Religious Institutions
BBMP
Private
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The sense of ownership majorly influences the waste formed in the area. Most public buildings and spaces in the area of maximum dumps are obsered to be affected by very
low ownership.
PSYCHOLOGICAL OWNERSHIP
Low
Medium
High
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URBAN DESIGN STUDIO 2014-15
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IN| LINE CARICATURE
3rd SPACE
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RUSSELL MARKET – NAMED AFTER T.B RUSSELL, MUNICIPAL COMMISSIONER. IT WAS ESTABLISHED IN 1927 INAUGURATED IN 1933 BY HAJI ISMAIL SAITITS BOSTLING WITH ACTIVITIES FROM DAWN TILL WEE HOURS OF THE NIGHT. EVEN THE FIRE THAT DESTROYED LARGE PARTS OF THE MARJET ON 28TH FEB 2012 COULDN’T GUT THE ACTIVITIES AND ENERGY OF THIS PLACE.
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COMMERCIAL STREET ABOUT 1.5 KILOMETRES OF CONTRADICTION WHEN COMPARED TO SHIVAJINAGAR. ITS MORE ORGANISED AND DEVELOPED OVER TIME, MAJOR SHOPPING CENTRES SINCE THE 1920’S WITH A VARIETY OF MERCHANDISE AND BUSINESS FOR PEOPLE OF ALL CLASSES .THE SCENE DEPICTS A CHANGE IN THE ROLE OF THE PEOPLE WHEN MOVED FROM THEIR COMFORT ZONE TO YET ANOTHER PART OF SHIVAJINAGAR. THE POLITICIAN WHO SEEMS LIKE AN ORDINARY SHOPPER. THE THUG WHO’S ALMOST INSIGNIFICANT. THE DAILY VENDOR WHO’S CLUELESS BEYOND HIS TERRITORY.THE OUTSIDER TO SHIVAJINAGAR AT EASE IN THIS SETTING. THE POLICEMAN SUCCEEDS IN MAINTAINING LAW AND ORDER
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- NOTIONAL HEIRARCHYTHE POLITICIAN IS MLA ROSHUN BAIG, WHO IS A DOMINANT FORCE IN THE SOCIETY THE THUG HAS A STRONG INFLUENCE OVER EVERYTHINGTHE DAILY VENDOR, A CHAI WALA INTERACTS WITH PEOPLE FROM ALL STRATATHE POLICE A SYMBOL OF ‘LAW AND ORDER’THE VISITOR FEARS THIS PLACE.
NOTIONAL HEIRARCHYTHE POLITICIAN IS MLA ROSHUN BAIG, WHO IS A DOMINANT FORCE IN THE SOCIETY THE THUG HAS A STRONG INFLUENCE OVER EVERYTHINGTHE DAILY VENDOR, A CHAI WALA INTERACTS WITH PEOPLE FROM ALL STRATATHE POLICE A SYMBOL OF ‘LAW AND ORDER’THE VISITOR FEARS THIS PLACE
METHOD IN
MADNESS
INDIAN EXPRESS BALAMBIKA TEMPLE SPARE PARTS SHOP SALAFI MASJID BEEF MARKET CORP. BANK RUSSELL MARKET St. MARY’S BASILICA POLICE STATION CHARMINAR MASJID SHIVAJINAGAR BUS STAND COMMERCIAL
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THE PERCEPTION OF SHIVAJINAGAR STAYS THE SAME EVEN THOUGH IT HAS CHANGED OVER THE PAST FEW DECADES
EACH ONE CONVINCED HE IS OUTSMARTING THE OTHER YET ALL VITAL ROLES FOR THE SYSTEM TO RUN
INDIAN EXPRESS BALAMBIKA TEMPLE SPARE PARTS SHOP SALAFI MASJID BEEF MARKET CORP. BANK RUSSELL MARKET St. MARY’S BASILICA POLICE STATION CHARMINAR MASJID SHIVAJINAGAR BUS STAND COMMERCIAL
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3rd SPACE
“THINKING BEYOND AND DIFFERENTLY OF SIGNIFICANCE AND USE OF SPACE PROGRESSING BEYOND DUALITY OF WORL AND LIVE.”
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RESIDENTIAL
COMMERCIAL
INSTITUTIONAL
MIXED USE
Land use pattern -Shivajinagar
Mapping of different religious communities
Residential
commercial
institutional
mixed use
Area adjoining Hari Masjid
Area adjoining St. Mary’s basilica
Area adjoining anjaneya temple
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Landmarks
Shivajinagar –as percieved by a common man is a busy commercial area with busy bustling roads and the russel market . but what is ne-glected is the fact that there is dominant residential population living in this precinct of shivaji nagar .
Process :selecting sample size based on three religious institutions present in the presinctconducting a survey documenting and infering from the data collected mapping and analysissite selection
Area of study:Residential communities living in and around religious institutions of western part of shivajinagar
Religious buildings
restaurant
educational institutions
transportation
open grounds
healthcare centre
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Observations:
Pros:-strong influence of the religious buildings in the immediate pre-cintstrong binding among people of same locality Cons:-lack of sufficient recreation facili-ties within shivajinagarno buffer between residential and commercial activities
SAMPLE OF THE SURVEY DONE AT SHIVAJINAGAR
Survey- residential community-shivaji nagar – bangalore
Name: nevedita Age: 19 Occupation: student Total number of members in the family- 5 Do you own the house or is it on rent? – rented- rs11000 Age of the building -40yrsNumber of rooms - 2bhkApproximate area of the house -900sqftDistance from workplace – kr market Distance from school to your house (if applicable)-3.5km (b m english school)Distance from nearest playground or park- 3.5km (b m english school) What transport do you use? - bus, 2 wheelerWhat are the current issues?-lack of play grounds for children drainage overflow Recreational activity –adults – garuda mall, commercial streetchildren –b m english playgrounds, street outside the house family time- garuda mall, coles parkcommunity gatherings-church plazareligious meetings-church plaza others-relatives living within shivaji nagar
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Individual house typology near Noah Street
Individual house typology near Meenakshi Kovil Road
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Survey of area adjoining St. Mary’s asilica
Survey of area adjoining the Nala
Survey of area adjoining Noah Street
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Survey of area adjoining Meenakshi Kovil Road
Key plan
SAMPLE SURVEYED NO. OF OCCUPANTS MODE OF TRANSPORT
RELIGIOUSCOMMUNITY
OWN V/S RENTED
NALA PRECINT 6+5+6+6+4 MOSTLY MUSLIMS 2 3
ST. MARY’S BASILICAAREA
4+6+5+8+200 TAMIL CHRISTIAN DOMINATION
0 5
ANJANEYA TEMPLE AREA
4+3+3+6 HINDUS 2 2
NOAH STREET 6+20+8+4+7 MIX OF HINDU MUSLIM
2 3
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Maps show the means of trans-port used by the occupants of the area sampled, and the traffic and vehicular density that is accomodated on the roads adjacent these areas.
Width to Height Ratio Traffic Pedestrian Intensity Intensity
Major Roads
Minor Roads
TRAFFIC INTENSITY AND MOVEMENT ALONG PATHWAYS AND ROADS
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The lower fabric consists of commercial outlets mainly selling household goods,Tar-paulin sheets, hardware Etc. while the upper levels have residences.Most of the units are rented out, while the owners have moved to other parts of the city.
The Inner roads consist of narrow streets, accomodating only pedestrian and limited vehicular movement.Old buildings are extremely active, commuters and vendors are present all along the exterior commercial fabric with the residential areas situated in the inner layer of the fabric.
TrafficIntensity
Width to Height Ratio Pedestrian Intensity
Major Roads
Minor Roads
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Traffic Intensity
PedestrianIntensity
Major Roads
Width to Height Ratio
The edges of the drainage are lined with shops functioning as printing and automative work spaces. The shops along this edge use the covered naala for executing their manual work. The drainage line also connects the two main roads, shivaji road and HKP road.
Interior streets are extremely narrow, allowing only pedestrian and two wheeler vehicular movement. Most of these narrow lanes are used also as parking spaces on ei-ther side further reducing their usability.
Minor Roads
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Width to Height Ratio Traffic Intensity
Pedestian Intensity
The main roads – HKP Road and Shivaji road, meenakshi kovil road, studied around the areas sampled witnessed heavy traffic especially at the nodes.
The commercial exterior acts as a skin to the residential core, However with lack of public and transitional spaces in between the them. There is a lack of material resources, in terms of roads and infrastructure to regulate, manage and foster access to public spaces.
Major Roads
Minor Roads
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STRENGHTS
WEAKNESSES
OPPORTUNITIES
THREATS
MAINLYRESIDENTIAL
MAINLYRESIDENTIAL
NALA -MULTI-PURPOSE
NARROW STREETS
ROADSIN
BAD STATE
NARROW STREETSHIGH
DENSITY
HIGHDENSITY
COMMUNITY SPACE
COMMUNITY SPACE
SENSITIVITY TO MOSQUE
MADRASA
DOMINATINGCOMMUNITY
FACILITIES FOR
CHILDREN
FACILITIES FOR KIDS
HOUSING MODULE
NARROW STREETS
NARROW STREETSCANNOT HANDLELARGE CROWDS
GOVERNMENT INSTITUTIONS
GOVERNMENTINSTITUTIONS
STRONG SENSE OF COMMUNITY
LACK OF HEALTH & HYGIENE FACILITIES
LACK OF HEALTH & HYGIENE FACILITIES
CONNECTIVITYTO SHIVAJI RD
& HKP RD
THE RESIDENTIAL AREA ADJOINING NOAH STREET
THE AREA ALONG THE NALA
SWOT ANALYSIS
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COMMUNITY SPACE
COMMUNITY SPACE
SENSITIVITY TO
TEMPLE
DOMINATINGCOMMUNITY
OVERCROWDINGDURING FESTIVALS
CATALYSTNEEDED
FACILITIES FOR
CHILDREN
STRONG SENSE OF COMMUNITY
RESIDENCES &BUS STOP IN
CLOSE PROXIMITY
RESIDENCES &BUS STOP IN
CLOSE PROXIMITY
HEAVY TRAFFIC
HEAVY TRAFFIC
HEAVY TRAFFIC
ROADSIN
BAD STATE
COMMERCIALSPACE
ACTIVELY USED
PRECINCT
ACTIVELY USED PRECINCT
LACK OF HEALTH & HYGIENE FACILITIES
PAUSE-POINTFOR
COMMUTERS
EXISTINGDORMITORIES
NEED TOCONTROLTRAFFIC
THE AREA AROUND THE TEMPLE
THE RESIDENTIAL AREA AROUND ST. MARY’S BASILICA
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INFERENCE
Site Area: 7135 sqm
Diverse in terms of the landuse.
Has a core residential unit, well connected to the two main roads, HKP and Shivaji Road
The residential being the first space and commercial being the second, the need for a third space is evident
1. Site Adjoining the Nala Area
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2. Site Adjoining the Temple
2. Site Adjoining St Mary’s Basilica
Site Area: 2645 sqm
Has a small plaza currently used by commuters as a pause point.
Close proximity to the bus stop.
Also there is a need for an insti-tuitonal unit.
This aspect can be built on to create a third space.
Site Area: 5170 sqm
The residential units behind the church owned by the bishop are proposed sites for an upcoming commercial units.
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IN|FOCUS PHOTOGRAPHY
AMORPHOUS BOUNDARIES
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“Do you think they’re brothers?”
“Nah they don’t seem to be working together .”“But they are.”
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Just as roses have thorns that don’t show...
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UN
DA
RIES
“I don’t think we should go in there ”
“But Madamji there’s a house at the end of it!”
“Jump across, walk around.
Wade through.”
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...Though each one has a different way to go..
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UN
DA
RIES
“There are two side to this story”
“If you over look the third.”
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...They are still part of one reality...
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UN
DA
RIES
“Ma’am could you please smile for the camera”“No.”
“Bhai saheeb can we take a picture of your wife?”“No.”
“Ma’am can we take a picture of you?”“SURE!”
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...Often not afraid to be seen ...
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UN
DA
RIES
“So where do we walk now?”
“Anywhere I suppose”.”
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...They stand out clear, however fine...
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UN
DA
RIES
“There are no ways here, only roads.”
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...But sometimes as if there is no in-between...
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UN
DA
RIES
“I need some space .”
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...They morph into a single line.
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UN
DA
RIES
“I don’t think we should go in there ”
“But Madamji there’s a house at the end of it!”
Just as roses have thorns that don’t show...
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CAPTURED BY
Aileen GoveasAishwarya SardaAnirudh KabraAkshata Hegde
Archana RAyesha Praveen
Pratiksha
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UN
DA
RIES
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AMORPHOUS BOUNDARIES
“Just as roses have thorns that don’t showThings may not be what they seem to be Though each one has a different way to go They are still parts of one reality Often not afraid to be seen They stand out clear however fine But sometimes as if there is no in-between They morph into a single line...”
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UN
DA
RIES
BEGINNINGS OF STUDY
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INTRODUCTION
The picture (courtesy of the inframe workshop) shows the various negotiated layers in shivajinagar and the intricate, yet ordered relation among them.
The layers may be intersecting or repeating in the vicinity.
The understanding of these layers is the focus of the study.
The different layers observed are :-
Pedestrian Traffic
Vendors Parking
The study attempts to understand the behaviour, relationship and thenegotiations that exit between these layers.
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TrafficThe maximum traffic is observed at important activity generation points such as Shivajinagarbus stand and its surroundings,Meenakshi kovil street,Commercial street,Norrona road(In front of Russel market) and Jumma masjid road.
Parking
The parking facility is provided in areas such as in front of Russel market, the upper floors of theShivajinagar bus stand, on either side of commercial street.
Vendors
The vendors are primarily located where there is maximum pedestrian inflow, a surface for them to sell, sufficient shade from the sun and adequate lighting facility, .Such conditions are seen in Meenakshi kovil street,Norrona road and Jumma masjid road.
Pedestrians
The pedestrian movement andintensity depends on the location of means of transportation,religious institutions and maincommercial spaces(shops).
BOU
ND
ARIES
The street with different charactors emphasizes on the different behaviours with the change in time.An active scenario with dense population right infront of the church on Meenakshi Kovil Street highlights the usage of the space at different times.
PLACE OF STUDY:MEENAKSHI KOVIL STREET
About Meenakshi Kovil
Street - Meenakshi Kovil Street is one of the most used and important street in the vicinity.Along its lenght, It has sev-eral prominent landmarks, the bus stand, Meenakshi Temple, St Mary’s Basili-ca, Bowring Hospital and few more religious places around.
0 5 15 40
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WHY MEENAKSHI KOVIL STREET?The street connects all major landmarks around and hence, It is a very busy and an important street.
temple in the back-drop
H:W-1:1.5Church bound-ary wall
hospital andapart-ment wall
H:W-1:2.5
Built Commercial Space Vendor Vehicular Traffic Pedestrian Vendor
Permanent Built A Generic section through the street.
It is also a part of the triangle connect between the three major move-ment generators in the locality, which are the Bus stand, Seppings road junction and Commercial Street.Hence it has high intensity of pedestrian and vehicu-lar movement.The street has all the el-ements choosen for the study and the height to width ratio is 1:1.25 which makes the street public in nature.
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UN
DA
RIES
25/30 m length textile 1/20 m length
70/100 sqftcustomers , shopkeep-
ers and vendors
MORNING PEAK HOURS NIGHT
1/4 m length near E-1 street and russell
market
8/4 m length - 2 wheeler - 2-3 along the
street near garbage1/4 m length
vegetable- 4-7am 10/2m
flower 2/m
Permanent stores open
@ 10:30 am
Permanent stores with space for vwndors
in front
Extended store - a place to sleep at
night
5 persons/100 sqft church visitors and
vendors
40/100 sqft residents , customers
, shopkeepers and vendors
2 / 40m / min
28 / 30m / min
2 / 30m / min
8 / 40m / min
150 / 30m / min
10 / 30m
11/ 40 m / min
55 / 30m / min
5 / 30min
LAYERS ON THE STREET
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Morning: 6 - 9 am
Peak hours: 10 - 7 pm
Night: 8 - 11pm
public buildingscommercialresidentialreligious
pedestrian intensityvehicular intensityparked vehiclesconcentration of vendors
Key plan 0 10 35 50 M
0 5 15 35 M
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AIM OF STUDY
This study was carried out to understand the under-lying order followed in the layering of the various ele-ments in the public realm. And also to take a look at the physical elements that influence their behaviour in the larger frame of events.
A CLOSER LOOK AT THE PUBLIC REALM
KEY PLAN
DETAIL AT A
THE LAYERS IN PLAN DETAIL AT B
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KEY PLAN
DETAIL AT A
pedestrian movementstreet vendorsvehicular movementDETAIL AT B
A GENERIC STREET SECTION
SECTION YY
SECTION XX
OBSERVATIONS AND IN-FERENCES
The public realm being predominantly commer-cial, followed a certain order in the llayering of elements, viz.-The shop fronts -pedestri-ans and parked vehicles - street vendors - pedestri-ans and moving vehicles, this being one half of the section and a similar mir-rored pattern in the other half.
Most of the expected pedestri-an movement on the sidewalks spills over onto the roads due the usage of the sidewalks by the vendors to sell. Also, the condi-tion of the sidewalks being bad in several places is not conducive to unhindered pedestrian move-ment.
Street vendors pick places to sell on based on inter-action with the pedestri-an edges and also other conditions such as the available ground and wall surface, lighting condi-tions, shade during the day (As seen in the case of the vendors’ network that runs along the boundary wall of Bowring-Curzon Hospital, due to its height and thus its ability to pro-
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INFERENCES ANDOBSERVATIONS
The long and high wall of the Bowring Hospital is used by vendors also put up dis-play of their products.
Vendors also put up the display in front of shops, usually in between two shopfronts.
Parked vehicles are also used by the vendors to sell on. Almost in the same manner of using a counter or a ledge.
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Vendors are also found selling against the temple entrance.(left)Selling against gates andboundary walls can be abstracted to a dimen-sionalsurface situation.(bottom left)
vehicular vendors
pedestrian
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BOUNDARYELEMENTS
Physical boundaries
-Explicitly definedbound-ary elments such as barri-cades,compounds,fences and bollards.
-Material changes
-Level differneces
material changes
levels
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Notional boundaries
Spaces that have charac-teristic which are psycho-logically unpleasant and unwel-coming such as tight spaces,dark spaces and clogged up spaces.
Surface treatments such as facade design styles can denote notional edges of community pockets or the character of the region with these edges. alleys
explicit fencing
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Street vendors are also seen to be concentrated near the corners, upto 25 feet into bye-lanes.Most of the sidewalks are occu-pied by the street vendorsand permanent shops to display goods. Also, the pavements are poorly maintained, making it difficult for pedestrians to use it(left).
Pedestrians are forced to walk on the main street(right). They occupy nearly 60% of the 10 me-tre widestreet, creating congested conditions for vehicular move-ment(right).
Some shop owners allow street vendors to set up their display in front of their shop provided that the vendors sell goods other than the ones avail-able in the shops(left).
Interaction between the elements on Meenakshi Kovil Street-the street vendors, pedestrians,building edge and vehicular traffic(left)
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Sites chosen for intervention(above)
VISION
The study makes it clear that the physical and social construct of Shi-vajinagar works on the phenomena of boundaries being broken, leading to negotiations.Our intention is to retain this quality that supports the dynamic relationships that depend on it.
Each of the above sites is chosen either due to its lack of spaces for nego-tiations, currently not functioning at their full potential, OR due to the existing dy-namic relations requiring a more convenient and de-signed setting.
VISION AND INTERVENTION
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IN|MOTION VIDEOGRAPHY
TEXTILES
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‘‘When you are having fun and creating something you love, it shows in the result’’
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The thread is a short movie about the textile business of Shivajinagar, which is 60% of all the business taking place in this area. It shows how life of people working there is interdependent on each other. Shivajinagar is like an entire world in itself where people of different religion and age work and co-exist. And for the people of shivajinagar, work is worship.
There are three major kinds of shops which are dominant in the textile industry in shivajinagar i.e tailoring shops , embroidery shops and cloth material shop. These businesses are heavily interdependant, and hence, one cannot survive without the oth-er. This movie shows how these businesses go about typically and also documents the lives of a few people who run these business-es.
For the people who makes Shivaji Nagar, their profession is their re-ligion. The interconnectivity and unity among the people makes their business grow and prosper. Here, everybody has a place and purpose, be it a roadside foot-wear vendor, a bangle store or even a cobbler. This movie is one thread of a complex web which is Shivaji Nagar.
THE THREAD [
Cloth Tailor Embroid
]‘‘It’s hard to imagine the amount of work and time that has gone into making those jeans you’r wearing. And the number of peo-ple who worked on it? Let’s not even go there’’
TEXTILES
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Dada bhai’s journey in the ma-terial market, goes back to his forefathers, who were from Guja-rat. His grandfather Mohammad set up a material market store in Gujarat named ‘Surya store’. Mo-hammad Rahman along with his 4 brothers moved to Bangalore in the year 1966 and after set-ting up a business here, moved their family here in 1972. In 1972 Dada Bhai was just 10 years old.
While Mohammad Rahman’s brothers did not survive in Ban-galore and moved back to Guja-rat, Surya Store was taken over by Mohammad Rahman’s 4 sons who renamed the store ‘Textile Bazaar’.In the year 1980, after getting ed-ucated in S.D.A High School, Dada Bhai at the age of 18, joined the material market.In 1997, after the sudden demise of his father, he took over his fa-ther’s business.
In 2003, he purchased the same store for Rs. 12,00,000. His fi-nancial support came from out-siders.Along with his store he has also purchased his house. He lives with his family, his old mother, wife and 3 kids. His oldest daughter’s wedding is planned to take place this December.Dada Bhai continues to have a debt of Rs.8,00,000, which he plans to pay off within the next 4-5 years.
Name: Abdul Rahman (Dada bhai)Shop Name: Mona CollectionsOccupation: Dealer in Materials
‘‘My son Azaad is 16 years old. I’d like for him to take over my business. It has scope and i am positive about it’s development’’
t
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Amaan Sharif is of age 35. He was born and brought up in Ban-galore. His father was an iron merchant, who started work in the outskirts of Shivajinagar. At present his family owns a shop in Shivaji-nagar called the ‘ AI traders’.After finishing SSLC at Kuthal Islam at the age of 18, Amaan Sharif decided not to join the family business as it disinterested him.
This is when he trained and learnt tailoring under a few shops in Commercial Street, one of which was that of Shyam Roy.He rented out his own shop in the year 2006 which was the same year he got married. He named the shop ‘Nigar’s Collections’ af-ter his wife.He works with 2 employees under him and wishes to buy his own place but cannot afford to do so, due to financial circumstances.
Both his brothers are working with his father in the same busi-ness. He stays in a joint family in Shivajinagar, a house in which they presently own.He talks about the significant growth in the tailoring market in the last few years. His only com-plaint about the business is that, his shop like most, is located in one of the most narrow lanes of Shivajinagar, due to which it is dif-ficult for the tailors to advertise.
Name: Amaan SharifShop Name: Nigar’s collectionsOccupation:Tailoring busi-ness
‘‘My shop is on an inner lane and I face fierce com-petion from my peers. Yet, i don’t have a shortage of customers. This is exactly why I, or others like me continue this trade’’
TEXTILES
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TEXTILES
“The Thread”, continuing from the understand-ing got from videography, this mapping study deals with analyzing the interdependencies and intercconnections of not just the markets of textile, but also the types of shops, types of streets locations of shops on different streets, types of customers and the intern effect of these on the character of the streets.”
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Area of study
INTRODUCTION
Shivajinagar, has two major crowd-calling areas- Rusell Market and Commercial Street.Over the years, and due to the recent fire in Rusell Market, the focus of being the face of Shivajinagar, has shifted from Rusell Market to Commercial Street.
Commercial street, mainly contains textile market, which forms 60% of total business in Shivajinagar.
This mapping tries to analyse and understand the area, throught a study of textile market of Shivajinagar.
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Images from top left clockwise:Embroidery shop, Tailoring shop, Material shop, Readymade shop.
The textile market of Shivaji-nagar consists of 4 types of shops: Readymade market, material market, embroidery market, tailoring market.
CommercialResidentialEducationalPlace of WorshipCivicRestaurants and EateriesOpen SpacesWater Bodies
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TYPOLOGY OF THE SHOPS
This map shows typology of shops in shivaji nagr. mostly they are categorized into four types i.e, cloth material shops , tailoring shops, embroidery shops and readymade cloth shops. commercial street and jumma masjid street mostly consist of readymade shops.ibrahim street has a mix of readymade, material and tailoring shops.seppings road mainly consists of small material shops on internal streets.
readymade garments material tailoring embroidery O 50M 100M 250M
A-Commercial StreetB-Ibrahim Sahib StreetC-Veera Pillai StreetD-Jumma Masjid RoadE-Sultan B CrossF-Seppings Road
STREETS
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NO OF SHOPS STREET WISE
commercial streetreadymade - 34 material - 2 tailoring - 2
jumma masjid street readymade - 28 material - 2tailoring - 1
Ibrahim sahib street readymade - 16 material - 22 tailoring - 17 embroidery - 1
seppings road readymade - 10 material - 62 tailoring - 1
above left: tailoring shopsabove middle: material shopabove right: embroidery below bottom: readymade cloth shop
ready made material tailoring embroidery other bussiness
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PEDESTRIAN TRAFFIC AND NUMBER OF CUSTOMERS PER DAY
PEDESTRAIN TRAFFIC
NUMBER OF CUSTOMERS PER DAY
The study done to compare the density of pedestrains from one street to another. To relate the vehicular traffic density and pedestrain density. To find the dependency between number of customers visiting a shop and the pedestrain density on a certain street.
The number of customers on Ibranhim Sahib Street is more than number of customers on Commercial Street as per unit area consid-ered.
O 50M 100M 250M
5-2020-5050 Above
Very highHigh Medium Low
A-Commercial StreetB-Ibrahim Sahib StreetC-Veera Pillai StreetD-Jumma Masjid RoadE-Sultan B CrossF-Seppings Road
STREETS
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A SHOP ON COMMERCIAL STREET
“ONE SHOP UNIT”
One shop unit is the typical size of a shop unit assumed for the purpose of comparing the number of customers per shop as per area.
A TYPICAL SHOP UNIT IS OF AREA 10 SQM
STREET AREA UNITSCommercial 67 7Ibrahin Sahib 10 1
A SHOP ON IBRAHIM STREET
Images on top and bottom respectively- Commercial Street and Ibrahim Sahib Street.
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VEHICULAR TRAFFIC WITH ROAD WIDTHSThe map shows a comparative study of vehicular traffic with road
widths.
High 4 wheeler trafficHigh 2 wheeler trafficLow 4 wheeler trafficLow 2 wheeler traffic
This is to compare and understand the variations in road widths and it’s relation to the type of shops on each street.The type of shops also determine the type of people and customers on each street.This inturn determins the vehicular traffic per street.
The interrelation between the character of the street, road width, type of shop, type of customers can be thus understood.
O 50M 100M 250M
A-Commercial StreetB-Ibrahim Sahib StreetC-Veera Pillai StreetD-Jumma Masjid RoadE-Sultan B CrossF-Seppings Road
STREETS
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As evident as it seems, the wider roads have comparatively higher vehicular traffic.i.e., Commercial Street, Seppings Road.
Contradictory to this, is an ex-ception- Kamraj Road, which is 8m wide and compar-atively has the least vehicular traffic.
The backstreets of Commercial street, i.e., Ibrahim Sahib Street, Veera Pillai Street, have compar-atively lesser road width, lower 2 wheeler traffic, but very high 2 wheeler traffic.
Images from top left clockwise:Kamraj road, Commercial Street, Jumma Masjid, Ibrahim Sahib Street.
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NAME TYPE AREA NO. OF UNITS AGE CUST/ DAY
1. NIHAAR PLAZA
2. BOMBAY TEXTILES
3. JAZZY FASHION
4. BOMBAY DYING
5. W
R E
A D
Y M
A D
E
R E
T A
I L
250 SQM
150 SQM
30 SQM
300 SQM
50SQM
8 YRS
12 YRS
7 YRS
15 YRS
8 YRS
20 - 50
15 - 20
50 ABOVE
30 - 40
10- 15
Plans showing two typologies of shops on commercial street.
90% of the shops on Comm St are of readymade retail.Majority of g+3 structures.Majority of customers are of up-per middle class.Active in signage because of class of people and standard of shops. It is a one way street.The shop owners of Comm St do not reside in Shivajinagar.Unlike other streets, the upper floors are either godowns or shops and not residences.
A. COMMERCIAL STREET
X 25
X 15
X 3
X 30
X 5
STREET CHARACTER
Width of the street is broad 4 wheeler traffic is high because of broader road width.Parking of one side of the street.Heavy pedestrain and vehiculartraffic overlap.
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B. IBRAHIM SAHIB STREET
NAME TYPE AREA NO. OF UNITS AGE CUST/ DAY
1. MEERA FASHION
2. JAGDEESH COLLEC- TIONS
3. NIGAAR TAILORS
READ
YMAD
E RE
TAIL 12 SQM
15 SQM
10 SQM
25 YRS
10 YRS
12 YRS
10 - 15
10 - 15
7 - 15
X 1.5
TAILO
RING
STREET CHARACTER
High 2 wheeler and pedestrian traffic.Vendors on both sides of road.Relatively narrow street.
Mostly g+1 or g+2 structures.Uneven profile of street.Residence on top with shops below.Majority of readymade retail.Customers are middle class and lower middle class.High 2 wheeler and pedestriantraffic inspite of a narrow road.2 wheeler parking on both sidesVendors of readymade clothesand footwear on both sides ofstreet.
Shop of area 10 sqm ap-prox. with residence on top
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OBSERVATIONS AND CONCLU-SIONS-mostly g+3 strs-buildings are 30-40 years old-4 major eateries used by the working class.-low traffic with parking on either sides-very few scattered tailoring shops-very narrow pedestrian path-ways
STREET CHARACTERNarrow street. Relatively high pedestrian density. Residential in character. Two wheeler parking on either sides. Old abandoned buildings.
C.VEERA PILLAI STREET
NAME TYPE AREA NO. OF UNITS AGE CUSTOMERS
1.KASHISHTAILORS
2. ZARA BOTIQUE T
A I L
O R
I N G
13 SQM
12SQM
9 YRS
2 YRS
3-4
7-8 PER SHOP
X1
X12
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D.JUMMA MASJID STREET
OBSERVATIONS AND CONCLU-SIONS:
-Mostly readymade market -Only two tailoring shops avail-able.-Mostly g+3, upper floors mostly residential.-2 major landmarks- masjid and temple located adjacent to each other.
STREET CHARACTER-comparatively less vendors.-heavy pedestrian and vehicular traffic. ( 4 wheeler and 2 wheel-er).-one way vehicular traffic (to-wards kamat hotel).-even profile of the street.-no civic facilities (like toilets etc.) available.
NAME TYPE AREA NO. OF UNITS AGE CUSTOMERS
1. REHMAN COLLECTION
2. GOLDEN PLAZA
R E
A D
Y M
A D
E R
E T
A I L 63SQM
1400
10 YRS
8 YRS
10-15
10-12 PER SHOP
X6
X140
A typical retail unit on jumma
masjid road.
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NAME TYPE AREA NO. OF UNITS AGE CUSTOMERS
1. SHOP A
2. SHOP B
PER DAY
R E
A D
Y M
A D
E R
E T
A I L
6 SQM
9 SQM
x 0.5 4 YRS
4 YRS
8 - 10
8 - 10
OBSERVATIONS AND CONCLU-SIONS:
Boundary wall of the bowring institute being used by the lower class and immigrants.Temporary structures with tar-pauline roofs Heavy two wheeler movement.Only concrete street in shivaji-nagar.Storage for these markets in masjid.Only 1 food joint and 1 tea stall.
Details of the temporary structures on Sultan B Crossroad .
STREET CHARACTER
Most of the shops are ready-made retail .Most of the shops are temporary
E.SULTAN B CROSS ROAD
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F.SEPPINGS ROADSTREET CHARACTER
Elevation profile is uneven.G+0 strs comprise of a shop. g+2 strs usually have a shop at the bottom and godown on top.Rent ranging from rs 200 to rs 1500 per day.An open sewage canal runs perpendicular to the road.
OBSERVATIONS AND CONCLU-SIONS:
Majority of material market.50% of shops are stalls arranged side to side.Majority of the shopkeepers belong to the lig group.Internal streets are highly pedestrian.
Temporary retail market detailson seppings road
NAME TYPE AREA NO. OF UNITS AGE CUSTOMERSPER DAY
1. MAQBUL TEXTILE
2. SHAQIR COLLECTIONS
M A
T E
R I
A L
R E
T A
I L
2 SQM
6 SQM
8 YRS 5 - 10
22 YRS 10 - 15
/5
/2
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O 50M 100M 250M
1. TIBETIAN STREET
Providing better connectivity to Sultan B Cross Road.Providing temporary residential spaces for seasonal merchants like the tibetian migrants who are here mostly during monsoon and winter.
INTERVENTION
Proposed interventions to primarily cater to wellbeing of texile market in Shivajinagar.
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3. VEERA PILLAI STREET AND KAMRAJ ROAD
The tailoring and embroidery market in particular remain undiscovered because of the location of the shops and been given less importance. Aim is to bring importance to this market by means of workshops, retail, different new means of embroi-dery and old handicraft ways of embroidery on to the streets which have major existing crowd.
2. SEPPINGS ROAD
To provide better access to the material market which at the moment remains unapparent. To provide civic and recreation-al facilities for the commerical stakerholders on site. To provide offices for the Material Market Association and instill their im-portance. To create a community space which improves interaction and interdependence between the stakeholders on site.
Images - left: Tibetian Street, right top: Palace Mall on Sep-pings Road, right bottom: Veera pillai street.
Proving a production factory of materials for the interconnected markets of Shivajinagar. To pro-vide employment opportunities for the working class of the area and create more interdepen-dencies amongst the market of textile.
TEXTILES
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LIST OF REFERENCES
DECCAN TRAVERSES (ANURADHA MATHUR, DILIP DA CUNHA)A STUDY OF THE EASTERN WATERFRONT OF MUMBAI (KAMAL RAHEJA COL-LEGE, MUMBAI)BETTER STREETS, BETTER CITIES- AGUIDE TO STREET DESIGN IN URBAN INDIA (CHRISTOPHER KOST(ITDP), MATTIAS NOHN)THE PROMISE OF THE METROPOLIS: BANGALORE’S TWENTIETH CENTURY (JANAKI NAIR)BANGALORE: THE STORY OF A CITY (MAYA JAYAPAL)ILLUSTRATIONS BY PAUL FERNANDES
PHOTOGRAPHY ANKITA SABHARWALDIVYANSH AGARWAL MANASA G.NIDHI B. R.
REFERENC
ES
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CLASS OF 2011-15 BATCH R.V.C.A
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