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Music Appreciation Class #13 Romantic Ballet and Opera

Music Appreciation Class #13 Romantic Ballet and Opera

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Page 1: Music Appreciation Class #13 Romantic Ballet and Opera

Music AppreciationClass #13Romantic Ballet and Opera

Page 2: Music Appreciation Class #13 Romantic Ballet and Opera

Peyotr Ilyich Tchaikovsky1840-1893

Page 3: Music Appreciation Class #13 Romantic Ballet and Opera

Biography

•Child prodigy▫Discouraged

•Composed at 14•Musical training (conservatory)•“The Five”

▫Conflicting musical influences•Civil service job•International success

Page 4: Music Appreciation Class #13 Romantic Ballet and Opera

Musical style•Russian

▫Folk tunes▫Harmonies▫Rhythms

•European▫German form▫Italian melody▫French lyricism

Page 5: Music Appreciation Class #13 Romantic Ballet and Opera

Ballet (Russian Nationalism?)

•Previously inconsequential music▫2nd rate composers

•Tchaikovsky elevated and expanded▫Full orchestral tonality

•Stand-alone quality

Page 6: Music Appreciation Class #13 Romantic Ballet and Opera

“Romeo and Juliet” (1869)

•Scandal!

Musically graphic Violence/sex

•Overture Fantasy (11:00)

• Youtube.com @ 7:45

Page 7: Music Appreciation Class #13 Romantic Ballet and Opera

Brief segue

•Sergei Prokofiev (1891-1953)▫“Romeo and Juliet” 1935

Arrival of the Capulets and the Montagues Romeo and Juliet’s pas de deux

Rudolf Nureyev and Lynne Fontanne: Balcony Scene

Page 8: Music Appreciation Class #13 Romantic Ballet and Opera

Nutcracker (1891)

•Most expansive ballet score to date▫Immediately popular▫Critically ridiculed

▫“Sugar Plumb Fairy” from the Kirov Ballet

Page 9: Music Appreciation Class #13 Romantic Ballet and Opera

Piano Concerto #1 (1875)

•Van Cliburn (1934 - )

•1st International Tchaikovsky Competition ▫1958

Page 10: Music Appreciation Class #13 Romantic Ballet and Opera

1812 Overture (1880)• Commission

▫Russia’s victory over Napoleon▫Orchestration

Tubular bells 16 cannon shots on musical cue!

• Carnegie Hall

• Philadelphia

Seiji Ozawa and the Berlin Philharmonic @ 4:0011:45

Page 11: Music Appreciation Class #13 Romantic Ballet and Opera

Personal • Gay

▫ Punishable by prison/execution

• Paranoid

• Married▫ Antonina Miliukova

Virtual stranger Unsolicited love letter Disastrous marriage

Page 12: Music Appreciation Class #13 Romantic Ballet and Opera

Nadezhda von Meck• Patron, 1877-90

• Letter relationship only

• Abrupt end

Page 13: Music Appreciation Class #13 Romantic Ballet and Opera

“Bob”

Page 14: Music Appreciation Class #13 Romantic Ballet and Opera

FranceOpéra Comique

Page 15: Music Appreciation Class #13 Romantic Ballet and Opera

Georges Bizet (1838-1875)

Page 16: Music Appreciation Class #13 Romantic Ballet and Opera

Carmen (1875)

•Prosper Mériméé (1845)

•Commission

▫Opéra Comique

Light, tuneful music Comic or silly plot Spoken dialogue

Page 17: Music Appreciation Class #13 Romantic Ballet and Opera

Premiere

•Acts 1 and 2 Applause, curtain calls

•Acts 3 and 4 Booing, whistling

•Bizet’s escape and death

Page 18: Music Appreciation Class #13 Romantic Ballet and Opera

Idée fixe

•“Fate” motive

▫Overture

▫Carmen and Don Jose’s meeting

▫Carmen’s murder

Page 19: Music Appreciation Class #13 Romantic Ballet and Opera

Two scenes

•Habanera

•Carmen’s murder

▫American singers

Maria Ewing

Barry McCauley

Page 20: Music Appreciation Class #13 Romantic Ballet and Opera

Retellings

•Ballet suite

•Carmen Jones (1943)▫Oscar Hammerstein II

Dorothy Dandridge (Marilyn Horne)

Page 21: Music Appreciation Class #13 Romantic Ballet and Opera

GermanyRichard WagnerRichard Strauss

Page 22: Music Appreciation Class #13 Romantic Ballet and Opera

Richard Wagner (1813-1883)

Page 23: Music Appreciation Class #13 Romantic Ballet and Opera

Biography

•Step-father’s influence

•Composition training▫Beethoven▫Bach

•Opera as drama

Page 24: Music Appreciation Class #13 Romantic Ballet and Opera

Gesamtkunstwerk

•“Complete art work”

▫Total synthesis of

Music Drama Theater Dance Politics

Page 25: Music Appreciation Class #13 Romantic Ballet and Opera

Thirteen complete “music dramas”•http://wagneroperas.com/

indexwagneroperas.html

Page 26: Music Appreciation Class #13 Romantic Ballet and Opera

Leitmotif

•Musical idea or Melody▫Associated with

Character Event Prop

• Idée fixe ▫Hector Berlioz

Symphonie Fantastique

Page 27: Music Appreciation Class #13 Romantic Ballet and Opera

“Mad” King Ludwig II

Page 28: Music Appreciation Class #13 Romantic Ballet and Opera

King Ludwig and Wagner

•Admirer

•Patron▫Saved Wagner’s career?

•“Swan King”▫Lohengrin

Page 29: Music Appreciation Class #13 Romantic Ballet and Opera

Neuschwanstein

Page 30: Music Appreciation Class #13 Romantic Ballet and Opera

Bayreuth Festspielhaus

•Mecca for Wagnerites

•Replacement for Easter/Church

•Complete “Ring” cycle

•Hidden Orchestra pit

Page 31: Music Appreciation Class #13 Romantic Ballet and Opera

Der Ring des Nibelungen (1848-74)•Das Rheingold (The Gold of the Rhine)

▫Creation of the Ring

•Die Walküre (The Valkyries)

•Siegfried

•Götterdämmerung (Twilight of the Gods)

Page 32: Music Appreciation Class #13 Romantic Ballet and Opera

Ring Cycle Facts

•Libretto▫German, Scandinavian and Norse myth▫34 characters

God(s) vs. humans Aryan culture vs. Jewish “threat”

•Music▫15 hours▫Through-composed

Page 33: Music Appreciation Class #13 Romantic Ballet and Opera

Die Walküre (2nd opera in the cycle)•God

▫(Wotan or “Wälse”)

•Siegmund▫“victory” + “mouth” (“shield”)

•Sieglinde▫“victory” + “gentle”

Page 34: Music Appreciation Class #13 Romantic Ballet and Opera

God in Human Form

•Wagner ideal

•Sieglinde and Siegmund (“Wehwal”)

Sister/bride and Brother/groom

“Now let our race flourish and continue!”

Siegfried (Savior/Fuhrer/Leader)

Page 35: Music Appreciation Class #13 Romantic Ballet and Opera

Background

•Hunding▫Mystery wedding party guest

•Tree with a Sword (“Notung”)

Finale of Act I. (Concert version with Domingo)

Bayreuth : Jeanine Altmeyer and Peter Hoffman

Page 36: Music Appreciation Class #13 Romantic Ballet and Opera

Essays

•Anti-Semitic

•Sexist

•Socialist

•Inspiration for Nazis

Page 37: Music Appreciation Class #13 Romantic Ballet and Opera

The Ring and Star Wars

•http://www.trell.org/wagner/starwars.html

Page 38: Music Appreciation Class #13 Romantic Ballet and Opera

GermanyEven Worse…

Page 39: Music Appreciation Class #13 Romantic Ballet and Opera

Richard Strauss (1864-1949)

Page 40: Music Appreciation Class #13 Romantic Ballet and Opera

Biography

•Musical family

•Involved with the Dresden opera▫Wagner

•Politically active▫3rd Reich

Page 41: Music Appreciation Class #13 Romantic Ballet and Opera

Tone Poems (1896)

•Also sprach Zarathustra

▫Friedrich Nietzsche

“God is dead.”

•2001: A Space Odyssey▫1968

Page 42: Music Appreciation Class #13 Romantic Ballet and Opera

Salome

•Mark 6:21-29 & Matthew 14:6-11

•Oscar Wilde

▫Paris, 1891

In French?!

Prison

Page 43: Music Appreciation Class #13 Romantic Ballet and Opera

Characters

•Herod, King of Judea

•Herodias, his wife (former sister-in-law)

•Salome, her daughter (14)

•John the Baptist (“Jochanaan”)

Page 44: Music Appreciation Class #13 Romantic Ballet and Opera

Operatic/dramatic problems

•Orchestra▫Wager +

•Salome▫Vocally demanding

Look 14 years old Sexually attractive

▫The “Dance of the Seven Veils”

Page 45: Music Appreciation Class #13 Romantic Ballet and Opera

Censored!

•New York, 1907

▫Metropolitan Opera

•Dress Rehearsal

▫Sunday afternoon Patrons = Astors, Vanderbilts Politicians

Page 46: Music Appreciation Class #13 Romantic Ballet and Opera

Opening Day Reviews

“…one of the most horrible, disgusting, revolting and unmentionable exhibitions of degeneracy I

have ever heard, read or imagined...”

“…A sewer is a necessity of our everyday life, but the fact of its existence does not also create the

necessity for us to bend over its reeking filth and inhale its mephitic vapours...”

Page 47: Music Appreciation Class #13 Romantic Ballet and Opera

Final scene: warning!

•Catherine Malfitano